Misplaced Pages

Skirt

Type	Clothing worn from the waist or hips.
Material	fabric

A skirt is the lower part of a dress or a separate outer garment that covers a person from the waist downwards.

At its simplest, a skirt can be a draped garment made out of a single piece of fabric (such as pareos). However, most skirts are fitted to the body at the waist or hips and fuller below, with the fullness introduced by means of darts, gores, pleats, or panels. Modern skirts are usually made of light to mid-weight fabrics, such as denim, jersey, worsted, or poplin. Skirts of thin or clingy fabrics are often worn with slips to make the material of the skirt drape better and for modesty.

In modern times, skirts are very commonly worn by women and girls. Some exceptions include the izaar, worn by many Muslim cultures, and the kilt, a traditional men's garment in Scotland, Ireland, and sometimes England.

The hemline of skirts can vary from micro to floor-length and can vary according to cultural conceptions of modesty and aesthetics as well as the wearer's personal taste, which can be influenced by such factors as fashion and social context. Most skirts are complete garments, but some skirt-looking panels may be part of another garment such as leggings, shorts, and swimsuits.

History

Prehistory and ancient history

Skirts have been worn since prehistoric times as the simplest way to cover the lower body. Figurines produced by the Vinča culture (c. 5700–4500 BC) located on the territory of present-day Serbia and neighboring Balkans from the start of the Copper Age show women in skirt-like garments.

A straw-woven skirt dating to 3900 BC was discovered in Armenia at the Areni-1 cave. Skirts were the standard attire for men and women in all ancient cultures in the Near East and Egypt. The Sumerians in Mesopotamia wore kaunakes (Ancient Greek: καυνάκης, romanized: kaunákēs, ultimately from Sumerian: 𒌆𒄖𒅘𒆪 GU-NAK-KU), a type of fur skirt tied to a belt. The term originally referred to a sheep's fleece, but eventually came to be applied to the garment itself. Eventually, the animal pelts were replaced by "kaunakes cloth", a textile that imitated fleecy sheepskin. Kaunakes cloth also served as a symbol in religious iconography, such as in the fleecy cloak of John the Baptist.

• Vinča figurine depicting a skirt
• Sumerian man wearing a kaunakes, c. 3000 BC
• Statue of Ramaat, an official from Giza wearing a pleated Egyptian kilt, c. 2250 BC

Ancient Egyptian garments were mainly made of linen. For the upper classes, they were beautifully woven and intricately pleated. Around 2130 BC, during the Old Kingdom of Egypt, men wore wraparound skirts (kilts) known as the shendyt. They were made of a rectangular piece of cloth wrapped around the lower body and tied in front. By the Middle Kingdom of Egypt, longer skirts, reaching from the waist to ankles and sometimes hanging from the armpits, became fashionable. During the New Kingdom of Egypt, kilts with a pleated triangular section became fashionable for men. Beneath these, a shente, or triangular loincloth whose ends were fastened with cord ties, were worn.

During the Bronze Age, in the Southern parts of Western and Central Europe, wraparound dress-like garments were preferred. However, in Northern Europe, people also wore skirts and blouses.

Early modern history

In the Middle Ages, men and women preferred dress-like garments. The lower part of men's dresses were much shorter in length compared to those for women. They were wide cut and often pleated or gored so that horse riding was more comfortable. Even a knight's armor had a short metal skirt below the breastplate. It covered the straps attaching the upper legs iron cuisse to the breastplate. Technological advances in weaving in the 13th–15th century, like foot-treadle floor looms and scissors with pivoted blades and handles, improved tailoring trousers and tights. They became fashionable for men and henceforth became standard male attire whilst becoming taboo for women.

One of the earliest known cultures to have females wear clothing resembling miniskirts were the Duan Qun Miao (Chinese: 短裙苗), which literally means "Short Skirt Miao". This was in reference to the short miniskirts "that barely cover the buttocks" worn by women of the tribe, and which were probably shocking to observers in premodern and early modern times.

In the Middle Ages, some upper-class women wore skirts over three meters in diameter at the bottom. At the other extreme, the miniskirts of the 1960s were minimal garments that may have barely covered the underwear when the woman was seated. Costume historians typically use the word "petticoat" to describe skirt-like garments of the 18th century or earlier.

19th century

During the 19th century, the cut of women's dresses in western culture varied more widely than in any other century. Waistlines started just below the bust (the Empire silhouette) and gradually sank to the natural waist. Skirts started fairly narrow and increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s; then fullness was draped and drawn to the back by means of bustles. In the 1890s, the rainy daisy skirt was introduced for walking or sportswear. It had a significantly shorter hemline measuring as much as six inches off the ground and would eventually influence the wider introduction of shorter hemlines in the early 20th century.

In the 19th century, in the United States and United Kingdom, there was a movement against skirts as part of the Victorian dress reform movement, and in the United States, the National Dress Reform Association. There was also the invention of different ways to wear skirts. For example, in 1851, early women's rights advocate Elizabeth Smith Miller introduced Amelia Bloomer to a garment initially known as the "Turkish dress", which featured a knee-length skirt over Turkish-style pantaloons. Bloomer came to advocate and promote the dress, including instructions for making it, in The Lily, a newspaper dedicated to the "Emancipation of Woman from Intemperance, Injustice, Prejudice, and Bigotry". This inspired a craze for the dress, which came to be known as bloomers. Elizabeth Cady Stanton, Susan B. Anthony, and Lucy Stone, other early advocates for women's rights, also adopted this style of dress in the 1850s, referring to it as the "freedom dress". Concurrently, some female labourers, notably the pit brow women working at coal pits in the Wigan area, began wearing trousers beneath a short skirt as a practical component of their uniform. This attracted the attention of the public, and various photographers produced records of the women's unconventional manner of dress through the mid to late 19th century.

20th and 21st centuries

After 1915, ankle-length skirts were not generally worn in the daytime. For the next fifty years fashionable skirts became short (1920s), then long (1930s), then shorter (in the War Years with their restrictions on fabric), then long (the "New Look"), then shortest of all from 1967 to 1970, when skirts became as short as possible while avoiding exposure of underwear, which was considered taboo.

Since the 1970s and the rise of pants/trousers for women as an option for all but the most formal of occasions, no one skirt length has dominated fashion for long, with short and ankle-length styles often appearing side by side in fashion magazines and catalogs.

Fashion designers such as Jean Paul Gaultier, Vivienne Westwood, Kenzo and Marc Jacobs have also shown men's skirts. Transgressing social codes, Gaultier frequently introduces the skirt into his men's wear collections as a means of injecting novelty into male attire, most famously the sarong seen on David Beckham.

Styles

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (September 2024) (Learn how and when to remove this message)

Lengths

Image	Name	Description
	Maxi skirt	An ankle-length daytime skirt, popular with women in the late 1960s as a reaction against miniskirts.
	Midi skirt	A skirt with hem halfway between ankle and knee, below the widest part of the calf. Introduced by designers in 1967 as a reaction to very short mini skirts.
	Miniskirt	A skirt ending between knee and upper thigh, 1960s onwards.
	Microskirt	An extremely short miniskirt.
	High-low skirt	A skirt with an asymmetrical headline.

Basic types

Image	Name	Description
	A-line skirt	A skirt with a slight flare, roughly in the shape of a capital letter A.
	Bell-shaped skirt	A bell-shaped skirt, flared noticeably from the waist but then, unlike a church bell, cylindrical for much of its length.
	Circle skirt	A skirt cut in sections to make one or more circles with a hole for the waist, so the skirt is very full but hangs smoothly from the waist without darts, pleats, or gathers.
	Culottes	A form of divided skirt, split skirt, or pantskirt constructed like a pair of shorts, but hanging like a skirt.
	Full skirt	A skirt with fullness gathered into the waistband.
	Gored skirt	A skirt that fits through the waistline and flares at the hem. May be made of from four to twenty-four shaped sections. Dates from the 14th century and much used in the 19th century. Very popular in the late 1860s, mid-1890s, early 20th century, 1930s, 1940s, and now worn as a classic skirt style.
	Inverted pleated skirt	A skirt made by bringing two folds of fabric to a center line in front and/ or back. May be cut straight at sides or be slightly flared. Has been a basic type of skirt since the 1920s.
	Pleated skirt	A skirt with fullness reduced to fit the waist by means of regular pleats ('plaits') or folds, which can be stitched flat to hip-level or free-hanging.
	Slit skirt/Split skirt	A skirt that has one or more slits (or splits).
	Pencil skirt or straight skirt	A tailored skirt hanging straight from the hips and fitted from the waist to the hips by means of darts or a yoke. It may have a vent or kick-pleat set in the hem for ease of walking.
	Underskirt	Simple, basic skirt over which an overskirt, or drapery, hangs.
	Wrap or wraparound skirt	A skirt that wraps around the waist with an overlap of material.

Fads and fashions

Image	Name	Description
	Ballerina skirt	A mid-calf full skirt popular in the 1950s.
	Broomstick skirt	A light-weight ankle-length skirt with many crumpled pleats formed by compressing and twisting the garment while wet, such as around a broomstick. (1980s and on)
	Bubble skirt	Also called tulip skirt or balloon skirt. A voluminous skirt whose hem is tucked back under to create a "bubble effect" at the bottom. Popular in the 1950s, 1980s and again in the 2010s.
	Cargo skirt	A plain utilitarian skirt with belt loops and numerous large pockets, based on the military style of cargo pants and popularised in the 1990s.
	Crinoline	A very full skirt supported by hoops or multiple petticoats, popular at various times from the mid 19th century onwards.
	Dirndl	A skirt in the Bavarian-Austrian dirndl style, made of a straight length of fabric gathered at the waist. The style derives from Tyrolean peasant costume.
	Denim skirt	A skirt made of denim, often designed like 5-pocket jeans, but found in a large variety of styles.
	Godet skirt	A skirt with godets, triangular pieces of fabric inserted upward from the hem to create more fullness. Popular in the 1930s.
	Hobble skirt	A long and tight skirt with a hem narrow enough to significantly impede the wearer's stride.
	Kilt-skirt	A wrap-around skirt with overlapping aprons in front and pleated around the back. Though traditionally designed as women's wear, it is fashioned to mimic the general appearance of a man's kilt.
	Leather skirt	A skirt made of leather.
	Lehenga	Also called Ghagra or Garara. A long, pleated skirt, often embroidered, worn mostly as the bottom part of the Gagra choli in North India and Pakistan.
	Mandala skirt	A skirt with a mandala motif.
	Mini-crini	A mini-length version of the crinoline, designed by Vivienne Westwood in the mid 1980s.
	Poodle skirt	A poodle skirt is a circle or near-circle skirt with an appliqued poodle or other decoration (1950s)
	Puffball skirt	Also called "puff" or "pouf". A bouffant skirt caught in at the hem to create a puffed silhouette. Popular in the mid-late 1980s when it was inspired by Westwood's "mini-crini".
	Rah-rah skirt/Cheerleader skirt	A short, tiered, and often colourful skirt fashionable in the early-mid-1980s.
	Sarong	A square or rectangle of fabric wrapped around the body and tied on one hip to create a skirt that can be worn by both sexes
	Samare	A long-skirted jacket, in which a loose jacket with extra frills hung down to the knees in the style of a gown.
	Skort/scooter skirt	A skirt that has an attached pair of shorts underneath for modesty. Alternatively, but with similar effect, a pair of shorts incorporating a skirt-like flap across the front of the body.
	Skater skirt	A short, high-waisted circle skirt with a hemline above the knee, often made of lighter materials to give the flowing effect that mimics the skirts of figure skaters.
	Squaw dress	A one or two piece outfit based on Native American clothing. Fashionable in the 1940s and 50s.
	Swing skirt	A flared skirt, circular or cut in gores, fitted at hips with a wide flare at the hem. Popular in the late 1930s and at interval since. Very popular in the mid-1980s.
	T-skirt	A skirt made from a tee-shirt. The T-skirt is generally modified to result in a pencil skirt, with invisible zippers, full length two-way separating side zippers, as well as artful fabric overlays and yokes.
	Tiered skirt	A skirt made of several horizontal layers, each wider than the one above, and divided by stitching. Layers may look identical in solid-colored garments, or may differ when made of printed fabrics.
	Prairie skirt	Variant of a tiered skirt, a flared skirt with one or more flounces or tiers (1970s and on).
	Trouser skirt	A straight skirt with the part above the hips tailored like men's trousers, with belt loops, pockets, and fly front.

Male wear

There are a number of garments marketed to men which fall under the category of "skirt" or "dress". These go by a variety of names and form part of the traditional dress for men from various cultures. Usage varies – the dhoti is part of everyday dress on the Indian subcontinent while the kilt is more usually restricted to occasional wear and the fustanella is used almost exclusively as costume. Robes, which are a type of dress for men, have existed in many cultures, including the Japanese kimono, the Chinese cheongsam, the Arabic thobe, and the African Senegalese kaftan. Robes are also used in some religious orders, such as the cassock in Christianity and various robes and cloaks that may be used in pagan rituals. Examples of men's skirts and skirt-like garments from various cultures include:

• The fustanella is a full-pleated skirt worn by men in Albania and Greece and other parts of the Balkans. By the mid-20th century, it was relegated to ceremonial use and as period or traditional costume. It is worn by the Evzones, or Evzoni (Greek: Εύζωνες, Εύζωνοι, pronounced ), which is the name of several historical elite light infantry and mountain units of the Greek Army. Today, it refers to the members of the Presidential Guard who parade the presidential mansion wearing a short version of this historic costume.
• The gho is a knee-length robe worn by men in Bhutan. They are required to wear it every day as part of national dress in government offices, in schools and on formal occasions.
• The hakama is worn in Japan. There are two types of hakama, divided umanori (馬乗り, "horse-riding hakama") and undivided andon hakama (行灯袴, "lantern hakama"). The umanori type has wide and divided legs, similar to culottes. Some hakamas are pleated.
• The kilt is a skirt of Gaelic and Celtic history, part of the Scottish national dress in particular, and is worn formally and to a lesser extent informally. Irish and Welsh kilts also exist but are not so much a part of national identity.
• The sarong is a piece of cloth that may be wrapped around the waist to form a skirt-like garment. Sarongs exist in various cultures under various names, including the pareo and lavalava of the Hawaiian islands and Polynesia (Samoa, Tonga, Tahiti, and Fiji), the Indian dhoti and lungi, and the South Indian and Maldivian mundu.

Aside from the wearing of kilts, in the Western world skirts, dresses, and similar garments are generally viewed exclusively as women's clothing which, historically, was not always the case. However, some Western men have taken up skirts as forms of civil protest. Other Western men advocate skirts as a measure of co-equality between women and men.

Norms and policies

The skirt is a part of uniforms for girls in many schools around the world, with lengths varying depending on local culture. The pleated tartan skirt began as a component of girls' school uniforms in the early twentieth century in the United Kingdom. Most UK schools now allow girls to wear trousers, but many girls still wear skirts in primary and secondary schools, even where the choice of trousers is given. In the late 20th and early 21st century, many schools began changing their uniform rules to allow trousers for girls amidst opposition to skirts-only policies - the most publicised possibly being Jo Hale vs Whickham Comprehensive in 2000. Although it is commonly accepted that girls may wear trousers to school, no test case is known to have been brought before the courts, making the legal position uncertain on requiring skirts as part of girls' uniforms. The rule is still enforced in many schools, particularly independent and selective state schools. In fact, United Kingdom government guidelines expressly state the decision of allowing girls to wear trousers is with individual schools.

In the 1980s in Puerto Rico, Ana Irma Rivera Lassén was not allowed to enter court in trousers and was told to wear a skirt. She sued the judge and won.

In 2022, the United States Court of Appeals for the Fourth Circuit ruled against the Charter Day School in North Carolina, which had required girls to wear skirts due to the idea that girls are "fragile vessels" deserving "gentle" treatment from boys. The court ruled the requirement was unconstitutional.

Since 2004, the International Skating Union has allowed women to wear trousers instead of skirts in competition if they wish.

Dancing

This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2024) (Learn how and when to remove this message)

Many forms of dancing require women to wear skirts or dresses, either by convention or competition rules. In Scottish highland dancing, for example, women wear the Aboyne dress, which actually involves a skirt, for the national dances, and wear a kilt-based outfit for the Highland dances.

See also

• Hakama
• Qun
• Sampot
• Sulu
• Trousers
• Trousers as women's clothing
• Victorian dress reform

References

1. "Skirt". Oxford English Dictionary (Online ed.). Oxford University Press. (Subscription or participating institution membership required.)
2. Cvekic, Ljilja (12 November 2007). "Prehistoric women had passion for fashion". Reuters. Archived from the original on 19 September 2016. Retrieved 19 September 2016.
3. "5,900-year-old women's skirt discovered in Armenian cave". News Armenia. September 13, 2011. Archived from the original on October 10, 2017. Retrieved September 14, 2011.
4. http://translate.enacademic.com/γαυνάκης/el/
5. Chicago Assyrian Dictionary, Volume 5 (PDF). p. 134. Archived (PDF) from the original on 2022-09-22. Retrieved 2023-04-06.
6. Boucher, Francois (1987): 20.000 Years of Fashion: The History of Costume and Personal Adornment. New York: Harry N. Abrams
7. The Bible: Genesis 12:4-5
8. Roberts, J.M. (1998): The Illustrated History of the World. Time-Life Books. Volume 1. p. 84
9. Barber, Elisabeth J.W. (1991): Prehistoric Textiles: The Development of Cloth in the Neolithic and Bronze Ages with Special Reference to the Aegean. Princeton: Princeton University Press. p.12
10. Rief Anawalt, Patricia (2007): The Worldwide History of Dress. London: Thames & Hudson. p. 25
11. Rief Anawalt, Patricia (2007): The Worldwide History of Dress. London: Thames & Hudson. p. 24
12. Koch-Mertens, Wiebke (2000): Der Mensch und seine Kleider: Die Kulturgeschichte der Mode bis 1900. Artemis & Winkler: Düsseldorf Zürich. pp. 49-51
13. Tortora, Phyllis G. et al. (2014): Dictionary of Fashion. New York: Fairchild Books. p. 11
14. Koch-Mertens, Wiebke (2000): Der Mensch und seine Kleider: Die Kulturgeschichte der Mode bis 1900. Artemis & Winkler: Düsseldorf Zürich. pp. 156-162
15. Harrell, Stevan (1995). Cultural Encounters on China's Ethnic Frontiers. University of Washington Press. pp. 98 & 103. ISBN 0-295-97528-8.
16. Hill, Daniel Delis (2007). As seen in Vogue : a century of American fashion in advertising (1. pbk. print. ed.). Lubbock, Tex.: Texas Tech University Press. pp. 23–25. ISBN 978-0-89672-616-1.
17. "Elizabeth Smith Miller - Women's Rights National Historical Park (U.S. National Park Service)". Nps.gov. Archived from the original on 2014-02-03. Retrieved 2018-12-23.
18. "Amelia Bloomer - Women's Rights National Historical Park (U.S. National Park Service)". Nps.gov. Archived from the original on 2022-02-02. Retrieved 2018-12-23.
19. Kesselman, Amy (1991). "The "Freedom Suit": Feminism and Dress Reform in the United States, 1848-1875". Gender and Society. 5 (4): 495–510. doi:10.1177/089124391005004004. ISSN 0891-2432. JSTOR 190097. S2CID 143461978. Archived from the original on 2022-05-05. Retrieved 2022-06-19.
20. Frost, Natasha (2017-09-21). "The Women Miners in Pants Who Shocked Victorian Britain". Atlas Obscura. Retrieved 2024-07-20.
21. Fogg, Marnie (2011) The Fashion Design Directory. London: Thames & Hudson. p.165,316
22. ^ Tortora, Phyllis G. et al. (2014): Dictionary of Fashion. New York: Fairchild Books. pp. 370-374
23. Yarwood, Doreen (2011). Illustrated encyclopedia of world costume. Mineola, N.Y.: Dover Publications, Inc. p. 376. ISBN 9780486433806.
24. "Social Science a Textbook in History for Class IX as per New Syllabus". google.co.in.
25. Staff writer. "Vivienne Westwood designs". Victoria and Albert Museum. Archived from the original on 6 September 2015. Retrieved 5 June 2015.
26. Evans, Caroline (2004). "Cultural Capital 1976–2000". In Breward, Christopher; Ehrman, Edwina; Evans, Caroline (eds.). The London look : fashion from street to catwalk. New Haven: Yale University Press / Museum of London. p. 149. ISBN 9780300103991.
27. Freeman, Ruth Sunderlin (1978). Cavalcade of Dolls: Basic Source Book for Collectors. Century House Publishing Company. p. 301. ISBN 978-0-87282-001-2.
28. McClellan, Elisabeth (1906). Historic Dress, 1607-1800: With an Introductory Chapter on Dress in the Spanish and French Settlements in Florida and Louisiana. Lane. p. 133.
29. Driver, Maggie (21 April 2016). "The squaw dress: Tucson's controversial but unique fashion history". Arizona Sonora News. Archived from the original on 2018-01-18. Retrieved 2018-01-17.
30. "Gho & Kira: The National Dress". Bhutan's Culture. RAOnline. Archived from the original on 27 November 2010. Retrieved 31 July 2010.
31. "The History Of Men & Skirts". Bustle. 22 May 2017. Archived from the original on 6 October 2018. Retrieved 5 Oct 2018.
32. "These Men in Skirts and Dresses Protested Workplace Dress Codes. Lo and Behold, They Won". Bustle. 27 June 2017. Archived from the original on 4 December 2019. Retrieved 5 Oct 2018.
33. Brown, Ian (2010). From Tartan to Tartanry: Scottish Culture, History and Myth, page 177. Edinburgh: Edinburgh University Press. ISBN 978-0748644490.
34. Rebecca Smithers (2000-02-24). "Girl wins battle to wear trousers to school | Education". The Guardian. Archived from the original on 2014-05-09. Retrieved 2014-07-30.
35. "School uniform". GOV.UK. 2014-06-27. Archived from the original on 2019-02-27. Retrieved 2014-07-30.
36. "Mujer de intersecciones" (in Spanish). Guaynabo, Puerto Rico: El Nuevo Día. 27 May 2012. Archived from the original on 19 February 2016. Retrieved 19 February 2016.
37. "North Carolina charter school's skirt requirement for girls unconstitutional, court rules". MSN. Archived from the original on 2022-06-15. Retrieved 2022-06-19.
38. "Slovak Pair Tests New ISU Costume Rules - Skate Today". Archived from the original on 2018-10-03. Retrieved 2022-06-19.

• Brockmamn, Helen L.: The Theory of Fashion Design, Wiley, 1965.
• Picken, Mary Brooks: The Fashion Dictionary, Funk and Wagnalls, 1957. (1973 edition ISBN 0-308-10052-2)
• Tozer, Jane, and Sarah Levitt: Fabric of Society: A Century of People and Their Clothes 1770–1870, Laura Ashley Ltd., 1983; ISBN 0-9508913-0-4

External links

• Apparel Search glossary of textile and apparel terms
• An international dress size converter Archived 2007-07-07 at the Wayback Machine
• New South Korean Law Might Make Miniskirts Illegal
• France Revokes 214-Year-Old Law That Made It Illegal For Women To Wear Pants

v t e Clothing
History Industry Technology Terminology Timeline
Headwear	Beret Cap baseball flat knit Crown Hat boater bowler fedora homburg top Helmet Hood Kerchief Mask Turban Veil
Neckwear	Bands Choker Collar Clerical Lavallière Neckerchief Neck gaiter Necktie ascot bolo bow kipper school stock Scarf Tippet
Tops	Blouse cache-cœur crop top halterneck tube top Cycling Kurta Mantle Shirt dress Henley polo sleeveless T crew neck Sweater cardigan guernsey hoodie jersey polo neck shrug sweater vest twinset Waistcoat
Bottoms	Trousers Bell-bottoms Bondage Capri Cargo Chaps Formal Go-to-hell High water Lowrise Jeans Jodhpurs Overalls Palazzo Parachute Pedal pushers Phat Shorts Bermuda cycling dolphin gym hotpants running Slim-fit Sweatpants Windpants Yoga pants Skirts A-line Ballerina Denim Men's Miniskirt Pencil Prairie Rah-rah Sarong Skort Tutu Wrap
Suits and uniforms	Ceremonial dress academic court diplomatic Folk Jodhpuri Jumpsuit Military full mess service sailor combat Pantsuit Political Religious cassock clerical vestment School Prison Workwear boilersuit cleanroom hazmat space scrubs
Dresses and gowns	Formal, semi- formal, informal Backless Bouffant gown Coatdress Cocktail little black Evening ball gown debutante Plain Prairie Princess line Strapless Wedding Wrap Casual House Jumper Romper suit Sheath Shirtdress Slip Sundress
Coats and outerwear	Overcoats Car Chesterfield Covert Duffel Duster Greatcoat British Warm Guards Coat Greca Over-frock Riding shadbelly Trench Ulster Cloak opera Paletot Pea Polo Raincoat Mackintosh Suit coats Frock coat bekishe rekel Mess jacket Suit jacket Blazer smoking sports Teba Tailcoat dress morning Other Apron pinafore Blouson Cagoule Cape ferraiolo Inverness Mantle monastic royal mozzetta pellegrina Coatee Cut-off Gilet Jacket down flight goggle Harrington leather mackinaw Norfolk safari Jerkin Lab coat Parka Poncho Robe bathrobe dressing gown Shawl Ski suit Sleeved blanket Windbreaker
Underwear and lingerie	Top Bra Camisole Undershirt Bottom Diaper Training pants Leggings Panties Plastic pants Slip Thong Underpants boxer briefs boxer shorts briefs Full Bodysuit, adult Bodysuit, infant Long underwear See-through Teddy
Nightwear	Babydoll Babygrow Blanket sleeper Negligee Nightgown Nightshirt Pajamas
Swimwear	Bikini Burkini Boardshorts Dry suit Monokini One-piece Rash guard Sling Square leg suit Swim briefs Swim diaper Trunks Wetsuit
Legwear	Sock Hold-ups Garter Pantyhose Stocking Tights
Footwear	Boot Dress boot Flip-flops Sandal Shoe Dress shoe Court shoe Sneaker Slipper
Accessories	Adornments Armband Belt Boutonnière Coin purse Cufflink Cummerbund Gaiters Glasses Sunglasses Gloves Headband Handbag Inro Jewellery Livery Muff Pocket protector Pocket watch Sash Spats Suspenders Wallet Watch Non-worn items Hand fan Umbrella Walking stick
Dress codes	Western Formal morning dress white tie Semi-formal black lounge suit black tie Informal Business casual Smart casual Casual
Related	Clothing fetish Clothing swap Costume creature suit Halloween costume Cross-dressing Environmental impact Fashion haute couture made-to-measure ready-to-wear Fur clothing types Fursuit Global trade of secondhand clothing Laws List of individual dresses Reconstructed clothing Right to clothing Vintage clothing
Clothing portal

v t e Historical clothing
Clothing generally not worn today, except in historical settings
Body-length	Abolla Banyan Brunswick Court dress (Empire of Japan) Chiton Frock Frock coat Hanfu Justacorps Paenula Peplos Stola Toga Tunic Xout lao
Tops	Basque Bedgown Bodice Doublet Peascod belly Poet shirt Sbai Suea pat
Trousers	Braccae Breeches Sompot Chong Kben Culottes Harem Knickerbockers Pedal pushers Saragüells [ca]
Skirts	Hobble Poodle Safeguard Sompot Sinh Train
Dresses	Bliaut Close-bodied gown Debutante Gown Kirtle Mantua Polonaise Robe de cour Sack-back gown Sailor Tea gown Zaju chuishao fu
Outerwear	Capote Car coat Caraco Cardinal cloak Chamail Chlamys Cloak Kinsale cloak Dolman Doublet Duster Exomis Greatcoat Himation Houppelande Inverness cape Jerkin Kandys Mackinaw jacket Nadiri Norfolk jacket Overfrock Pañuelo Palla Pallium Pelisse Poncho Shadbelly Shawl Galway shawl Kullu Smock-frock Spencer Surcoat Surtout Ulster coat Visite Witzchoura
Underwear	Basque Bustle Chausses Chemise Codpiece Corselet Corset Waist cincher Dickey Garter Hoop skirt Crinoline Farthingale Pannier Hose Liberty bodice Loincloth Open drawers Pantalettes Petticoat Peignoir Pettipants Union suit Yếm
Headwear	Anthony Eden Apex Arakhchin Attifet Aviator Ba tầm Bergère Blessed hat Bonnet Capotain Caubeen Cavalier Coif Coonskin Cornette Dunce Fillet French hood Fontange Futou Gable hood Hennin Jeongjagwan Jewish Kausia Kokoshnik Llawt'u Malahai Matron's badge Miner's Mob Modius Monmouth Mooskappe Motoring hood Mounteere Nemes Nightcap Ochipok Pahlavi Petasos Phrygian Pileus Printer's Pudding Qeleshe Qing Salakot Snood Smoking Stephane (headdress) Tainia Taranga Welsh Wig Wimple
Footwear	Buskins Calcei Caligae Carbatina Chinese styles Chopines Duckbills Episcopal sandals Hessian Lotus shoes Manchu platform shoes Pampooties Pattens Pigaches Poulaines Socci Tiger-head shoes Turnshoes
Accessories	Ascot tie Belt hook Cointoise Cravat (early) Hairpin Hatpin Jabot Lavallière Muff Oes Partlet Perfumed gloves Ruff Shoe buckle Visard
Clothing portal

• Medieval European costume
• Skirts
• History of clothing