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File:'Shipping Sugar' RMG PY3019.tiff

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Summary

Author Infant School Depository; after W. Clark
Description English: 'Shipping Sugar'This print is taken from William Clark’s ‘Ten views in the island of Antigua, in which are represented the process of sugar making, and the employment of the Negroes’ (Thomas Clay, London, 1823). It shows the production of sugar, from planting to harvest, from processing to shipping. It depicts a group of well-dressed slaves planting sugar cane. After the cane was harvested and processed into raw sugar, it was loaded into barrels, known as hogsheads, and shipped to Britain for refining and sale.

The first sugar plantation was established in 1674 by Sir Christopher Codrington. By the end of the century, a plantation economy had developed, slaves were imported from Africa and the central valleys were deforested and replanted with sugar cane. To feed the slaves, Codrington leased the neighbouring island of Barbuda from the British Crown and planted it with food crops. As Antigua prospered, the British built fortifications around the island, turning it into one of their most secure bases in the Caribbean. The military could no secure the economy, however, and in the early 1800s the sugar market began to bottom out. With the abolition of slavery in 1834, the plantations fell apart.

Although the slave trade had been abolished by the time of Clark’s visit, slavery itself still existed. Yet his images, intended for publication in Britain, showed nothing of the suffering of the enslaved and, if taken at face value, would have given quite the wrong impression of slave conditions to the British public.

Shipping Sugar
Date 1823date QS:P571,+1823-00-00T00:00:00Z/9
Dimensions Sheet: 266 mm x 374 mm; Image: 235 mm x 350 mm; Frame: 450 mm x 603 mm; Mount: 405 mm x 555 mm
Notes Box Title: Seaports and Views. G96. Florida and Caribbean.
Source/Photographer http://collections.rmg.co.uk/collections/objects/142966
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
IdentifierInfoFieldTimes Gazetteer Grid Reference Number, Prints & Drawings: G 96 R49
id number: PAH3019
CollectionInfoFieldFine art

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domainPublic domainfalsefalse
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current21:18, 2 September 2017Thumbnail for version as of 21:18, 2 September 20174,000 × 2,701 (30.91 MB)Royal Museums Greenwich Fine art, http://collections.rmg.co.uk/collections/objects/142966

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