Woman's Symphony Orchestra of Chicago

(Redirected from Chicago Women's Symphony Orchestra) American orchestra founded in 1925

The Woman's Symphony Orchestra of Chicago was an American orchestra based in Chicago. In addition to its regular radio broadcasts which spanned 1925–1948 (or 1952), the Woman's Symphony Orchestra of Chicago also toured.

History

The orchestra was founded in 1925 by flutist Adeline Schmidt, cellist Lois Bichl, and clarinetist Lillian Poenisch. Like most industries of the era, women were barred from participating in most professional orchestras throughout the mid-20th century. Nonetheless, in 1924, a year before the Woman's Symphony Orchestra of this article was founded, another one with nearly the same name was founded by Elena Moneak, which lasted until 1928. (see Disambiguation section, below)

Schmidt, Bichl, and Poenisch felt that Moneak's orchestra lacked professionalism from vocational, performance quality, and business management perspectives and aspired to create one. Initially, their overarching organizational objective was to offer professional performing experiences for women artists, which soon included women composers and conductors. The orchestra premiered notable works of women composers and showcased the artistry of several acclaimed women conductors. Among other things, the orchestra launched a scholarship program aimed at developing more opportunities for female professional orchestral brass and woodwind musicians.

Demise of the orchestra

There is some debate about the end of the orchestra. Some music historians have dated the orchestra's termination to its bankruptcy in 1948. However a photo of the orchestra exists dated 1952. The bankruptcy of the Woman's Symphony Orchestra of Chicago is generally known to have been the result of systemic changes following World War II rather than a simple lack of demand for all-female orchestras. As men in the U.S. were drafted in great numbers, often not returning, this resulted in a great demand in previously all-male professional orchestras to recruit female musicians from all female orchestras.

Timeline

1925: Organized under charter by the Illinois Secretary of State as the "Woman's Symphony Orchestral Association"
October 1925: First rehearsals began
May 9, 1926: Inaugural concert in the Goodman Theater

Selected personnel

Founding musicians

Lillian Poenisch (née Lillian Juanita Poenisch), clarinetist, also founded the Chicago Women's Concert Band
Adeline Schmidt (née Adeline Elizabeth Moore), flutist, who, on December 27, 1910, in Milwaukee, married Christian Carl Martin Schmidt.
Lois Bichl (née Lois Colburn), cellist, who had studied in New York City with (i) Carl A. Brüchkner, a cellist with the Chicago Symphony for 41 years, and (ii) Bruno Steindel and in Chicago with (iii) Alfred Wallenstein. She was married twice, both to musicians, first, on March 11, 1920, to Frederick Thomas Langan, xylophonist and second, on August 21, 1925, to Edgar Anthony Bichl. Lois Bichl, under the name Lois Colburn, was a cellist with the Houston and San Antonio Symphonies, and also was an influential music educator.

Founding non-musicians (patrons)

Kathryn Funk (née Kathryn Frances Meeker). Since 1895, she had been married to Clarence Sydney Funk. She was a vocalist. Kathryn had a degree from the Chicago Musical College.

Conductors

1924–1927: Richard Czerwonky (né Richard Rudolph Czerwonky)

1927–1929: Ethel Leginska

1929–1939: Ebba Sundstrom Nylander (née Ebba Irene Violet Sundstrom;m), violinist, who, in 1920, married Victor Theodore Nylander

1938–1940: Gladys Welge (née Gladys Louise Welge) Welge, a violinist, founded, in 1931, the Symphony of Oak Park & River Forest. Welge was the Woman's Symphony's last woman conductor. Welge was assistant conductor of the orchestra for nine years and conductor for two.

1940–1944: Izler Solomon Notably, Solomon conducted the orchestra for 26 weekly broadcasts for Libby Owen

1942: Nikolai Malko

1944–1945: Jerzy Bojanowski

Guest conductors

Guest soloists

Lillian Waller (née Lillian Magnuson), pianist, was the first soloist with the orchestra. On August 23, 1924, she married Percy Harold Waller in Indiana.
Leone Kruse, opera singer, notably, beginning 1927, with the Chicago Civic Opera, then went on to the Metropolitan Opera, the National Theatre Munich, and the German Opera Theater at Prague. Before launching her career, Kruse had been a scholarship student at the American Conservatory of Music. She later was on the faculty at the Cincinnati Conservatory of Music.
Mae Doelling Schmidt, piano
Theodora Troendle, piano

Notable performances

May 9, 1926: Inaugural concert in the Goodman Theater with violinist Amy Neill as guest soloist. Five men musicians filled chairs not yet filled by women.

Program:

The Hebrides by Felix Mendelssohn
Siegfried Idyll by Richard Wagner
Violin Concerto No. 1 by Max Bruch
Scènes Alsaciennes by Jules Massenet
Two Elegiac Melodies by Edvard Grieg
"Danse Bacchanale" by Camille Saint-Saëns (from Samson and Delilah)

December 4, 1927: Composer Theodora Troendle joined the orchestra as the piano soloist to premiere her own piano concerto.
1934: Ford Symphony Gardens at the Century of Progress International Exhibition. Florence Price (1887–1953), composer; Margaret Bonds, piano soloist; Ebba Sundstrom, conductor. The program – devoted to women composers – honored Amy Beach and Carrie Jacobs-Bond. Along with other musical events from the exhibition, the performance was broadcast on WBBM CBS radio.

Piano Concerto in D minor by Florence Price (1887–1953); Margaret Bonds, piano

Disambiguation

Elena Moneak founded in 1924 an unrelated ensemble which was also named the Women's Symphony Orchestra of Chicago. That orchestra debuted at the Woman's World's Fair in Chicago in 1924 under the direction Moneak, conducting. It performed its final concert at the Woman's World Fair in 1928.
In 1948, Bohumir Kryl led an ensemble named the Kryl's Women's Symphony Orchestra of Chicago, which was unrelated to the Women's Symphony Orchestra of Chicago.

Notes and references

Notes

^ Elena Moneak was one of a small body of artists – the others included Lucie Bigelow Rosen and Clara Rockmore – who promoted the playing of the theremin. Elena married twice, first on March 14, 1917, in Chicago to Henry Howind (né Heinrich Friedrich Ernst Howind), with whom she had two daughters. Her second marriage was on April 30, 1939, to Frankie Snite (né Frank Joseph Snite).
Amy Neill Amy Neill (née Amy Emerson Weldon Neill) owned, from 1921 to 1930, a violin made by Bartolomeo Giuseppe Guarneri, del Gesù, made in Cremona in 1736, nicknamed the "Count Cessol" violin: (Cozio online catalog No. 40422); the violin had formerly been owned by Virginia Ferni Teja (née Virginia Ferni), sister of violinist Carolina Ferni. Neill, on September 24, 1924, married Avern B. Scolnik, a lawyer and amateur albeit accomplished violinist and violin collector. They divorced sometime before 1952.

References

^ Dempf, Linda Terese (June 2006). "The Woman's Symphony Orchestra of Chicago". Notes (2nd series) Music Library Association. 62 (4): 857–903. doi:10.1353/not.2006.0048. OCLC 196817685, 703515466, 5183768649. JSTOR 4487666.
^ Moog, Robert (June 1956). "Music From Electrons". Audiocraft Magazine 16–19 & 33
"Women's Symphony Orchestra of Chicago, 1952" (photo). Encyclopedia of Chicago. James R. Grossman, Ann Durkin Keating, Janice L. Reiff (eds.). (developed by the Newberry Library in cooperation with the Chicago Historical Society) (2004); OCLC 60342627, 439613551. Retrieved April 23, 2019.
"Woman's Symphony Orchestra of Chicago records, 1929–1948". Chicago History Museum. OCLC 709937788.
^ Brown, Rae Linda (1993). "The Woman's Symphony Orchestra of Chicago and Florence B. Price's Piano Concerto in One Movement". American Music. 11 (2): 185–205. doi:10.2307/3052554. JSTOR 3052554.
"A Prairie Girl Hitches Wagon to Music Star – Orchestra Owes Rise to Ebba Sundstrom," by Irene A. Steyskal (1904–1987; married in 1946 to Eugene Francis "Red" Powers; 1910–1980). Photo: Moffett Studio, Chicago. Chicago Tribune. July 19, 1936. Part 3, pps. 1 & 3. (accessible via Newspapers.com at Part 3, p. 1 and Part 3, p. 3, subscription required)
Loungsangroong, Manchusa (2017). "First-Wave Women Clarinetists Retrospective: A Guide to Women Clarinetists Born Before 1930" (DMA document). Ohio State University. OCLC 1000312661. OhioLINK (OhioLINK)
"Woman's Symphony Orchestra Opens Season Wednesday". Chicago Tribune. October 19, 1941, Part 6, p. 3 Newspapers.com, subscription required)
^ Jagow, Shelly M (1998). "Women Orchestral Conductors in America: The Struggle for Acceptance—An Historical View from the Nineteenth Century to the Present". College Music Symposium. The College Music Society. 38: 126–145. JSTOR 40374324. OCLC 6033020105. ISSN 0069-5696)
"Feminine Musicians Approved." Columbus Dispatch, August 3, 1941, p. 56 (accessible via GenealogyBank.com, subscription required)
The Violin-makers of the Guarneri Family, 1626–1762, By William Henry Hill (1857–1927), Arthur Frederick Hill, Alfred Ebsworth Hill
William E. Hill & Sons (1931)
Dover Publications, Inc. (1989)

Dover Publications, Inc. (2016)p. 101 (also on p. 88); OCLC 750470444
Dempf, Linda (2006). "The Woman's Symphony Orchestra of Chicago". Notes. 62 (4): 857–903. doi:10.1353/not.2006.0048. ISSN 0027-4380. JSTOR 4487666. S2CID 191467476.
"Kryl: Women's Symphony Orchestra of Chicago: 44th Annual Tour". Iowa Digital Library. University of Iowa. 1948. Retrieved April 19, 2019.

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