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Chopin (opera)

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Chopin is a four-act opera by Giacomo Orefice (1865–1922) to a libretto by Angiolo Orvieto [it], premiered in Milan in 1901.

The opera, which is "a wildly inaccurate account" of the life of Frédéric Chopin, is based entirely on his music, orchestrated by Orefice. The vocal score indicates the sources of the music, which include Chopin's sonatas, polonaises, mazurkas and nocturnes.

Roles

Role Voice type Premiere cast
Teatro Lirico, Milan
25 November 1901
Frédéric Chopin tenor Giuseppe Borgatti
Stella, Chopin's first love soprano Luisa Beltrami
Elio, Chopin's friend baritone Rodolfo Angelini Fornari
Flora mezzo-soprano Cesira Ferrani
Grazia, daughter of Flora and Chopin silent role
Schoolchildren, fisherfolk of Majorca, peasants.

Synopsis

The overture is based on Chopin's Fantasy on Polish Airs, Op. 13. Act I is set in a village in Poland at Christmas time. Chopin declares his love to Stella (who is, like all the opera's characters except Chopin himself, entirely fictional). In Act II, set in Paris, Elio tells a group of children about the history and struggles of Poland, inspiring Chopin to fly to the piano and write a nocturne. Chopin's new love, Flora, is also present. Act III is set in Majorca, where the real Chopin spent the winter of 1838-9 with George Sand. In this version Chopin is there with Flora and their daughter, who dies after a thunderstorm and is mourned by the local population. In Act IV, Stella arrives in Paris from Poland just in time for Chopin to expire in her arms.

Reception

The opera was premiered in the Teatro Lirico, Milan, on 25 November 1901. The Musical Times reported that "this rather curious lyrical stage-work" was "a distinct success." A production in Paris in 1905 was not well received by the critic Arthur Pougin, who commented "It is an idea, perhaps ingenious but certainly bizarre, to create an opera score by borrowing the elements of various works by a genius who, throughout his life, never dreamt of writing for the theatre", and concluded that Orifece had committed "a sacrilege". A modern assessment suggests that the opera is "in essence a kitsch contribution to the last vestiges of late 19th-century romanticized bohemianism and to the Italian 'scapigliatura'".

The opera was performed at the Opera Wrocławska in Wrocław, Poland, in 2010 as part of the Chopin bicentenary celebrations.

References

Notes
  1. Ashbrook (n.d.)
  2. Orefice (1904), passim.
  3. Orefice (1904), p.1.
  4. Ashbrook (n.d.)
  5. Pougin (1905), p. 195
  6. Zamoyski (2010), p. 159.
  7. Pougin (1905), p. 195
  8. Ashbrook (n.d.)
  9. Ashbrook (n.d.)
  10. Anon (1902), p. 50
  11. Pougin (1905), p. 195
  12. Lanza (n.d.)
  13. "Opera 'Chopin' by Giacomo Orefice" on Chopin2010 website, accessed 5 August 2014
Sources

External links

Frédéric Chopin
Concertante works
Chamber music
and songs
Ballades
Études
Opus 10
Opus 25
Trois nouvelles études
Impromptus
Mazurkas
Nocturnes
Piano sonatas
Polonaises
Preludes
Opus 28
Others
Rondos
Scherzos
Waltzes
Miscellaneous
With opus numbers
Variations brillantes in B♭ major on "Je vends des scapulaires" from Hérold's Ludovic, Op. 12
Boléro, Op. 19
Tarantelle in A♭ major, Op. 43
Allegro de concert, Op. 46
Fantaisie in F minor, Op. 49
Berceuse in D♭ major, Op. 57
Barcarolle in F♯ major, Op. 60
Marche funèbre in C minor, Op. posth. 72/2
Three Écossaises, Op. posth. 72/3
17 Polish songs, Op. posth. 74
Without opus numbers
Album Leaf (Moderato) in E major, B. 151
Andantino in G minor (arr. of the piano part of the song Wiosna), B. 117
2 Bourrées, B. 160b
Canon in F minor, B. 129a
Cantabile in B♭ major, B. 84
Contredanse in G♭ major (doubtful), B. 17
Fugue in A minor, B. 144
3 Fugues; arr. from Cherubini's Cours de contrepoint et de fugue, KK. VIIa/2
Galopp in A♭ (Galop Marquis), P. 2/13
Introduction, Theme and Variations in D on a Venetian air, for piano 4-hands, KK. IVa/6
Klavierstück in B♭ (1834), P. 2/6
Klavierstück in E♭ (1837), P. 2/5
Klavierstück in E♭ (1840), P. 2/10
Largo in E♭, B. 109
2 Polish songs, B. 51, 132
Variations in A major, Souvenir de Paganini, B. 37
Variation in E major for Hexameron, B. 113
Variations in E major for flute and piano on "Non più mesta" from Rossini's La Cenerentola, B.9, KK. Anh. Ia/5
Variations in E major on the air "Der Schweizerbub", a.k.a. Introduction et Variations sur un Lied allemand, B. 14
Ballets to Chopin
Cultural depictions
Family
Other topics
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