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Ariadne
Ariadne asleep at Hypnos's side. Detail of ancient fresco in Pompeii
Abode	Crete, later Mount Olympus
Symbol	String / Thread, Serpent, Bull
Genealogy
Parents	Minos and Pasiphaë (or Crete, daughter of Asterius)
Siblings	Acacallis, Phaedra, Catreus, Deucalion, Glaucus, Androgeus, Xenodice; the Minotaur
Consort	Dionysus, Theseus
Children	Staphylus, Oenopion, Thoas, Peparethus, Phanus, Eurymedon, Phliasus, Ceramus, Maron, Evanthes, Latramys, Tauropolis, Enyeus and Eunous
Equivalents
Roman	Libera

In Greek mythology, Ariadne (/ˌæriˈædni/; Ancient Greek: Ἀριάδνη; Latin: Ariadne) was a Cretan princess, the daughter of King Minos of Crete. There are different variations of Ariadne's myth, but she is known for helping Theseus escape from the Minotaur and being abandoned by him on the island of Naxos. There, Dionysus saw Ariadne sleeping, fell in love with her, and later married her. Many versions of the myth recount Dionysus throwing Ariadne's jeweled crown into the sky to create a constellation, the Corona Borealis.

Ariadne is associated with mazes and labyrinths because of her involvement in the myths of Theseus and the Minotaur.

There are also festivals held in Cyprus and Naxos in Ariadne's honor.

Etymology

Greek lexicographers in the Hellenistic period claimed that Ariadne is derived from the ancient Cretan dialectical elements ari (ἀρι-) "most" (which is an intensive prefix) and adnós (ἀδνός) "holy". Conversely, Stylianos Alexiou has argued that despite the belief being that Ariadne's name is of Indo-European origin, it is actually pre-Greek.

Linguist Robert S. P. Beekes has also supported Ariadne having a pre-Greek origin; specifically being Minoan from Crete because her name includes the sequence dn (δν), rare in Indo-European languages and an indication that it is a Minoan loanword.

Family

Ariadne was the daughter of Minos, the King of Crete and son of Zeus, and of Pasiphaë, Minos' queen and daughter of Helios. Others denominated her mother Crete, daughter of Asterius, the husband and King of Europa.

Ariadne was the sister of Acacallis, Androgeus, Deucalion, Phaedra, Glaucus, Xenodice, and Catreus. Through her mother, Pasiphaë, she was also the half-sister of the Minotaur (who was known in Crete as Asterion).

Ariadne married Dionysus and became the mother of Oenopion, the personification of wine, Staphylus, who was associated with grapes, as well as Thoas, Peparethus, Eurymedon, Phliasus, Ceramus, Maron, Euanthes, Latramys, and Tauropolis.

Mythology

Minos put Ariadne in charge of the labyrinth where sacrifices were made as part of reparations either to Poseidon or Athena, depending on the version of the myth; later, she helped Theseus conquer the Minotaur and save the children from sacrifice. In other narrations she was the bride of Dionysus, her status as mortal or divine varying in those accounts.

Minos and Theseus

Because ancient Greek myths were orally transmitted, like other myths, that of Ariadne has many variations. According to an Athenian version, Minos attacked Athens after his son, Androgeus, was killed there. The Athenians asked for terms and were required to sacrifice 7 young men and 7 maidens to the Minotaur every 1, 7 or 9 years (depending on the source). One year, the sacrificial party included Theseus, the son of King Aegeus, who volunteered in order to kill the Minotaur. At first sight, Ariadne fell in love with him and provided him a sword and ball of thread (ο Μίτος της Αριάδνης, "Ariadne's string") so that he could retrace his way out of the labyrinth of the Minotaur.

Ariadne betrayed her father and her country for her lover Theseus. She eloped with Theseus after he killed the Minotaur, yet according to Homer in the Odyssey "he had no joy of her, for ere that, Artemis slew her in seagirt Dia because of the witness of Dionysus". The phrase "seagirt Dia" refers to the uninhabited island of Dia, which lies off the northern coast of the Greek island of Crete in the Mediterranean Sea. Dia may have referred to the island of Naxos.

Most accounts claim that Theseus abandoned Ariadne on Naxos, and in some versions Perseus mortally wounds her. According to some, Dionysus claimed Ariadne as wife, therefore causing Theseus to abandon her. Homer does not elaborate on the nature of Dionysus' accusation, yet the Oxford Classical Dictionary speculated that she was already married to him when she eloped with Theseus. According to Plutarch, Paion the Amathusian recounted Theseus accidentally abandoned Ariadne only to come back when it was too late.

Naxos

In Hesiod and in most other versions, Theseus abandoned Ariadne sleeping on Naxos, and Dionysus rediscovered and wedded her. In a few versions of the myth, Dionysus appeared to Theseus as they sailed from Crete, saying that he had chosen Ariadne as his wife and demanding that Theseus leave her on Naxos for him; this had the effect of absolving the Athenian cultural hero of desertion. The vase painters of Athens often depicted Athena leading Theseus from the sleeping Ariadne to his ship.

Ariadne bore Dionysus famous children, including Oenopion, Staphylus, and Thoas. Dionysus set her wedding diadem in the heavens as the constellation Corona Borealis. Ariadne was faithful to Dionysus. In one version of her myth, Perseus killed her at Argos by turning her to stone with the head of Medusa during Perseus' war with Dionysus. The Odyssey relates that Theseus took Ariadne away from Crete only for Artemis to kill her in Dia (usually identified with Naxos) on Dionysus' witness. An ancient scholiast wrote that Ariadne and Theseus had sex on a sacred grove, and an angry Dionysus revealed that to Artemis, who proceeded to punish Ariadne with death.

According to Plutarch, one version of the myth tells that Ariadne hanged herself after being abandoned by Theseus. Dionysus then went to Hades, and brought her and his mother Semele to Mount Olympus, where they were deified.

Some scholars have posited, because of Ariadne's associations with thread-spinning and winding, that she was a weaving goddess, like Arachne, and support this theory with the mytheme of the Hanged Nymph (see weaving in mythology).

As a goddess

Karl Kerenyi and Robert Graves theorized that Ariadne, whose name they thought derived from Hesychius' enumeration of "Άδνον", a Cretan-Greek form of "arihagne" ("utterly pure"), was a Great Goddess of Crete, "the first divine personage of Greek mythology to be immediately recognized in Crete", once archaeological investigation began. Kerenyi observed that her name was merely an epithet and claimed that she was originally the "Mistress of the Labyrinth", both a winding dancing ground and, in the Greek opinion, a prison with the dreaded Minotaur in its centre. Kerenyi explained that a Linear B inscription from Knossos "to all the gods, honey… to the mistress of the labyrinth honey" in equal amounts, implied to him that the Mistress of the Labyrinth was a Great Goddess in her own right. Professor Barry Powell suggested that she was the Snake Goddess of Minoan Crete.

Plutarch, in his Life of Theseus, which treats him as a historical person, reported that in contemporary Naxos was an earthly Ariadne, who was distinct from a divine one:

Some of the Naxians also have a story of their own, that there were two Minoses and two Ariadnes, one of whom, they say, was married to Dionysos in Naxos and bore him Staphylos and his brother, and the other, of a later time, having been carried off by Theseus and then abandoned by him, came to Naxos, accompanied by a nurse named Korkyne, whose tomb they show; and that this Ariadne also died there.

In a kylix by the painter Aison (c. 425 – c. 410 BC), Theseus drags the Minotaur from a temple-like labyrinth, yet the goddess who attends him in this Attic representation is Athena.

An ancient cult of Aphrodite-Ariadne was observed at Amathus, Cyprus, according to the obscure Hellenistic mythographer Paeon of Amathus; his works are lost, but his narrative is among the sources that Plutarch cited in his vita of Theseus (20.3–5). According to the myth that was current at Amathus, the second most important Cypriot cult centre of Aphrodite, Theseus' ship was swept off course and the pregnant and suffering Ariadne put ashore in the storm. Theseus, attempting to secure the ship, was inadvertently swept out to sea, thus being absolved of abandoning Ariadne. The Cypriot women cared for Ariadne, who died in childbirth and was memorialized in a shrine. Theseus, overcome with grief upon his return, left money for sacrifices to Ariadne and ordered two cult images, one of silver and one of bronze, erected.

At the observation in her honour on the second day of the month Gorpiaeus, a young man lay on the ground and vicariously experienced the throes of labour. The sacred grove in which the shrine was located was denominated the "Grove of Aphrodite-Ariadne". According to Cypriot legend, Ariadne's tomb was located within the temenos of the sanctuary of Aphrodite-Ariadne. The primitive nature of the cult at Amathus in this narrative appears to be much older than the Athenian sanctioned shrine of Aphrodite, who at Amathus received "Ariadne" (derived from "hagne", "sacred") as an epithet.

Libera

The Roman author Hyginus identified Ariadne as the Roman Libera, bride to Liber.

Festivals

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Ariadneia (ἀριάδνεια) festivals honored Ariadne and were held in Naxos and Cyprus. According to Plutarch, some Naxians believed there were two Ariadnes, one of which died on the island of Naxos after being abandoned by Theseus. The Ariadneia festival honors Naxos as the place of her death with sacrifices and mourning. Paeon, as stated by Plutarch, attributes the Ariadneia festival in Cyprus to Theseus, who left money to the island so sacrifices could be made to commemorate Ariadne. Sacrifices were held in the grove of Ariadne Aphrodite, where Ariadne's tomb resided. During these sacrifices, a young man shall lie down and mimic a woman in labour by crying out and gesturing on the second day of the month, Gorpiaeus. One silver and one bronze statuette were also constructed in her honor.

In Etruscan culture

Ariadne, in Etruscan Areatha, is paired with Dionysus, in Etruscan "Fufluns", on Etruscan engraved bronze mirror backs, where the Athenian cultural hero Theseus is absent, and Semele, in Etruscan "Semla", as mother of Dionysus, may accompany the pair, lending an especially Etruscan air of familial authority.

Reference in post-classical culture

This article may contain irrelevant references to popular culture. Please help Misplaced Pages to improve this article by removing the content or adding citations to reliable and independent sources. (December 2017)

Non-musical works

• Ariadne: A Tragedy in Five Acts, a play by Thomas Corneille.
• In Letitia Elizabeth Landon's poem "Ariadne". from Ideal Likenesses (1825), she sees her as "a lesson how inconstancy should be repaid again by like inconstancy". She returned to the subject of Ariadne in 1838 with her "Ariadne watching the Sea after the Departure of Theseus".: one of her Subjects for Pictures.
• Johann Heinrich von Dannecker's marble sculpture Ariadne on the Panther (1814), was well known in 19th-century Germany.
• The narrative of Ariadne is a theme throughout the second volume of George Eliot's novel Romola.
• "Ariadne auf Naxos", a poem by Heinrich Wilhelm von Gerstenberg
• "Ariadne", a story by Anton Chekhov
• "Klage der Ariadne", a poem by Friedrich Nietzsche
• Metaphysical painter Giorgio de Chirico painted eight works with a classical statue of Ariadne as a prop.
• Ariadne (1924), a play by A. A. Milne
• Ariadne (1932), an epic poem by F. L. Lucas.
• Ariadne is a major character in Mary Renault's historical novel The King Must Die (1958) about the Bronze Age hero Theseus.
• An adaptation of the narrative of Ariadne appears in Mario Vargas Llosa's novel Death in the Andes.
• Ariadne is the subject of W. N. Herbert's poem Ariadne on Broughty Ferry Beach (1983).
• Ariadne is the name of a planet in the Xenosaga video game series.
• Ariadne is a major character in the BBC series Atlantis (2013), which is loosely based on Greek myths. Played by Aiysha Hart, she falls in love with Jason and helps him conquer the Minotaur and escape the labyrinth. Later, her stepmother Pasiphae tries to prevent their union.
• Ariadne is the name of the protagonist in the reincarnation manhwa Sister, In This Life I Have Become The Queen. The protagonist is loosely based on Greek mythology, as she helps her original love interest kill his half-brother to usurp the throne, only to be spurned for her sister.
• Bull God by Roberta Gellis is a romantic adaptation of the Ariadne myth.
• In Christopher Nolan's feature film Inception, the character Ariadne (played by Elliot Page) is an architecture graduate student recruited to construct various dreamscapes, which are described as mazes.
• “Ariadne” (2021), a novel by Jennifer Saint retells the story from Ariadne’s perspective.
• The German thriller Netflix series "Dark" references Ariadne. Dark features a cave where a labyrinth plays a pivotal part, with a red thread to guide inside. A song by Asaf Avidian, “The Labyrinth Song” is also featured in the series and the subject of the song is Ariadne.

Musical works

• Richard Strauss's standard repertory opera Ariadne auf Naxos of 1912 was preceded by a L'Arianna each by Claudio Monteverdi in 1608, and Carlo Agostino Badia in 1702; Ariadne by German composer Johann Georg Conradi in 1691 and Arianna in ca. 1727 by Benedetto Marcello; and by non-operatic Ariadne auf Naxos works including a cantata based on the Heinrich Wilhelm von Gerstenberg poem, Jiri Antonin Benda's 1775 melodrama Ariadne auf Naxos, and Joseph Haydn's 1790 cantata Arianna a Naxos.
• Albert Roussel's 1931 ballet score Bacchus and Ariadne
• American composer Irwin Fischer composed "Ariadne Abandoned" in 1938, a short piece scored for solo piano or orchestra.
• "Ariadne" is a song in The Frogs, a 1974 musical with music and lyrics by Stephen Sondheim, book by Burt Shevelove, revisions by Nathan Lane (2004).
• In 2004, the British indie pop band The Clientele released an EP called Ariadne.
• Ariadne is the subject of “The Labyrinth Song” by Asaf Avidan featured in season 3 episode 4 of the Netflix series “Dark” off his second solo album “Gold Shadow”.
• In the 2013 album Ulysses Dies At Dawn by Steampunk Cabaret group The Mechanisms, Ariadne is featured as a major character, getting her own song under the name “Ties that bind”.

Notes

1. Euanthes, Latramys, and Tauropolis are only mentioned in scholia on Apollonius Rhodius Enyeus, scholia on Homer and Eunous.
2. The kylix is conserved at the National Archaeological Museum of Spain, Madrid; see image.

References

1. Hall, James (4 May 2018). Dictionary of Subjects and Symbols in Art. Routledge. ISBN 978-0-429-97358-1.
2. "Corona Borealis | constellation". britannica.com. Retrieved 6 June 2023.
3. ^ Plutarch. "Life of Theseus". penelope.uchicago.edu. Retrieved 11 May 2023.
4. "LacusCurtius • Greek Festivals — Ariadneia". Smith's Dictionary. 1875. Retrieved 11 May 2023 – via penelope.uchicago.edu.
5. Lucas, Arthur; Plesters, Joyce (1978). "Titian's 'Bacchus and Ariadne'". National Gallery Technical Bulletin. 2: 25–47. ISSN 0140-7430. JSTOR 42616250.
6. Hanks & Hodges 1997, p. 15.
7. Alexiou 1969, p. 72.
8. Beekes, Robert S. P. (2010). Etymological Dictionary of Greek. Volume I, with the assistance of Lucien van Beek. Leiden Indo-European Etymological Dictionary Series; 10. Leiden, Boston: Brill, 2010. p. 130. ISBN 978-90-04-17420-7.
9. Homer, Odyssey, 11.320; Hesiod, Theogony, 947; and later authors.
10. Pasiphaë is mentioned as mother of Ariadne in Apollodorus, 3.1.2 (Pasiphaë, daughter of the Sun); Apollonius, Argonautica, 3.997; and Hyginus, Fabulae, 224.
11. Apollodorus, 3.1.2.
12. ^ "Rewriting Ariadne: What Is Her Myth?". TheCollector.com. 2 August 2021. Retrieved 20 May 2023.
13. Argonautica, 3. 997
14. Iliad, 9.668
15. Theophilus of Antioch, To Autolycus 7
16. In creating a "biography" for a historicized Ariadne, Theseus' having abandoned her on Naxos explains her presence there; in assembling a set of biographical narrative episodes, this would have had to be placed after her abduction from Knossos. In keeping with the office of Minos as King of Crete, Ariadne came to bear the late title of "Princess". The culmination of this rationalization is the realistic historicizing fiction of Mary Renault, The Bull from the Sea (1962).
17. Fiana Sidhe, "Goddess Ariadne in the Spotlight" Archived 10 September 2017 at the Wayback Machine, MatriFocus, 2002.
18. "Minotaur | Definition, Story, Labyrinth, & Facts | Britannica". www.britannica.com. Retrieved 10 May 2023.
19. Carter, Tim (1999). "Lamenting Ariadne?". Early Music. 27 (3): 395–405. doi:10.1093/earlyj/XXVII.3.395. ISSN 0306-1078. JSTOR 3128655.
20. ^ "LacusCurtius • Diodorus Siculus — Book V Chapters 47‑84". penelope.uchicago.edu. Retrieved 20 May 2023.
21. Diodorus Siculus, 4.61 and 5.51; Pausanias, 1.20, § 2, 9.40, § 2, and 10.29, § 2.
22. Nonnus, Dionysiaca, 47.665
23. Homer, Odyssey 11.321–25
24. Scholia on the Odyssey 11.325
25. Plutarch, Theseus, 20.1
26. Ariadne, greekmythology.com. "greekmythology.com". greekmythology.com.
27. Berg, Nicole M. (2020). "Inserting Sources in Spartacus". Discovering Kubrick's Symbolism: The Secrets of the Films. Jefferson, North Carolina: McFarland. p. 207. ISBN 9781476680491. Retrieved 12 February 2023. In the movie, Bacchus himself is reclining in the arms of Ariadne (the weaving goddess) .
28. Wedeck, Harry E., ed. (1963). "Tibullus". Classics of Roman Literature. Translated by Elton, C. A. Lanham, Maryland: Rowman & Littlefield. pp. 121–122. ISBN 9781442233812. Retrieved 12 February 2023.
    Know, father Bacchus hates the mournful lay.
    So thou, O Cretan maid! didst once deplore
    A perjured tongue, left lonely on the shore,
    As skill'd Catullus tells, who paints in song
    The ingrate Theseus, Ariadne's wrong.
    Take warning, Youths! oh blest! whoe'er shall know
    The art to profit by another's woe.
    Let not the hanging nymph's embrace deceive,
    Nor protestations of base tongues believe .
    
    Compare an alternative translation of the equivalent passage from Tibullus' Sixth Elegy by Theodore Chickering Williams:
    
    "Delightful Bacchus at his mystery
    Forbids these words of woe.
    
    Once, by the wave, lone Ariadne pale,
    Abandoned of false Theseus, weeping stood:—
    Our wise Catullus tells the doleful tale
    Of love's ingratitude.
    
    Take warning friends! How fortunate is he,
    Who learns of others' loss his own to shun!
    Trust not caressing arms and sighs, nor be
    By flatteries undone!"
    
    (The Elegies of Tibullus)
29. Larson, Jennifer Lynn (1995). "The Wrongful Death of the Heroine". Greek Heroine Cults. Wisconsin studies in classics. Madison: University of Wisconsin Press. p. 141. ISBN 9780299143701. Retrieved 12 February 2023. The motif of the hanged goddess or heroine is quite widespread. the thread running through most of these stories is that they involve heroines who die a wrongful death. The same aetion is used all over the Greek world to explain hanging or swinging rituals. Hanging is a particularly feminine form of death in the Greek mind .
30. Kerenyi (1976), Dionysos: Archetypal Image of Indestructible Life, p. 89.
31. Kerenyi 1976, p. 90f.
32. Barry B. Powell, Classical Myth, 2nd ed., with new translations of ancient texts by Herbert M. Howe, Upper Saddle River, NJ, USA, Prentice-Hall, 1998, p. 368.
33. Plutarch, Life of Theseus, xx.5
34. Edmund P. Cueva, "Plutarch's Ariadne in Chariton's Chaereas and Callirhoe", American Journal of Philology, 117.3 (Autumn 1996), pp. 473–84.
35. Breitenberger, Barbara (2007). Aphrodite and Eros: The Development of Greek Erotic Mythology. New York, NY: Routledge. p. 32.
36. Wiseman, T. P. (1988). "Satyrs in Rome? The Background to Horace's Ars Poetica". Journal of Roman Studies. 78: 7 n54. doi:10.2307/301447. ISSN 0075-4358. JSTOR 301447. S2CID 161849654.
37. Hyginus. Fabulae (in Latin). 224. Qui facti sunt ex mortalibus immortales ... Ariadnen Liber pater Liberam appellavit, Minois et Pasiphaes filiam;
38. "LacusCurtius • Greek Festivals — Ariadneia (Smith's Dictionary, 1875)". penelope.uchicago.edu. Retrieved 11 May 2023.
39. For example on the mirror engraving reproduced in Larissa Bonfante and Judith Swaddling, Etruscan Myths, The Legendary Past series, University of Texas/British Museum, 2006, fig. 25, p. 41.
40. "The married couple is ubiquitous in Etruscan art. It is appropriate to the social situation of the Etruscan aristocracy, in which the wife's family played as important a role in the family's genealogy as that of the husband." (Bonfante and Swaddling, 2006, 51f.).
41. Landon, Letitia Elizabeth (1825). "Moore's Life of Sheridan". The New Monthly Magazine. Ideal Likenesses: Henry Colburn: 485.
42. Landon, Letitia Elizabeth (1838). "Subjects for Pictures" (poem). The New Monthly Magazine. 52. Henry Colburn: 79.
43. "Ariadne | English literature 1830–1900". Cambridge.org. Cambridge University Press. Retrieved 15 December 2020.
44. Herbert, William N. "Ariadne on Broughty Ferry Beach". Scottish Poetry Library.
45. Tyler, Adrienne (14 July 2022). "Inception: Ariadne's Name Has A Cool Hidden Meaning". Screen Rant.
46. "Ariadne Abandoned". composers.com. 2 January 1938.

Bibliography

• Alexiou, Stylianos (1969). Minoan Civilization. Translated by Ridley, Cressida (6th revised ed.). Heraklion, Greece. Retrieved 8 May 2020.{{cite book}}: CS1 maint: location missing publisher (link)
• Hanks, Patrick; Hodges, Flavia (1997). A Concise Dictionary of First Names (Revised ed.). New York City, United States: Oxford University Press. ISBN 978-0198662594. Retrieved 8 May 2020.
• Henry Liddell; Robert Scott (1940). Jones, Henry Stuart (ed.). A Greek–English Lexicon. Clarendon Press.
• Kerenyi, Karl. Dionysos: Archetypal Image of Indestructible Life, part I.iii "The Cretan core of the Dionysos myth" Princeton: Princeton University Press, 1976.
• Peck, Harry Thurston. Harpers Dictionary of Classical Antiquities (1898).
• Ruck, Carl A. P. and Danny Staples. The World of Classical Myth. Durham: Carolina Academic Press, 1994.
• Barthes, Roland, "Camera Lucida". Barthes quotes Nietzsche, "A labyrinthine man never seeks the truth, but only his Ariadne," using Ariadne in reference to his mother, who had recently died.

External links

• Theoi Project – Ariadne Assembles Greek and Latin quotations concerning Ariadne, in translation.
• The Warburg Institute Iconographic Database (images of Ariadne)

v t e Metamorphoses in Greek mythology
Animals	Avian Abas Acanthis Acanthus Acmon Aëdon Aegolius Aegypius Aëtos Aesacus Agrius and Oreius Agron Alcander Alcyone Alcyone and Ceyx Alcyonides Alectryon Anthus Antigone Argus Arne Sithonis Artemiche Ascalaphus Asteria Autonous Botres Bulis Byssa Caeneus Celeus Cerberus Chelidon Cinyras Clinis Combe Corone Ctesylla Cycnus of Aetolia Cycnus of Ares Cycnus of Colonae Cycnus of Liguria Daedalion Erinoma Erodius Eumelus Gerana Harmothoë Harpalyce Harpasus Harpe Hierax Hippodamia Hyperippe Hyria Ictinus Idas Ino Itys Iynx Laius Lelante Lycius Lycus Megaletor Meleagrids Memnonides Meropis Merops Minyades Munichus Neophron Nisus Nyctaea Nyctimene Oenoe Oenotropae Ortygius Pandareus Pelia Perdix Periphas Peristera Picus Pierides Phene Philaeus Philomela Pleiades Polyphonte Polytechnus Procne Rhexenor Schoeneus Scylla Tereus Timandra Non-avian Abas Actaeon Arachne Arcas Arge Aristaeus Ascalabus Atalanta Cadmus Calchus Callisto Cephissus Cerambus Cercopes Chelone Circe Curetes Cynosura Galanthis Gale Harmonia Hecuba Helice Hippomenes Io Lycaon Lycian peasants Lyncus Megisto Melanippe Melian nymphs Melissa Minyades Myia Myrmex Naïs Nerites Ocyrhoe Odysseus Pentheus Phalanx Phineus Phoenice Pompilus Taygete Theophane Tiresias Titanis Tithonus Tyrrhenian pirates Aethalides Alcimedon Dictys Epopeus Melas Medon Opheltes
Base appearance	Achilles Antigone Charybdis Lamia Medusa Midas Mulberry fruit Phaon Scylla Sirens White raven
Humanoids	Arne Calliste Cymodoce Cephalus' wife Galatea Leleges Myrmidons Nephele Spartoi Weasel
Inanimate objects	Aconteus Aglaurus Alcmene Anaxarete Ariadne Arsinoë Aspalis Battus Britomartis Calydon Cercopes Cragaleus Daphnis Iodame Laelaps Lethaea Lyco and Orphe Olenus Pallas Pandareus Phineus Polydectes Proetus Propoetides Pyrrhus Teumessian fox Wolf
Landforms	Achelous Acheron Acis Aea Alope Alpheus Arethusa (Boeotia) Arethusa (Elis) Arethusa (Ithaca) Asteria Atlas Aura Byblis Calliste Castalia Chione Cleite Comaetho Cyane Dirce Haemus Lichas Lilaeus Manto Marsyas Menippe and Metioche Niobe Perimele Pirene Pyramus and Thisbe Rhodope Rhodopis Sangas Selemnus Sybaris
Opposite sex	Caeneus Hermaphroditus Iphis Leucippus Salmacis Siproites Sithon Tiresias
Plants	Adonis Agdistis Ajax Amaracus Ambrosia Ampelus Anethus Attis Baucis and Philemon Calamus Carpus Carya Cissus Clytie Crocus Cyparissus Daphne Diopatra Dryope Elaea Elate Eteocleides Heliades Aegle Dioxippe Lampetia Merope Phaethusa Phoebe Hesperides Aegle Erytheia Hyacinthus Leuce Leucothoe Libanus Lotis Lycurgus Mecon Melos Messapians Milk Minthe Myrice Myrina Myrsine Narcissus Oechalides Philyra Phyllis Picolous Pitys Platanus Psalacantha Saliva Side Smilax Smyrna Spear Syceus Syrinx
Voluntary	Greek gods Kobalos Mestra Periclymenus
Other	Cumaean Sibyl Echo Hyades Hylas Milk of Hera Pleiades
False myths	Acantha Amethyste Orchis Rhodanthe
Metamorphoses

• Ariadne
• Cretan women
• Greek goddesses
• Princesses in Greek mythology
• Deeds of Artemis
• Mythology of Dionysus
• Theseus
• Textiles in folklore
• Olympian deities
• Mythological Cretans
• Consorts of Dionysus
• Metamorphoses into inanimate objects in Greek mythology
• Cypriot mythology