Days of the New | ||||
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Studio album by Days of the New | ||||
Released | August 31, 1999 | |||
Recorded | March 1998–May 1999 | |||
Studio |
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Genre | Acoustic rock, post-grunge, folk rock | |||
Length | 63:38 | |||
Label | Outpost | |||
Producer |
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Days of the New chronology | ||||
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Singles from Days of the New | ||||
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Days of the New (also known as the Green album or Days of the New II) is the second self-titled studio album by American alternative rock band Days of the New. Released on August 31, 1999, it marks the first album following the break up of the original lineup and the last under Outpost. While not nearly as commercially successful as its 1997 predecessor, Green acquired stronger appreciation from critics and featured two successful singles.
Overview
Shortly after finishing their 1998 tour with Metallica and Jerry Cantrell, after much turmoil, the original Days of the New split up. Todd Whitener, Matt Taul, and Jesse Vest would go on to form Tantric while Meeks carried on the Days of the New name. In February 1999, it was reported that while his ex-bandmates were looking for a new singer, Meeks was finishing up work on a second album tentatively titled Days of the New 2 with an expected release in late spring or early summer that year. He eventually formed a new band lineup and hired an orchestra for his sophomore effort.
In contrast to the debut album, which has a more stripped down acoustic style, Green incorporates many different elements, namely an orchestra and female backing vocals. The darker song writing is also deemphasized in favor of more upbeat melodies as seen in "Flight Response" and "Take Me Back Then." Many of the album's songs contain intros and codas to seamlessly carry into the next song. While largely maintaining the acoustic feel of its predecessor (as evidenced by the folk number "Provider") Green even utilizes electronic percussion more commonly found in dance club music, particularly in the track "Enemy." This song, along with "Weapon and the Wound," became the album's radio singles.
A young Nicole Scherzinger put her studies at Wright State University on hold to sing backing vocals for Green. Meeks noted that he wanted a female singer to "deliver some more world/operatic textures and sounds" and that her contributions were not buried in the back but instead featured prominently alongside his. Scherzinger performs on “Flight Response,” “The Real,” “Take Me Back Then,” “Phobics of Tragedy,” “Bring Yourself,” and “Last One.” Meeks claims that after touring for the album, the two grew apart creatively and that despite being an "amazing entertainer," she "didn’t seem to understand music very well." Taul played drums on "Flight Response" and "I Think".
Touring and promotion
In June 1999, the band was tentatively planned to tour in Europe in September before a lengthy US tour in the summer of 2000, but this did not pan out. Meeks debuted his new seven-member band lineup on September 4, 1999 at the Ear Xtacy store in Louisville. According to Pollstar, the official tour would begin in Pensacola, Florida on October 22; however, Yahoo! Music stated that same day that touring would run from October 21 in Chattanooga, Tennessee through November 27 in Louisville, Kentucky. The concerts exhibited "more of a dramatic show" and "more of a choreographed direction" compared to previous Days of the New tours. This included backdrop screen, stage props, and other effects and, in the words of Travis Meeks, wouldn't be "just a rock 'n' roll show" but " more of a sensory-experience thing."
According to Meeks, the band toured for two months in support of Green after which he and Scherzinger had a "small fling." Despite her already having a boyfriend, Meeks admits to having had a crush on her during this period. He later expressed interest in working with her again on his much delayed Days of the New Presents Tree Colors.
Green features two singles. Its lead, "Enemy," charted well and gained music video rotation on MTV. The track introduced Day of the New's new sound to the mainstream with its unique blend of acoustic and electronic elements. A second single, "Weapon and the Wound," features a somber ballad approach heavily showcasing the clarinet. It charted at #10 on Mainstream Rock Tracks but did not achieve the success of its predecessor.
Reception
Review scores | |
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Source | Rating |
AllMusic | |
The Boston Phoenix | |
The Encyclopedia of Popular Music | |
Entertainment Weekly | B |
Los Angeles Times | |
The Philadelphia Inquirer | |
Rolling Stone | |
San Francisco Examiner | |
Stereo Review | |
Wall of Sound | 67/100 |
Critics were fairly enthusiastic of Green. Allmusic's Stephen Thomas Erlewine named it an AMG Album Pick and praised Meeks' production abilities, calling it a "definite improvement from his debut." Tom Lanham of Entertainment Weekly gave it a B grade and noted, "Like Roger Waters, toys with colorful tones and textures and waxes ponderous in a schoolmaster baritone. Some tracks stumble awkwardly, but inventive oomph pulls this naif through."
Despite better critical reception, Green sold poorly compared to the first album. By October 1999, it had sold only 124,000 copies according to SoundScan. It would eventually reach around 300,000 copies sold. Only one song, "Enemy", was a major hit, and the second single, a ballad entitled "Weapon and the Wound," charted reasonably well. In 2004, Metal Hammer included the album on its list of "50 Lost Classics".
Track listing
All songs written by Travis Meeks except where noted.
- "Flight Response" – 5:55
- "The Real" (Meeks, Todd Whitener) – 4:18
- "Enemy" – 5:11
- "Weapon & the Wound" – 5:44
- "Skeleton Key" – 3:02
- "Take Me Back Then" – 4:16
- "Bring Yourself" – 5:55
- "I Think" – 5:51
- "Longfellow" – 1:56
- "Intro" – 1:42
- "Phobics of Tragedy" – 3:26
- "Not the Same" – 4:24
- "Provider" – 5:53
- "Last One" (Meeks, Whitener) – 4:37
Outtakes
- "The Sun"
- "Requiem" - unreleased coda
Personnel
- Travis Meeks: lead vocals, guitar
- Max Maxwell: drums
- Pete Peterson: arrangements
- Peter Rhee: drums
- Ray Rizzo: percussion
- Nicole Scherzinger: backing vocals
- Carl Shields: drums
- Matt Taul: drums
- Alex Tench: backing vocals
- Brian Vinson: bass
- Orchestra
- Conducted and arranged: Suzie Katayama
- Members: Rick Baptist, Charles Boito, Eve Butler, Jon Clarke, Larry Corbett, Mario DeLeon, Joel Derouin, Virginia Frazer, Matthew J. Funes, Geraldo Hilera, Steven M. Holtman, Ronald Janelli, John T. Johnson, Renita Koven, Daniel Smith, David Stone, John Wittenberg, and Phillip E. Yao
- Choir
- Sandie Hall, Linda Harmon, Luana Jackman, Victor Janacua, Bob Joyce, Jon Joyce, Rick Logan, Suzie Katayama, Donna Medina, and Oren Waters
Production credits
- Produced by Travis Meeks and Todd Smith
- Engineered by Todd Smith with Mike Baker and Clark Hagan
- Mixed by Scott Litt, Travis Meeks, Todd Smith
- Digital Engineer: Greg Fidelman
- Second Engineers: Victor Janacua, Bill McCord, Al Sanderson, Alex Tench
Artwork
- Creative Direction: Jeral Tidwell
- Art and Digital Direction: Chip Dumstorf
- Illustrations: Jeral Tidwell
- Graphic Design: Chip Dumstorf and Travis Meeks
- Photography: Theresa Carpenter, Chaz Rough, and Larry Smith
Charts
Singles - Billboard (North America)
Year | Single | Chart | Position |
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1999 | "Enemy" | Mainstream Rock Tracks | 2 |
Modern Rock Tracks | 10 | ||
2000 | "Weapon and the Wound" | Mainstream Rock Tracks | 10 |
References
- "Music : About the band". daysofthenew.net. Archived from the original on May 10, 2000. Retrieved March 11, 2024.
- https://www.allmusic.com/album/r427646
- Days Of The New Are Two MTV.com (February 9, 1999). Retrieved on 12-31-10.
- ^ DX Staff (March 21, 2008). "Days Of The New Singer Reveals Past On Nicole Scherzinger". HipHopDX.comm. Archived from the original on October 2, 2012. Retrieved August 17, 2009.
- Meeks, Travis (2008). "Days of the New: The Official Bio" (PDF). morningshowcentral.com. Archived from the original (PDF) on May 29, 2008. Retrieved March 9, 2024.
- Days Of The New Re-Emerges With New Album, Lineup; Old Members Regroup MTV.com (June 28, 1999). Retrieved on 12-31-10.
- Days of the New Smash Stereotypes Yahoo! Music (October 18, 1999). Retrieved on 12-31-10.
- ^ Days of the New Archived 2011-08-07 at the Wayback Machine Pollstar.com (October 18, 1999). Retrieved on 12-31-10.
- Allmusic review
- Richardson, Sean (October 8, 1999). "Off The Record". The Boston Phoenix. 28 (41): 28. Retrieved December 17, 2023 – via WayBack Machine.
- Larkin, Colin, ed. (2007). "Days of the New". The Encyclopedia of Popular Music (5th concise ed.). MUZE / Omnibus Press. p. 406. ISBN 978-1-84609-856-7.
- ^ Lanham, Tom (September 24, 1999). "Days of the New". Entertainment Weekly. Retrieved December 19, 2023.
- Hochman, Steve (August 29, 1999). "Pop Music". Los Angeles Times (Calendar). p. 61. ProQuest 421575424.
- Moon, Tom (September 12, 1999). "The Music Report". The Philadelphia Inquirer. p. F15.
- Kot, Greg (September 16, 1999). "New Days: Days of the New". Rolling Stone. No. 821. p. 116. Archived from the original on March 1, 2002. Retrieved March 10, 2024.
- Winegarner, Beth (August 29, 1999). "Pop CDs". The San Francisco Examiner (Datebook). p. 58.
- Mettler, Mike (November 1999). "Entertainment: Music". Stereo Review. Vol. 64, no. 9. pp. 155–156. ProQuest 211310081.
- Remstein, Bob. "Wall of Sound Review: Days of the New (II)". Wall of Sound. Archived from the original on April 14, 2001. Retrieved December 19, 2023.
- Anon. (September 7, 2001). "Balls... That Make Footballs" (PDF). Hits. 16 (760): 24. Retrieved March 7, 2024 – via worldradiohistory.com.
- Ling, Dave (August 2004). "50 Lost Classics". Metal Hammer. No. 129. UK: Future plc. p. 53.
Days of the New | |
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Former members |
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Studio albums |
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Live & compilation albums | |
Videos | |
Singles |