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Carnival in French Guiana

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Carnival parade in Cayenne

Carnival in French Guiana is a major event. Its style is described as Afro-Caribbean. A moveable holiday, it takes place between Epiphany and Ash Wednesday, ending on Mardi Gras. Known internationally for its Paré-masqué balls and its emblematic character, the Touloulou, it is considered the longest carnival in the world.

The participants – French, Creole, Brazilian and Chinese people – dress in vibrant costumes. Main events include a parade and a burlesque-style marriage.

Young Creoles at Kourou's Carnival parade, 2007

Background

Carnaval in Cayenne, 1903

This celebration is a cultural tradition of the Guianan Creole, its origin traced to carnival customs practiced in Europe. It debuted during the beginning of colonization, between the 1600s and 1700s. When settlers took part in carnival, forbidding the slaves from participating. Defying the ban, the slaves practiced carnival in clandestine ways, seeing it as a way to regain some freedom, to commemorate African fertility, and to deride the settlers. In the present day, metropolitan, Brazilian and Chinese communities take part in the event. Its occurrence varies, prescribed by the religious calendar and taking place between the Epiphany in early January, and Ash Wednesday, which marks the beginning of Lent. Carnival ends on Mardi Gras.

Traditional costumes

There are several traditional costumes in the French Guiana carnival, representing various figures.

King Vaval

King Vaval is a mythical figure who serves as carnival king. He is introduced at the beginning of the festival and dies on Ash Wednesday, to be reborn like the Phoenix in the following year.

Touloulou

Touloulous

Carnival Queen and most famous character is the Touloulou, an elegantly dressed lady who wears a petticoat, hood, Domino mask, and long gloves, so that none of her skin is visible. The aim of the woman who masquerades as a touloulou is to not be recognized. She strolls down the street and participates in the masked balls. The character represents the bourgeois women of 18th and 19th centuries.

Nèg Maron

Neg'Marrons

Neg'Marrons are groups of men dressed in kalimbé (red loincloth) and coated with molasses. Representing fugitive slaves, they seek to make order of the festival.

Other traditional costumes

Other traditional characters include the Zombi baréyé, a zombie character; Jwé farin, who is dressed in white trousers, shirt, pointed hat, and mask, representing a baker; Bobi, is dressed in old potato sacks and appears as a bear led by a leash; Karolin, representing a rich woman with gold who is jealous and protects other women; Lanmò, who represents death, is dressed in white; Soussouris, who represents the bat, is a winged character who commonly wears black or two tones, and is renowned for its vampire behavior; and Diab rouj (red devil), who dresses in red and black. The tululu (mask) is worn in French Guiana while celebrating carnival.

Events

Paré-masked ball

Touloulous in the 1990s

On the Saturday preceding Lent, the Touloulous, carnival Queens, dress in colourful, camouflaged dresses and wear masks while they dance through the streets. Their costumes – lace and petticoats, tights and gloves – cover them from head to toe. They speak in disguised voices to retain anonymity. The women invite the men to join them, which is a mandatory requirement. On Friday and Saturday nights, the Toulouois assemble in large dance halls. Men who are invited have to pay an entry fee.

Street parades

Horses of air and light, great carnival parade, Kourou

Sunday is the day of parades. It require months of preparation. They occur on the streets of Cayenne, Kourou, and Saint-Laurent-du-Maroni. Groups dress according to the theme of the year. The parade includes decorated floats and there are musicians playing drums and brass. Thousands of spectators line the sidewalks and sit in the stands which are set up for the occasion. Brazilian groups have similar costumes to those encountered at Rio Carnival, while the country's Asian community incorporates dragons in the festivities. On Monday, a sham act of marriage with women (brides) in men's gowns and men (grooms) in women's dresses is the main spectacle. Tuesday, the last day of the festival, is marked by the appearance of the main spirit of King Vaval, who is considered by the locals to be "the devil and soul of carnival". He arrives on a canoe in the form of an effigy, made of straw. A very large number of people gather on the beach to welcome him. On this occasion the dancers are dressed in black or red coloured costumes adorned with horns and tails and holding pitchforks. The effigy is then burnt in the night and on the following day, Ash Wednesday, people wear black and white dresses to mourn the passing of Vival.

Food and drink

Galette des rois

Fridays commonly include eating a cake, known as the galette des rois (cake of kings, which in mainland France would be eaten only for the Epiphany), representing the Three Kings. This cake has a Creole version, much more popular than the French one. Blaff(fish or chicken broth) and Punch is also commonly consumed during this period.

Gallery

  • Touloulous parade during the Grande Parade de Kourou Touloulous parade during the Grande Parade de Kourou
  • Dancer, Kourou Dancer, Kourou
  • Dancers, Kourou Dancers, Kourou
  • Carnival dragon by the Chinese community Carnival dragon by the Chinese community

References

  1. Brown & Read 2003, p. 57.
  2. West 2003, p. 95.
  3. ^ "Amazing Festivals The Carnival of French Guiana". Kreol International Magazine. 6 May 2014. Retrieved 16 May 2015.
  4. Cheng 2011, p. 163.
  5. ^ Shafto 2009, p. 57.
  6. Hidair, Isabelle (2011). "Le carnaval cayennais ou l'entretien symbolique de frontières "ethniques"" (in French). CRILLASH : Centre de Recherches Interdisciplinaires en Lettres, Langues, Arts et Sciences Humaines. Retrieved 16 May 2015.
  7. ^ "Carnaval de Guyane". imagesplus.fr (in French). Retrieved 16 May 2015.
  8. Fauquenoy 1972, p. 50.
  9. ^ Gray 1999, p. 279.
  10. Horn & Laing 2005, p. 320.
  11. ^ Albala 2011, p. 144.

Bibliography

External links

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