Painting by J. M. W. Turner
Forum Romanum is an 1826 cityscape painting by the British artist J.M.W. Turner depicting the Roman Forum in the Italian capital of Rome . Painted during the Regency era it features surviving buildings from Ancient Rome seen in the afternoon light. It looks towards the Capitoline Hill with the Arch of Titus on the left and the Basilica of Constantine on the right.
The work was commissioned by the architect John Soane for his house in Lincoln's Inn Fields . In the event the painting Turner produced was too large for the space that Soane had set aside in his cramped, already overfilled house. Nonetheless he generously sent Turner a cheque for the agreed five hundred guineas . Turner returned the cheque and kept the painting. Art historian Anthony Bailey wrote "If Soane had been sensible, he would have cleared out some of the clutter in his house in order to hang a glowing masterpiece ".
When it was publicly displayed at the Royal Academy 's 1826 Summer Exhibition at Somerset House reviewers criticised the overuse of yellow paint in the composition. This was part of a trend in Turner's paintings of the era which was dubbed his "yellow fever " by one critic. Today it is in the collection of the Tate Britain in Pimlico, having been acquired as part of the Turner Bequest in 1856.
See also
References
Shane p.176
Bailey p.374-75
Bailey p.475-76
https://www.tate.org.uk/art/artworks/turner-forum-romanum-for-mr-soanes-museum-n00504
Bibliography
Bailey, Anthony. J.M.W. Turner: Standing in the Sun . Tate Enterprises Ltd, 2013.
Costello, Leo. J.M.W. Turner and the Subject of History . Taylor and Francis, 2017.
Shanes, Eric. The Life and Masterworks of J.M.W. Turner . Parkstone International, 2012.
J. M. W. Turner Paintings
Interior of a Romanesque Church (c. 1795–1800)
Landscape with Windmill and Rainbow (c. 1795–1800)
Diana and Callisto (c. 1796)
Fishermen at Sea (1796)
Interior of a Gothic Church (c. 1797)
Limekiln at Coalbrookdale (c. 1797)
Moonlight, a Study at Millbank (1797)
Aeneas and the Sibyl, Lake Avernus (c. 1798)
Buttermere Lake, with Part of Cromackwater, Cumberland, a Shower (1798)
Caernarvon Castle (c. 1798)
Morning amongst the Coniston Fells, Cumberland (1798)
Shipping by a Breakwater (1798)
Tivoli and the Roman Campagna (c. 1798)
View of a Town (c. 1798)
Dolbadarn Castle (1798–1799)
Self-Portrait (c. 1799)
View in Wales: Mountain Scene with Village and Castle – Evening (c. 1799–1800)
Welsh Mountain Landscape (c. 1799–1800)
A Beech Wood with Gypsies round a Campfire (c. 1800)
A Beech Wood with Gypsies Seated in the Distance (c. 1800)
Landscape with Lake and Fallen Tree (c. 1800)
Calais Pier (1803)
View on Clapham Common (c. 1800–1805)
The Shipwreck (1805)
Two Captured Danish Ships Entering Portsmouth Harbour (1807)
View of Richmond Hill and Bridge (1808)
London from Greenwich Park (1809)
The Fifth Plague of Egypt (1810)
High Street, Oxford (1810)
Saltash with the Water Ferry (1811)
Snow Storm: Hannibal and his Army Crossing the Alps (1812)
Frosty Morning (1813)
Dido building Carthage, or, The Rise of the Carthaginian Empire (1815)
The Decline of the Carthaginian Empire (1817)
Dort or Dordrecht: The Dort packet-boat from Rotterdam becalmed (1818)
The Field of Waterloo (1818)
England: Richmond Hill, on the Prince Regent's Birthday (1819)
Rome, from the Vatican (1820)
The Battle of Trafalgar (1822)
The Bay of Baiae (1823)
Cologne, the Arrival of a Packet Boat in the Evening (1826)
Forum Romanum (1826)
Mortlake Terrace (1826)
Port Ruysdael (1826)
Chichester Canal (1828)
East Cowes Castle (1828)
Regulus (1828)
Ulysses Deriding Polyphemus (1829)
Funeral of Sir Thomas Lawrence (1830)
Childe Harold's Pilgrimage - Italy (1832)
The Prince of Orange Landing at Torbay (1832)
The Fountain of Indolence (1834)
The Golden Bough (1834)
Venice: The Dogana and San Giorgio Maggiore (1834)
The Burning of the Houses of Lords and Commons, 16th October, 1834 (1835)
Rome, From Mount Aventine (1835)
Venice, from the Porch of Madonna della Salute (c. 1835)
The Fighting Temeraire Tugged to Her Last Berth to Be Broken up (1838)
Modern Rome – Campo Vaccino (1839)
Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On) (1840)
Venice, the Bridge of Sighs (1840)
Snow Storm: Steam-Boat off a Harbour's Mouth (1842)
The Blue Rigi (1842)
The Red Rigi (1842)
Peace – Burial at Sea (1842)
War. The Exile and the Rock Limpet (1842)
Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis (1843)
Rain, Steam and Speed – The Great Western Railway (1844)
Sunrise with Sea Monsters (1845)
Norham Castle, Sunrise (c. 1845)
Whalers (c. 1845)
The Beacon Light (unknown)
Prints
Museums
Related
This article about a nineteenth-century painting is a stub . You can help Misplaced Pages by expanding it .
Categories :
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
**DISCLAIMER** We are not affiliated with Wikipedia, and Cloudflare.
The information presented on this site is for general informational purposes only and does not constitute medical advice.
You should always have a personal consultation with a healthcare professional before making changes to your diet, medication, or exercise routine.
AI helps with the correspondence in our chat.
We participate in an affiliate program. If you buy something through a link, we may earn a commission 💕
↑