Fatma Sultan | |
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Born | 22 September 1704 Topkapı Palace, Constantinople, Ottoman Empire (present day Istanbul, Turkey) |
Died | May 1733(1733-05-00) (aged 28) Constantinople, Ottoman Empire |
Burial | Turhan Sultan Mausoleum, New Mosque, Istanbul |
Spouse |
Silahdar Damat Ali Pasha
(m. 1709; died 1716) Nevşehirli Damat Ibrahim Pasha (m. 1717; died 1730) |
Issue | Second marriage Sultanzade Mehmed Pasha Sultanzade Genç Mehmed Bey Fatma Hanımsultan Hibetullah Hanımsultan |
Dynasty | Ottoman |
Father | Ahmed III |
Mother | Emetullah Kadın |
Religion | Sunni Islam |
Fatma Sultan (Ottoman Turkish: فاطمہ سلطان; "One who abstains"; 22 September 1704 – May 1733), was an Ottoman princess, daughter of Sultan Ahmed III and his BaşKadin (first Imperial consort) Emetullah Kadın. She was politically active and influential on the affairs of state during the late Tulip era (1718–1730).
Early life
Fatma Sultan was born on 22 September 1704 in the Topkapı Palace. Her father was Sultan Ahmed III, and her mother was Emetullah Kadın. She was the eldest child and daughter born to her father. She was also his favorite child. She had long, black hair and dark eyes.
First marriage
In 1709, at the age of five, Ahmed betrothed her to Silahdar (Şehid) Ali Pasha. The wedding took place on 11 May 1709, until 16 May in the Topkapı Palace. In the meantime, Silahdar Ali Pasha was given the rank of vizier and kaymakam. On 16 May, Fatma was taken from the Topkapı Palace to the Valide Sultan's palace in Eyüp, which was allocated for the wedding. The wedding lasted until 20 May.
Silahdar Ali Pasha became Grand Vizier in 1713. However, he died in 1716, when Fatma was twelve years old.
Second marriage
In 1717, when Fatma was thirteen, Ahmed arranged her marriage to Nevşehirli Ibrahim Pasha. For the wedding, Ibrahim received a sable fur coat from the sultan on February 22, 1717. The wedding took place on 22 February 1717 in Edirne. Ibrahim Pasha was fifty years old at that time, older than her father, and had divorced his first wife in order to marry the princess. The marriage was consummated only a few years later, as Fatma was too young. Just over a year later, Ibrahim Pasha took over as grand vezir on 9 May 1718.
Despite the age difference, the marriage was very happy. Ibrahim was very much in love with his wife and was happy to grant her every request, while Fatma was famous for being incredibly jealous of her husband and constantly asked her father to tell her if he was faithful to her or not.
By 1724 Ibrahim Pasha and Fatma had several palaces at different locations. Following their marriage in 1717, the one across from the Kiosk of Processions on the landwalls of the Topkapı Palace, which had long housed many grand vezirs, grew into a monumental complex as Ibrahim Pasha and Fatma continued to annex nearby palaces, and busied themselves with restoring and rebuilding them.
Ibrahim Pasha stated his longing for Fatma Sultan with a poem. Pasha explains this love and sorrow in one place:
"The crown of my life! The light of my eye! I am drowning in painful tears.
She was described as having had a large political influence on both her father, who left the ruling to her husband, and on her husband, the Grand Vizier. Some sources regard her as the real ruler of the later part of the Tulip era. She often acted as an intermediary between foreign ambassadors and her father or husband. A French ambassador complained that obtaining his favor was the only way to obtain an audience with the sultan and the Grand Vizier.
Fatma favored the French and intervened several times on their behalf. She obtained the release of an imprisoned French consul, who in exchange gave her three diamond buttons. In addition, he introduced certain French customs and behaviors to the court, including fashion. She was said to have assisted the Marquis de Villeneuve, French ambassador to the Ottoman Empire from 1728 to 1741, in favour of an Ottoman policy benefitting to French interests during the Russo-Austrian-Turkish War (1735–1739).
She has been referred to as the last really influent princess of the Ottoman Empire.
The couple spent several happy and affluent years during the notorious for its splendidness and lavishness Tulip Age (Lâle Devri) which became the symbol of the reign of Sultan Ahmed III. The two together had a two sons and two daughters.
Fatma Sultan was widowed in 1730, when her husband Ibrahim Pasha, who was sixty-four years old, was killed during the Patrona Halil revolt, which led to the deposition of her father Sultan Ahmed. She was twenty-six years old.
After the revolt and the ascension to the throne of her nephew Mahmud I, son of Mustafa II, her possessions and wealth were seized and she was exiled to the Çırağan Palace, because the government feared that she might act to put her father back on the throne.
Issue
By her second marriage, Fatma Sultan had two sons and two daughters:
- Sultanzade Mehmed Pasha (1718? - 16 June 1778)
- Sultanzade Genç Mehmed Bey (March 1723 - 1737)
- Fatma Hanımsultan (? - 1765). She had a son, Mehmed Bey, who married Hatice Hanımsultan, daughter of Saliha Sultan (daughter of Ahmed III).
- Hibetullah Hanımsultan (? - 1774)
Charities
In 1727, Fatma Sultan commissioned a fountain near the Ibrahim Pasha Palace, which bears her name. In 1728, she also commissioned a fountain near the Cedid Valide Sultan Mosque in Üsküdar. During her lifetime she founded waqfs in the capital bequeathing mülk properties she had received from her father.
She also commissioned a mosque known as "Fatma Sultan Mosque", located in Eminönü district in Istanbul. Nevşehirli Ibrahim Pashacommissioned a palace near this mescid, Fatma Sultan repaired the mosque and added from the land of her palace and built a large mosque.
Death
Fatma Sultan died at the age of twenty eight in May 1733, and was buried in the mausoleum of Turhan Sultan in New Mosque, Istanbul.
In popular culture
- In the 2012 Turkish historical television series Bir Zamanlar Osmanlı: Kıyam, Fatma Sultan is portrayed by Turkish actress Leyla Göksun.
Ancestry
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References
- According to D.A. Alderson, in his The Structure of the Ottoman Dynasty, her mother was instead Ayşe Mihri Behri Kadin, an other of Ahmed's consorts, but this information has been discredited.
- Sakaoğlu 2008, p. 422.
- Sakaoğlu 2008, p. 416, 422.
- ^ Uluçay 2011, p. 131.
- According to D.A. Alderson, in his The Structure of the Ottoman Dynasty, her mother was instead Ayşe Mihri Behri Kadin, an other of Ahmed's consorts, but this information has been discredited.
- Topal, Mehmet (2001). Silahdar Findiklili Mehmed Agha Nusretnâme: Tahlil ve Metin (1106-1133/1695-1721). p. 668.
- Sancar, Asli (128). Ottoman Women: Myth and Reality. Light, Incorporated. p. 2007. ISBN 978-1-597-84115-3.
- ^ Uluçay 2011, p. 130-31.
- ^ Duindam, Artan & Kunt 2011, p. 368.
- Akçetin, Elif; Faroqhi, Suraiya (October 20, 2017). Living the Good Life: Consumption in the Qing and Ottoman Empires of the Eighteenth Century. BRILL. pp. 414–15. ISBN 978-9-004-35345-9.
- Sakaoğlu 2008, p. 425.
- Sakaoğlu 2008, p. 426.
- Duindam, Artan & Kunt 2011, p. 360.
- ^ Sakaoğlu 2008, p. 427.
- ^ Uluçay 2011, p. 132.
- Keskiner 2012, p. 58.
- Uluçay 2011, p. 131-32.
- Ahmed III, in The Structure of the Ottoman Dynasty, D.A. Alderson
- Sakaoğlu 2008, p. 429.
- "FATMA SULTAN CAMİİ İstanbul Bâbıâli'de XVIII. yüzyılda yaptırılan cami". İslam Ansiklopedisi. Retrieved 13 April 2020.
Sources
- Duindam, Jeroen; Artan, Tülay; Kunt, Metin (August 11, 2011). Royal Courts in Dynastic States and Empires: A Global Perspective. BRILL. ISBN 978-9-004-20622-9.
- Keskiner, Philippe Bora (2012). Sultan Ahmed III (r.1703-1730) as a Calligrapher and Patron of Calligraphy.
- Sakaoğlu, Necdet (2008). Bu mülkün kadın sultanları: Vâlide sultanlar, hâtunlar, hasekiler, kadınefendiler, sultanefendiler. Oğlak Yayıncılık. ISBN 978-9-753-29623-6.
- Uluçay, Mustafa Çağatay (2011). Padişahların kadınları ve kızları. Ankara, Ötüken.
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