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Elizabeth Talford Scott

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American artist For other people named Elizabeth Scott, see Elizabeth Scott (disambiguation).
Elizabeth Talford Scott
BornFebruary 8, 1916
near Chester, South Carolina, U.S.
DiedApril 25, 2011(2011-04-25) (aged 95)
Baltimore, Maryland, U.S.
StyleQuilting
ChildrenJoyce J. Scott
AwardsWomen's Caucus for Art Lifetime Achievement Award (1987)
Websitewww.elizabethtalfordscott.com  ; www.goyacontemporary.com

Elizabeth Talford Scott (February 8, 1916 – April 25, 2011) was an American artist, known for her quilts.

Early life

Elizabeth Caldwell was born near Chester, South Carolina, where her family lived as sharecroppers on the Blackstock Plantation, on the land where her grandparents had been enslaved. She was the sixth of fourteen children (seven brothers and seven sisters) born to Mary Jane and Samuel Caldwell and the third female. Talford Scott grew up in a family of craftspeople who practiced pottery, metalwork, basketry, quilting and knitting. They were also storytellers. Both her parents made quilts, and Talford Scott learned to quilt by the age of 9. Her father was a railroad worker who collected fabric scraps in his travels, and he colored the scraps using natural dyes that he made from berries and clay. In 1940, during the Great Migration, Talford Scott moved north to Baltimore, Maryland, to seek greater economic opportunities.

Career

In Baltimore, Elizabeth Talford Scott www.elizabethtalfordscott.com toiled long hours as a domestic worker, a hired caregiver for other people's children, and a cook, and stopped quilting from around 1940-1970. Upon her retirement, Talford Scott took up quilting again and soon developed her unique style that expanded upon the traditional strip piecing she had learned from her family. In addition to piecework, these new quilts often incorporated embroidery, appliqué, beadwork, sequins, plastic netting, and found objects such as stones, buttons, and shells. Her quilts evolved into dense compositions, often abstract and asymmetrical, with references to family rituals, personal stories, and the rural environment of her childhood. Talford Scott regularly presented workshops and demonstrations and frequently collaborated with her daughter, the artist Dr. Joyce J. Scott, to educate students about her craft. The quilts of Elizabeth Talford Scott were exhibited at the Pennsylvania Academy of Fine Arts, the Walters Art Museum, the Baltimore Museum of Art, and in New York at the Museum of Biblical Art, the Studio Museum of Harlem, the Museum of American Folk Art, and the Metropolitan Museum of Art.

In 1987, Talford Scott received the Women's Caucus for Art Lifetime Achievement Award. In 1990, Talford Scott and her daughter were featured in the film The Silver Needle: The Legacy of Elizabeth and Joyce Scott. In 1998, the Maryland Institute College of Art held a retrospective of Talford Scott's work, Eyewinkers, Tumbleturds and Candlebugs: The Art of Elizabeth Talford Scott, which was curated by George Ciscle. That exhibition traveled to the Smithsonian's Anacostia Community Museum, the Southeastern Center for Contemporary Art, and the New England Quilt Museum.

The work of Elizabeth Talford Scott can be found in several private and museum collections including the Baltimore Museum of Art, the Delaware Art Museum, the Philbrook Museum of Art, and the Museum of Fine Arts, Boston. Since 2019, the Estate of Elizabeth Talford Scott has been managed by Goya Contemporary gallery in Baltimore, MD, under the direction of Amy Eva Raehse. Goya Contemporary has since mounted numerous shows of Talford Scott's works including "Both Sides Now: The Spirituality, Resilience, and Innovation of Elizabeth Talford Scott" (2023), and The Armory Show in 2021, noted as one of the top-ten booths by The New York Times.

In 2023, the curator of the Eyewinkers, Tumbleturds, and Candlebugs: The Art of Elizabeth Talford Scott (1998), George Ciscle, curated a retrospective exhibition by the same name at the Baltimore Museum of Art to mark the twenty-five-year anniversary of the exhibition. This exhibition is one of nine within No Stone Left Unturned: The Elizabeth Talford Scott Initiative across Baltimore City. No Stone Left Unturned; The Elizabeth Talford Scott Initiative is a collaboration between the Baltimore Museum of Art, Coppin State University, the James E. Lewis Museum for Art at Morgan State University, Johns Hopkins University, Maryland Center for History and Culture, Maryland Institute College of Art, The Peale, Reginald F. Lewis Museum, the Walters Art Museum, and the Estate of Elizabeth Talford Scott at Goya Contemporary Gallery. Under the guidance of 2023-24 Exhibition Development Seminar instructor, Deyane Moses, students from the four participating universities have developed curatorial directions for their respective exhibitions to be opened in February 2024.

Personal life and legacy

In 1940 upon moving to Baltimore, Elizabeth Caldwell met Charlie Scott, Jr., from Durham, NC. They had one daughter, artist Joyce J. Scott (b. 1948). When Joyce was twelve, Elizabeth and Charlie separated. Charlie Scott, Jr., died in 2005. Talford Scott and her daughter continued to live together in Baltimore until Talford Scott's death in 2011 at age 95.

References

  1. Sun, Jacques Kelly, The Baltimore. "Elizabeth Scott, quilt maker, dies". baltimoresun.com. Retrieved 2021-03-30.{{cite web}}: CS1 maint: multiple names: authors list (link)
  2. Dorsey, John. "The fabric of memory Elizabeth Talford Scott's quilts teem with history, emotion and art". baltimoresun.com. Retrieved 2021-03-30.
  3. Leslie King Hammond, "Identifying Spaces of Blackness: The Aesthetics of Resistance and Identity in American Plantation Art," in Angela D. Mack and Stephen G. Hoffius, eds., Landscape of Slavery: The Plantation in American Art (University of South Carolina Press 2008): 72. ISBN 1570037205
  4. ^ Sims, Lowery Stokes; Scott, Joyce; Sims, Patterson; Rodney, Seph (2018). Joyce J. Scott: Harriet Tubman and other truths. Hamilton, New Jersey: Grounds for Sculpture. p. 15. ISBN 978-0-9665644-8-8. OCLC 1026351878.
  5. ^ Scott, Elizabeth Talford; Ciscle, George; King-Hammond, Leslie (1998). "Eyewinkers, Tumbleturds, and Candlebugs: Symbols of Power and Protection in the Life and Art of Elizabeth Talford Scott". Eyewinkers, Tumbleturds and Candlebugs: The Art of Elizabeth Talford Scott. Baltimore: Maryland Institute, College of Art. p. 15.
  6. ^ Oral history interview with Joyce J. Scott, 2009 July 22. Archives of American Art, Smithsonian Institution.
  7. Dorothy S. Boulware, "The Making of an African-American Quilt," Afro-American Red Star (January 24, 1998): B1.
  8. ^ "Jacques Kelly, Elizabeth Scott, Quilt Maker, Died," Baltimore Sun (May 3, 2011)". Archived from the original on 2015-02-10. Retrieved 2015-02-10.
  9. Scott, Elizabeth; Ciscle, George (1998). "Curator's Statement". Eyewinkers, Tumbleturds and Candlebugs: The Art of Elizabeth Talford Scott. Baltimore: Maryland Institute, College of Art. p. 9.
  10. "John Dorsey, "The Fabric of Memory: Elizabeth Talford Scott's Quilts Teem with History, Emotion and Art," Baltimore Sun (January 18, 1998)". Archived from the original on 2015-02-10. Retrieved 2015-02-10.
  11. Chezia Thompson-Cager, "Folk Realities and Bourgeois Fantasies: Four African-American Maryland Artists," Link 4(April 30, 2000): 71.
  12. Maria Gallagher, "The Scotts Reap What they Sew: Artists are Influenced by Slavery, African-American Themes," Daily News (September 8, 1989).
  13. "The Walters Art Museum," Avenue News (February 7, 2012).
  14. Edward J. Sozanski, "Pieces of the Past in Story Quilts: 'Stitching Memories,' a Baltimore Display of the Work of Black Quilters, Celebrates a Distinctive Approach to the Art," Philadelphia Inquirer (July 29, 1990).
  15. Clarence V. Reynolds, "Ashe to Amen," Network Journal 20(2)(March/April 2013): 54-55.
  16. Reality, Times Two: Joyce J. Scott & Elizabeth Talford Scott. Baltimore, MD: Goya Contemporary Gallery. 2019.
  17. The Silver Needle: The Legacy of Elizabeth and Joyce Scott, Osiris Productions; broadcast on Maryland Public Television and exhibited in The Definitive Contemporary American Quilt at Steinbaum Krauss Gallery, New York, NY and Baltimore Museum of Art, MD.
  18. "Anacostia Museum," The Capital, (November 13, 1998): 63. via Newspapers.com Open access icon
  19. "Carolina Arts".
  20. Marty Katz, "Going Local, the Baltimore Museum Loosens Up," New York Times (February 9, 2000): E2.
  21. "Elizabeth Talford Scott [Estate] - Artists - Goya Contemporary". www.goyacontemporary.com. Retrieved 2023-12-12.
  22. ^ "Baltimore Museum of Art and Maryland Institute College of Art Announce Elizabeth Talford Scott Exhibition and Community Celebration | Baltimore Museum of Art". Baltimore Museum of Art and Maryland Institute College of Art Announce Elizabeth Talford Scott Exhibition and Community Celebration | Baltimore Museum of Art. Retrieved 2023-12-12.
  23. "Elizabeth Talford Scott [Estate] - Artists - Goya Contemporary". www.goyacontemporary.com. Retrieved 2023-12-12.
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