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Eugene O'Neill
Born	(1888-10-16)October 16, 1888 New York City, U.S.
Died	November 27, 1953(1953-11-27) (aged 65) Boston, Massachusetts, U.S.
Occupation	Playwright
Education	Princeton University
Notable works	Long Day's Journey into Night The Hairy Ape Mourning Becomes Electra Ah, Wilderness!
Notable awards	Nobel Prize in Literature (1936) Pulitzer Prize for Drama (1920, 1922, 1928, 1957) Tony Award for Best Play (1957)
Spouse	Kathleen Jenkins ​ ​(m. 1909; div. 1912)​ Agnes Boulton ​ ​(m. 1918; div. 1929)​ Carlotta Monterey ​(m. 1929)​
Children	Eugene Jr. Shane Oona
Parents	James O'Neill Mary Ellen Quinlan
Relatives	Charlie Chaplin (son in-law) Geraldine Chaplin (granddaughter) Oona Chaplin (great-granddaughter)
Signature

Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright. His poetically titled plays were among the first to introduce into the U.S. the drama techniques of realism, earlier associated with Chekhov, Ibsen, and Strindberg. The tragedy Long Day's Journey into Night is often included on lists of the finest U.S. plays in the 20th century, alongside Tennessee Williams's A Streetcar Named Desire and Arthur Miller's Death of a Salesman. He was awarded the 1936 Nobel Prize in Literature. O'Neill is also the only playwright to win four Pulitzer Prizes for Drama.

O'Neill's plays were among the first to include speeches in American English vernacular and involve characters on the fringes of society. They struggle to maintain their hopes and aspirations, ultimately sliding into disillusion and despair. Of his very few comedies, only one is well-known (Ah, Wilderness!). Nearly all of his other plays involve some degree of tragedy and personal pessimism.

Early life

O'Neill was born on October 16, 1888, in a hotel, the Barrett House, on what was then Longacre Square (now Times Square) in New York City. A commemorative plaque was first dedicated there in 1957. The site is now occupied by 1500 Broadway, which houses offices, shops and the ABC Studios.

He was the son of Irish immigrant actor James O'Neill and Mary Ellen Quinlan, who was also of Irish descent. His father suffered from alcoholism; his mother from an addiction to morphine, prescribed to relieve the pains of the difficult birth of Eugene, who was her third son. Because his father was often on tour with a theatrical company, accompanied by Eugene's mother, in 1895 O'Neill was sent to St. Aloysius Academy for Boys, a Catholic boarding school in the Riverdale section of the Bronx. In 1900, he became a day student at the De La Salle Institute on 59th Street in Manhattan.

The O'Neill family reunited for summers at the Monte Cristo Cottage in New London, Connecticut. He also briefly attended Betts Academy in Stamford. He attended Princeton University for one year. Accounts vary as to why he left. He may have been dropped for attending too few classes, been suspended for "conduct code violations", or "for breaking a window", or according to a more concrete but possibly apocryphal account, because he threw "a beer bottle into the window of Professor Woodrow Wilson", the future president of the United States.

O'Neill spent several years at sea, during which he suffered from depression, alcoholism and despair. Despite this, he had a deep love for the sea and it became a prominent theme in many of his plays, several of which are set on board ships like those on which he worked. O'Neill joined the Marine Transport Workers Union of the Industrial Workers of the World (IWW), which was fighting for improved living conditions for the working class using quick 'on the job' direct action. O'Neill's parents and elder brother Jamie (who drank himself to death at the age of 45) died within three years of one another, not long after he had begun to make his mark in the theater.

Career

After his experience in 1912–13 at a sanatorium where he was recovering from tuberculosis, he decided to devote himself full-time to writing plays (the events immediately prior to going to the sanatorium are dramatized in his masterpiece, Long Day's Journey into Night). O'Neill had previously been employed by the New London Telegraph, writing poetry as well as reporting. In the fall of 1914, he entered Harvard University to attend a course in dramatic technique given by George Piece Baker, but left after one year.

During the 1910s O'Neill was a regular on the Greenwich Village literary scene, where he also befriended many radicals, most notably Communist Labor Party of America founder John Reed. O'Neill also had a brief romantic relationship with Reed's wife, writer Louise Bryant. O'Neill was portrayed by Jack Nicholson in the 1981 film Reds, about the life of John Reed; Louise Bryant was portrayed by Diane Keaton. His involvement with the Provincetown Players began in mid-1916. Terry Carlin reported that O'Neill arrived for the summer in Provincetown with "a trunk full of plays", but this was an exaggeration. Susan Glaspell describes a reading of Bound East for Cardiff that took place in the living room of Glaspell and her husband George Cram Cook's home on Commercial Street, adjacent to the wharf (pictured) that was used by the Players for their theater: "So Gene took Bound East for Cardiff out of his trunk, and Freddie Burt read it to us, Gene staying out in the dining-room while reading went on. He was not left alone in the dining-room when the reading had finished." The Provincetown Players performed many of O'Neill's early works in their theaters both in Provincetown and on MacDougal Street in Greenwich Village. Some of these early plays, such as The Emperor Jones, began downtown and then moved to Broadway.

In an early one-act play, The Web, written in 1913, O'Neill first explored the darker themes that he later thrived on. Here he focused on the brothel world and the lives of prostitutes, which also play a role in some fourteen of his later plays. In particular, he memorably included the birth of an infant into the world of prostitution. At the time, such themes constituted a huge innovation, as these sides of life had never before been presented with such success.

O'Neill's first published play, Beyond the Horizon, opened on Broadway in 1920 to great acclaim, and was awarded the Pulitzer Prize for Drama. His first major hit was The Emperor Jones, which ran on Broadway in 1920 and obliquely commented on the U.S. occupation of Haiti that was a topic of debate in that year's presidential election. His best-known plays include Anna Christie (Pulitzer Prize 1922), Desire Under the Elms (1924), Strange Interlude (Pulitzer Prize 1928), Mourning Becomes Electra (1931), and his only well-known comedy, Ah, Wilderness!, a wistful re-imagining of his youth as he wished it had been.

O'Neill was elected to the American Philosophical Society in 1935. In 1936, O'Neill received the Nobel Prize in Literature after he had been nominated that year by Henrik Schück, member of the Swedish Academy. O'Neill was profoundly influenced by the work of Swedish writer August Strindberg, and upon receiving the Nobel Prize, dedicated much of his acceptance speech to describing Strindberg's influence on his work. In conversation with Russel Crouse, O'Neill said that "the Strindberg part of the speech is no 'telling tale' to please the Swedes with a polite gesture. It is absolutely sincere. And it's absolutely true that I am proud of the opportunity to acknowledge my debt to Strindberg thus publicly to his people". Before the speech was sent to Stockholm, O'Neill read it to his friend Sophus Keith Winther. As he was reading, he suddenly interrupted himself with the comment: "I wish immortality were a fact, for then some day I would meet Strindberg". When Winther objected that "that would scarcely be enough to justify immortality", O'Neill answered quickly and firmly: "It would be enough for me".

After a ten-year pause, O'Neill's now-renowned play The Iceman Cometh was produced in 1946. The following year's A Moon for the Misbegotten failed, and it was decades before coming to be considered as among his best works.

He was also part of the modern movement to partially revive the classical heroic mask from ancient Greek theatre and Japanese Noh theatre in some of his plays, such as The Great God Brown and Lazarus Laughed.

Family life

O'Neill was married to Kathleen Jenkins from October 2, 1909, to 1912, during which time they had one son, Eugene O'Neill, Jr. (1910–1950). In 1917, O'Neill met Agnes Boulton, a successful writer of commercial fiction, and they married on April 12, 1918. They lived in a home owned by her parents in Point Pleasant, New Jersey, after their marriage. The years of their marriage—during which the couple lived in Connecticut and Bermuda and had two children, Shane and Oona—are described vividly in her 1958 memoir Part of a Long Story. They divorced on July 2, 1929, after O'Neill abandoned Boulton and the children, for the actress Carlotta Monterey (born San Francisco, California, December 28, 1888; died Westwood, New Jersey, November 18, 1970). O'Neill and Carlotta married less than a month after he officially divorced his previous wife.

In 1929, O'Neill and Monterey moved to the Loire Valley in central France, where they lived in the Château du Plessis in Saint-Antoine-du-Rocher, Indre-et-Loire. During the early 1930s they returned to the United States and lived in Sea Island, Georgia, at a house called Casa Genotta. He moved to Danville, California, in 1937 and lived there until 1944. His house there, Tao House, is today the Eugene O'Neill National Historic Site.

In their first years together, Monterey organized O'Neill's life, enabling him to devote himself to writing. She later became addicted to potassium bromide, and the marriage deteriorated, resulting in a number of separations, although they never divorced.

In 1943, O'Neill disowned his daughter Oona for marrying the English actor, director, and producer Charlie Chaplin when she was 18 and Chaplin was 54. He never saw Oona again.

He also had distant relationships with his sons. Eugene O'Neill Jr., a Yale classicist, suffered from alcoholism and committed suicide in 1950 at the age of 40. Shane O'Neill became a heroin addict and moved into the family home in Bermuda, Spithead, with his new wife, where he supported himself by selling off the furnishings. He was disowned by his father before also committing suicide (by jumping out of a window) a number of years later. Oona ultimately inherited Spithead and the connected estate (subsequently known as the Chaplin Estate). In 1950 O'Neill joined The Lambs, the famed theater club.

Illness and death

After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinson's-like tremor in his hands that made it impossible for him to write during the last 10 years of his life; he tried dictation but found himself unable to compose that way. While at Tao House, O'Neill had intended to write a collection of works he called "the Cycle" chronicling American life spanning from 1755 to 1932. Only two of the eleven plays O'Neill proposed, A Touch of the Poet and More Stately Mansions, were completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten, which he completed in 1943, just before leaving Tao House and losing his ability to write. The book "Love and Admiration and Respect": The O'Neill-Commins Correspondence" includes an extended account written by Saxe Commins, O'Neill's publisher, in which he talks of "snatches of dialogue" between Carlotta and O'Neill over the disappearance of a group of manuscripts that O'Neill had brought with him from San Francisco. "When the table was cleared I learned the cause of the tension; the manuscripts were lost. They had disappeared mysteriously during the day and there was no clue to their whereabouts."

O'Neill died at the Sheraton Hotel (now Boston University's Kilachand Hall) on Bay State Road in Boston, on November 27, 1953, at age 65. As he was dying, he whispered: "I knew it. I knew it. Born in a hotel room and died in a hotel room." He is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.

In 1956, Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. It is widely considered his finest play. Other posthumously published works include A Touch of the Poet (1958) and More Stately Mansions (1967).

In 1967, the United States Postal Service honored O'Neill with a Prominent Americans series (1965–1978) $1 postage stamp.

In 2000, a team of researchers studying O'Neill's autopsy report concluded that he died of cerebellar cortical atrophy, a rare form of brain deterioration unrelated to either alcohol use or Parkinson's disease.

Legacy

In Warren Beatty's 1981 film Reds, O'Neill is portrayed by Jack Nicholson, who was nominated for the Academy Award for Best Supporting Actor for his performance.

George C. White founded the Eugene O'Neill Theatre Center in Waterford, Connecticut in 1964.

Eugene O'Neill is a member of the American Theater Hall of Fame.

O'Neill is referenced by Upton Sinclair in The Cup of Fury (1956), Dianne Wiest's character in Bullets Over Broadway (1994), by J.K. Simmons' character in Whiplash (2014), by Tony Stark in Avengers: Age of Ultron (2015), specifically Long Day's Journey into Night, and Long Day's Journey into Night is also referenced by Patrick Wilson's character in Purple Violets (2007).

O'Neill is referred to in Moss Hart's 1959 book Act One, later a Broadway play.

Museums and collections

O'Neill's home in New London, Monte Cristo Cottage, was made a National Historic Landmark in 1971. His home in Danville, California, near San Francisco, was preserved as the Eugene O'Neill National Historic Site in 1976.

Connecticut College maintains the Louis Sheaffer Collection, consisting of material collected by the O'Neill biographer. The principal collection of O'Neill papers is at Yale University. The Eugene O'Neill Theater Center in Waterford, Connecticut, fosters the development of new plays under his name.

There is also a theatre in New York City named after him located at 230 West 49th Street in midtown-Manhattan. The Eugene O'Neill Theatre has housed musicals and plays such as Yentl, Annie, Grease, M. Butterfly, Spring Awakening, and The Book of Mormon.

Work

Other works

• Tomorrow, 1917. A short-story published in The Seven Arts, Vol. II, No. 8 in June 1917.
• S.O.S., 1918. A short-story based on his 1913 one-act play Warnings.
• The Ancient Mariner, 1923, a dramatic arrangement of Coleridge's poem.
• The Last Will and Testament of an Extremely Distinguished Dog, 1940. Written to comfort Carlotta as their "child" Blemie was approaching his death in December 1940.
• Poems: 1912-1944, published 1980.
• The Calms of Capricorn, unfinished play, published in 1983.
• The Unfinished Plays: Notes for The Visit of Malatesta, The Last Conquest and Blind Alley Guy, published in 1988.

See also

• The Eugene O'Neill Award

References

1. Harold Bloom (2007). Introduction. In: Bloom (Ed.), Tennessee Williams, updated edition. Infobase Publishing. p. 2.
2. The New York Times, August 25, 2003: "Next year Playwrights Theater will present an unproduced O'Neill comedy, Now I Ask You, a comic spin on Ibsen's Hedda Gabler."
3. ^ The Eugene O'Neill Foundation newsletter: "Now I Ask You, along with The Movie Man, ... is the only surviving comedy from O'Neill's early years."
4. ^ Gelb, Arthur (October 17, 1957). "O'Neill's Birthplace Is Marked By Plaque at Times Square Site". The New York Times. p. 35. Retrieved November 13, 2008.
5. Simonson, Robert (July 23, 2012). "Ask Playbill.com: A Question About Eugene O'Neill's Birthplace, in a Broadway Hotel". Playbill. Retrieved November 8, 2016.
6. Henderson, Kathy (April 21, 2009). "The Tragic Roots of Eugene O'Neill's Desire Under the Elms". Broadway.com. Retrieved November 8, 2015.
7. Londré, Felicia (2016). "Eugene O'neill: A Life in Four Acts by Robert M. Dowling, and: Eugene O'neill: The Contemporary Reviews ed. by Jackson R. Bryer and Robert M. Dowiling (review)". Theatre History Studies. 35: 351–353. doi:10.1353/ths.2016.0027 (inactive December 15, 2024). S2CID 193596557.{{cite journal}}: CS1 maint: DOI inactive as of December 2024 (link)
8. "Eugene O'Neill". American Society of Authors and Writers.
9. ^ Dowling, Robert M., Eugene O'Neill: A Life in Four Acts, Yale University Press, 2014 ISBN 9780300170337
10. "Spelled Freedom" From: Stamford Past & Present, 1641 – 1976 The Commemorative Publication of the Stamford Bicentennial Committee (Stamford Historical Society)
11. Manheim, Michael, ed. (1998). The Cambridge Companion to Eugene O'Neil. Cambridge: Cambridge University Press. p. 97.
12. Bloom, Steven F. (2007). Student Companion to Eugene O'Neil. Westport: Greenwood Press. p. 3.
13. Abbotson, Susan C.W. (2005). Masterpieces of 20th-Century American Drama. Westport: Greenwood Press. p. 8.
14. O'Neill, Eugene (1959). Ah, Wilderness!. Frankfurt am Main: Hirschgraben-Verlag. p. 3.
15. Patrick Murfin (October 16, 2012). "The Sailor Who Became "America's Shakespeare"". Heretic, Rebel, a Thing to Flout. Retrieved November 8, 2016.
16. Dearborn, Mary V. (1996). Queen of Bohemia: The Life of Louise Bryant. New York: Houghton Mifflin Company. p. 52. ISBN 978-0-395-68396-5.
17. Glaspell, Susan (1941) . The Road to the Temple (2nd ed.). New York: Frederick A. Stokes. p. 255.
18. "The Web by Eugene O'Neill."Sex for Sale: Six Progressive-Era Brothel Dramas, by Katie N. Johnson, University of Iowa Press, IOWA CITY, 2015, pp. 15–29. JSTOR.
19. Renda, Mary (2001). Taking Haiti: Military Occupation and the Culture of U.S. Imperialism. Chapel Hill: University of North Carolina Press. pp. 198–212. ISBN 0-8078-4938-3.
20. van Gelder, Lawrence (August 25, 2003). "Arts Briefing". The New York Times. Retrieved November 8, 2016.
21. "APS Member History". search.amphilsoc.org. Retrieved June 7, 2023.
22. "Nomination Database". Nobelprize.org. Retrieved November 8, 2016.
23. O'Neill, Eugene (February 20, 2013). The Emperor Jones. Courier Corporation. ISBN 978-0-486-15960-7.
24. Eugene O'Neill (December 10, 1936). "Banquet Speech". The Nobel Foundation. Retrieved July 12, 2010.
25. ^ Törnqvist, Egil (January 14, 2004). Eugene O'Neill: A Playwright's Theatre. McFarland. ISBN 978-0-7864-1713-1.
26. Smith, Susan Harris (1984). Masks in Modern Drama. Berkeley: University of California Press. pp. 66–70, 106–08, 131–36, index S124. ISBN 0-520-05095-9.
27. Cheslow, Jerry. "If You're Thinking of Living In/Point Pleasant, N.J.; A Borough With a Variety of Boating", The New York Times, November 9, 2003. Accessed January 25, 2015. "The most famous Point Pleasant resident was Eugene O'Neill, who married a local girl named Agnes Boulton and grumbled about being bored through the winter of 1918-19, as he lived rent free in a home owned by Agnes's parents."
28. "Eugene O'Neill Wed to Miss Monterey". The New York Times. July 24, 1929. p. 9. Retrieved November 13, 2008.
29. "Bermuda's Warwick Parish".
30. ^ Black, Stephen A. (1999). Eugene O'Neill: Beyond Mourning and Tragedy. New Haven and London: Yale University Press. pp. 394, 481. ISBN 0-300-07676-2.
31. Sheaffer, Louis (1973). O'Neill: Son and Artist. Little, Brown & Co. ISBN 0-316-78337-4.
32. "Long Day's Journey into Night | play by O'Neill". Encyclopedia Britannica. Retrieved February 24, 2019.
33. Los Angeles Times, 13 April 2000. Retrieved September 10, 2020
34. "Eugene O'Neill Theatre Center Website". Retrieved March 4, 2014.
35. "Theater Hall of Fame members".
36. Title as in original typescript and title page of Modern Library edition
37. "Exorcism". Yale U. Library Acquires Lost Play by Eugene O'Neill. Chronicle of Higher Education. October 19, 2011. Retrieved October 22, 2011. (The play, set in 1912, is based on O'Neill's suicide attempt from an overdose of barbiturates in a Manhattan rooming house. After its premiere in 1920, O'Neill canceled the production and, it had been thought, destroyed all copies.)
38. "Exorcism". The New Yorker. October 10, 2011. Retrieved January 6, 2024.
39. O'Neill, Eugene (1917). The Seven Arts (June 1917 ed.). New York: The Seven Arts Publishing Co. Retrieved March 5, 2020.
40. O'Neill, Eugene; Yorinks, Adrienne (1999). The Last Will and Testament of an Extremely Distinguished Dog (First ed.). New York: Henry Holt and Co. ISBN 0-8050-6170-3. Archived from the original on February 23, 2014. Retrieved November 16, 2008.
41. Black, Steven A. The Eugene O’Neill Review, vol. 19, no. 1/2, 1995, pp. 150–52. JSTOR, http://www.jstor.org/stable/29784556. Accessed 29 Dec. 2023.
42. Wilkins, Frederick C. The Eugene O’Neill Review, vol. 13, no. 1, 1989, pp. 77–80. JSTOR, http://www.jstor.org/stable/29784342. Accessed 29 Dec. 2023.

Further reading

Editions of O'Neill

• O'Neill, Eugene; Bogard, Travis (1988). Complete Plays 1913–1920. The Library of America. Vol. 40. New York: Literary Classics. ISBN 0-940450-48-8.
• O'Neill, Eugene; Bogard, Travis (1988). Complete Plays 1920–1931. The Library of America. Vol. 41. New York: Literary Classics. ISBN 0-940450-49-6.
• O'Neill, Eugene; Bogard, Travis (1988). Complete Plays 1932–1943. The Library of America. Vol. 42. New York: Literary Classics. ISBN 0-940450-50-X.

Scholarly works

• Black, Stephen A. (2002). Eugene O'Neill: Beyond Mourning and Tragedy. Yale University press. ISBN 0-300-09399-3.
• Bryan, George B. and Wolfgang Mieder. 1995. The Proverbial Eugene O'Neill. An Index to Proverbs in the Works of Eugene Gladstone O'Neill. Westport, Connecticut: Greenwood Press.
• Clark, Barrett H. (November 1932). "Aeschylus and O'Neill". The English Journal. XXI (9): 699–710. doi:10.2307/804473. JSTOR 804473.
• Clark, Barrett H. (1926). Eugene O'Neill: The Man and His Plays. Dover Publications, Inc. New York.
• Dowling, Robert M. (2014). Eugene O'Neill: A Life in Four Acts. Yale University Press. ISBN 978-0-300-17033-7.
• Floyd, Virginia, ed. (1979). Eugene O'Neill: A World View. Frederick Unger. ISBN 0-8044-2204-4.
• Floyd, Virginia (1985). The Plays of Eugene O'Neill: A New Assessment. Frederick Unger. ISBN 0-8044-2206-0.
• Gelb, Arthur; Gelb, Barbara (2000). O'Neill: Life with Monte Christo. Applause/Penguin Putnam. ISBN 0-399-14912-0.
• Gelb, Arthur; Gelb, Barbara (2016). By Women Possessed: A Life of Eugene O'Neill. New York: G. P. Putnam's Sons. ISBN 978-0-399-15911-4.
• Sheaffer, Louis (2002) . O'Neill Volume I: Son and Playwright. Cooper Square Press. ISBN 0-8154-1243-6.
• Sheaffer, Louis (1999) . O'Neill Volume II: Son and Artist. Cooper Square Press. ISBN 0-8154-1244-4.
• Tiusanen, Timo (1968). O'Neill's Scenic Images (Ph.D. thesis, University of Helsinki). Princeton: Princeton University Press. LCCN 68-20882.
• Wainscott, Ronald H. (1988). Staging O'Neill: The Experimental Years. Yale University Press. ISBN 0-300-04152-7.
• Winther, Sophus Keith (1934). Eugene O'Neill: A Critical Study. New York: Random House. OCLC 900356.

External links

Digital collections

• Works by Eugene O'Neill in eBook form at Standard Ebooks
• Works by Eugene O'Neill at Project Gutenberg
• Works by Eugene O'Neill at Project Gutenberg Australia
• Works by Eugene O'Neill at Open Library
• Works by or about Eugene O'Neill at the Internet Archive
• Works by Eugene O'Neill at LibriVox (public domain audiobooks)
• Works by Eugene O'Neill (public domain in Canada)

Physical collections

• Eugene O'Neill Collection. Harry Ransom Center.
• Eugene O'Neill Papers. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
• Eugene O'Neill Papers Addition. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
• Carlotta O'Neill notebook of letters and photographs, 1927-1954, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts. The notebook contains handwritten transcriptions by Carlotta O'Neill of letters and inscriptions to her from her husband, Eugene O'Neill, and photographs, mostly portraits of Eugene and Carlotta O'Neill.
• Harley Hammerman Collection on Eugene O'Neill. Julian Edison Department of Special Collections, Washington University in St. Louis.
• Louis Sheaffer Collection of Eugene O'Neill. Linda Lear Center for Special Collections and Archives, Connecticut College.

Analysis and editorials

• Haunted by Eugene O'Neill—Article in BU Today, September 29, 2009
• Eugene O'Neill: the sailor, the sickness, the stage from the Museum of the City of New York Collections blog
• The Iceman Cometh: A Study Guide

Seminal dissertations by scholars

• Eugene O’Neill e Lars Norén: “A Swedish-American Kinship” by Anna Airoldi
• Postmodern Considerations of Nietzstchean Perspectivism in Selected Works of Eugene O'Neill by Eric Mathew Levin
• The Pipe Dreams and Primitivism: Eugene O'Neill and the Rhetoric of Ethnicity by Donald P. Gagnon
• The Discovery of the Self in Eugene O'Neill's The Emperor Jones and The Iceman Cometh and Joseph Conrad's Heart of Darkness and "To-morrow": A Comparative Study by Mohamed Amine Dekkiche
• "Darker Brother" in Stage-Center: Eugene O'Neill's Quest for Racial Equity in Three Decades (1913-1939) of American Drama by Shahed Ahmed

External entries

• Eugene O'Neill at the Internet Broadway Database
• Eugene O'Neill at the Internet Off-Broadway Database
• Eugene O'Neill at IMDb
• Eugene O'Neill at Playbill Vault (archive)

Other sources

• Eugene O'Neill official website
• Casa Genotta official website
• Eugene O'Neill National Historic Site
• American Experience - Eugene O'Neill: A Documentary Film on PBS Archived February 1, 2017, at the Wayback Machine
• Eugene O'Neill on Nobelprize.org

v t e Laureates of the Nobel Prize in Literature
1901–1920	1901: Sully Prudhomme 1902: Theodor Mommsen 1903: Bjørnstjerne Bjørnson 1904: Frédéric Mistral / José Echegaray 1905: Henryk Sienkiewicz 1906: Giosuè Carducci 1907: Rudyard Kipling 1908: Rudolf Eucken 1909: Selma Lagerlöf 1910: Paul Heyse 1911: Maurice Maeterlinck 1912: Gerhart Hauptmann 1913: Rabindranath Tagore 1914 1915: Romain Rolland 1916: Verner von Heidenstam 1917: Karl Gjellerup / Henrik Pontoppidan 1918 1919: Carl Spitteler 1920: Knut Hamsun
1921–1940	1921: Anatole France 1922: Jacinto Benavente 1923: W. B. Yeats 1924: Władysław Reymont 1925: George Bernard Shaw 1926: Grazia Deledda 1927: Henri Bergson 1928: Sigrid Undset 1929: Thomas Mann 1930: Sinclair Lewis 1931: Erik Axel Karlfeldt (posthumously) 1932: John Galsworthy 1933: Ivan Bunin 1934: Luigi Pirandello 1935 1936: Eugene O'Neill 1937: Roger Martin du Gard 1938: Pearl S. Buck 1939: Frans Eemil Sillanpää 1940
1941–1960	1941 1942 1943 1944: Johannes V. Jensen 1945: Gabriela Mistral 1946: Hermann Hesse 1947: André Gide 1948: T. S. Eliot 1949: William Faulkner 1950: Bertrand Russell 1951: Pär Lagerkvist 1952: François Mauriac 1953: Winston Churchill 1954: Ernest Hemingway 1955: Halldór Laxness 1956: Juan Ramón Jiménez 1957: Albert Camus 1958: Boris Pasternak 1959: Salvatore Quasimodo 1960: Saint-John Perse
1961–1980	1961: Ivo Andrić 1962: John Steinbeck 1963: Giorgos Seferis 1964: Jean-Paul Sartre (declined award) 1965: Mikhail Sholokhov 1966: Shmuel Yosef Agnon / Nelly Sachs 1967: Miguel Ángel Asturias 1968: Yasunari Kawabata 1969: Samuel Beckett 1970: Aleksandr Solzhenitsyn 1971: Pablo Neruda 1972: Heinrich Böll 1973: Patrick White 1974: Eyvind Johnson / Harry Martinson 1975: Eugenio Montale 1976: Saul Bellow 1977: Vicente Aleixandre 1978: Isaac Bashevis Singer 1979: Odysseas Elytis 1980: Czesław Miłosz
1981–2000	1981: Elias Canetti 1982: Gabriel García Márquez 1983: William Golding 1984: Jaroslav Seifert 1985: Claude Simon 1986: Wole Soyinka 1987: Joseph Brodsky 1988: Naguib Mahfouz 1989: Camilo José Cela 1990: Octavio Paz 1991: Nadine Gordimer 1992: Derek Walcott 1993: Toni Morrison 1994: Kenzaburō Ōe 1995: Seamus Heaney 1996: Wisława Szymborska 1997: Dario Fo 1998: José Saramago 1999: Günter Grass 2000: Gao Xingjian
2001–2020	2001: V. S. Naipaul 2002: Imre Kertész 2003: J. M. Coetzee 2004: Elfriede Jelinek 2005: Harold Pinter 2006: Orhan Pamuk 2007: Doris Lessing 2008: J. M. G. Le Clézio 2009: Herta Müller 2010: Mario Vargas Llosa 2011: Tomas Tranströmer 2012: Mo Yan 2013: Alice Munro 2014: Patrick Modiano 2015: Svetlana Alexievich 2016: Bob Dylan 2017: Kazuo Ishiguro 2018: Olga Tokarczuk 2019: Peter Handke 2020: Louise Glück
2021–present	2021: Abdulrazak Gurnah 2022: Annie Ernaux 2023: Jon Fosse 2024: Han Kang

v t e Pulitzer Prize for Drama: Authors
Jesse Lynch Williams (1918) Eugene O'Neill (1920) Zona Gale (1921) Eugene O'Neill (1922) Owen Davis (1923) Hatcher Hughes (1924) Sidney Howard (1925) George Kelly (1926) Paul Green (1927) Eugene O'Neill (1928) Elmer Rice (1929) Marc Connelly (1930) Susan Glaspell (1931) George S. Kaufman, Morrie Ryskind and Ira Gershwin (1932) Maxwell Anderson (1933) Sidney Kingsley (1934) Zoe Akins (1935) Robert E. Sherwood (1936) Moss Hart and George S. Kaufman (1937) Thornton Wilder (1938) Robert E. Sherwood (1939) William Saroyan (1940) Robert E. Sherwood (1941) Thornton Wilder (1943) Mary Chase (1945) Russel Crouse and Howard Lindsay (1946) Tennessee Williams (1948) Arthur Miller (1949) Richard Rodgers, Oscar Hammerstein II and Joshua Logan (1950) Joseph Kramm (1952) William Inge (1953) John Patrick (1954) Tennessee Williams (1955) Albert Hackett and Frances Goodrich (1956) Eugene O'Neill (1957) Ketti Frings (1958) Archibald MacLeish (1959) Jerome Weidman, George Abbott, Jerry Bock and Sheldon Harnick (1960) Tad Mosel (1961) Frank Loesser and Abe Burrows (1962) Frank D. Gilroy (1965) Edward Albee (1967) Howard Sackler (1969) Charles Gordone (1970) Paul Zindel (1971) Jason Miller (1973) Edward Albee (1975) Michael Bennett, Nicholas Dante, James Kirkwood Jr., Marvin Hamlisch and Edward Kleban (1976) Michael Cristofer (1977) Donald L. Coburn (1978) Sam Shepard (1979) Lanford Wilson (1980) Beth Henley (1981) Charles Fuller (1982) Marsha Norman (1983) David Mamet (1984) James Lapine and Stephen Sondheim (1985) August Wilson (1987) Alfred Uhry (1988) Wendy Wasserstein (1989) August Wilson (1990) Neil Simon (1991) Robert Schenkkan (1992) Tony Kushner (1993) Edward Albee (1994) Horton Foote (1995) Jonathan Larson (1996) Paula Vogel (1998) Margaret Edson (1999) Donald Margulies (2000) David Auburn (2001) Suzan-Lori Parks (2002) Nilo Cruz (2003) Doug Wright (2004) John Patrick Shanley (2005) David Lindsay-Abaire (2007) Tracy Letts (2008) Lynn Nottage (2009) Tom Kitt and Brian Yorkey (2010) Bruce Norris (2011) Quiara Alegría Hudes (2012) Ayad Akhtar (2013) Annie Baker (2014) Stephen Adly Guirgis (2015) Lin-Manuel Miranda (2016) Lynn Nottage (2017) Martyna Majok (2018) Jackie Sibblies Drury (2019) Michael R. Jackson (2020) Katori Hall (2021) James Ijames (2022) Sanaz Toossi (2023) Eboni Booth (2024)

• 1888 births
• 1953 deaths
• Eugene O'Neill
• 20th-century American dramatists and playwrights
• American agnostics
• American Nobel laureates
• American people of Irish descent
• American writers of Irish descent
• Expressionist dramatists and playwrights
• Industrial Workers of the World members
• Irish-American history
• Laurence Olivier Award winners
• Modernist theatre
• Nobel laureates in Literature
• People from Danville, California
• People from Greenwich Village
• Writers from Manhattan
• Writers from New London, Connecticut
• People from Point Pleasant, New Jersey
• People from Provincetown, Massachusetts
• Writers from Ridgefield, Connecticut
• People with Parkinson's disease
• Princeton University alumni
• Pulitzer Prize for Drama winners
• Tony Award winners
• Deaths from pneumonia in Massachusetts
• Members of The Lambs Club
• Members of the American Academy of Arts and Letters
• Members of the American Philosophical Society
• Writers of Irish descent
• Chaplin family