Misplaced Pages

Awilda Villarini

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Puerto Rican composer and pianist

Awilda M. Villarini-Garcia (born 6 February 1940) is a Puerto Rican composer and pianist who publishes and performs under the name "Awilda Villarini."

Villarini was born in Patillas. Her first piano teacher was her mother, who was a church organist. She went on to earn a B. Mus. (1961) from Peabody Conservatory and a M. Mus. (1973) from the Juilliard School. Grants from the Institute of Puerto Rican Culture enabled Villarini to study piano in Paris and Vienna. She received a Ford Foundation scholarship for a Ph. D. from New York University in 1979. Her dissertation was entitled A Study of Selected Puerto Rican Danzas for the Piano. Villarini's teachers included Claus Adam, Jean Marie Darre, Carmelina Figureoa, Alexander Gorodnitzky, William Kroll, Eugene List, Walter Panhofer, and Dieter Weber.

Villarini received a grant from the National Endowment for the Arts in 1981. She was the 1985 winner of the Artist International Piano Award. The late New York Times music critic Harold C. Schonberg wrote: "I have heard Liszt's Transcendental Etude in f minor by hundreds of young pianists in different piano competitions. Ms. Villarini's technique and interpretation proved to be superior to all of them. She is an exciting romantic pianist."

Villarini's compositions include:

Chamber

  • Three Fantastic Pieces (clarinet and piano)
  • Variaciones sobre el Canto del Coquí (unaccompanied flute)
  • Visiones (woodwind quintet)

Orchestra

  • Cinquillo Dramatico
  • Concerto (orchestra and piano)
  • Legend of the Indian
  • Suite Portoricinses (also a piano reduction)

Piano

  • Sonata No. 1
  • Suite Portoricinses (also orchestrated)
  • Ten Preludes
  • Three Preludes for Piano

Vocal

References

  1. ^ Arts, National Endowment for the (1982). Annual Report. Division of Publications, National Endowment for the Arts.
  2. "Awilda Villarini-garcia, Plaintiff, Appellee, v. Hospital Del Maestro, et al., Defendants, Appellees.mario J. Tomasini, Dr., Defendant, Appellant, 112 F.3d 5 (1st Cir. 1997)". Justia Law. Retrieved 2021-03-10.
  3. Hixon, Donald L. (1993). Women in music : an encyclopedic biobibliography. Don A. Hennessee (2nd ed.). Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-2769-7. OCLC 28889156.
  4. ^ Hernández-Candelas, Ana Maria (2015). Flute Music by Latin American Women Composers: A Performance Guide of the Works of Awilda Villarini, Adina Izarra, Gabriela Ortiz and Angélica Negrón. dissertation.{{cite book}}: CS1 maint: location missing publisher (link)
  5. "Awilda Villarini". Díaz-Del Moral Foundation. Retrieved 2021-03-10.
  6. Rico, Puerto (1979). Acts and Resolutions of Puerto Rico. Equity de Puerto Rico.
  7. Phelps, Roger P. (1980). A guide to research in music education (2d ed.). Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-1303-3. OCLC 6143653.
  8. ^ Cohen, Aaron I. (1987). International encyclopedia of women composers (Second edition, revised and enlarged ed.). New York. ISBN 0-9617485-2-4. OCLC 16714846.{{cite book}}: CS1 maint: location missing publisher (link)
  9. Directory of Hispanic Artists and Organizations: Dance, Literary, Media, Music, Theatre, Service Org., Visual Arts. Association of Hispanic Arts. 1981.
  10. ^ "Awilda Villarini: Dancing in Latin America". Tower Records. Retrieved 2021-03-11.
  11. "V". Brandt's Woodwind Quintet Site. Retrieved 2021-03-11.
  12. Aha!: Hispanic Arts News : a Publication of the Association of Hispanic Arts, Inc. The Association. 2001.
  13. Ficher, Miguel; Schleifer, Martha Furman; Furman, John M. (2002). Latin American Classical Composers: A Biographical Dictionary. Scarecrow Press. ISBN 978-0-8108-4517-6.
  14. Ear. New Wilderness Foundation. 1988.
  15. Horowitz, Joseph (16 September 1979). "Awilda Villarini, Pianist, Displays Assertive Style". New York Times. Retrieved 9 March 2021.
  16. 21st Century Music. 21st-Century Music. 2003.
Categories: