List of compositions by Franz Schubert by genre

(Redirected from D. 17)

Opening of the *Wanderer Fantasy*, Op. 15 (D 760), one of Schubert's miscellaneous works for solo piano

Compositions by Franz Schubert
Lists of
D: 1–1C 2–12 13–37 37A–91 92–126 127–330 331–510 511–598 599–632 633–678 679–708 708A–732 733–767 768–798 799–822 823–862 863–895 896–936 936A–965B 966–992 Anh. I II III
By genre
Stage works Songs and part-songs Song cycles Symphonies Sonatas, duos and fantasies Solo piano
Publications
Opus/Deutsch number concordance 19th century complete edition New Schubert Edition
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Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos.

This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue.

The list below includes the following information:

D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities
Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances
Title – the title of the work
Incipit – the first line(s) of text, as pertaining to vocal works
Scoring – the instrumentation and/or vocal forces required for the work
Informal Title – any additional names by which the work is known, when applicable
Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable
Date – the known or assumed date of composition, when available; or date of publication
Opus Number – the opus number of the original publication of the work, when applicable
Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text
Version – the number of version as it pertains to works or vocal settings that have more than one existing version
Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Series I: Church music

Masses, requiems and Stabat mater

D 24E, Mass in F major (?) for mixed choir, orchestra and organ (1812?; fragments of two movements, "Gloria" and "Credo" are extant)
D 105, Mass No. 1 in F major for two sopranos, alto, two tenors, bass, mixed choir, orchestra and organ (1814, 2 settings of the "Dona Nobis Pacem"; 2nd setting was formerly D 185)
D 167, Mass No. 2 in G major for soprano, tenor, bass, mixed choir, string orchestra and organ (1815)
D 324, Mass No. 3 in B♭ major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1815, first published as Op. posth. 141)
D 383, Oratorio "Stabat Mater" in F minor for soprano, tenor, bass, mixed choir and orchestra (1816, also appears as "Deutsche Stabat Mater"; sketches for Nos. 5 and 6, "Wer wird sich nicht innig freuen" were formerly D 992)
D 452, Mass No. 4 in C major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1816, first published as Op. 48; 2nd setting of the "Benedictus" was formerly D 961)
D 453, Requiem in C minor for mixed choir and orchestra (1816, fragment of the first movement is extant)
D 621, German Requiem in G minor for soprano, alto, tenor, bass, mixed choir and organ, Deutsche Trauermesse (1818, 4 versions; only the 1st version is complete; NSA appends a synopsis of the 2nd, 3rd and 4th versions)
D 678, Mass No. 5 in A♭ major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1819 and 1822; 2 versions)
D 872, Mass "Deutsche Messe" for mixed choir and organ, Gesänge zur Feier des heiligen Opfers der Messe. Nebst einem Anhange, enthaltend: Das Gebet des Herr (1827, 2 versions; 2nd version adds two oboes, two clarinets, two bassoons, two horns, two trumpets, three trombones, timpani and double bass)
D 950, Mass No. 6 in E♭ major for soprano, alto, tenor, bass, mixed choir and orchestra (1828)
D deest, Mass in C major (?) for mixed choir, two violins and organ (1811?, sketch?; lost or never written)

Mass movements

D 31, Kyrie to a Mass in D minor for soprano, tenor, mixed choir, orchestra and organ (1812)
D 45, Kyrie in B♭ major for mixed choir (1813)
D 49, Kyrie to a Mass in D minor for soprano, alto, tenor, bass, mixed choir and orchestra (1813)
D 56, Canon "Sanctus" in B♭ major for three voices (1813, 2 versions)
D 66, Kyrie in F major for mixed choir, orchestra and organ (1813)
D 755, Kyrie to a Mass in A minor for soprano, alto, tenor, bass, mixed choir, string orchestra and organ (1822, sketch)

Smaller sacred works

D 27, Antiphon "Salve Regina" in F major for soprano, orchestra and organ (1812)
D 71A, Canon "Alleluja" in F major for three voices (1813)
D 106, Antiphon "Salve Regina" in B♭ major for tenor, orchestra and organ (1814)
D 136, Offertory "Totus in Corde" in C major for soprano (or tenor), clarinet (or violin) concertante, orchestra and organ, Erstes Offertorium (1815?, first published as Op. 46)
D 175, Sequence "Stabat mater" in G minor for mixed choir, orchestra and organ (1815)
D 181, Offertory "Tres sunt" in A minor for mixed choir, orchestra and organ (1815)
D 184, Gradual "Benedictus es, Domine" in C major for mixed choir, orchestra and organ (1815, first published as Op. posth. 150)
D 223, Offertory "Salve Regina" in F major for soprano, orchestra and organ, Zweites Offertorium (1815 and 1823, 2 versions; 2nd version first published as Op. 47)
D 379, Antiphon "Deutsches Salve Regina" in F major for mixed choir and organ (1816)
D 386, Antiphon "Salve Regina" in B♭ major for mixed choir (1816)
D 460, Hymn "Tantum ergo" in C major for soprano, mixed choir, orchestra and organ (1816)
D 461, Hymn "Tantum ergo" in C major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1816)
D 486, Hymn "Magnificat" in C major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1815)
D 488, Offertory "Auguste jam coelestium" in G major for soprano, tenor and orchestra (1816)
D 607, Song "Evangelium Johannis 6, Vers 55–58" for voice and figured bass (1818, fragment; figured bass usually realized for piano)
D 676, Offertory "Salve Regina" in A major for soprano and orchestra, Drittes Offertorium (1819, first published as Op. posth. 153)
D 696, Six Antiphons "Sechs Antiphonen zum Palmsonntag" for mixed choir (1820, first published as Op. posth. 113)

"Hosanna filio David"
"In monte Oliveti"
"Sanctus"
"Pueri Hebraeorum"
"Cum angelis et pueris"
"Ingrediente Domino"

D 706, Hymn "Der 23. Psalm" for two sopranos, two altos and piano (1820, first published as Op. posth. 132)
D 730, Hymn "Tantum ergo" in B♭ major for soprano, alto, tenor, bass, mixed choir and orchestra (1821)
D 739, Hymn "Tantum ergo" in C major for mixed choir, orchestra and organ (1814, first published as Op. 45)
D 750, Hymn "Tantum ergo" in D major for mixed choir, orchestra and organ (1822)
D 811, Antiphon "Salve Regina" in C major for two tenors and two basses (1824, first published as Op. posth. 149)
D 948, Hymn "Hymnus an den heiligen Geist" for two tenors, two basses and men's choir (1828, 2 versions; 1st version was formerly D 941; 2nd version for two tenors, two basses, men's choir, two oboes, two clarinets, two bassoons, two trumpets, two horns and three trombones; 2nd version first published as Op. posth. 154)
D 953, Hymn "Der 92. Psalm" for baritone, soprano, alto, tenor, bass and mixed choir (1828)
D 962, Hymn "Tantum ergo" in E♭ major for soprano, alto, tenor, bass, mixed choir and orchestra (1828)
D 963, Offertory "Intende voci" in B♭ major for tenor, mixed choir and orchestra (1828)
D deest, Tantum ergo in C major for mixed choir and orchestra (1821)
D deest, Tantum ergo in C major for mixed choir and orchestra (1821)

Series II: Stage works

Further information: Stage works by Franz Schubert

D 11, Singspiel Der Spiegelritter for five sopranos, three tenors, four basses, mixed choir and orchestra (1811?, in three acts?; unfinished – Overture, five complete numbers and three fragments from Act I are extant)
D 84, Singspiel Des Teufels Lustschloß for three sopranos, two tenors, three basses, one spoken role, mixed choir and orchestra (1814, in three acts: Overture and twenty-three numbers; 2 versions; NSA also appends three discarded numbers: No. 13 from the 1st version and Nos. 7 and 23 from the 2nd version, in addition to a fragment of an orchestral postlude)
D 137, Singspiel Adrast for soprano, tenor, bass, men's choir and orchestra (1817, in two or three acts?; unfinished – thirteen numbers are extant: eight are complete, and five are sketches)
D 190, Singspiel Der vierjährige Posten for soprano, three tenors, bass, one spoken role, mixed choir and orchestra (1815, in one act: Overture and eight numbers)
D 220, Singspiel Fernando for two sopranos, tenor, two basses, one spoken role and orchestra (1815, in one act: seven numbers)
D 239, Singspiel Claudine von Villa Bella for two sopranos, two tenors, two basses, mixed choir and orchestra (1815, in three acts; incomplete – Act I: Overture and eight numbers, is extant, as well as one number from Act II and one number from Act III; remaining numbers were written, but are now lost)
D 326, Singspiel Die Freunde von Salamanka for three sopranos, three tenors, six basses, mixed choir and orchestra (1815, in two acts: Overture and eighteen numbers)
D 435, Opera Die Bürgschaft for four sopranos, three tenors, three basses, two baritones, mixed choir and orchestra (1816, in three acts; unfinished – Act I: nine numbers, five numbers from Act II, and one number and one fragment from Act III are extant)
D 644, Music for Zauberspiel Die Zauberharfe for tenor, six spoken roles, mixed choir and orchestra (1820, in three acts: Overtures to the first and third acts, and thirteen numbers; Overture to the first act known as the "Rosamunde" Overture, also used in D 797)
D 647, Singspiel Die Zwillingsbrüder for soprano, tenor, three basses, mixed choir and orchestra (1819, in one act: Overture and ten numbers)
D 689, Oratorio Lazarus, oder: Die Feier der Auferstehung for three sopranos, two tenors, bass, mixed choir and orchestra (1820, in three acts; unfinished – Act I: twenty-one numbers, and eight numbers from Act II are extant)
D 701, Opera Sakuntala for fourteen sopranos, three altos, five tenors, nine basses, mixed choir and orchestra (1820, also appears as "Sakontala" or "Sakuntala"; in three acts; unfinished – sketches of eleven numbers from Acts I and II are extant)
D 723, Duet and Aria for Hérold's Das Zauberglöckchen for two tenors, bass and orchestra (1821)
D 732, Opera Alfonso und Estrella for two sopranos, two tenors, bass, two baritones, mixed choir and orchestra (1821–1822, in three acts: Overture and thirty-four numbers)
D 787, Singspiel Die Verschworenen, a.k.a. Der häusliche Krieg, for four or five sopranos, two altos, two or three tenors, two basses, mixed choir and orchestra (1823, in one act: eleven numbers)
D 791, Opera Rüdiger for two tenors, men's choir and orchestra (1823, sketches of two numbers are extant)
D 796, Opera Fierrabras for three sopranos, three tenors, three basses, baritone, one spoken role, mixed choir and orchestra (1823, also appears as "Fierrabras"; in three acts: Overture and twenty-three numbers; first published as Op. 76)
D 797, Music for Schauspiel Rosamunde, Fürstin von Zypern for alto, mixed choir and orchestra (1823, Overture and nine numbers; first published as Op. 26)
D 918, Opera Der Graf von Gleichen for four sopranos, two tenors, six basses, mixed choir and orchestra (1827, in two acts; unfinished – sketches of eleven numbers for Act I and nine numbers for Act II are extant)
D 981, Singspiel Der Minnesänger (date unknown, fragment; lost)
D 982, Opera "?" for two sopranos, tenor, bass and orchestra (1819–1821?, also appears as Sophie; title and text author unknown; sketches of three numbers are extant)

Series III: Part songs

Main article: List of songs composed by Franz Schubert § Part songs

Part songs with orchestral accompaniment

D 110, Cantata "Wer ist groß?" for bass, men's choir and orchestra (1814)
D 294, Cantata "Namensfeier" for soprano, tenor, bass, choir and orchestra, Namensfeier fur Franz Michael Vierthaler or Gratulations-Kantate (1815)
D 451, Cantata "Prometheus" for soprano, bass, choir and orchestra (1816, lost)
Op. posth. 128 – D 472, Cantata "Kantate zu Ehren von Josef Spendou" for two sopranos, tenor, bass, mixed choir and orchestra (1816, see also D 470?)

Da liegt er, starr
Gottes Bild ist Fürst und Staat
Ein Punkt nur ist der Mensch
Die Sonne sticht

D 714, Octet "Gesang der Geister über den Wassern" for four tenors, four basses, two violas, two violoncellos and double bass (1820–1821, 4th setting; 1st version , sketch)
Op. posth. 167 – D 714, Octet "Gesang der Geister über den Wassern" for four tenors, four basses, two violas, two violoncellos and double bass (1820–1821, 4th setting; 2nd version)
Op. posth. 157 – D 748, Cantata "Am Geburtstage des Kaisers" for soprano, alto, tenor, bass, mixed choir and orchestra (1822)
Op. posth. 139 – D 913, Quartet "Nachtgesang im Walde" for two tenors, two basses and four horns (1827)
D 954, Cantata "Glaube, Hoffnung und Liebe" ; version for two tenors, two basses, mixed choir, two oboes, two clarinets, two bassoons, two horns and two trombones (1828)

Song cycles containing part songs

Main article: Schubert's song cycles

Op. 52, Sieben Gesänge aus Walter Scotts "Fräulein am See" (1825)

No. 3 – D 835, Quartet "Bootgesang" for two tenors, two basses and piano (1825)

No. 4 – D 836, Chorus "Coronach (Totengesang der Frauen und Mädchen)" for women's choir and piano, Totengesang der Frauen und Mädchen (1825)

Op. 62 – D 877, Song cycle Gesänge aus "Wilhelm Meister" (1826)

Part songs for mixed ensemble

Part songs for mixed ensemble and piano

D 47, Cantata "Dithyrambe" for tenor, bass, mixed choir and piano (1813, 1st setting; fragment)
D 126, Duet "Szene aus Faust" for two voices and piano (1814, 1st and 2nd versions; also possible as a Cantata for voice, choir and piano; or as a Cantata for two voices, choir and piano)
D 168, Chorus "Nun laßt uns den Leib begraben" for mixed choir and piano, Begräbnislied (1815)
D 168A, Chorus "Jesus Christus unser Heiland, der den Tod überwand" for mixed choir and piano, Osterlied (1815)
Op. posth. 112 No. 3 – D 232, Quartet "Hymne an den Unendlichen" for soprano, alto, tenor, bass and piano (1815)
D 236, Trio "Das Abendrot" for two sopranos, bass and piano (1815)
D 249, Cantata "Die Schlacht" for unspecified voices/instruments (1815, 1st setting; sketch)
D 352, Duet "Licht und Liebe" for soprano, tenor and piano, Nachtgesang (1816?)
D 387, Cantata "Die Schlacht" for unspecified soloists, choir and piano (1816, 2nd setting; sketch)
D 439, Quartet "An die Sonne" for soprano, alto, tenor, bass and piano (1816)
Op. 6 No. 2 – D 542, Duet "Antigone und Oedip" for two voices and piano (1817)
D 609, Quartet "Die Geselligkeit" for soprano, alto, tenor, bass and piano, Lebenslust (1818, 2nd part of the 1st verse, "im traulichen Kreise" was formerly D 665)
D 642, Quartet "Viel tausend Sterne prangen" for soprano, alto, tenor, bass and piano (1812?)
Op. posth. 158 – D 666, Cantata "Kantate zum Geburtstag des Sängers Johann Michael Vogl" for soprano, tenor, bass and piano, Der Frühlingsmorgen (1819)

Sänger, der von Herzen singet
Diese Berge sah'n dich blühen
Da saht ihr Orestes scheiden
Gott bewahr' dein teures Leben

D 725, Duet "Linde Weste wehen" for mezzo-soprano, tenor and piano (1821, fragment)
Op. posth. 146 – D 763, Quartet "Schicksalslenker, blicke nieder" for soprano, alto, tenor, bass and piano, Des Tages Weihe (1822)
Op. posth. 139 – D 815, Quartet "Gebet" for soprano, alto, tenor, bass and piano (1824)
D 826, Quartet "Der Tanz" for soprano, alto, tenor, bass and piano (1828)
D 875A, Chorus "Die Allmacht" for mixed choir and piano (1826, 2nd setting; sketch)
D 920, Cantata "Ständchen" for alto, men's choir and piano, Notturno (1827, 1st version)
Op. posth. 104 – D 930, Trio "Der Hochzeitsbraten" for soprano, tenor, bass and piano (1827)
D 936, Cantata "Kantate für Irene Kiesewetter" for two tenors, two basses, mixed choir and piano duet (1827, also appears as "Kantate zur Feier der Genesung der Irene Kiesewetter")
Op. posth. 136 – D 942, Cantata "Mirjams Siegesgesang" for soprano, mixed choir and piano (1828)

Rührt die Zimbel, schlagt die Saiten
Aus Ägypten vor dem Volke
Doch der Horizont erdunkelt
S'ist der Herr in seinem Grimme
Tauchst du auf, Pharao?
Drum mit Zimbeln und mit Saiten

D 954, Cantata "Glaube, Hoffnung und Liebe" ; version for two tenors, two basses, mixed choir and piano (1828)
Op. posth. 112 No. 1 – D 985, Quartet "Gott im Ungewitter" for soprano, alto, tenor, bass and piano (1815?)
Op. posth. 112 No. 2 – D 986, Quartet "Gott der Weltschöpfer" for soprano, alto, tenor, bass and piano (1815?)
D Anh. I,24, Cantata "Kantate auf den Vater" for unknown voices and piano (?) (1816, lost)

Part songs for mixed ensemble a capella

D 329A, Canon "Das Grab" for mixed choir (1815, 1st setting; sketch)
D 440, Chorus "Chor der Engel" for mixed choir (1816)
D 643A, Quartet "Das Grab" for soprano, alto, tenor and bass (1819, 5th setting)

Part songs for only male or only female voices

Part songs for male or female ensemble and piano

D 169, Chorus "Trinklied vor der Schlacht" for double unison choir and piano (1815)
D 170, Cantata "Schwertlied" for voice, unison choir and piano (1815)
D 183, Cantata "Trinklied" for voice, unison choir and piano (1815)
Op. posth. 111 No. 1 – D 189, Cantata "An die Freude" for voice, unison choir and piano (1815)
D 330, Chorus "Das Grab" for unison choir and piano (1815, 2nd setting; scoring also possible for choir and piano)
D 442, Chorus "Das große Halleluja" ; version for choir and piano (1816)
D 443, Chorus "Schlachtlied" ; version for choir and piano, Schlachtgesang (1816, 1st setting)
D 521, Chorus "Jagdlied" ; version for unison choir and piano (1817)
D 542, Duet "Antigone und Oedip" for two voices and piano (1817, modified version with changes by Johann Michael Vogl)
D 545, Duet "Der Jüngling und der Tod" for two voices and piano (1817, 1st version)

Part songs for male or female ensemble a capella

D 61, Canon "Ein jugendlicher Maienschwung" for three voices (1813)
D 69, Canon "Dreifach ist der Schritt der Zeit (Spruch des Konfuzius)" for three voices (1813, 2nd setting)
D 130, Canon "Der Schnee Zerrinnt" for three voices (1815?, 1st setting)
D 131, Canon "Lacrimoso son io" for three voices (1815?, 1st and 2nd versions; 2nd version titled "Lacrimosa son io" )
D 199, Duet "Mailied" ; version for two voices (1815, 2nd setting)
D 202, Duet "Mailied" ; version for two voices (1815; 2nd setting of D 130, with a different title)
D 203, Duet "Der Morgenstern" ; version for two voices (1815, 2nd setting)
D 204, Duet "Jägerlied" ; version for two voices (1815)
D 205, Duet "Lützows wilde Jagd" ; version for two voices (1815)
D 244, Canon "Willkommen, lieber schöner Mai" for three voices (1815?, 1st and 2nd versions)
D 253, Duet "Punschlied. Im Norden zu singen" for two voices (1815, 2nd version)
D 357, Canon "Gold'ner Schein" for three voices (1816)
D 873, Canon in A major for six voices (1826?, sketch without text)
D 988, Canon "Liebe säuseln die Blätter" for three voices (1815?)
D deest, Canon "Canon a trè" in B♭ major for three voices (1816? fragment)
D deest, Trio "?" in D major for unspecified voices (date unknown, fragment without text)

Part songs for male ensemble and piano

Op. 74 – D 37, Trio "Die Advokaten" for two tenors, bass and piano (1812)
D 75, Cantata "Trinklied" for bass, men's choir and piano (1813)
Op. posth. 134 – D 892, Cantata "Nachthelle" for tenor solo, two tenors, two basses and piano (1826)
D 140, Trio "Klage um Ali Bey" for two tenors, bass and piano (1815, 1st version)
Op. posth. 131 – No. 2 – D 148, Cantata "Trinklied" for tenor, men's choir and piano (1815)
Op. posth. 169 – D 984, Quartet "Der Wintertag" for two tenors, two basses and piano, Geburtstaglied (after 1820, fragment; piano part is lost)
D 267, Quartet "Trinklied" for two tenors, two basses and piano (1815)
D 268, Quartet "Bergknappenlied" for two tenors, two basses and piano (1815)
D 269, Trio "Das Leben" for tenor, two basses and piano (1815, 1st version)
D 277, Trio "Punschlied" for two tenors, bass and piano (1815)
D 356, Quartet "Trinklied" for two tenors, two basses and piano (1816, fragment)
Op. 16 No. 2 – D 422, Quartet "Naturgenuß" for two tenors, two basses and piano (1822?, 2nd setting)
D 513, Quartet "La pastorella al prato" for two tenors, two basses and piano, La Pastorella (1817?, 1st setting)
D 569, Chorus "Das Grab" for unison men's choir and piano (1817, 4th setting)
Op. 11 No. 1 – D 598, Quartet "Das Dörfchen" for two tenors, two basses and piano (1817, 2nd version )
D 705, Quartet "Gesang der Geister über den Wassern" for two tenors, two basses and piano (1820, 3rd setting; sketch)
D 710, Quartet "Im Gegenwärtigen Vergangenes" for two tenors, two basses and piano (1821?)
Op. 11 No. 2 – D 724, Quartet "Die Nachtigall" for two tenors, two basses and piano (1821 or earlier)
Op. 16 No. 1 – D 740, Quartet "Frühlingsgesang" for two tenors, two basses and piano (1822, 2nd setting)
Op. 11 No. 3 – D 747, Quartet "Geist der Liebe" for two tenors, two basses and piano (1822, 2nd setting)
Op. 28 – D 809, Quartet "Gondelfahrer" for two tenors, two basses and piano (1824, 2nd setting)
D 822, Cantata "Lied eines Kriegers" for bass, unison men's choir and piano (1824)
D 865, Quartet "Widerspruch" for two tenors, two basses and piano (1828, 1st version)
Op. 102 – D 875, Quintet "Mondenschein" for two tenors, three basses and piano (1826)
Op. 81 No. 3 – D 903, Cantata "Zur guten Nacht" for baritone, men's choir and piano (1827)

Part song for male ensemble and guitar

D 80, Trio "Zur Namensfeier meines Vaters" for two tenors, bass and guitar (1813)

Part songs for male ensemble a capella

D 38, Trio "Totengräberlied" for two tenors and bass (1813?, 1st setting)
D 43, Trio "Dreifach ist der Schritt der Zeit (Spruch des Konfuzius)" for two tenors and bass (1813, 1st setting)
D 51, Trio "Unendliche Freude durchwallet das Herz" for two tenors and bass (1813, 1st setting)
D 53, Trio "Vorüber die stöhnende Klage" for two tenors and bass (1813)
D 54, Canon "Unendliche Freude durchwallet das Herz" for three basses (1813, 2nd setting)
D 55, Trio "Selig durch die Liebe" for two tenors and bass (1813)
D 57, Trio "Hier strecket der wallende Pilger" for two tenors and bass (1813)
D 58, Trio "Dessen Fahne Donnerstürme wallte" for two tenors and bass (1813)
D 60, Trio "Hier umarmen sich getreue Gatten" for two tenors and bass (1813)
D 62, Trio "Thronend auf erhabnem Sitz" for two tenors and bass (1813)
D 63, Trio "Wer die steile Sternenbahn" for two tenors and bass (1813)
D 64, Trio "Majestät'sche Sonnenrosse" for two tenors and bass (1813)
D 65, Canon "Schmerz verzerret ihr Gesicht" for two tenors and bass (1813, sketch)
D 67, Trio "Frisch atmet des Morgens lebendiger Hauch" for two tenors and bass (1813)
D 70, Trio "Dreifach ist der Schritt der Zeit (Spruch des Konfuzius)" for two tenors and bass (1813, 3rd setting; fragment)
D 71, Trio "Die zwei Tugendwege" for two tenors and bass (1813)
D 88, Canon "Verschwunden sind die Schmerzen" for two tenors and bass (1813)
D 129, Trio "Mailied" for two tenors and bass (1815?, 1st setting)
D 147, Trio "Bardengesang" for two tenors and bass (1816?)
D 242, Trio "Trinklied im Winter" for two tenors and bass (1815, 1st setting; D deest is the 2nd setting, with a different title)
D 243, Trio "Frühlingslied" for two tenors and bass (1815, 1st setting)
D 331, Quartet "Der Entfernten" for two tenors and two basses (c. 1816, 1st setting; setting identical to the one originally catalogued as D 332)
D 337, Quartet "Die Einsiedelei" for two tenors and two basses (c. 1816, 1st setting)
D 338, Quartet "An den Frühling" for two tenors and two basses (c. 1816, 2nd setting)
D 364, Quartet "Fischerlied" for two tenors and two basses (1816 or 1817?, 2nd setting)
D 377, Chorus "Das Grab" for men's choir and piano (1816, 3rd setting)
D 407, Cantata "Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri" for two tenors, two basses and piano (1816)

Quartet "Gütigster, Bester! Weisester Größter!" for two tenors and two basses (1st and 2nd settings; 2nd setting for two tenors, bass and piano)
Aria "So Güt' als Weisheit strömen mild" for tenor and piano
Canon "Unser aller Großpapa, bleibe noch recht lange da" for three voices

D 423, Trio "Andenken" for two tenors and bass (1816, 2nd setting)
D 424, Trio "Erinnerung" for two tenors and bass (1816, 2nd setting)
D 425, Trio "Lebenslied" for two tenors and bass (1816, lost; see also D Anh. I,23)
D 426, Trio "Trinklied (Herr Bacchus ist ein braver Mann)" for two tenors and bass (1816, lost)
D 427, Trio "Trinklied im Mai" for two tenors and bass (1816)
D 428, Trio "Widerhall" for two tenors and bass (1816)
D 494, Quintet "Der Geistertanz" for two tenors and three basses (1816, 4th setting)
D 538, Quartet "Gesang der Geister über den Wassern" for two tenors and two basses (1817, 2nd setting)
D 572, Quartet "Lied im Freien" for two tenors and two basses (1817)
D 598, Quartet "Das Dörfchen" for two tenors and two basses (1817, 1st version; sketch without a piano part)
D 635, Quartet "Leise, leise laßt uns singen" for two tenors and two basses, Ruhe (1819)
D 656, Quintet "Sehnsucht" for two tenors and three basses (1819, 4th setting)
D 657, Quartet "Ruhe, schönstes Glück der Erde" for two tenors and two basses (1819)
D 709, Quartet "Frühlingsgesang" for two tenors and two basses (before 1822, 1st setting)
D 778B, Quartet "Ich hab' in mich gesogen" for two tenors and two basses (1827?, sketch)
Op. 64 No. 1 – D 825, Quartet "Wehmut" for two tenors and two basses (pub. 1826)
Op. 64 No. 2 – D 825A, Quartet "Ewige Liebe" for two tenors and two basses (pub. 1826)
Op. 64 No. 3 – D 825B, Quartet "Flucht" for two tenors and two basses (pub. 1825)
Op. posth. 155 – D 847, Quartet "Trinklied aus dem 16. Jahrhundert" for two tenors and two basses (1825)
Op. posth. 156 – D 848, Quartet "Nachtmusik" for two tenors and two basses (1825)
D 873A, Quartet "Nachklänge" for two tenors and two basses (?) (1826?, sketch without text)
D 893, Quartet "Grab und Mond" for two tenors and two basses (1826)
D 901, Quartet "Wein und Liebe" for two tenors and two basses (1827)
Op. posth. 151 – D 912,Chorus "Schlachtlied" for double men's choir (1827, 2nd setting)
D 914, Quartet "Frühlingslied" for two tenors and two basses (1827, 1st setting)
D 916, Quartet "Das stille Lied" for two tenors and two basses (1827, sketch)
Op. 17 No. 1 – D 983, Quartet "Jünglingswonne" for two tenors and two basses (pub. 1823)
Op. 17 No. 2 – D 983A, Quartet "Liebe" for two tenors and two basses (pub. 1823)
Op. 17 No. 3 – D 983B, Quartet "Zum Rundetanz" for two tenors and two basses (pub. 1823)
Op. 17 No. 4 – D 983C, Quartet "Die Nacht" for two tenors and two basses (pub. 1823)
D Anh. I,18, Trio or Quartet "Lied beim Rundetanz" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment)
D Anh. I,19, Trio or Quartet "Lied im Freien" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment)
D Anh. I,20, Trio or Quartet "Amors Macht" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment)
D Anh. I,21, Trio or Quartet "Badelied" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment)
D Anh. I,22, Trio or Quartet "Sylphen" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment)
D Anh. I,23, Trio or Quartet "Lebenslied" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment; see also D 425)

Part songs for female ensemble and piano

D 140, Chorus "Klage um Ali Bey" for women's choir and piano (1815, 1st version)
D 269, Trio "Das Leben" for two sopranos, alto and piano (1815, 2nd version)
Op. posth. 133 – D 757, Quartet "Gott in der Natur" for two sopranos, two altos and piano (1822)
Op. posth. 135 – D 920, Cantata "Ständchen" for alto, women's choir and piano, Notturno (1827, 2nd version)

Series IV: Lieder

Main article: List of songs composed by Franz Schubert § Lieder

Lieder with orchestral accompaniment

D 535, Song "Lied (Brüder, schrecklich brennt die Träne)" for soprano and small orchestra (1817)

Lieder with chamber ensemble accompaniment

D 81, Song "Auf den Sieg der Deutschen" for voice, two violins and violoncello (1813)
D 83, Song "Zur Namensfeier des Herrn Andreas Siller" for voice, violin and harp (1813)
Op. posth. 119 – D 943, Song "Auf dem Strom" for voice, horn (or violoncello) and piano (1828)
Op. posth. 129 – D 965, Song "Der Hirt auf dem Felsen" for voice, clarinet and piano (1828)

Lieder with piano accompaniment

Song cycles and song sets

Main article: Schubert's song cycles

D 93, Song cycle Don Gayseros for voice and piano (1815?)
Op. 12 – D 478, Song cycle Gesänge des Harfners aus "Wilhelm Meister" for voice and piano (1822)
D 688, Song cycle Vier Canzonen for voice and piano (1820)
Op. 25 – D 795, Song cycle Die schöne Müllerin for voice and piano (1823)
Op. 52, Sieben Gesänge aus Walter Scotts "Fräulein am See" (1825)

No. 1 – D 837, Song "Ellens Gesang I" for voice and piano (1825)

No. 2 – D 838, Song "Ellens Gesang II" for voice and piano (1825)

No. 5 – D 846, Song "Normans Gesang" for voice and piano (1825)

No. 6 – D 839, Song "Ellens Gesang III (Hymne an die Jungfrau)" for voice and piano, Ave Maria or Hymne an die Jungfrau (1825)

No. 7 – D 843, Song "Lied des gefangenen Jägers" for voice and piano (1825)

Op. posth. 124 – D 857, Two songs Zwei Szenen aus dem Schauspiel "Lacrimas" for voice and piano (1825)
Op. 95 – D 866, Song cycle Vier Refrainlieder for voice and piano (1828?)
Op. 62 – D 877, Song cycle Gesänge aus "Wilhelm Meister" (1826)
Op. 83 – D 902, Three songs "Drei Gesänge" for bass and piano (1827)
Op. 89 – D 911, Song cycle Winterreise for voice and piano (1827)
D 957, Song cycle 13 Lieder nach Gedichten von Rellstab und Heine for voice and piano (1828, also appears as "Schwanengesang")

Lieder for soprano and piano

D 42, Aria "Misero pargoletto" for soprano and piano (1813?, 1st setting: 1st and 2nd versions – both fragments, in addition to a 2nd setting)
D 78, Aria "Son fra l'onde" for soprano and piano (1813)
D 510, Aria "Vedi quanto adoro" for soprano and piano (1816, 1st, 2nd, 3rd and 4th versions; also appears as "Vedi quanto t'adoro")
D 528, Arietta "La pastorella al prato" for soprano and piano, La Pastorella (1817, 2nd setting)
D 990E, Aria "L'incanto degli occhi" for soprano and piano (1816?, 1st setting; fragment)
D 990F, Aria "Ombre amene" for soprano and piano, La serenata (1816?, fragment; originally, the Deutsch catalogue incorrectly listed this entry as an early version of the song "Il traditor deluso")

Lieder for bass and piano

D 1A, Song "Gesang in c" for bass and piano (before 1810, fragment without text)
D 44, Song "Totengräberlied" for bass and piano (1813, 2nd setting)
D 52, Song "Sehnsucht" for bass and piano (1813, 1st setting)
D 76, Aria "Pensa, che questo istante" for bass and piano (1813, 1st and 2nd versions)
D 77, Song "Der Taucher" for bass and piano (1813–1815, 1st and 2nd versions; 2nd version was formerly D 111)
D 104, Song "Die Befreier Europas in Paris" for bass and piano (1814, 1st, 2nd and 3rd versions)
D 518, Song "An den Tod" for bass and piano (1816 or 1817)
D 524, Song "Der Alpenjäger" for bass and piano (1817, 2nd version)
D 525, Song "Wie Ulfru fischt" for bass and piano (1817, 1st version)
Op. 21 No. 3 – D 525, Song "Wie Ulfru fischt" for bass and piano (1817, 2nd version)
D 526, Song "Fahrt zum Hades" for bass and piano (1817)
D 536, Song "Der Schiffer" for bass and piano (1817?, 1st version)
Op. 21 No. 2 – D 536, Song "Der Schiffer" for bass and piano (1817?, 2nd version)
Op. 21 No. 1 – D 553, Song "Auf der Donau" for bass and piano (1817)
D 565, Song "Der Strom" for bass and piano (1817?)
Op. posth. 110 – D 594, Song "Der Kampf" for bass and piano (1817)
Op. posth. 173 No. 6 – D 627, Song "Das Abendrot" for bass and piano (1818)
D 674, Song "Prometheus" for bass and piano (1819)
D 716, Song "Grenzen der Menschheit" for bass and piano (1821)
D 721, Song "Mahomets Gesang" for bass and piano (1821, 2nd setting; fragment)
Op. 23 No. 2 – D 743, Song "Selige Welt" for bass and piano (1822?)
D 754, Song "Heliopolis II" for bass and piano, Aus Heliopolis II (1822)
D 778, Song "Greisengesang" for bass and piano (1823, 1st and 2nd versions)
Op. 60 No. 1 – D 778, Song "Greisengesang" for bass and piano (1823, 3rd version)
D 778A, Song "Die Wallfahrt" for bass and piano (1823?)
D 785, Song "Der zürnende Barde" for bass and piano (1823)
D 801, Song "Dithyrambe" for bass and piano (pub. 1826, 2nd setting; 1st version)
Op. 60 No. 2 – D 801, Song "Dithyrambe" for bass and piano (pub. 1826, 2nd setting; 2nd version)
D 805, Song "Der Sieg" for bass and piano (1824)

Lieder for any voice type and piano

D 5, Song "Hagars Klage" for voice and piano (1811)
D 6, Song "Des Mädchens Klage" for voice and piano (1811 or 1812, 1st setting)
D 7, Song "Leichenfantasie" for voice and piano (1811)
D 10, Song "Der Vatermörder" for voice and piano (1811)
D 15, Song "Der Geistertanz" for voice and piano (c. 1812, 1st setting; fragment)
D 15A, Song "Der Geistertanz" for voice and piano (c. 1812, 2nd setting; fragment)
Op. posth. 131 No. 3 – D 23, Song "Klaglied" for voice and piano (1812)
D 30, Song "Der Jüngling am Bache" for voice and piano (1812, 1st setting)
D 39, Song "Lebenstraum" for voice and piano (1810?, sketch; also appears as "Ich saß an einer Tempelhalle")
D 50, Song "Die Schatten" for voice and piano (1813)
D 59, Song "Verklärung" for voice and piano (1813)
D 73, Song "Thekla (eine Geisterstimme)" for voice and piano (1813, 1st setting)
D 95, Song "Adelaide" for voice and piano (1814)
D 97, Song "Trost. An Elisa" for voice and piano (1814)
D 98, Song "Erinnerung" for voice and piano (1814, 1st setting; 2 versions; 1st version is a fragment)
D 99, Song "Andenken" for voice and piano (1814, 1st setting)
D 100, Song "Geisternähe" for voice and piano (1814)
D 101, Song "Erinnerung" for voice and piano, Todtenopfer (1814)
D 102, Song "Die Betende" for voice and piano (1814)
D 107, Song "Lied aus der Ferne" for voice and piano (1814, 1st and 2nd versions)
D 108, Song "Der Abend" for voice and piano (1814)
D 109, Song "Lied der Liebe" for voice and piano (1814)
D 113, Song "An Emma" for voice and piano (1814; 1st and 2nd versions, in addition to a modified 3rd version)
Op. 58 No. 2 – D 113, Song "An Emma" for voice and piano (1814, 3rd version)
D 114, Song "Romanze" for voice and piano (1814; 1st and 2nd versions, in addition to a variant of the 1st version)
D 115, Song "An Laura, als sie Klopstocks Auferstehungslied sang" for voice and piano (1814)
D 116, Song "Der Geistertanz" for voice and piano (1814, 3rd setting)
D 117, Song "Das Mädchen aus der Fremde" for voice and piano (1814, 1st setting)
Op. 2 – D 118, Song "Gretchen am Spinnrade" for voice and piano (1814)
D 119, Song "Nachtgesang" for voice and piano (1814)
D 120, Song "Trost in Tränen" for voice and piano (1814)
Op. 3 No. 1 – D 121, Song "Schäfers Klagelied" for voice and piano (1814, 1st version)
D 121, Song "Schäfers Klagelied" for voice and piano (1814, 2nd version)
D 122, Song "Ammenlied" for voice and piano (1814)
D 123, Song "Sehnsucht" for voice and piano (1814)
D 124, Song "Am See" for voice and piano (1814, 1st and 2nd versions; 1st version is a fragment)
D 126, Song "Szene aus Faust" for voice and piano (1814, 1st and 2nd versions)
Op. posth. 126 – D 134, Song "Ballade" for voice and piano (1815?)
Op. 5 No. 1 – D 138, Song "Rastlose Liebe" for voice and piano (1815, 1st version)
D 138, Song "Rastlose Liebe" for voice and piano (1815, 2nd version)
Op. posth. 131 No. 1 – D 141, Song "Der Mondabend" for voice and piano (1815)
D 142, Song "Geistes-Gruß" for voice and piano (1815 or 1816; 1st, 2nd, 3rd, 4th and 5th versions)
Op. 92 No. 3 – D 142, Song "Geistes-Gruß" for voice and piano (1815 or 1816, 6th version)
Op. posth. 109 No. 2 – D 143, Song "Genügsamkeit" for voice and piano (1815)
D 144, Song "Romanze" for voice and piano (1816, sketch)
D 149, Song "Der Sänger" for voice and piano (1815, 1st version)
Op. posth. 117 – D 149, Song "Der Sänger" for voice and piano (1815, 2nd version)
D 150, Song "Lodas Gespenst" for voice and piano (1816)
D 151, Song "Auf einen Kirchhof" for voice and piano (1815)
D 152, Song "Minona" for voice and piano (1815)
D 153, Song "Als ich sie erröten sah" for voice and piano (1815)
Op. posth. 165 No. 3 – D 155, Song "Das Bild" for voice and piano (1815)
D 159, Song "Die Erwartung" for voice and piano (1816, 1st version)
Op. posth. 116 – D 159, Song "Die Erwartung" for voice and piano (1816, 2nd version)
D 160, Song "Am Flusse" for voice and piano (1815, 1st setting)
D 161, Song "An Mignon" for voice and piano (1815, 1st version)
Op. 19 No. 2 – D 161, Song "An Mignon" for voice and piano (1815, 2nd version)
D 162, Song "Nähe des Geliebten" for voice and piano (1815, 1st version)
Op. 5 No. 2 – D 162, Song "Nähe des Geliebten" for voice and piano (1815, 2nd version)
D 163, Song "Sängers Morgenlied" for voice and piano (1815, 1st setting)
D 164, Song "Liebesrausch" for voice and piano (1815, 1st setting; fragment)
D 165, Song "Sängers Morgenlied" for voice and piano (1815, 2nd setting)
D 166, Song "Amphiaraos" for voice and piano (1815)
D 171, Song "Gebet während der Schlacht" for voice and piano (1815, 2 versions)
D 172, Song "Der Morgenstern" for voice and piano (1815, 1st setting; sketch)
D 174, Song "Das war ich" for voice and piano (1815, 1st and 2nd versions; 2nd version is a sketch)
D 176, Song "Die Sterne" for voice and piano (1815)
Op. posth. 173 No. 3 – D 177, Song "Vergebliche Liebe" for voice and piano (1815)
D 177A, Song "Am ersten Mai" for voice and piano (before 1821, lost)
D 179, Song "Liebesrausch" for voice and piano (1815, 2nd setting)
D 180, Song "Sehnsucht der Liebe" for voice and piano (1815)
D 182, Song "Die erste Liebe" for voice and piano (1815)
D 186, Song "Die Sterbende" for voice and piano (1815)
D 187, Song "Stimme der Liebe" for voice and piano (1815, 1st setting)
D 188, Song "Naturgenuß" for voice and piano (1815, 1st setting)
D 190, Singspiel "Der vierjährige Posten" (1815)

5. Arie: Gott! Gott! höre meine Stimme (version for voice and piano)

D 191, Song "Des Mädchens Klage" for voice and piano (1815, 2nd setting; 1st version)
Op. 58 No. 3 – D 191, Song "Des Mädchens Klage" for voice and piano (1815, 2nd setting; 2nd version)
D 192, Song "Der Jüngling am Bache" for voice and piano (1815, 2nd setting)
D 193, Song "An den Mond" for voice and piano (1815, 1st version)
Op. 57 No. 3 – D 193, Song "An den Mond" for voice and piano (1815, 2nd version)
D 194, Song "Die Mainacht" for voice and piano (1815)
Op. posth. 173 No. 1 – D 195, Song "Amalia" for voice and piano (1815)
Op. posth. 172 No. 3 – D 196, Song "An die Nachtigall" for voice and piano (1815)
D 197, Song "An die Apfelbäume, wo ich Julien erblickte" for voice and piano (1815)
D 198, Song "Seufzer" for voice and piano (1815)
D 201, Song "Auf den Tod einer Nachtigall" for voice and piano (1815, 1st setting; sketch)
D 204A, Song "Das Traumbild" for voice and piano (1815, lost)
D 206, Song "Liebeständelei" for voice and piano (1815)
D 207, Song "Der Liebende" for voice and piano (1815)
D 208, Song "Die Nonne" for voice and piano (1815, 1st and 2nd versions; 1st version is a fragment; 2nd version was formerly D 212)
Op. 38 – D 209, Song "Der Liedler" for voice and piano (1815)
D 210, Song "Die Liebe" for voice and piano, Klärchens Lied (1815)
D 211, Song "Adelwold und Emma" for voice and piano (1815)
Op. posth. 172 No. 1 – D 213, Song "Der Traum" for voice and piano (1815)
Op. posth. 172 No. 2 – D 214, Song "Die Laube" for voice and piano (1815)
D 215, Song "Jägers Abendlied" for voice and piano (1815, 1st setting)
D 215A, Song "Meeres Stille" for voice and piano (1815, 1st setting)
Op. 3 No. 2 – D 216, Song "Meeres Stille" for voice and piano (1815, 2nd setting)
D 217, Song "Kolmas Klage" for voice and piano (1815)
D 218, Song "Grablied" for voice and piano (1815)
D 219, Song "Das Finden" for voice and piano (1815)
Op. posth. 118 No. 2 D 221, Song "Der Abend" for voice and piano (1815)
D 222, Song "Lieb Minna" for voice and piano (1815, also appears as "Lieb Minna. Romanze")
Op. 4 No. 3 – D 224, Song "Wandrers Nachtlied" for voice and piano (1815)
D 225, Song "Der Fischer" for voice and piano (1815, 1st version and modified 2nd version with changes by Johann Michael Vogl)
Op. 5 No. 3 – D 225, Song "Der Fischer" for voice and piano (1815, 2nd version)
Op. 5 No. 4 – D 226, Song "Erster Verlust" for voice and piano (1815)
D 227, Song "Idens Nachtgesang" for voice and piano (1815)
D 228, Song "Von Ida" for voice and piano (1815)
Op. 108 No. 3 – D 229, Song "Die Erscheinung" for voice and piano (1815)
Op. posth. 165 No. 4 – D 230, Song "Die Täuschung" for voice and piano (1815)
Op. posth. 172 No. 4 – D 231, Song "Das Sehnen" for voice and piano (1815)
Op. posth. 118 No. 1 D 233, Song "Geist der Liebe" for voice and piano (1815)
Op. posth. 118 No. 3 D 234, Song "Tischlied" for voice and piano (1815)
D 235, Song "Abends unter der Linde" for voice and piano (1815, 1st setting)
D 237, Song "Abends unter der Linde" for voice and piano (1815, 2nd setting; 2 versions)
D 238, Song "Die Mondnacht" for voice and piano (1815)
D 240, Song "Huldigung" for voice and piano (1815)
D 241, Song "Alles um Liebe" for voice and piano (1815)
D 246, Song "Die Bürgschaft" for voice and piano (1815)
Op. posth. 118 No. 6 D 247, Song "Die Spinnerin" for voice and piano (1815)
Op. posth. 118 No. 4 D 248, Song "Lob des Tokayers" for voice and piano (1815)
D 250, Song "Das Geheimnis" for voice and piano (1815, 1st setting)
D 251, Song "Hoffnung" for voice and piano (1815, 1st setting)
D 252, Song "Das Mädchen aus der Fremde" for voice and piano (1815, 2nd setting)
D 253, Song "Punschlied. Im Norden zu singen" for voice and piano (1815, 1st version)
D 254, Song "Der Gott und die Bajadere" for voice and piano (1815, also appears as "Der Gott und die Bajadere. Indische Legende")
D 255, Song "Der Rattenfänger" for voice and piano (1815)
D 256, Song "Der Schatzgräber" for voice and piano (1815)
Op. 3 No. 3 – D 257, Song "Heidenröslein" for voice and piano (1815)
D 258, Song "Bundeslied" for voice and piano (1815)
D 259, Song "An den Mond" for voice and piano (1815, 1st setting)
Op. posth. 115 No. 2 – D 260, Song "Wonne der Wehmut" for voice and piano (1815)
D 261, Song "Wer kauft Liebesgötter?" for voice and piano (1815, 2 versions)
D 262, Song "Die Fröhlichkeit" for voice and piano (1815)
D 263, Song "Cora an die Sonne" for voice and piano (1815)
D 264, Song "Der Morgenkuß" for voice and piano (1815, 1st and 2nd versions)
D 265, Song "Abendständchen. An Lina" for voice and piano (1815)
D 266, Song "Morgenlied" for voice and piano (1815)
Op. posth. 118 No. 5 D 270, Song "An die Sonne" for voice and piano (1815)
D 271, Song "Der Weiberfreund" for voice and piano (1815)
D 272, Song "An die Sonne" for voice and piano (1815)
D 273, Song "Lilla an die Morgenröte" for voice and piano (1815)
D 274, Song "Tischlerlied" for voice and piano (1815, 1st and 2nd versions)
D 275, Song "Totenkranz für ein Kind" for voice and piano (1815)
D 276, Song "Abendlied" for voice and piano (1815)
D 278, Song "Ossians Lied nach dem Falle Nathos" for voice and piano (1815; 1st, 2nd and 3rd versions; 1st version is a fragment)
D 280, Song "Das Rosenband" for voice and piano (1815)
D 281, Song "Das Mädchen von Inistore" for voice and piano (1815, 1st and 2nd versions)
D 282, Song "Cronnan" for voice and piano (1815, 1st and 2nd versions)
Op. posth. 172 No. 5 – D 283, Song "An den Frühling" for voice and piano (1815, 1st setting)
D 284, Song "Lied (Es ist so angenehm)" for voice and piano (1815)
D 285, Song "Furcht der Geliebten/An Cidli" for voice and piano (1815, 1st and 2nd versions)
D 286, Song "Selma und Selmar" for voice and piano (1815, 1st and 2nd versions)
D 287, Song "Vaterlandslied" for voice and piano (1815, 1st and 2nd versions)
D 288, Song "An Sie" for voice and piano (1815)
D 289, Song "Die Sommernacht" for voice and piano (1815, 1st and 2nd versions)
D 290, Song "Die frühen Gräber" for voice and piano (1815)
D 291, Song "Dem Unendlichen" for voice and piano (1815, 1st, 2nd and 3rd versions)
D 293, Song "Shilric und Vinvela" for voice and piano (1815, 1st and 2nd versions)
D 295, Song "Hoffnung" for voice and piano (1815 or 1816?, 1st and 2nd versions)
D 296, Song "An den Mond" for voice and piano (1815 or 1816?, 2nd setting)
D 297, Song "Augenlied" for voice and piano (1817?, 1st and 2nd versions, in addition to a modified 2nd version)
D 298, Song "Liane" for voice and piano (1815)
D 300, Song "Der Jüngling an der Quelle" for voice and piano (1816 or 1817)
D 301, Song "Lambertine" for voice and piano (1815)
D 302, Song "Labetrank der Liebe" for voice and piano (1815)
D 303, Song "An die Geliebte" for voice and piano (1815)
D 304, Song "Wiegenlied" for voice and piano (1815)
D 305, Song "Mein Gruß an den Mai" for voice and piano (1815)
D 306, Song "Skolie" for voice and piano (1815)
D 307, Song "Die Sternenwelten" for voice and piano (1815)
D 308, Song "Die Macht der Liebe" for voice and piano (1815)
D 309, Song "Das gestörte Glück" for voice and piano (1815)
D 310, Song "Sehnsucht" for voice and piano (1815, 1st setting; 1st and 2nd versions)
D 311, Song "An den Mond" for voice and piano (1815?, sketch without text)
D 312, Song "Hektors Abschied" for voice and piano (1815, 1st version)
Op. 58 No. 1 – D 312, Song "Hektors Abschied" for voice and piano (1815, 2nd version)
D 313, Song "Die Sterne" for voice and piano (1815)
D 314, Song "Nachtgesang" for voice and piano (1815, 1st and 2nd versions)
D 315, Song "An Rosa I" for voice and piano (1815, 1st and 2nd versions)
D 316, Song "An Rosa II" for voice and piano (1815, 1st and 2nd versions)
D 317, Song "Idens Schwanenlied" for voice and piano (1815, 1st and 2nd versions)
D 318, Song "Schwangesang" for voice and piano (1815)
D 319, Song "Luisens Antwort" for voice and piano (1815, 1st and 2nd versions)
D 320, Song "Der Zufriedene" for voice and piano (1815)
D 321, Song "Mignon" for voice and piano (1815, 1st and 2nd versions)
D 322, Song "Hermann und Thusnelda" for voice and piano (1815, 1st and 2nd versions)
D 323, Song "Klage der Ceres" for voice and piano (1816; the last part, "O so laßt euch froh begrüssen" was formerly D 991; original version, in addition to both a variant of mm. 142–203 and a modified version)
D 325, Song "Harfenspieler" for voice and piano (1815, 1st setting)
D 327, Song "Lorma" for voice and piano (1815, 1st setting; fragment)
D 328, Song "Erlkönig" for voice and piano (1815, 1st, 2nd and 3rd versions)
Op. 1 – D 328, Song "Erlkönig" for voice and piano (1815, 4th version)
D 329, Song "Die drei Sänger" for voice and piano (1815, fragment)
D 342, Song "An mein Klavier" for voice and piano, Seraphine an ihr Klavier (c. 1816)
D 343, Song "Am Tage Aller Seelen" for voice and piano, Litanei auf das Fest Aller Seelen (1816, 1st and 2nd versions)
D 344, Song "Am ersten Maimorgen" for voice and piano (1816?)
D 350, Song "Der Entfernten" for voice and piano (1816?, 2nd setting)
D 351, Song "Fischerlied" for voice and piano (1816?, 1st setting)
D 358, Song "Die Nacht" for voice and piano (1816, 1st and 2nd versions)
D 359, Song "Sehnsucht" for voice and piano, Lied der Mignon (1816, 2nd setting)
Op. 65 No. 1 – D 360, Song "Lied eines Schiffers an die Dioskuren" for voice and piano (1816)
Op. posth. 109 No. 1 – D 361, Song "Am Bach im Frühling" for voice and piano (1816, 1st version)
D 361, Song "Am Bach im Frühling" for voice and piano (1816, 2nd version)
D 362, Song "Zufriedenheit" for voice and piano (1816?, 1st setting)
D 363, Song "An Chloen" for voice and piano (1816, fragment)
Op. 3 No. 4 – D 368, Song "Jägers Abendlied" for voice and piano (1816?, 2nd setting)
Op. 5 No. 5 – D 367, Song "Der König in Thule" for voice and piano (1816)
D 368, Song "Jägers Abendlied" for voice and piano (1816?, 2nd setting; modified version with changes by Johann Michael Vogl)
Op. 19 No. 1 – D 369, Song "An Schwager Kronos" for voice and piano (1816)
D 371, Song "Klage" for voice and piano (1816, 1st and 2nd versions; 1st version is a sketch)
D 372, Song "An die Natur" for voice and piano (1816, 1st and 2nd versions)
D 373, Song "Lied (Mutter geht durch ihre Kammern)" for voice and piano (1816?)
D 375, Song "Der Tod Oskars" for voice and piano (1816)
D 376, Song "Lorma" for voice and piano (1816, 2nd setting; fragment)
D 381, Song "Morgenlied" for voice and piano (1816)
D 382, Song "Abendlied" for voice and piano (1816)
D 388, Song "Laura am Klavier" for voice and piano (1816, 1st and 2nd versions)
D 389, Song "Des Mädchens Klage" for voice and piano (1816, 3rd setting)
D 390, Song "Entzückung an Laura" for voice and piano (1816, 1st setting)
Op. posth. 111 No. 3 – D 391, Song "Die vier Weltalter" for voice and piano (1816)
D 392, Song "Pflügerlied" for voice and piano (1816)
D 393, Song "Die Einsiedelei" for voice and piano (1816, 2nd setting)
D 394, Song "An die Harmonie" for voice and piano, Gesang an die Harmonie (1816)
Op. posth. 111 No. 2 – D 395, Song "Lebens-Melodien" for voice and piano (1816)
D 396, Song "Gruppe aus dem Tartarus" for voice and piano (1816, 1st setting; fragment)
D 397, Song "Ritter Toggenburg" for voice and piano (1816, 1st and 2nd versions)
D 398, Song "Frühlingslied" for voice and piano (1816, 2nd setting)
D 399, Song "Auf den Tod einer Nachtigall" for voice and piano (1816, 2nd setting)
D 400, Song "Die Knabenzeit" for voice and piano (1816)
D 401, Song "Winterlied" for voice and piano (1816)
D 402, Song "Der Flüchtling" for voice and piano (1816)
D 403, Song "Lied (In's stille Land)" for voice and piano (1816, 4 versions; the 1st edition of the 1st version has a four-measure introduction composed by Anton Diabelli)
D 404, Song "Die Herbstnacht" for voice and piano, Die Wehmuth (1816, 1st and 2nd versions)
D 405, Song "Der Herbstabend" for voice and piano (1816, 1st and 2nd versions)
D 406, Song "Abschied von der Harfe" for voice and piano (1816, 1st and 2nd versions)
D 409, Song "Die verfehlte Stunde" for voice and piano (1816, 1st and 2nd versions)
Op. posth. 115 No. 3 – D 410, Song "Sprache der Liebe" for voice and piano (1816)
D 411, Song "Daphne am Bach" for voice and piano (1816)
D 412, Song "Stimme der Liebe (Meine Selinde)" for voice and piano (1816, 1st and 2nd versions)
D 413, Song "Entzückung" for voice and piano (1816)
D 414, Song "Geist der Liebe" for voice and piano (1816, 1st setting)
D 415, Song "Klage" for voice and piano (1816)
D 416, Song "Lied in der Abwesenheit" for voice and piano (1816, fragment)
D 418, Song "Stimme der Liebe (Abendgewölke)" for voice and piano, Abendgewölke (1816, 2nd setting)
D 419, Song "Julius an Theone" for voice and piano (1816)
D 429, Song "Minnelied" for voice and piano (1816)
D 430, Song "Die frühe Liebe" for voice and piano (1816, 1st and 2nd versions)
D 431, Song "Blumenlied" for voice and piano (1816)
D 432, Song "Der Leidende" for voice and piano, Klage (1816, 1st, 2nd and 3rd versions)
D 433, Song "Seligkeit" for voice and piano (1816)
D 434, Song "Erntelied" for voice and piano (1816)
D 436, Song "Klage" for voice and piano (1816; 1st and 2nd versions, in addition to a variant of the 1st version; 2nd version was formerly D 437)
D 442, Song "Das große Halleluja" ; version for voice and piano (1816)
D 443, Song "Schlachtlied" ; version for voice and piano, Schlachtgesang (1816, 1st setting)
D 444, Song "Die Gestirne" for voice and piano (1816)
D 445, Song "Edone" for voice and piano (1816)
D 446, Song "Die Liebesgötter" for voice and piano (1816)
D 447, Song "An den Schlaf" for voice and piano (1816)
D 448, Song "Gott im Frühlinge" for voice and piano (1816, 1st and 2nd versions)
D 449, Song "Der gute Hirt" for voice and piano (1816, original and modified versions)
D 450, Song "Fragment aus dem Aeschylus" for voice and piano (1816, 1st and 2nd versions)
D 454, Song "Grablied auf einen Soldaten" for voice and piano (1816)
D 455, Song "Freude der Kinderjahre" for voice and piano (1816)
D 456, Song "Das Heimweh (Oft in einsam stillen Stunden)" for voice and piano (1816)
Op. 44 – D 457, Song "An die untergehende Sonne" for voice and piano (1816 sketch, finished 1817)
D 458, Song "Aus Diego Manazares. Ilmerine" for voice and piano (1816, also appears as "Aus Diego Manzanares")
D 462, Song "An Chloen" for voice and piano (1816)
D 463, Song "Hochzeit-Lied" for voice and piano (1816)
D 464, Song "In der Mitternacht" for voice and piano (1816)
D 465, Song "Trauer der Liebe" for voice and piano (1816, 1st and 2nd versions)
D 466, Song "Die Perle" for voice and piano (1816)
D 467, Song "Pflicht und Liebe" for voice and piano (1816, fragment)
D 468, Song "An den Mond" for voice and piano (1816)
D 469, Song "Mignon (So laßt mich scheinen, bis ich werde)" for voice and piano (1816, 1st setting; 1st and 2nd versions; both are fragments)
D 473, Song "Liedesend" for voice and piano (1816, 1st and 2nd versions)
D 474, Song "Lied des Orpheus, als er in die Hölle ging" for voice and piano (1816, 1st and 2nd versions)
D 475, Song "Abschied" for voice and piano (1816, also appears as "Abschied. Nach einer Wallfahrts-Arie bearbeitet")
D 476, Song "Rückweg" for voice and piano (1816)
D 477, Song "Alte Liebe rostet nie" for voice and piano (1816)
D 481, Song "Sehnsucht" for voice and piano, Lied der Mignon (1816, 3rd setting)
D 482, Song "Der Sänger am Felsen" for voice and piano (1816)
D 483, Song "Lied (Ferne von der großen Stadt)" for voice and piano (1816)
D 484, Song "Gesang der Geister über den Wassern" for voice and piano (1816, 1st setting; fragment)
D 489, Song "Der Wanderer" for voice and piano, Der Unglückliche (1816, 1st and 2nd versions; 2nd version was formerly D 493)
Op. 4 No. 1 – D 489, Song "Der Wanderer" for voice and piano, Der Unglückliche (1816, 3rd version )
D 490, Song "Der Hirt" for voice and piano (1816)
D 491, Song "Geheimnis" for voice and piano (1816)
D 492, Song "Zum Punsche" for voice and piano (1816)
D 495, Song "Abendlied der Fürstin" for voice and piano (1816)
D 496, Song "Bei dem Grabe meines Vaters" for voice and piano (1816)
D 496A, Song "Klage um Ali Bey" for voice and piano (1816, 2nd version)
Op. 98 No. 1 – D 497, Song "An die Nachtigall" for voice and piano (1816)
Op. 98 No. 2 – D 498, Song "Wiegenlied" for voice and piano (1816)
D 499, Song "Abendlied" for voice and piano (1816)
D 500, Song "Phidile" for voice and piano (1816)
D 501, Song "Zufriedenheit" for voice and piano (1816, 2nd setting; 1st and 2nd versions)
D 502, Song "Herbstlied" for voice and piano (1816)
D 503, Song "Mailied" for voice and piano (1816, 3rd setting)
Op. 6 No. 3 – D 504, Song "Am Grabe Anselmos" for voice and piano (1816, 1st version)
D 504, Song "Am Grabe Anselmos" for voice and piano (1816, 2nd version)
D 507, Song "Skolie" for voice and piano (1816)
D 508, Song "Lebenslied" for voice and piano (1816)
D 509, Song "Leiden der Trennung" for voice and piano (1816, 1st and 2nd versions)
D 513A, Song "Nur wer die Liebe kennt" for voice and piano (1817?, sketch)
Op. 7 No. 1 – D 514, Song "Die abgeblühte Linde" for voice and piano (1817?)
Op. 7 No. 2 – D 515, Song "Der Flug der Zeit" for voice and piano (1817?)
Op. 8 No. 2 – D 516, Song "Sehnsucht" for voice and piano (1816?)
Op. 13 No. 1 – D 517, Song "Der Schäfer und der Reiter" for voice and piano (1817)
Op. posth. 173 No. 5 – D 519, Song "Die Blumensprache" for voice and piano (1817?)
D 520, Song "Frohsinn" for voice and piano (1817, 1st and 2nd versions)
D 521, Song "Jagdlied" ; version for voice and piano (1817)
D 522, Song "Die Liebe" for voice and piano (1817)
D 523, Song "Trost" for voice and piano (1817)
D 524, Song "Der Alpenjäger" for voice and piano (1817, 1st version)
Op. 13 No. 3 – D 524, Song "Der Alpenjäger" for voice and piano (1817, 3rd version)
D 527, Song "Schlaflied" for voice and piano, Abendlied or Schlummerlied (1817, 1st version)
Op. 24 No. 2 – D 527, Song "Schlaflied" for voice and piano, Abendlied or Schlummerlied (1817, 2nd version)
Op. posth. 109 No. 3 – D 530, Song "An eine Quelle" for voice and piano (1817)
Op. 7 No. 3 – D 531, Song "Der Tod und das Mädchen" for voice and piano (1817)
D 532, Song "Das Lied vom Reifen" for voice and piano (1817, fragment)
D 533, Song "Täglich zu singen" for voice and piano (1817)
D 534, Song "Die Nacht" for voice and piano (1817)
Op. 8 No. 4 – D 539, Song "Am Strome" for voice and piano (1817)
D 540, Song "Philoktet" for voice and piano (1817)
Op. 6 No. 1 – D 541, Song "Memnon" for voice and piano (1817)
D 543, Song "Auf dem See" for voice and piano (1817, 1st version)
Op. 92 No. 2 – D 543, Song "Auf dem See" for voice and piano (1817, 2nd version)
Op. 19 No. 3 – D 544, Song "Ganymed" for voice and piano (1817)
D 545, Song "Der Jüngling und der Tod" for voice and piano (1817, 2nd version)
D 546, Song "Trost im Liede" for voice and piano (1817, 1st version)
Op. posth. 101 No. 3 – D 546, Song "Trost im Liede" for voice and piano (1817, 2nd version)
D 547, Song "An die Musik" for voice and piano (1817, 1st version)
Op. 88 No. 4 – D 547, Song "An die Musik" for voice and piano (1817, 2nd version)
D 548, Song "Orest" for voice and piano (1817, also appears as "Orest auf Tauris")
D 549, Song "Mahomets Gesang" for voice and piano (1817, 1st setting; fragment)
D 550, Song "Die Forelle" for voice and piano (1816–1821, 1st, 2nd, 3rd and 5th versions)
Op. 32 – D 550, Song "Die Forelle" for voice and piano (1816–1821, 4th version)
D 551, Song "Pax vobiscum" for voice and piano (1817)
D 552, Song "Hänflings Liebeswerbung" for voice and piano (1817, 1st version)
Op. 20 No. 3 – D 552, Song "Hänflings Liebeswerbung" for voice and piano (1817, 2nd version)
D 554, Song "Uraniens Flucht" for voice and piano (1817)
D 555, Song for voice and piano "Liedentwurf in a" (1817?, sketch without text)
D 558, Song "Liebhaber in allen Gestalten" for voice and piano (1817)
D 559, Song "Schweizerlied" for voice and piano (1817)
D 560, Song "Der Goldschmiedsgesell" for voice and piano (1817)
D 561, Song "Nach einem Gewitter" for voice and piano (1817)
D 562, Song "Fischerlied" for voice and piano (1817, 3rd setting)
D 563, Song "Die Einsiedelei" for voice and piano (1817, 3rd setting)
D 564, Song "Gretchen im Zwinger" for voice and piano, Gretchens Bitte (1817, fragment)
D 573, Song "Iphigenia" for voice and piano (1817, 1st and 2nd versions)
Op. 98 No. 3 – D 573, Song "Iphigenia" for voice and piano (1817, 3rd version)
D 577, Song "Entzückung an Laura" for voice and piano (1817, 2nd setting; 2 fragments of a sketch)
D 578, Song "Abschied" for voice and piano (1817)
D 579, Song "Der Knabe in der Wiege" for voice and piano (1817, 1st and 2nd versions; 2nd version is a fragment)
D 579A, Song "Vollendung" for voice and piano (1817)
D 579B, Song "Die Erde" for voice and piano (1817)
Op. 24 No. 1 – D 583, Song "Gruppe aus dem Tartarus" for voice and piano (1817, 2nd setting)
D 584, Song "Elysium" for voice and piano (1817)
D 585, Song "Atys" for voice and piano (1817)
Op. 8 No. 3 – D 586, Song "Erlafsee" for voice and piano (1817)
D 587, Song "An den Frühling" for voice and piano (1817, 3rd setting; 1st and 2nd versions; 2nd version was formerly D 245)
D 588, Song "Der Alpenjäger" for voice and piano (1817, 1st version)
Op. 37 No. 2 – D 588, Song "Der Alpenjäger" for voice and piano (1817, 2nd version)
D 595, Song "Thekla (eine Geisterstimme)" for voice and piano (1817, 2nd setting; 1st version)
Op. 88 No. 2 – D 595, Song "Thekla (eine Geisterstimme)" for voice and piano (1817, 2nd setting; 2nd version)
D 596, Song "Lied eines Kindes" for voice and piano (1817, fragment)
D 611, Song "Auf der Riesenkoppe" for voice and piano (1818)
D 614, Song "An den Mond in einer Herbstnacht" for voice and piano (1818)
D 616, Song "Grablied für die Mutter" for voice and piano (1818)
D 620, Song "Einsamkeit" for voice and piano (1818)
D 622, Song "Der Blumenbrief" for voice and piano (1818)
D 623, Song "Das Marienbild" for voice and piano (1818)
D 626, Song "Blondel zu Marien" for voice and piano (1818)
D 628, Song "Sonett" for voice and piano, Sonett I (1818)
D 629, Song "Sonett" for voice and piano, Sonett II (1818)
D 630, Song "Sonett" for voice and piano, Sonett III (1818)
D 631, Song "Blanka" for voice and piano, Das Mädchen (1818)
D 632, Song "Vom Mitleiden Mariä" for voice and piano (1818)
Op. 57 No. 1 – D 633, Song "Der Schmetterling" for voice and piano (1819 and 1823?)
Op. 57 No. 2 – D 634, Song "Die Berge" for voice and piano (1819 and 1823?)
D 636, Song "Sehnsucht" for voice and piano (1821?, 2nd setting; 1st and 2nd versions)
Op. 39 – D 636, Song "Sehnsucht" for voice and piano (1821?, 2nd setting; 3rd version)
Op. 87 No. 2 – D 637, Song "Hoffnung" for voice and piano (c. 1819, 2nd setting)
D 638, Song "Der Jüngling am Bache" for voice and piano (1819, 3rd setting; 1st version)
Op. 87 No. 3 – D 638, Song "Der Jüngling am Bache" for voice and piano (1819, 3rd setting; 2nd version)
D 639, Song "Widerschein" for voice and piano (1820, 1st and 2nd versions; 2nd version was formerly D 949)
D 645, Song "Abend" for voice and piano (1819, fragment of a sketch)
D 646, Song "Die Gebüsche" for voice and piano (1819)
D 649, Song "Der Wanderer" for voice and piano (1819, 1st version)
Op. 65 No. 2 – D 649, Song "Der Wanderer" for voice and piano (1819, 2nd version)
D 650, Song "Abendbilder" for voice and piano (1819)
D 651, Song "Himmelsfunken" for voice and piano (1819)
D 652, Song "Das Mädchen" for voice and piano (1819, 1st and 2nd versions)
D 653, Song "Bertas Lied in der Nacht" for voice and piano (1819)
D 654, Song "An die Freunde" for voice and piano (1819)
D 658, Song "Geistliches Lied" for voice and piano (1819?)
D 659, Song "Hymne" for voice and piano (1819; also appears as "Hymne I")
D 660, Song "Geistliches Lied" for voice and piano (1819; also appears as "Hymne II")
D 661, Song "Geistliches Lied" for voice and piano (1819; also appears as "Hymne III")
D 662, Song "Geistliches Lied" for voice and piano (1819; also appears as "Hymne IV")
D 663, Hymn "Der 13. Psalm" for voice and piano (1819, fragment)
Op. 56 No. 1 – D 767, Song "Willkommen und Abschied" for voice and piano (1822, 2nd version)
D 669, Song "Beim Winde" for voice and piano (1819)
D 670, Song "Die Sternennächte" for voice and piano (1819, 1st version)
Op. posth. 165 No. 2 – D 670, Song "Die Sternennächte" for voice and piano (1819, 2nd version)
D 671, Song "Trost" for voice and piano (1819)
D 672, Song "Nachtstück" for voice and piano (1819, 1st version)
Op. 36 No. 2 – D 672, Song "Nachtstück" for voice and piano (1819, 2nd version)
D 673, Song "Die Liebende schreibt" for voice and piano (1819, 1st version)
Op. posth. 165 No. 1 – D 673, Song "Die Liebende schreibt" for voice and piano (1819, 2nd version)
D 677, Song "Strophe aus 'Die Götter Griechenlands'" for voice and piano (1819, 1st and 2nd versions)
D 682, Song "Über allen Zauber Liebe" for voice and piano (1820 and 1824, fragment)
D 684, Song "Die Sterne" for voice and piano (1820)
Op. 4 No. 2 – D 685, Song "Morgenlied" for voice and piano (1820)
D 686, Song "Frühlingsglaube" for voice and piano (1820, 1st and 2nd versions)
Op. 20 No. 2 – D 686, Song "Frühlingsglaube" for voice and piano (1820, 3rd version)
D 687, Song "Nachthymne" for voice and piano (1820)
D 690, Song "Abendröte" for voice and piano (1823)
Op. posth. 172 No. 6 – D 691, Song "Die Vögel" for voice and piano (1820)
D 692, Song "Der Knabe" for voice and piano (1820)
D 693, Song "Der Fluß" for voice and piano (1820)
D 694, Song "Der Schiffer" for voice and piano (1820)
D 695, Song "Namenstagslied" for voice and piano (1820?)
D 698, Song "Des Fräuleins Liebeslauschen" for voice and piano (1820)
D 699, Song "Der entsühnte Orest" for voice and piano (1820)
D 700, Song "Freiwilliges Versinken" for voice and piano (1820)
Op. 8 No. 1 – D 702, Song "Der Jüngling auf dem Hügel" for voice and piano (1820)
Op. 36 No. 1 – D 707, Song "Der zürnenden Diana" for voice and piano (1820, 2nd version)
D 707, Song "Der zürnenden Diana" for voice and piano (1820, 2nd version)
D 708, Song "Im Walde" for voice and piano, Waldesnacht (1820)
D 711, Song "Lob der Tränen" for voice and piano (1818?, 1st version)
Op. 13 No. 2 – D 711, Song "Lob der Tränen" for voice and piano (1818?, 2nd version)
D 712, Song "Die gefangenen Sänger" for voice and piano (1821)
D 713, Song "Der Unglückliche" for voice and piano (1821, 1st version)
Op. 87 No. 1 – D 713, Song "Der Unglückliche" for voice and piano (1821, 2nd version)
D 715, Song "Versunken" for voice and piano (1821, 1st and 2nd versions)
Op. 31 – D 717, Song "Suleika II" for voice and piano (1821)
Op. 14 No. 2 – D 719, Song "Geheimes" for voice and piano (1821)
D 720, Song "Suleika I" for voice and piano (1821, 1st version)
Op. 14 No. 1 – D 720, Song "Suleika I" for voice and piano (1821, 2nd version)
D 726, Song "Mignon I" for voice and piano (1821, 1st setting)
D 727, Song "Mignon II" for voice and piano (1821, 2nd setting)
D 728, Song "Johanna Sebus" for voice and piano (1821, fragment)
Op. posth. 173 No. 4 – D 731, Song "Der Blumen Schmerz" for voice and piano (1821)
D 732, Opera "Alfonso und Estrella" (1821–1822)

8. Arie: Doch im Getümmel der Schlacht (version for voice and piano)

13. Arie: Wenn ich dich, Holde, sehe (version for voice and piano)

D 736, Song "Ihr Grab" for voice and piano (1822?)
Op. 56 No. 2 – D 737, Song "An die Leier" for voice and piano (1822 or 1823?)
Op. 56 No. 3 – D 738, Song "Im Haine" for voice and piano (1822 or 1823?)
Op. 20 No. 1 – D 741, Song "Sei mir gegrüßt" for voice and piano (1821–1822)
Op. 23 No. 3 – D 744, Song "Schwanengesang" for voice and piano (1822?)
Op. 68 – D 742, Song "Der Wachtelschlag" for voice and piano (pub. 1822)
Op. 73 – D 745, Song "Die Rose" for voice and piano (1822, 1st version)
D 745, Song "Die Rose" for voice and piano (1822, 2nd version)
D 746, Song "Am See" for voice and piano (1822 or 1823?)
D 749, Song "Herrn Josef Spaun, Assessor in Linz" for voice and piano (1822)
Op. 23 No. 1 – D 751, Song "Die Liebe hat gelogen" for voice and piano (1822)
D 752, Song "Nachtviolen" for voice and piano (1822)
Op. 65 No. 3 – D 753, Song "Heliopolis I" for voice and piano, Aus Heliopolis I or Im Hochgebirge (1822)
D 756, Song "Du liebst mich nicht" for voice and piano (1822, 1st version)
Op. 59 No. 1 D 756, Song "Du liebst mich nicht" for voice and piano (1822, 2nd version)
D 758, Song "Todesmusik" for voice and piano (1822, 1st version)
Op. 108 No. 2 – D 758, Song "Todesmusik" for voice and piano (1822, 2nd version)
D 761, Song "Schatzgräbers Begehr" for voice and piano (1822, 1st version)
Op. 23 No. 4 – D 761, Song "Schatzgräbers Begehr" for voice and piano (1822, 2nd version)
D 762, Song "Schwestergruß" for voice and piano (1822)
D 764, Song "Der Musensohn" for voice and piano (1822, 1st version)
Op. 92 No. 1 – D 764, Song "Der Musensohn" for voice and piano (1822, 2nd version)
D 765, Song "An die Entfernte" for voice and piano (1822)
D 766, Song "Am Flusse" for voice and piano (1822, 2nd setting)
D 767, Song "Willkommen und Abschied" for voice and piano (1822, 1st version)
Op. 96 No. 3 – D 768, Song "Wandrers Nachtlied" for voice and piano (1824)
Op. 71 – D 770, Song "Drang in die Ferne" for voice and piano (1823)
Op. 22 No. 1 – D 771, Song "Der Zwerg" for voice and piano (1822?)
Op. 22 No. 2 – D 772, Song "Wehmut" for voice and piano (1822 or 1823?)
Op. 72 – D 774, Song "Auf dem Wasser zu singen" for voice and piano (1823)
Op. 59 No. 2 – D 775, Song "Daß sie hier gewesen" for voice and piano (1823?)
Op. 59 No. 3 – D 776, Song "Du bist die Ruh" for voice and piano (1823)
Op. 59 No. 4 – D 777, Song "Lachen und Weinen" for voice and piano (1823)
Op. posth. 123 – D 786, Song "Viola" for voice and piano (1823)
D 788, Song "Lied (Des Lebens Tag ist schwer und schwül)" for voice and piano, Die Mutter Erde (1823)
D 789, Song "Pilgerweise" for voice and piano (1823)
D 792, Song "Vergißmeinnicht" for voice and piano (1823)
Op. posth. 173 No. 2 – D 793, Song "Das Geheimnis" for voice and piano (1823, 2nd setting)
D 794, Song "Der Pilgrim" for voice and piano (1823, 1st version)
Op. 37 No. 1 – D 794, Song "Der Pilgrim" for voice and piano (1823, 2nd version)
D 799, Song "Im Abendrot" for voice and piano (1824 or 1825, 1st and 2nd versions)
Op. 41 – D 800, Song "Der Einsame" for voice and piano (1825)
D 806, Song "Abendstern" for voice and piano (1824)
D 807, Song "Auflösung" for voice and piano (1824)
D 808, Song "Gondelfahrer" for voice and piano (1824, 1st setting)
D 827, Song "Nacht und Träume" for voice and piano (1823, 1st version)
Op. 43 No. 2 – D 827, Song "Nacht und Träume" for voice and piano (1823, 2nd version)
Op. 43 No. 1 – D 828, Song "Die junge Nonne" for voice and piano (1825)
D 829, Melodrama "Leb' wohl du schöne Erde" for spoken voice and piano (1826, also appears as "Abschied" or "Abschied von der Erde")
Op. 85 No. 1 – D 830, Song "Lied der Anne Lyle" for voice and piano (1825?)
Op. 85 No. 2 – D 831, Song "Gesang der Norna" for voice and piano (1825)
D 832, Song "Des Sängers Habe" for voice and piano (1825)
D 833, Song "Der blinde Knabe" for voice and piano (1825, 1st version and modified 2nd version)
Op. posth. 101 No. 2 – D 833, Song "Der blinde Knabe" for voice and piano (1825, 2nd version)
D 834, Song "Im Walde" for voice and piano (1825, 1st version)
Op. 93 No. 1 – D 834, Song "Im Walde" for voice and piano (1825, 2nd version)
Op. 52, Sieben Gesänge aus Walter Scotts 'Fräulein am See' No. 1 D 837, Song "Ellens Gesang I" for voice and piano (1825)
Op. 52, Sieben Gesänge aus Walter Scotts 'Fräulein am See' No. 2 D 838, Song "Ellens Gesang II" for voice and piano (1825)
Op. 52, Sieben Gesänge aus Walter Scotts 'Fräulein am See' No. 6 D 839, Song "Ellens Gesang III (Hymne an die Jungfrau)" for voice and piano, Ave Maria or Hymne an die Jungfrau (1825)
D 842, Song "Totengräbers Heimwehe" for voice and piano (1825)
Op. 52, Sieben Gesänge aus Walter Scotts 'Fräulein am See' No. 7 D 843, Song "Lied des gefangenen Jägers" for voice and piano (1825)
Op. 52, Sieben Gesänge aus Walter Scotts 'Fräulein am See' No. 5 D 846, Song "Normans Gesang" for voice and piano (1825)
D 851, Song "Das Heimweh" for voice and piano (1825, 1st version)
Op. 79 No. 1 – D 851, Song "Das Heimweh" for voice and piano (1825, 2nd version)
Op. 79 No. 2 – D 852, Song "Die Allmacht" for voice and piano (1825, 1st setting)
D 852, Song "Die Allmacht" for voice and piano (1825, 1st setting; modified version)
D 853, Song "Auf der Bruck" for voice and piano (1825, 1st version)
Op. 93 No. 2 – D 853, Song "Auf der Bruck" for voice and piano (1825, 2nd version)
D 854, Song "Fülle der Liebe" for voice and piano (1825)
D 855, Song "Wiedersehn" for voice and piano (1825)
Op. 88 No. 1 – D 856, Song "Abendlied für die Entfernte" for voice and piano (1825)
D 860, Song "An mein Herz" for voice and piano (1825)
D 861, Song "Der liebliche Stern" for voice and piano (1825)
D 862, Song "Um Mitternacht" for voice and piano (1825 and 1826?, 1st version)
Op. 88 No. 3 – D 862, Song "Um Mitternacht" for voice and piano (1825 and 1826?, 2nd version)
D 863, Song "An Gott" for voice and piano (1827 or earlier, lost)
D 864, Song "Das Totenhemdchen" for voice and piano (after 1824, lost)
Op. 105 No. 1 – D 865, Song "Widerspruch" for voice and piano (1828, 2nd version)
Op. 105 No. 2 – D 867, Song "Wiegenlied" for voice and piano (1826 or 1827)
D 869, Song "Totengräber-Weise" for voice and piano (1826)
Op. 80 No. 1 – D 870, Song "Der Wanderer an den Mond" for voice and piano (1826)
D 871, Song "Das Zügenglöcklein" for voice and piano (1826, 1st version)
Op. 80 No. 2 – D 871, Song "Das Zügenglöcklein" for voice and piano (1826, 2nd version)
D 874, Song "O Quell, was strömst du rasch und wild" for voice and piano (1826?, sketch)
D 876, Song "Im Jänner 1817" for voice and piano, Tiefes Leid (1826)
Op. 105 No. 3 – D 878, Song "Am Fenster" for voice and piano (1826)
Op. 105 No. 4 – D 879, Song "Sehnsucht" for voice and piano (1826)
Op. 80 No. 3 – D 880, Song "Im Freien" for voice and piano (1826)
D 881, Song "Fischerweise" for voice and piano (1826, 1st version)
Op. 96 No. 4 – D 881, Song "Fischerweise" for voice and piano (1826, 2nd version)
D 882, Song "Im Frühling" for voice and piano (1826, 1st version)
Op. posth. 101 No. 1 – D 882, Song "Im Frühling" for voice and piano (1826, 2nd version)
D 883, Song "Lebensmut" for voice and piano (1826)
Op. 108 No. 1 – D 884, Song "Über Wildemann" for voice and piano (1826)
D 888, Song "Trinklied" for voice and piano (1826)
D 889, Song "Ständchen" for voice and piano (1826)
D 890, Song "Hippolits Lied" for voice and piano (1826)
D 891, Song "Gesang" for voice and piano (1826)
Op. 106 No. 4 – D 891, Song "An Sylvia" for voice and piano, Gesang (1826)
D 896, Song "Fröhliches Scheiden" for voice and piano (1827–1828, sketch)
D 896A, Song "Sie in jedem Liede" for voice and piano (1827–1828, sketch)
D 896B, Song "Wolke und Quelle" for voice and piano (1827–1828, sketch)
Op. 81 No. 1 – D 904, Song "Alinde" for voice and piano (1827)
Op. 81 No. 2 – D 905, Song "An die Laute" for voice and piano (1827)
D 906, Song "Der Vater mit dem Kind" for voice and piano (1827)
D 907, Song "Romanze des Richard Löwenherz" for voice and piano (1826?, 1st version)
Op. 86 – D 907, Song "Romanze des Richard Löwenherz" for voice and piano (1826?, 2nd version)
Op. 96 No. 2 – D 909, Song "Jägers Liebeslied" for voice and piano (1827)
D 910, Song "Schiffers Scheidelied" for voice and piano (1827)
D 916A, Song for voice and piano "Liedentwurf in C" (1827?, sketch without text)
Op. posth. 115 No. 1 – D 917, Song "Das Lied im Grünen" for voice and piano (1827)
D 919, Song "Frühlingslied" for voice and piano (1827?, 2nd setting)
D 922, Song "Heimliches Lieben" for voice and piano (1827, 1st version)
Op. 106 No. 1 – D 922, Song "Heimliches Lieben" for voice and piano (1827, 2nd version)
Op. posth. 165 No. 5 – D 923, Song "Eine altschottische Ballade" for male voice, female voice and piano, Edward (1827, 1st version)
D 923, Song "Eine altschottische Ballade" for voice and piano, Edward (1827; 2nd version in addition to 3rd version for male voice, female voice and piano)
Op. 106 No. 2 – D 926, Song "Das Weinen" for voice and piano (1827–1828)
Op. 106 No. 3 – D 927, Song "Vor meiner Wiege" for voice and piano (1827–1828)
D 931, Song "Der Wallensteiner Lanzknecht beim Trunk" for voice and piano (1827)
D 932, Song "Der Kreuzzug" for voice and piano (1827)
D 933, Song "Des Fischers Liebesglück" for voice and piano (1827)
D 937, Song "Lebensmut" for voice and piano (1828?, fragment)
D 938, Song "Der Winterabend" for voice and piano (1828)
Op. 96 No. 1 – D 939, Song "Die Sterne" for voice and piano (1828)
D 945, Song "Herbst" for voice and piano (1828)
Op. 97 – D 955, Song "Glaube, Hoffnung und Liebe" for voice and piano (1828)
D 965A, Song "Die Taubenpost" for voice and piano (1828)
D 990, Song "Der Graf von Habsburg" for voice and piano (date unknown)
D 990A, Song "Kaiser Maximilian auf der Martinswand" for voice and piano (date unknown, also appears as "Kaiser Maximilian auf der Martinswand in Tirol")
D 990B, Song "Augenblicke im Elysium" for voice and piano (date unknown, lost)
Op. posth. 130 – D 990C, Song "Das Echo" for voice and piano (1828?)
D 990D, Song "Die Schiffende" for voice and piano (1815?, lost)
D deest, Song "?" improvised for a play for voice and piano (1815?, lost?; possibly identical to D 284)
D deest, Song "?" in C major for voice and piano (1816, fragment)
D deest, Song "Winterlied" for voice and piano, Winterabend (after 1820; 2nd setting of D 242, with a different title; also appears unofficially listed as D 242A or D 324A)
D deest, Song "?" for voice and piano (c. 1827, fragment; lost)

Series V: Orchestral works

Symphonies

Main article: Schubert's symphonies

D 2B, Symphony in D major (1811?, fragment of the first movement is extant)
D 82, Symphony No. 1 in D major (1813)
D 125, Symphony No. 2 in B♭ major (1814–1815)
D 200, Symphony No. 3 in D major (1815)
D 417, Symphony No. 4 in C minor, Tragic (1816)
D 485, Symphony No. 5 in B♭ major (1816)
D 589, Symphony No. 6 in C major, Little C major (1817–1818)
D 615, Sketch of a Symphony in D major (1818, piano sketches of two movements are extant)
D 708A, Sketch of a Symphony in D major (after 1820, piano sketches of all four movements are extant)
D 729, Symphony (No. 7) in E major (1821, sketches of all four movements are extant)
D 759, Symphony (No. 8) in B minor, Unfinished (1822, unfinished – two complete movements and a fragment of a "Scherzo" third movement are extant; the "Entre-Acte nach dem I. Aufzug", D 797 No. 1 is possibly the fourth movement)
D 936A, Sketch of a Symphony (No. 10) in D major (1828?, piano sketches of all three movements are extant)
D 944, Symphony (No. 9) in C major, Great C major (1825? and 1828, identical to the so-called "Gmunden-Gastein" Symphony, D 849)

Overtures

D 2A, Overture in D major for orchestra (1811?, fragment)
D 2G, Overture in D major for orchestra (1810 or 1811?, fragment)
D 4, Overture in D major to the vocal comedy Der Teufel als Hydraulicus for orchestra (1812?)
D 12, Overture in D major for orchestra (1811)
D 14, Overture in an unknown key for orchestra (c. 1812, piano sketch; lost)
D 26, Overture in D major for orchestra (1812)
D 470, Overture in B♭ major for orchestra (1816, belongs to D 472?; 2 versions; fragment of a version for string quartet was formerly D 601)
D 556, Overture in D major for orchestra (1817)
D 590, Overture in D major for orchestra, in the Italian Style (1817)
D 591, Overture in C major for orchestra, in the Italian Style (1817, first published as Op. posth. 170)
D 648, Overture in E minor for orchestra (1819)
D deest, Overture in an unknown key for orchestra (date unknown, lost)

Miscellaneous orchestral works

D 39A, Three Minuets with Trios for orchestra (1813, lost)
D 71C, Fragment of an orchestral piece in D major (1813)
D 74A, Fragment of an orchestral piece in D major (1813?)
D 94A, Fragment of an orchestral piece in B♭ major (1814; discarded overture for Act III of "Des Teufels Lustschloß")
D 966B, Sketch of an orchestral piece in A major (after 1819)

Concertante works

D 345, Concerto in D major for violin and orchestra "Konzertstück" (1816, concert piece in one movement)
D 438, Rondo in A major for violin and string orchestra (1816)
D 580, Polonaise in B♭ major for violin and orchestra (1817)

Series VI: Chamber music

Works for nonet and octet ensembles

D 72, Wind Octet in F major for two oboes, two clarinets, two horns and two bassoons (1813, unfinished – a completed "Minuet" and "Finale", as well as a fragment of an "Allegro" movement are extant)
D 79, Wind Nonet "Franz Schuberts Begräbniß-Feyer" in E♭ minor for two clarinets, two bassoons, contrabassoon, two horns and two trombones, Eine kleine Trauermusik (1813)
D 803, Octet in F major for two violins, viola, violoncello, double bass, clarinet, horn and bassoon (1824, first published as Op. posth. 166)

Works for string sextet and quintet

D 8, Overture in C minor for string quintet (1811; scored for two violins, two violas and violoncello)
D 956, String Quintet in C major (1828; scored for two violins, viola and two violoncellos; first published as Op. posth. 163)
D deest, String Sextet in an unknown key for three violins, viola, violoncello and double bass (date unknown, fragment; lost)

Works for string quartet

D 2C, Movement in D minor/F major for string quartet (1811?, fragment)
D 3, Movement in C major for string quartet (1811 or 1812?, fragment; version for string quartet of D 29)
D 8A, Overture in C minor for string quartet (after 1811, version for string quartet of D 8)
D 18, String Quartet No. 1, String Quartet in G minor/B♭ major (1810 or 1811)
D 19, String Quartet in (an) unknown key(s) (1810 or 1811, lost)
D 19A, String Quartet in (an) unknown key(s) (1810 or 1811, lost)
D 20, Overture in B♭ major for string quartet (1812, lost)
D 32, String Quartet No. 2, String Quartet in C major (1812)
D 36, String Quartet No. 3, String Quartet in B♭ major (1813)
D 46, String Quartet No. 4, String Quartet in C major (1813)
D 68, String Quartet No. 5, String Quartet in B♭ major (1813, two "Allegro" movements are extant; middle movements are lost?)
D 74, String Quartet No. 6, String Quartet in D major (1813)
D 86, Minuet in D major for string quartet (1813?)
D 87, String Quartet No. 10, String Quartet in E♭ major (1813, first published as Op. posth. 125 No. 1)
D 87A, Fragment of a vocal or instrumental movement in C major for string quartet (?) (1813, fragment; also appears as "Andante in C major")
D 89, Five Minuets with Six Trios, Five German Dances with Seven Trios and One Coda for string quartet (1813, 2 versions of Minuet No. 3 and German Dance with Trio No. 5)
D 90, Five German Dances with Seven Trios and One Coda for string quartet (1813, belong to D 89)
D 94, String Quartet No. 7, String Quartet in D major (1811 or 1812)
D 103, Quartettsatz (D 103), String Quartet in C minor, (1814, fragment of the first movement is extant)
D 112, String Quartet No. 8, String Quartet in B♭ major (1814, first published as Op. posth. 168)
D 173, String Quartet No. 9, String Quartet in G minor (1815)
D 353, String Quartet No. 11, String Quartet in E major (1816, first published as Op. posth. 125 No. 2)
D 703, String Quartet No. 12, Quartettsatz (D 703) in C minor (1820; unfinished – a complete first movement, known as Quartettsatz, and a fragment of the second movement are extant)
D 804, String Quartet No. 13, String Quartet in A minor, Rosamunde (1824, first published as Op. 29)
D 810, String Quartet No. 14, String Quartet in D minor, Death and the Maiden (1824)
D 887, String Quartet No. 15, String Quartet in G major, (1826, first published as Op. posth. 161)
D Anh. I,1, String Quartet in E♭ major (1813, lost or identical to D 87)
D Anh. I,2, String Quartet in F major (1816, lost or identical to D 353 or D 487)
D deest, Fantasy in an unknown key for string quartet (1813, lost)
D deest, String Quartet in B♭ major (1816, lost)

Works for string trio

Main article: String Trio (Schubert)

D 111A, String Trio in B♭ major (1814, fragment of an "Allegro" movement is extant)
D 471, String Trio in B♭ major (1816, unfinished – complete first movement and fragment of second movement are extant)
D 581, String Trio in B♭ major (1817, 2 versions)

Works for piano and one or more instruments

D 28, Trio in B♭ major for violin, violoncello and piano, Sonatensatz (1812; an "Allegro" movement is extant)
D 384, Sonata in D major for violin and piano (1816, 2 versions of the first movement are extant; first published as Op. posth. 137 No. 1)
D 385, Sonata in A minor for violin and piano (1816, first published as Op. posth. 137 No. 2)
D 408, Sonata in G minor for violin and piano (1816, first published as Op. posth. 137 No. 3)
D 487, Adagio e Rondo concertante in F major for violin, viola, violoncello and piano (1816)
D 574, Sonata in A major for violin and piano, Duo (1817, first published as Op. posth. 162)
D 667, Quintet in A major for violin, viola, violoncello, double bass and piano, Trout Quintet (1819?, first published as Op. posth. 114)
D 802, Variations in E minor for flute and piano, Trockne Blumen (1824, 2 versions of "Variation V"; first published as Op. posth. 160)
D 821, Sonata in A minor for arpeggione and piano (1824)
D 895, Rondo in B minor for violin and piano, Rondeau brillant (1826, first published as Op. 70)
D 897, Trio in E♭ major for violin, violoncello and piano, Notturno (1828?, an "Adagio" movement is extant; first published as Op. posth. 148)
D 898, Trio (No. 1) in B♭ major for violin, violoncello and piano (1828?, first published as Op. 99)
D 929, Trio (No. 2) in E♭ major for violin, violoncello and piano (1827, first published as Op. 100)
D 934, Fantasy in C major for violin and piano (1827, first published as Op. posth. 159)

Other works for strings and wind instruments

D 2D, Six Minuets for winds (1811; scored for two oboes, two clarinets, two bassoons, two horns and trombone; Nos. 1–3 are complete; Nos. 4–6 are piano sketches; version for piano is also extant for Nos. 1–2)
D 2F, Trio of a Minuet for winds (1811, piano sketch; alternate version of the Trio for D 2D No. 4)
D 94B, Five Minuets and Six German Dances for string quartet and two horns (1814, lost)
D 199, Duet "Mailied" ; version for two horns (1815, 2nd setting)
D 202, Duet "Mailied" ; version for two horns (1815; 2nd setting of D 130, with a different title)
D 203, Duet "Der Morgenstern" ; version for two horns (1815, 2nd setting)
D 204, Duet "Jägerlied" ; version for two horns (1815)
D 205, Duet "Lützows wilde Jagd" ; version for two horns (1815)
D 354, Four komische Ländler in D major for two violins (1816)
D 355, Eight Ländler in F♯ minor for violin (?) (1816, possibly for two violins)
D 370, Nine Ländler in D major for violin (?) (1816, possibly for two violins)
D 374, Eleven Ländler in B♭ major for violin (1816?, possibly for two violins; Nos. 1–3, 5, 7 and 11 also used in the upper parts of Nos. 1–5 and 7 from the Eight Ländler in B♭ major for piano, D 378)
D 597A, Variations in A major for violin (1817, sketch; lost)

Series VII: Piano music

Works for two pianos, eight hands

D Anh. I,7, March for two pianos, eight hands (1825, lost)

Works for piano duet

Manuscript page from Schubert's Fantasy in F minor, D 940

Miscellaneous piano duet works

D 1, Fantasy in G major for piano duet (1810, a discarded first version of the "Finale" is also extant)
D 1B, Fantasy in G major for piano duet (1810 or 1811, fragment)
D 1C, Sonata in F major for piano duet (1810 or 1811, fragment of the first movement is extant)
D 9, Fantasy in G minor for piano duet (1811)
D 48, Fantasy in C minor for piano duet, Grande Sonate (1813, 2 versions)
D 608, Rondo in D major for piano duet, Notre amitié est invariable (1818, 2 versions; 2nd version first published as Op. posth. 138)
D 617, Sonata in B♭ major for piano duet (1818, first published as Op. 30)
D 624, Eight Variations on a French Song in E minor for piano duet (1818, first published as Op. 10; 2 versions of the "Theme" are extant)
D 812, Sonata in C major for piano duet, Grand Duo (1824, first published as Op. posth. 140)
D 813, Eight Variations on an original theme in A♭ major for piano duet (1824, first published as Op. 35)
D 818, Divertissement à la hongroise in G minor for piano duet (1824, first published as Op. 54)
D 823, Divertissement sur des motifs originaux français in E minor for piano duet (pub. 1826–1827, first movement originally published as Marche Brillante, Op. 63; second and third movements first published as Andantino varié and Rondeau brillant, Op. 84 Nos. 1–2)
D 908, Eight Variations on a theme from Hérold's Opera Marie for piano duet (1827, first published as Op. 82 No. 1)
D 940, Fantasy in F minor for piano duet (1828, first published as Op. 103)
D 947, Allegro in A minor for piano duet, Lebensstürme (1828, first published as Op. posth. 144)
D 951, Rondo in A major for piano duet, Grand Rondeau (1828, first published as Op. 107)
D 952, Fugue in E minor for organ duet or piano duet (1828, first published as Op. posth. 152)
D 968, Allegro moderato in C major and Andante in A minor for piano duet, Sonatine (between 1815 and 1819?)
D 968A, Introduction, Four Variations on an original theme and Finale in B♭ major for piano duet (date unknown, first published as Op. posth. 82 No. 2)

Marches and dances

D 599, Four Polonaises for piano duet (1818, first published as Op. 75)
D 602, Trois Marches Héroiques for piano duet (1818 or 1824, first published as Op. 27)
D 618, German Dance in G major with Two Trios and Two Ländler in E major for piano duet (1818)
D 618A, Polonaise in B♭ major for piano duet (1818, sketch)
D 733, Trois Marches Militaires for piano duet (1818?, first published as Op. 51)
D 814, Four Ländler for piano duet (1824)
D 819, Six Grandes Marches for piano duet (1818 or 1824, first published as Op. 40)
D 824, Six Polonaises for piano duet (1826, first published as Op. 61)
D 859, Grande Marche Funèbre in C minor for piano duet (1825, first published as Op. 55)
D 885, Grande Marche Héroique in A minor for piano duet (pub. 1826, first published as Op. 66)
D 928, March in G major for piano duet, Kindermarsch (1827)
D 968B, Deux Marches Caractéristiques in C major for piano duet (date unknown, first published as Op. posth. 121)

Overtures

D 592, Overture in D major for piano duet, in the Italian Style (1817, version for piano duet of D 590)
D 597, Overture in C major for piano duet, in the Italian Style (1817, version for piano duet of D 591)
D 668, Overture in G minor for piano duet (1819)
D 675, Overture in F major for piano duet (1819?, first published as Op. 34)
D 773, Overture to the Opera Alfonso und Estrella for piano duet (1823, version for piano duet of the Overture from D 732; first published as Op. 69)
D 798, Overture to the Opera Fierabras for piano duet (1823, version for piano duet of the Overture from D 796; NSA also appends a version by Carl Czerny)

Works for piano solo

Main article: List of solo piano compositions by Franz Schubert

Piano sonatas and sonata movements

D 154, Piano Sonata in E major (1815, fragment of the first movement is extant; early version of the first movement of the Piano Sonata in E major, D 157)
D 157, Piano Sonata in E major (1815, unfinished – first three movements are extant)
D 277A, Minuet in A minor with Trio in F major for piano (1815, alternate third movement for the Piano Sonata in C major, D 279)
D 279, Piano Sonata in C major (1815, unfinished – first three movements are extant; the Allegretto in C major, D 346 fragment is probably the fourth movement)
D 346, Allegretto in C major for piano (1816?, fragment; perhaps the fourth movement of the Piano Sonata in C major, D 279)
D 459, Piano Sonata in E major (1816, in 2 movements; also paired with D 459A to have a five movement sonata or five piano pieces "Fünf Klavierstücke")
D 459A, Three piano pieces "Drei Klavierstücke" (1816?, also paired with D 459 to have a five movement sonata or five piano pieces "Fünf Klavierstücke")
D 505, Adagio in D♭ major for piano (1818?, probably the second movement of the unfinished Piano Sonata in F minor, D 625; first published in E major in an abridged form as Op. posth. 145 No. 1)
D 506, Rondo in E major for piano (1817?, perhaps the fourth movement of the unfinished? Piano Sonata in E minor, D 566; first published as Op. posth. 145 No. 2)
D 537, Piano Sonata in A minor (1817, first published as Op. posth. 164)
D 557, Piano Sonata in A♭ major (1817)
D 566, Piano Sonata in E minor (1817, unfinished? – first three movements are extant; the Rondo in E major, D 506 may be the fourth movement)
D 568, Piano Sonata in D♭ major/E♭ major (1817, 2 versions; 2nd version first published as Op. posth. 122; 1st version in D♭ major; in D 567 there is no "Menuetto" third movement and the last movement is a fragment; NSA also appends an amended first movement from the 1st version)
D 570, Scherzo in D major and Allegro in F♯ minor for piano (1817?, the "Allegro" is a fragment; these were probably intended as the last two movements of the unfinished Piano Sonata in F♯ minor, D 571)
D 571, Piano Sonata in F♯ minor (1817, unfinished – fragment of an "Allegro moderato" first movement is extant. The Andante in A major, D 604, as well as the Scherzo in D major and Allegro in F♯ minor fragment from D 570 probably constitute the remaining movements)
D 575, Piano Sonata in B major (1817, first published as Op. posth. 147)
D 600, Minuet in C♯ minor for piano (1814?; the Trio in E major, D 610 was probably intended for this Minuet; in turn the Minuet with Trio D 600/610 tandem possibly constitute the third movement of the unfinished Piano Sonata in C major, D 613)
D 604, Andante in A major for piano (1816 or 1817; may be the second movement of the unfinished Piano Sonata in F♯ minor, D 571)
D 610, Trio in E major for piano, to be regarded as the lost son of a minuet (1818, this Trio might have been intended for the Minuet in C♯ minor, D 600; in turn the Minuet with Trio D 600/610 tandem possibly constitute the third movement of the unfinished Piano Sonata in C major, D 613)
D 612, Adagio in E major for piano (1818; perhaps the second movement of the unfinished Piano Sonata in C major, D 613)
D 613, Piano Sonata in C major (1818, unfinished – fragments of two movements are extant; the Adagio in E major, D 612 as well as the Minuet with Trio D 600/610 possibly constitute the remaining movements)
D 625, Piano Sonata in F minor (1818, unfinished – a completed Scherzo with Trio, and fragments of two "Allegro" movements are extant; the Adagio in D♭ major D 505 is probably the second movement)
D 655, Piano Sonata in C♯ minor (1819; fragment of an "Allegro" is extant)
D 664, Piano Sonata in A major (1819 or 1825; first published as Op. posth. 120)
D 769A, Piano Sonata in E minor (c. 1823, unfinished – fragment of an "Allegro" first movement is extant)
D 784, Piano Sonata in A minor (1823, first published as Op. posth. 143)
D 840, Piano Sonata in C major, Reliquie (1825, unfinished – first and second movements are complete; third and fourth movements are fragments)
D 845, Piano Sonata in A minor (1825, first published as Op. 42)
D 850, Piano Sonata in D major, Gasteiner (1825, first published as Op. 53)
D 894, Piano Sonata in G major, Fantasie (1826, first published as Op. 78; NSA also appends a discarded 1st version of the second movement)
D 958, Piano Sonata in C minor (1828)
D 959, Piano Sonata in A major (1828)
D 960, Piano Sonata in B♭ major (1828)
D Anh. I,8, Piano Sonata in F major (1815, lost or identical to D 157)
D Anh. I,9, Piano Sonata in F major (1816, lost or identical to D 459)
D deest, Piano Sonata in C♯ major (1825?, lost or identical to D 568 1st version)

Miscellaneous piano works

D 2E, Fantasy in C minor for piano (1811)
D 13, Fugue in D minor for piano (c. 1812, presumably for piano)
D 21, Six Variations in E♭ major for piano (1812, lost)
D 24, Seven Variations in F major for piano (1812?, fragment; lost)
D 24A, Fugue in C major for piano or organ (1812?)
D 24B, Fugue in G major for piano or organ (1812?)
D 24C, Fugue in D minor for piano or organ (1812?)
D 24D, Fugue in C major for piano (1812?, fragment)
D 29, Andante in C major for piano (1812, version for piano of D 3; also used in a sketch for the second movement of D 36)
D 41A, Fugue in E minor for piano (?) (1813, fragment)
D 71B, Fugue in E minor for piano (1813, fragment)
D 156, Ten Variations in F major for piano (1815, 2 versions of the "Theme" and "Variation II")
D 178, Adagio in G major for piano (1815, 2 versions; 2nd version is a fragment)
D 309A, Rondo in C major for piano (1815, fragment)
D 347, Allegro moderato in C major for piano (1813?, fragment)
D 348, Andantino in C major for Piano (1816?, fragment)
D 349, Adagio in C major for piano (1816?, fragment)
D 576, 13 Variations on a theme by Anselm Hüttenbrenner in A minor for piano (1817)
D 593, Two Scherzi for piano (1817)
D 605, Fantasy in C major for piano (1821–1823, fragment)
D 605A, Fantasy in C major for piano, Grazer Fantasy (1818?)
D 606, March in E major for piano (1818?)
D 718, Variation in C minor on a Waltz by Anton Diabelli for piano (1821, written for Vaterländischer Künstlerverein)
D 757A, March in B minor for piano (1822)
D 759A, Overture to the Opera Alfonso und Estrella for piano (1822, version for piano of the Overture from D 732; first published as Op. 69)
D 760, Fantasy in C major for piano, Wanderer Fantasy (1822, first published as Op. 15)
D 780, Six Moments musicaux for piano (pub. 1828, first published as Op. 94), in C major, A♭ major, F minor, C♯ minor, F minor, and A♭ major.
D 817, Ungarische Melodie in B minor for piano (1824)
D 899, Four Impromptus for piano (1827, first published as Op. 90) in C minor, E♭ major, G♭ major, and A♭ major
D 900, Allegretto in C minor for piano (after 1820?, fragment)
D 915, Allegretto in C minor for piano (1827)
D 916B, Piano piece in C major (1827?, sketch)
D 916C, Piano piece in C minor (1827?, sketch)
D 935, Four Impromptus for piano (1827, first published as Op. posth. 142) in F minor, A♭ major, B♭ major, and F minor.
D 946, Three piano pieces "Drei Klavierstücke" (1828)
D Anh. I,10, Fantasy in E♭ major for piano (1825?, lost)
D deest, Fugue in an unknown key for piano or organ (1813, lost)
D deest, Fugue in F major for piano (1813, sketch)

Piano dances

D 2D, Six Minuets for winds (1811; version for piano of Nos. 1–2)
D 19B, Several Waltzes and a March for piano (1812 or 1813, lost)
D 22, Twelve Minuets with Trios for piano (1812, lost)
D 41, Thirty Minuets with Trios for piano (1813; Nos. 1–8, 11–18 and 20–23 are extant)
D 91, Two Minuets, each with Two Trios for piano (1813)
D 128, Twelve Viennese German Dances for piano (1812?)
D 135, German Dance with Trio in E major for piano (1815; 1st version of the Waltz in E major, D 146 No. 3, with a different title)
D 139, German Dance in C♯ major with Trio in A major for piano (1815)
D 145, Twelve Waltzes, Seventeen Ländler and Nine Écossaises for piano (1815–1821, first published as Op. 18)
D 146, Twenty Waltzes for piano, Letzte Walzer (1815 and 1823, first published as Op. posth. 127; 2 versions for No. 3 – the 1st one with a Trio in E major , and the 2nd one with a Trio in A major; also, 2 versions for No. 5 – the 1st one with a Trio in B♭ major and the 2nd one with a Trio in A♭ major; NSA identifies both earlier versions as "German Dances", not "Waltzes")
D 158, Écossaise in D minor/F major for piano (1815)
D 299, Twelve Écossaises for piano (1815)
D 334, Minuet in A major with Trio in E major for piano (1815)
D 335, Minuet in E major with Two Trios for piano (1813?)
D 365, Thirty-six Original Dances for piano, Erste Walzer (1818–1821, first published as Op. 9)
D 366, Seventeen Ländler for piano (1824)
D 378, Eight Ländler in B♭ major for piano (1816; the upper parts of Nos. 1–5 and 7 also used in Nos. 1–3, 5, 7 and 11 from the Eleven Ländler in B♭ major for violin, D 374)
D 380, Three Minuets, each with Two Trios for piano (1816, fragment; for the third minuet, part of the first trio and the entire second trio are missing)
D 420, Twelve German Dances for piano (1816)
D 421, Six Écossaises for piano (1816)
D 511, Écossaise in E♭ major for piano (c. 1817)
D 529, Eight Écossaises for piano (1817)
D 643, German Dance in C♯ minor and Écossaise in D♭ major for piano (1819)
D 681, Twelve Ländler for piano (c. 1815, Nos. 5–12 are extant)
D 697, Six Écossaises in A♭ major for piano (1820, Nos. 1–4 and 6 are extant)
D 722, German Dance in G♭ major for piano (1821)
D 734, Sixteen Ländler and Two Écossaises for piano, Wiener Damen-Ländler (pub. 1826, first published as Op. 67)
D 735, Galop and Eight Écossaises for piano (pub. 1825, first published as Op. 49)
D 769, Two German Dances for piano (1823–1824)
D 779, Thirty-four Valses Sentimentales for piano (pub. 1825, first published as Op. 50)
D 781, Twelve Écossaises for piano (1823, Nos. 2–12 are extant)
D 782, Écossaise in D major for piano (pub. 1824)
D 783, Sixteen German Dances and Two Écossaises for piano (1823–1824; German Dances Nos. 8 and 9 also used in D 366, D 814; first published as Op. 33)
D 790, Twelve German Dances for piano (1823, also appear as "Twelve Ländler"; first published as Op. posth. 171)
D 816, Three Écossaises for piano (1824)
D 820, Six German Dances for piano (1824)
D 841, Two German Dances for piano (1825)
D 844, Waltz in G major for piano, Albumblatt (1825)
D 924, Twelve Grazer Waltzes for piano (1827?, first published as Op. 91)
D 925, Grazer Galopp in C major for piano (1827?)
D 944A, German Dance in an unknown key for piano (1828, lost)
D 969, Twelve Waltzes for piano, Valses nobles (pub. 1827, first published as Op. 77)
D 970, Six Ländler for piano (date unknown, also appear as "Six German Dances")
D 971, Three German Dances for piano (1823?)
D 972, Three German Dances for piano (before 1817)
D 973, Three German Dances for piano (1823?)
D 974, Two German Dances for piano (1822?)
D 975, German Dance in D major for piano (1824?)
D 976, Cotillon in E♭ major for piano (pub. 1825)
D 977, Eight Écossaises for piano (1816?)
D 978, Waltz in A♭ major for piano (pub. 1825)
D 979, Waltz in G major for piano (pub. 1826)
D 980, Two Waltzes for piano (pub. 1826)
D 980A, Two Dances for piano (before 1821, sketches)
D 980B, Two Ländler in E♭ major for piano (1816?)
D 980C, Two Ländler in D♭ major for piano (before 1821, fragment)
D 980D, Waltz in C major for piano, Krähwinkler Tanz (pub. 1828)
D 980E, Two Dances for piano (?) (after 1818, sketches)
D 980F, March in G major for piano (date unknown; piano reduction of a lost march for orchestra?)
D Anh. I,13, Six German Dances for piano (1814, lost)
D deest, Themes to Two Minuets for piano (1813?, sketches)
D deest, Four Dances in A major for piano (1816?, only incipits are extant)
D deest, Ecossaise in G major, Ländler in F major and Ländler in F minor (?) for piano (1818, sketches)

Series VIII: Supplement

Arrangements

D Anh. II,1, Arrangement of the Overture to the Opera Iphigenie in Aulis for piano duet (1810?, fragment; composition by Christoph Willibald Gluck)
D Anh. II,2, Arrangement of the "Notturno in G major for Flute, Viola and Guitar" for flute, guitar, viola and violoncello (1814, also appears as "Quartet in G major for flute, guitar, viola and violoncello"; composition by Wenzel Thomas Matiegka, Op. 21; Trio II in the second movement “Menuetto”, by Schubert)
D Anh. II,3, Arrangement of Two Arias from the Opera Echo et Narcisse for voice and piano (1816, compositions by Christoph Willibald Gluck)
D Anh. II,4, Arrangement of the Hymn "Der 8. Psalm für Solostimme und Klavier" for voice, two oboes, two clarinets, timpani, strings and organ (1823, composition by Maximilian Stadler; instrumentation by Schubert)

Other works

D Anh. I,3, Fugue in C major for string quartet (?) (1812?, fragment; only viola part is extant)
D Anh. I,12, Seven Easy Variations in G major for piano (pub. 1810, presumably not by Schubert)
D Anh. I,14, Waltz for piano, Kupelwieser-Walzer (1826, transcribed by Richard Strauss)
D Anh. I,15, Minuet with Trio in D major for piano (date unknown, presumably not by Schubert)
D Anh. I,17, Hymn "Tantum ergo" in B♭ major for unknown voice(s)/instrument(s) (date unknown, fragment; only one soprano part is extant; presumably not by Schubert)
D Anh. I,25, Cantata "Drum Schwester und Brüder" for voice (?), choir, violin, violoncello and other unknown instruments (1819, fragment; only violin and violoncello parts are extant)
D Anh. I,26, Trio or Quartet "Sturmbeschwörung" for two sopranos and alto (?) or two sopranos and two altos (?) (date unknown, fragment; only one soprano part is extant)
D Anh. I,28, Song "Klage (Nimmer länger trag ich)" for voice and piano, Nimmer länger trag ich (c. 1817, presumably not by Schubert)
D Anh. I,29, Song " Kaiser Ferdinand II." for voice and piano (1809?, doubtful)
D deest, Trio "Scherz-Terzett" for three altos (1812, doubtful)
D deest, Song "Die Nacht" for voice and guitar (?) (after 1816?, doubtful; accompaniment part by Franz Xaver Baron von Schlechta; voice part by Schubert?)
D deest, Song (?) "Seliges Genügen" for unspecified voice(s)/instrument(s) (date unknown, lost)

Composition exercises

D 16, Counterpoint exercises for unspecified instruments/voices (1823?, seven exercises in double counterpoint; piano sketches)
D 17, Composition exercises on "Quell' innocente figlio" for various vocal ensembles, Arie dell' Angelo (1812?, also appears as "Aria dell' Angelo"; 9 settings; No. 1 Solo for soprano; No. 2 Duo for two sopranos; No. 3 Trio for soprano, alto and tenor; No. 4 Quartet for soprano, alto, tenor and bass; No. 5 Trio for soprano, alto and tenor; No. 6 Trio for soprano, alto and tenor; No. 7 Quartet for soprano, alto, tenor and bass; No. 8 Quartet for soprano, alto, tenor and bass; No. 9 Quartet for soprano, alto, tenor and bass)
D 25, Counterpoint and imitation exercises for unspecified instruments/voices (1812; four 2-part and three 3-part counterpoint exercises, in addition to four 2-part imitation exercises)
D 25A, Counterpoint exercises for unspecified instruments/voices (1812?, two 4-part counterpoint exercises)
D 25B, Counterpoint exercises for unspecified instruments/voices (1812?, fifteen 3-part counterpoint exercises)
D 25C, Fugue in F major for two voices (1812?, fragment)
D 33, Composition exercises on "Entra l'uomo allor che nasce" for various vocal ensembles, Aria di Abramo (1812, also appears as "Aria di Abramo"; 6 settings; No. 1 for soprano; No. 2 Duo for soprano and alto; No. 3 Trio for soprano, alto and tenor; No. 4 Quartet for soprano, alto, tenor and bass; No. 5 Quartet for soprano, alto, tenor and bass; No. 6 Quartet for soprano, alto, tenor and bass)
D 34, Composition exercises on "Te solo adoro" for soprano, alto, tenor and bass (1812, 2 settings; 2nd setting is a fragment)
D 35, Composition exercises on "Serbate, o Dei custodi" for various vocal ensembles (1812, 3 settings; No. 1 Quartet for soprano, alto tenor and bass; No. 2 Choir for mixed voices; No. 3 Solo for tenor)
D 37A, Four fugal sketches for unspecified instruments "Vier Fugentwürfe" (1813?, piano sketches; the Deutsch catalogue and the NSA incorrectly identify this as a work for piano)
D 619, Vocal exercises for two voices and figured bass "Singübungen" (1818, figured bass usually realized for piano)
D 965B, Fugal exercises for unspecified instruments/voices "Fugenübungen" (1828; eighteen fugal expositions for two voices)
D Anh. I,32, Composition exercises "Generalbaßübungen" for unspecified instruments/voices (date unknown)
D deest, Canon in C major for five voices (1826?)
D deest, Imitation exercises in invertible counterpoint for unspecified instruments/voices (1828, sketches; three 2-part imitation exercises)

Works, fragments and sketches of unknown genre

D 988A, Accompaniment part in B♭ major for piano (after 1820, fragment; for a multi-part vocal composition?)
D deest, Sketch of a composition "?" for unspecified voices and orchestra (1811?, sketch)
D deest, Aria "?" for bass and piano (?) (1812, sketch; also appears as "Allegretto in D major")
D deest, Theme of a dance composition (?) for piano (?) (1812?, sketch)
D deest, Fragment of a composition for violin (?) (1813, sketch; fragment)
D deest, Fragment of an instrumental composition for violin, viola and guitar (?) (1813?, fragment)
D deest, Sketch of a composition for unspecified instrument(s) (1813, sketch)
D deest, Piano piece (?) in F major (1813, sketch)
D deest, Vocal composition "?" for mixed choir (?) (1818?, fragment without text)
D deest, Sketch of a theme for unspecified instruments/voices "Themenentwurf" (1818, sketch)
D deest, Sketch of a theme in A minor for unspecified instruments/voices "Themenentwurf" (1818, sketch)
D deest, Vocal composition "?" for unspecified voices (1821?, fragment)
D deest, Accompaniment for a vocal composition "?" (1821?, fragment)
D deest, Sketch of a composition for orchestra (?) (1823, piano sketch)
D deest, Fragment of a composition for unspecified instruments (1823, sketch)
D deest, Fragment of a cantata (?) "?" for unspecified soloists, choir and orchestra (date unknown, fragment without text)
D deest, Song (?) "...doch stärker ist die Mutterliebe" for voice (?) and orchestra (date unknown, fragment; lost)
D deest, Song (?) or piano piece (?) "Lieder für das Pianoforte" for voice (?) and/or piano (?) (date unknown, lost)

Works in the catalogue by other composers

D Anh. I,4, String Quartet in G major (fragment of one movement is extant; composition by Albert Stadler)
D Anh. I,5, String Quartet in E♭ major (date unknown, sketch of the first movement is extant; composition by Anselm Hüttenbrenner)
D Anh. I,6, Duet in D major for two violins (1816, not by Schubert)
D Anh. I,6A, Symphony in E major, Symphony 1825 (date unknown, not by Schubert; composition by Gunter Elsholz)
D Anh. I,11, Allegro in G major and Minuet in C major for piano (date unknown, also appears as "Sonatina"; not by Schubert)
D Anh. I,16, Dance "Écossaise de Vienne" in A♭ major for piano (1821?, composition by Anselm Hüttenbrenner?)
D Anh. I,27, Song "Drei Chöre mit Bläsern" for male choir, two horns and two bassoons (date unknown, fragment; not by Schubert)
D Anh. I,30, Song "Mein Frieden" for voice and piano (pub. 1823, composition by Franz Anton Schubert)
D Anh. I,31, Song "Adieu! (Lebe wohl!)" for voice and piano (pub. 1824, composition by August Heinrich von Weyrauch)
D Anh. III,1, Nine Canons "Neun Kanons" for four or more voices (c. 1810 copy; compositions by Michael Haydn, Joseph Haydn, Josef Otter, Wolfgang Amadeus Mozart and anonymous composers)
D Anh. III,2, Song "Die Teilung der Erde" for voice and piano (c. 1810 copy; composition by Franz de Paula Roser)
D Anh. III,3, Symphony in C major, KV 551 (1813 copy; composition by Wolfgang Amadeus Mozart)
D Anh. III,4, Canon "Kanon (Hoffnung Kind des Himmels)" from the Singspiel "Elbondocani" for two sopranos, tenor, bass and piano (1813? copy; composition by Johann Rudolf Zumsteeg)
D Anh. III,5, Trio "Chor der Derwische" for two tenors and bass (1813? copy; composition by Johann Rudolf Zumsteeg)
D Anh. III,6, Offertory "Clamavi ad te" in C major, Op. 16 for unspecified voices/instruments (1813 copy of the solo soprano voice is extant; composition by Josef Preindl)
D Anh. III,7, Scene "Monolog aus Goethes Iphigenie" for voice, women's choir and piano (1815 copy; composition by Johann Friedrich Reichardt)
D Anh. III,8, Symphony No. 4 in B♭ major, Op. 60 (8-bar copy after 1820; composition by Ludwig van Beethoven)
D Anh. III,9, Song "Deutsches Hochamt (Hier liegt vor deiner Majestät)" for voice and organ (copy of the organ part lost; composition by Michael Haydn)
D Anh. III,10, Mass in C major (1820 copy; composition by Josef Preindl)
D Anh. III,11, Canon "Laß immer in der Jugend Glanz" , KV 484d, for two voices (copy lost; composition by Wolfgang Amadeus Mozart)
D Anh. III,12, Canon "Selig alle, die im Herrn entschliefen" , KV 382b, for two voices (copy lost; composition by Wolfgang Amadeus Mozart)
D Anh. III,13, Song "Abendlied unterm gestirnten Himmel" , WoO 150, for voice and piano (1820 copy; composition by Ludwig van Beethoven)

References

Deutsch catalogue (1978), p. 11

Sources

Composer: Franz Peter Schubert (1797–1828) Archived 2016-07-09 at archive.today at The LiederNet Archive
Franz Schubert's Works (various editors and editions)
Schubert-online (manuscripts, first and early editions) by Austrian Academy of Sciences (ÖAW)
Schubert Thematic Catalogue (various editions), including:
- (in German) Franz Schubert, Thematisches Verzeichnis seiner Werke in chronologischer Folge on-line copy of the 1978 version of the Deutsch catalogue at archive.org
Neue Schubert-Ausgabe (various editors and publication dates):
- Franz Schubert (1797–1828): New Edition of the Complete Works at www.baerenreiter.com
- The New Schubert Edition at schubert-ausgabe.de
Eva Badura-Skoda and Peter Branscombe. Schubert Studies: Problems of Style and Chronology. Cambridge University Press, 1982. Reprint 2008. ISBN 0521088720, 9780521088725, 9780521226066
Brian Newbould. Schubert: The Music and the Man. University of California Press, 1999. ISBN 0520219570, 9780520219571
Reinhard Van Hoorickx [de]. "Franz Schubert (1797–1828) List of the Dances in Chronological Order" in Revue belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap, Vol. 25, No. 1/4, pp. 68–97, 1971
Reinhard Van Hoorickx. "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes" in Revue belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap, Vol. 28/30, pp. 136–171, 1974–1976.

External links

(in German) Franz Schubert (1797–1828): Werke sortiert nach Musikgattung at www.klassika.info
(in French) Franz Schubert: Catalogue des oeuvres at musiqueorguequebec.ca
(in Italian) Franz Schubert: Catalogo delle composizioni, suddiviso per generi musicali at flaminioonline.it
Scores by Franz Schubert at the International Music Score Library Project (IMSLP)
Scores by Franz Schubert in the Choral Public Domain Library (ChoralWiki)
Franz Peter Schubert (1797–1828); AUT: Works at www.classicalarchives.com
Liner notes (including lyrics) of Schubert Edition at Brilliant Classics website

Franz Schubert

Compositions

By genre	Chamber music Church music Orchestral works (Symphonies) Piano music (piano solo) Sonatas, duos and fantasies Songs and part-songs (song cycles) Stage works Arrangements Copies Doubtful and spurious
By year	1810 '11 '12 '13 '14 '15 '16 '17 '18 '19 '20 '21 '22 '23 '24 '25 '26 '27 '28 undated
Publications	Deutsch catalogue opus/Deutsch number concordance 19th century complete edition New Schubert Edition

Media

Schubertiade
Das Dreimäderlhaus (1916 operetta)
Schubert at the Piano (1899 painting)
1928 International Columbia Graphophone Competition
Schubert's Dream of Spring (1931 film)
Gently My Songs Entreat (1933 film)
Serenade (1940 film)
The Great Awakening (1941 film)
It's Only Love (1947 film)
La Belle Meunière (1949 film)
Franz Schubert (1953 film)
Angeli senza paradiso (1970 film)

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Lists of compositions by Franz Schubert