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Bricks Are Heavy
Studio album by L7
Released	April 14, 1992 (1992-04-14)
Recorded	November 1991
Studio	Smart (Madison, Wisconsin) Sound City (Van Nuys, California)
Genre	Grunge riot grrrl punk rock alternative metal
Length	37:28
Label	Slash
Producer	L7 Butch Vig
L7 chronology
Smell the Magic (1990) Bricks Are Heavy (1992) Hungry for Stink (1994)
Singles from Bricks Are Heavy
"Pretend We're Dead" Released: 1992 "Everglade" Released: 1992 "Monster" Released: 1992

Bricks Are Heavy is the third studio album by American rock band L7, released on April 14, 1992, by Slash Records. The album peaked at number 160 on the US Billboard 200 and number one on the Heatseekers Albums chart. As of June 2000, Bricks Are Heavy has sold 327,000 copies in the United States, according to Nielsen Soundscan.

Production

Produced by the band and Butch Vig, musically the album is heavier and dirtier than the band's previous recordings and described as "catchy tunes and mean vocals on top of ugly guitars and a quick-but-thick bottom of cast-iron grunge" by Entertainment Weekly's Gina Arnold.

Critical reception

Professional ratings

Review scores
Source	Rating
AllMusic
Chicago Tribune
Christgau's Consumer Guide	A
Entertainment Weekly	A
Kerrang!	5/5
Los Angeles Times
NME	8/10
Rolling Stone
The Rolling Stone Album Guide
Spin Alternative Record Guide	9/10

In a contemporary review for Playboy, Robert Christgau regarded Bricks Are Heavy as an "object lesson in how to advance your music by meeting the marketplace halfway", although he believed it would not sell as much as it deserved. He said Vig helped L7 produce grunge-metal featuring "intense admixtures of ditty and power chord" that "never quite gathers Nirvana's momentum, but it's just as catchy and a touch nastier." NME critic Angela Lewis called Bricks Are Heavy a "polished, virile white heat rock" record that "verifies their hard rock credentials completely" and demonstrates that L7 ought not to be pigeonholed as a grunge act in the vein of "Hole–Babes–Jane". Kerrang!'s Steffan Chirazi was most impressed by the album's "relentlessness" in "driving the frustrations of everyday life home", and Gina Arnold said in Entertainment Weekly that L7 distinguish themselves from the musically similar Nirvana through the "clarity" of their lyrics. "Although the band's positive-plus stances on liberal issues may not instantly endear it to fuzzy-minded teen America," Arnold wrote, "L7 does manage to be simultaneously fun and furious, an intensely appealing combination."

Los Angeles Times writer Jonathan Gold, while finding Bricks Are Heavy "a very good, sometimes brilliant hard-rock album", expressed reservations about Vig's polished production, saying that although it suited "a pop band at heart" like Nirvana, "L7 is a rock band, less like the Byrds than like the MC5, less about pop craft than about sheer aggression." Arion Berger of Rolling Stone felt that the production's "neatly modulated dynamics" rendered the album "merely raucous where it might have been apocalyptic." In the Chicago Tribune, Greg Kot opined that there were not many good songs such as "Slide" and "the performances—while certainly ferocious—aren't sufficiently varied enough to make up the difference."

NME listed Bricks Are Heavy as the 39th best album of 1992. It placed at number 32 in The Village Voice's Pazz & Jop critics' poll, with the poll's creator Robert Christgau ranking the album fourth on his ballot.

Legacy

Reviewing Bricks Are Heavy for AllMusic, Eduardo Rivadavia said that Vig helped L7 "obtain a tight, compact sound" and sharpen their songwriting on what would be their "crowning achievement" and "an impossible act to follow".

Bricks Are Heavy is now regarded as one of grunge music's best albums. Treble's Brian Roesler credited L7 with helping to define "the very best of early grunge" through the album's fusion of pop and metal musical elements.

In 2015, Spin placed Bricks Are Heavy at number 249 on its list of the "300 Best Albums of the Past 30 Years".

Accolades

Track listing

Personnel

Credits adapted from liner notes.

L7

• Donita Sparks – guitar, lead vocals (tracks 1, 2, 3, 4, 8 and 10)
• Suzi Gardner – guitar, lead vocals (tracks 6, 9 and 11)
• Jennifer Finch – bass, lead vocals (tracks 5 and 7)
• Demetra Plakas – drums, backing vocals (track 3)

Additional musician

• Paul Ryan – bongos

Production

• Butch Vig – production, engineering, mixing
• Howie Weinberg – mastering
• Steve Marker – engineering
• Mr. Colson – engineering
• Elizabeth Hale – art direction
• Jeff Price – art direction
• Randall Martin – artwork
• Vicki Berndt – photography
• Arlan E. Helm – photography
• Damion Romero – photography

Charts

References

1. "L7 Time Line". repriserec.com. Archived from the original on January 23, 1998. Retrieved August 2, 2024.
2. ^ "L7 - Billboard 200". Billboard. Retrieved January 15, 2018.
3. ^ "L7 - Heatseekers Albums". Billboard. Retrieved January 15, 2018.
4. Inc, Nielsen Business Media (June 24, 2000). Billboard. Nielsen Business Media, Inc. {{cite book}}: |last= has generic name (help)
5. ^ Arnold, Gina (June 19, 1992). "Bricks Are Heavy". Entertainment Weekly. No. 123. p. 71. Retrieved May 9, 2013.
6. ^ Rivadavia, Eduardo. "Bricks Are Heavy – L7". AllMusic. Retrieved March 17, 2010.
7. ^ Kot, Greg (May 7, 1992). "L7: Bricks are Heavy (Slash)". Chicago Tribune. Retrieved February 5, 2017.
8. Christgau, Robert (2000). "L7: Bricks Are Heavy". Christgau's Consumer Guide: Albums of the '90s. St. Martin's Griffin. p. 184. ISBN 0-312-24560-2. Retrieved February 5, 2017.
9. ^ Chirazi, Steffan (April 4, 1992). "Brick it up!". Kerrang!. No. 386. p. 25.
10. ^ Gold, Jonathan (May 3, 1992). "L7, 'Bricks Are Heavy', Slash". Los Angeles Times. Retrieved February 5, 2017.
11. ^ Lewis, Angela (April 11, 1992). "Kicking Against the Bricks". NME. p. 32.
12. ^ Berger, Arion (September 17, 1992). "L7: Bricks Are Heavy". Rolling Stone. No. 639. p. 94. Archived from the original on November 12, 2007. Retrieved May 9, 2013.
13. Harris, Keith (2004). "L7". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. p. 500. ISBN 0-7432-0169-8.
14. Stovall, Natasha (1995). "L7". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. Vintage Books. p. 231. ISBN 0-679-75574-8.
15. Christgau, Robert (June 1992). "L7, Roches, Yo Yo, Rosie Flores". Playboy. Retrieved February 5, 2017.
16. "1992 – The Loved Albums". NME. December 19–26, 1992. pp. 56–57. Retrieved January 15, 2018.
17. "The 1992 Pazz & Jop Critics Poll". The Village Voice. March 2, 1993. Retrieved January 15, 2018.
18. Christgau, Robert (March 2, 1993). "Pazz & Jop 1992: Dean's List". The Village Voice. Retrieved January 15, 2018.
19. ^ Treble staff (October 6, 2016). "The 30 Best Grunge Albums | Treble". Treble. Retrieved May 20, 2023.
20. "The 300 Best Albums of the Past 30 Years (1985–2014)". Spin. May 11, 2015. p. 1. Retrieved January 15, 2018.
21. "Nirvana, Pearl Jam, Soundgarden: 50 Best Grunge Albums". Rolling Stone. April 1, 2019. Retrieved May 20, 2023.
22. Starker, Arun (May 12, 2021). "From Pearl Jam to Nirvana: The 10 best grunge albums of all time". Far Out. Retrieved May 20, 2023.
23. Loudwire staff (January 10, 2023). "The 30 Best Grunge Albums of All Time - Loudwire". Loudwire. Retrieved May 20, 2023.
24. "Australiancharts.com – L7 – Bricks Are Heavy". Hung Medien. Retrieved August 18, 2022.
25. "L7". Official Charts Company. Retrieved January 15, 2018.
26. "L7 Discography". australian-charts.com. Retrieved December 2, 2009.
    • "Everglade": Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 159.
27. "L7". Official Charts Company. Retrieved January 31, 2009.

External links

• Bricks Are Heavy at Discogs (list of releases)

• 1992 albums
• L7 (band) albums
• Albums produced by Butch Vig
• Slash Records albums
• Albums recorded at Sound City Studios