Article snapshot taken from Wikipedia with creative commons attribution-sharealike license.
Give it a read and then ask your questions in the chat.
We can research this topic together.
You can help expand this article with text translated from the corresponding article in Portuguese. (October 2015) Click for important translation instructions.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Portuguese Misplaced Pages article at ]; see its history for attribution.
You may also add the template {{Translated|pt|Arlindo Rodrigues}} to the talk page.
Rio, samba e carnaval 2006 - Issue 35 - Page 107 "Fernando Pamplona, the forerunner in the field, describes it like this: "There's no question that Paulo Barros was one of the most creative carnival artists in terms of samba schools. He's the Fernando Pinto or Arlindo Rodrigues of today", ."
This Brazilian biographical article is a stub. You can help Misplaced Pages by expanding it.
Arlindo Rodrigues