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The Endless
The Endless, as depicted on promotional artwork for The Sandman: Endless Nights (clockwise, from left): Death, Destiny, Dream, Destruction, Desire, Delirium and Despair. Art by Frank Quitely.
Publication information
Publisher	DC Comics
First appearance	The Sandman vol. 2, #1 (January 1989)
Created by	Neil Gaiman
In-story information
Member(s)	Destiny Death Dream Destruction Desire Despair Delirium

The Endless are a family of cosmic beings who appear in American comic books published by DC Comics. The members of the family are: Death, Delirium, Desire, Despair, Destiny, Destruction and Dream.

The Endless characters were created by Neil Gaiman and first appeared in the comic book series The Sandman (1989–1996). They embody forces of nature in the DC Universe. They are depicted as among the most powerful beings in the world of these characters, and are distinct in this universe from gods, which are created by mortal belief. The character Dream is the protagonist of The Sandman series, but all the Endless beings play major roles.

The Endless are a dysfunctional family of seven siblings. They appear in different forms but are most often depicted as having very white skin and black hair, with the exception of redheads Delirium and Destruction. Their appearance often changes to fit the expectations of those they meet or the situation they are in.

Function

In the comic book, The Endless spend most of their time fulfilling their functions as embodiments of natural forces. For example, Death leads the souls of the dead away from the realm of the living, while Dream oversees the realm of dreams, nightmares and imagination. One notable facet of their depiction is that none of them are "representations" or "personifications" of their function; as cosmic beings, they simply are their function. In The Sandman (vol. 2) #48, Destruction gives a further description of the Endless:

The Endless are merely patterns. The Endless are ideas. The Endless are wave functions. The Endless are repeating motifs. The Endless are echoes of darkness, and nothing more...

As portrayed, some Endless beings are more committed to their work than others. The younger Endless, particularly Desire, are known to interfere with mortal life. Destruction, also known as "The Prodigal," abandoned his duty entirely.

Each of the Endless has a realm in which they are sovereign. Within their realm, all members of the Endless have a gallery containing symbols, or sigils, of the other Endless beings. The Endless may contact each other by holding the appropriate sigil and calling for that member of the Endless. Destiny is also able to summon his siblings by using his gallery of portraits, whether they want it or not (as seen in The Sandman: Overture).

The Endless beings, in addition to monitoring their area of influence, exist to define their opposites. This dualistic feature of the Endless has been affirmed by Death, who is present at both the beginning and conclusion of every existence. Destruction enjoys creative/constructive activities like painting, poetry, and cookery. Dream appears to have the ability to modify reality, as demonstrated in The Sandman (vol. 2) #18 titled "A Dream of a Thousand Cats" in which a great number of beings dream of an alternate universe and create it.

The exact limits of the powers the Endless may use are subject to debate and speculation by readers, but are set by rules (such as Dream being forbidden to kill dreamers unless they become a vortex, in which case killing becomes an obligation). It is unknown if the Endless are capable of using their powers on those more powerful or more ancient than they are. At one point when Dream heads into Hell to rescue a former lover of his, he admits that his power will allow him entrance, but that he does not know if he would be able to defeat Lucifer, who is a former archangel created by The Presence (the DC Comics analogue of God).

Origin

In the comic, The Endless are as ancient as the ideals they symbolize. The Endless are claimed to predate fairies, gods, angels, and other supernatural entities. Their precise ages in years are unclear, although they are believed to have existed long before life on Earth; Destruction claims in "Brief Lives" that he has carried out his responsibilities for 10 billion years (not including the prior three centuries). Their mother is Night and their father is Time.

In The Sandman (vol. 2) #5, "Passengers," Dream is recognized by Martian Manhunter as the dream god on ancient Mars, as well as in the Endless Nights chapter "Dream: The Heart of the Star," which takes place before our Sun's planets have developed life. Dream states in The Sandman (vol. 2) #16 that once another world was lost to a vortex. Death has claimed that she was there when the first living thing stirred, and Destiny has said that Dream gave the Earth itself the fond dream of being able to support life. Dream, according to Abel, was created shortly after Death, as living things are born before they can dream.

One of the few mentions to Endless paternity comes in The Sandman (vol. 2) #70, where some type of sentient being in the Necropolis Litharge that protects the emblems of each Endless weeps "like a mother mourning for her departed child." The Endless's father is Time and their mother is Night, as revealed in The Sandman: Overture #5. Night is joined by Dusk, who was described by illustrator J. H. Williams III as Dream's "distant sister." However, Neil Gaiman has stated that this was only J. H. Williams III's speculation and there is nothing in canon that shows she is connected to them. The screenplay solely refers to her as an attendant.

The Endless

The Endless are not known to have proper names, although Dream has a habit of collecting different names for himself. They are each known by their respective function.

• Destiny - The oldest of the Endless, Destiny appears as a blind man dressed in grey or brown robes (purple in earlier comics), carrying a large book, the Cosmic Log. The book is chained to him (or he is chained to the book), and within the book is written the entire sum of existence, past, present and future. Destiny seems the most possessed by his function and responsibilities of any of the Endless. He rarely demonstrates much personality. His sigil is his book. His speech appears as a regular word balloon with letters in italics. In his domain called the "Garden of Forking Ways" are paths that souls walk along as they fulfill their lives. Destiny is the only sibling who did not originate in The Sandman; he was created by Marv Wolfman and Bernie Wrightson for Weird Mystery Tales in 1972.
• Death - Death appears as a level-headed young Goth woman. Her appearance was inspired by Utah-based performer Cinamon Hadley, a friend of illustrator Mike Dringenberg. The character wears a silver ankh (representing the afterlife), which serves as her sigil. She has a marking similar to an Eye of Horus around her right eye. Her personal realm/domain is the Sunless Lands. Death prefers to dress and act casually and is on better terms with Dream than any of the other Endless. Her speech is presented in regular letters in a regular balloon. She spends one day out of every century as a mortal, living and dying on Earth. She is by far the most pleasant of The Endless, being kind and personable to almost everyone; encountering her upon dying feels like "meeting an old friend". However, she is capable of intimidation: in "Season of Mists", she browbeat Desire into silence; and in "The Kindly Ones", she ordered The Furies to be silent so that she and Dream could speak.
• Dream - There are two different versions of Dream:
  • Dream (Morpheus) - Portrayed as both lord and personification of all dreams and fictional stories. His face and physique are based on the amalgamation of Neil Gaiman in his twenties, The Cure's frontman Robert Smith, ballet dancer Farukh Ruzimatov and Bauhaus frontman Peter Murphy. Journalists have listed Dream among the best comic book characters. Dream's usual appearance is as a tall, pale man with wild dark blue-black hair. He dresses in a shapeless cloak of "night" with "flames dancing in its folds". His eyes are pools of shadows with glimmers of light within. He is known by many names, most commonly "Morpheus". He has a long history of insensitivity towards others, and throughout The Sandman, he must come to deal with his past cruelties. He is very concerned with fulfilling his responsibilities. His sigil is his dream-helm, made from the spine and skull of a long-dead god. Dream's personal realm/domain is called "The Dreaming". His word balloons have wavy edges and a black background outlined in white, with white lettering.
  • Dream (Daniel Hall) - Morpheus' successor appears as a tall, pale young man with white hair and a white costume. Like Morpheus, his eyes are formed by shadows with a glimmer of light in their center. Before becoming the new Dream at the end of The Sandman, he was a young boy named Daniel, which he later retains as a name. Daniel has been gestated in dreams for two years, the child of Lyta Trevor-Hall and the ghost of Hector Hall. He is generally softer in his approach than Morpheus. Daniel carries an emerald eagle stone, although his sigil remains the same (that of the dream-helm). His word balloons are similar to Morpheus', only with a white background and black lettering.
• Destruction - A huge, strong man with red hair who seems bearded at times and shaved at others. Destruction abandoned his duty as an Endless three hundred years ago, causing strife among his siblings. He did so because he refused to bear responsibility for the scientific ruin that followed the Enlightenment. Since leaving his domain called "The Fulcrum" which is caught in an explosion that is suspended, the other Endless have referred to him as "the Prodigal" or "Brother" instead of "Destruction". He has a strong desire to be creative and productive, yet he lacks skill. A sword is his symbol. His text is in a standard balloon with a strong outline.
• Desire - Desire is androgynous, capable of appearing as a man, a woman, neither, or possibly both (in the epilogue of The Sandman: Overture, Despair refers to Desire as "sister-brother"; in Season of Mists, Dream refers to Desire as "sibling"). Desire has a cruel streak and a long-standing rivalry with Dream, their relationship deteriorating eons ago after Desire caused Dream to fall in love with a woman who ultimately left him for another. Desire's sigil is a silver-tinted glass heart shape and they live in a huge flesh-and-blood statue of themself called "The Threshold". Although Desire is Despair's twin, in a sense they are older than Despair. The current incarnation of Desire is the original one, while Despair is currently in her second incarnation.
• Despair - Twin sister to Desire:
  • The First Despair - In her first form, Despair had many of the same physical qualities as her later form, but taller and tattooed with intricate red lines. She was also much more talkative and self-assured than her later incarnation. She is occasionally mentioned in passing and is later depicted in The Sandman: Endless Nights. It is hinted that she may have been responsible for the destruction of the planet Krypton as a means to create the ultimate despair. It has been suggested that she was murdered and that the one responsible will suffer until the end of existence.
  • The Second Despair - A short, fat woman with gray complexion and crooked teeth. She is constantly nude in the comics. Despair has a cool, silent intelligence about her. She has a tendency of cutting her skin with a hooked ring that she wears and also serves as her symbol/sigil. The second component is one that is present throughout the primary plot. The writing of Despair's balloon is normal, with ragged-waved edges. She frequently connects with Desire and her realm is "The Gray Realm". Unlike Desire, she enjoys Destruction.
• Delirium - Delirium, the Endless's youngest member, appears as a little girl whose shape changes the most frequently of any Endless, owing to the unpredictable oscillations of her temperament. Her hair is wild and colorful, and her clothing is unusual and mismatched. Her only consistent physical feature is that one of her eyes is emerald green (typically the right side) splashed with silver flecks and the other light blue (usually the left side), although even those may fluctuate between the two. Her sigil is an abstract, shapeless blob of colors. Her speech is portrayed in standard comic book block-caps, characterized by wavy, unpredictable orientation and a multi-colored gradient background (of which the colors reflect her mood and tone). She was once known as Delight, but some traumatic event (of which even Destiny does not know the particulars) caused her to change into her current role. Her sigil as Delight was a flower.

In other media

• The Endless appear in the TV adaptation of The Sandman. Dream, Death, Despair and Desire appear in the first season, portrayed by Tom Sturridge, Kirby Howell-Baptiste, Donna Preston and Mason Alexander Park, respectively. Destiny, Delirium, and Destruction will be respectively played by Adrian Lester, Esmé Creed-Miles, and Barry Sloane in the show's upcoming second season.
  • Howell-Baptiste and Preston reprise their roles as Death and Despair in cameo appearances in the Netflix series Dead Boy Detectives.
• Dream and Death also appear in Joe Hill's graphic novel extended series Locke and Key, in the prequel story arc titled Hell & Gone.
• The Endless characters also appear in Neil Gaiman's book The Sandman: Book of Dreams (1996), an anthology of short stories.

References

1. ^ Jimenez, Phil (2008). "Endless, The". In Dougall, Alastair (ed.). The DC Comics Encyclopedia. New York: Dorling Kindersley. p. 115. ISBN 978-0-7566-4119-1. OCLC 213309017.
2. The Sandman Vol.6: Fables & Reflections, p.145, Vertigo, ISBN 9781563891052
3. Sandman: Overture #4. DC Comics.
4. Wallace, Dan (2008). "Destiny". In Dougall, Alastair (ed.). The DC Comics Encyclopedia. New York: Dorling Kindersley. p. 100. ISBN 978-0-7566-4119-1. OCLC 213309017.
5. McAvennie, Michael; Dolan, Hannah (2010). "1970s". DC Comics Year By Year: A Visual Chronicle. Dorling Kindersley. p. 152. ISBN 978-0-7566-6742-9. The host that was first presented in a framing sequence by scribe Marv Wolfman and artist Bernie Wrightson would provide endless creative material for Neil Gaiman's The Sandman series decades later.
6. "The Sandman Connection: How Vertigo's Flagship Title Crossed Over With the DCU". ComicsAlliance. 8 July 2010. Retrieved 1 April 2018.
7. Gaiman, Neil (January 6, 2018). "Rest in Peace, or head off to your next adventure, Cinamon Hadley..." (Tweet). Retrieved 2021-06-02 – via Twitter.
8. post-punk.com (2018-01-07). "Cinamon Hadley—The Inspiration for Neil Gaiman's Death". Post-Punk.com. Retrieved 2022-09-13.
9. Curiel, Jonathan (April 18, 2014). ""The Sandman" Speaks: Neil Gaiman and Mike Dringenberg on the Glories of Their Graphic Novel". SF Weekly. Retrieved 26 April 2014. Mike Dringenberg: "The Sandman himself is even more of a composite. Certain well-known people influenced the design -- his mop of hair came from Robert Smith and ballet dancer Farukh Ruzimatov was always in my mind for his dramatic physique,..."
10. Sanderson, Peter (February 11, 2005). "Comics in Context #72: F. O. G. - Neil Gaiman and Charles Addams". Retrieved 22 September 2012. Artist Kelley Jones says, "I know Neil always said was based on Robert Smith of the Cure,...
11. McKean, Dave; Gaiman, Neil (1997). The Collected Sandman Covers, 1989-1997. Watson-Guptill. p. 1. ISBN 9780823046324. The Sandman image was inspired by Peter Murphy, the ex-Bauhaus singer and Maxell tape model, because when artist Mike Dringenberg saw the original sketches for the character he said "He looks like Peter Murphy from Bauhaus."
12. McCabe, Joseph, ed. (2004). Hanging out with the dream king: conversations with Neil Gaiman and his collaborators. Sophia Quach (photographer). Fantagraphics. p. 92. ISBN 9781560976172. I know Neil always said was based on Robert Smith of the Cure, but I just hated the Cure. I didn't want to hear that. I was really into Peter Murphy at that time, the guy from Bauhaus. I didn't like Bauhaus, but I liked him on his own, and he had a song called "Cut You Up" or something; it was on the radio at the time. I bought the CD, and I said, 'You know, with that big poufy hair, he looks like that guy.' At that time, Murphy was very gestural. I don't think the guy ever had a picture taken of him that wasn't angled and in deep lighting. So I took that, too. I said, 'Whenever I do him, I'm gonna do that kind of thing. And get into his face, don't just keep him in deep shadow all the time. He will be in deep shadow all the time, but I want to put across a guy who's clueless. Not stupid, but he's not understanding things.' Because he's an immortal guy who...
13. Gaiman, Neil (February 16, 2013). "The official Neil Gaiman Tumblr". Tumblr. Retrieved 10 July 2013. The original idea-model for Morpheus was Peter Murphy from Bauhaus.
14. Gaiman, Neil. "FAQs - Comics". Neil Gaiman.com. Retrieved 22 September 2012. If I remember correctly Dave based the face on the cover of Sandman #1 on an image of Peter Murphy.
15. Baddeley, Gavin; Woods, Paul A. (2006). Woods, Paul A. (ed.). Goth Chic: A Connoisseur's Guide to Dark Culture (2nd ed.). Plexus. p. 1941. ISBN 9780859653824. Sandman inker Mike Dringenberg observed, '"Hey, looks like Peter Murphy from Bauhaus'". Cover artist Dave McKean and Gaiman 'got some Bauhaus videos and immediately saw that Mike was right; and Dave ended up making the central image on the cover of Sandman a Peter Murphy-like face.
16. "The 50 Greatest Comic Book Characters". Empire Online.
17. "Dream of the Endless - #15 Top Comic Book Heroes". IGN. Archived from the original on 2012-11-11. Retrieved 2018-03-03.
18. Sandman: The Wake.
19. Gaiman, Neil (w), Williams, J. H., III (a). "Overture #3" The Sandman (September 2014). Vertigo Comics.
20. "Neil Gaiman's new series Dead Boy Detectives gets exciting Sandman cameo". Retrieved 28 April 2024.

Sources

• Bender, Hy (1999). The Sandman Companion. New York: Vertigo DC Comics. ISBN 1-56389-644-3.
• Carey, Mike (2005). Lucifer: Exodus. New York: Vertigo DC Comics. ISBN 1-4012-0491-0.

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