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Dorothy Cameron Bloore

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Canadian art dealer and artist (1924-2000)

Dorothy Cameron Bloore
BornDorothy Cameron
1924
Toronto, Ontario
DiedJanuary 2000
Toronto, Ontario, Canada
EducationB.A., University of Toronto, Institute of Contemporary Art, Boston, under auspices of Harvard University
Known forart dealer, consultant, installation artist
Spouse(s)Ron Bloore, married early 1970s

Dorothy Cameron Bloore (1924–2000) was a Canadian art dealer, and installation artist in Toronto, Ontario. Her work is in the Art Gallery of Hamilton, Ontario.

Biography

Dorothy Cameron received her B.A. at the University of Toronto and studied afterwards at the Institute of Contemporary Art in Boson (under the auspices of Harvard University). She initially worked at assisting institutions such as the Bishop Strachan School and the Volunteer Committee of the Art Gallery of Ontario in Toronto. She became a panelist on the CTV version of To Tell the Truth.

She began her career as an art dealer and consultant in 1957 as an apprentice at the Gallery of Contemporary Art in Toronto and as the assistant director at the Jordan Gallery in 1958. In 1959, she opened the Here and Now Gallery showcasing contemporary Canadian work and in 1962, moved to a new and better location on Yonge street in Toronto as the Dorothy Cameron Gallery Ltd.

In 1963, she decided to concentrate on sculpture in her gallery and, in 1964, organized Canadian Sculpture Today, a forward-looking show with a catalogue. Sculptors in the exhibition included, among others, Sorel Etrog, Anne Kahane, Robert Murray, Françoise Sullivan, Harold Town, and Walter Yarwood. In 1965, she organized a group show which included fibre sculptor Charlotte Lindgren.

In 1965, she was charged and convicted of exhibiting seven obscene drawings after a 1965 show on the theme of physical love, Eros '65 (she was the first art dealer to be so charged in Canada). Five of the banned works were by Robert Markle. The other two were by New Brunswick's Fred Ross and David Lawrence Chapman. The seven works were seized by the morality police as a result of a single complaint.

One of these pieces, Lovers I by Markle allegedly depicted lesbian activity, resulting in celebrity status for Markle due to media attention . Cameron appealed her conviction on charges of exposing "obscene pictures to public view" all the way to the Supreme Court of Canada, but lost and closed her gallery. Robert Fulford called her trial for obscenity "a comedy of mutual incomprehension."

After she closed the gallery in 1965, she acted as a consultant on sculpture shows such as Sculpture '67 in Toronto for which she selected the work of 54 sculptors, most of them modernist, such as Robert Murray. She also wrote for articles for Artscanada and Toronto Life.

In 1978, at the age of 55, after losing sight in her right eye, she began to make art propelled by the encouragement of Jungian analyst Fraser Boa. Her work had an affinity with Edward Kienholz and with Robert Rauschenberg's early combines. She had three solo shows and her work was shown in several group exhibitions. The Robert McLaughlin Gallery organized Dorothy Cameron: Private Eye, Selected Works 1979-1991.

As Joan Murray, the curator of the show wrote, these large idiosyncratic constructions in clay, papier-mâché and other materials (Cameron called them "assemblages") are an object lesson for artists who seek to pursue the theme of identity through the context of their work. These works are Cameron's own unusual "flamboyant" mixture, a combination of reflection and expression. They speak about different stages of life, and different ways of facing reality in an elaborate self-portrait. A Canadian Art Magazine editor posited that the show was "studded throughout with raw truths, told directly and with verve".

Personal life

In the early 1970s, she married Ron Bloore. Dorothy Cameron Bloore died of pneumonia in Toronto, in January 2000.

References

  1. ^ Murray 1993, p. 17.
  2. ^ Tyrwhitt, Janice. "Dorothy Cameron and the elegant sell". archive.macleans.ca. Maclean`s. Archived from the original on July 17, 2020. Retrieved July 17, 2020.
  3. ^ Cameron, Dorothy (1964). Canadian Sculpture Today. Dorothy Cameron Gallery. OCLC 74404456. Archived from the original on June 19, 2024. Retrieved July 17, 2020.
  4. A Dictionary of Canadian Artists, volumes 1-8 by Colin S. MacDonald, and volume 9 (online only), by Anne Newlands and Judith Parker National Gallery of Canada / Musée des beaux-arts du Canada
  5. ^ Martin, Sandra (June 26, 2004). "Tired of being artistic merit's poster boy". theglobeandmail.com. Globe and Mail. Archived from the original on June 19, 2024. Retrieved July 17, 2020.
  6. "Cops ban artist Robert Markle for "lewd" drawings". www.cbc.ca. Canadian Broadcasting Company. Archived from the original on January 7, 2018. Retrieved October 25, 2020.
  7. ^ Murray 2010, p. 20.
  8. Turnbull, David. "Fishing for Answers: Dorothy Cameron's "The Lost Goddess"" (PDF). resources.culturalheritage.org. American Institute for Conservation. Retrieved June 20, 2024.
  9. Skelly, Julia. "Robert Markle". thecanadianencyclopedia.ca. Canadian Encyclopedia. Archived from the original on October 24, 2020. Retrieved October 25, 2020.
  10. "Close Looking: NEON: Robertfrom the Lovers series Markle and Laurel Woodcock". youtube.com. You Tube. Archived from the original on May 5, 2023. Retrieved October 25, 2020.
  11. ^ "Passages". archive.macleans.ca. Maclean`s. Archived from the original on July 17, 2020. Retrieved July 17, 2020.
  12. "Blazing Figures: A Life of Robert Markle by J.A. Wainwright". quillandquire.com. Quill and Quire. Archived from the original on January 30, 2023. Retrieved October 25, 2020.
  13. Tippett 2017, p. 178.
  14. Bodolai, Joe. "An artscanada Symposium – Sculpture: A Rebirth of Humanism". ccca.concordia.ca. Artscanada #190/191 (Autumn 1974). Retrieved December 15, 2020.
  15. Dorothy Cameron: "Private Eye, Selected Works 1979-1991", Insights, Art Gallery of Hamilton Magazine, Spring and Summer 1993.
  16. ^ Murray 1993, pp. 5–7.
  17. Liz Wylie, Reviews, Canadian Art Fall 1993, p. 84.
  18. "Ron Bloore, Untitled". ronbloore.ca. Wallace Galleries, Calgary, AB, 2016. Archived from the original on July 19, 2020. Retrieved July 19, 2020.

Bibliography

  • Tippett, Maria (2017). "Sculpture in Canada". Douglas & McIntyre. Retrieved August 21, 2020.
  • Murray, Joan (2010). The Art of Florence Vale, 1909-2003. Brampton, Ont: Art Gallery of Peel. OCLC 663714305.
  • Murray, Joan (1993). Dorothy Cameron: Private Eye. Oshawa: Robert McLaughlin Gallery. Retrieved July 17, 2020.
  • Jeremy Brown and Tom Hedley, “The Incredible Trial of Dorothy Cameron,” Toronto Telegram, Volume XXXIV:1, 27 Nov. 1965
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