Misplaced Pages

Francis Pigott (c. 1665 – 15 May 1704) was an English Baroque composer and organist.

Career

He was a choirboy at the Chapel Royal in London from at least August 1678 to Michaelmas 1683. A record at St John's College, Oxford shows a "Mr Pygott, the organist at St John's" and although there is no other evidence that he was employed there, he may have replaced Bartholemew Isaack who left the college for Dublin in late 1684. Pigott was appointed organist at Magdalen College, Oxford in January 1686 and returned to London to play the Father Smith organ at the Temple Church in 1688. On the death of Henry Purcell in 1695, Pigott received an "extraordinary" appointment as organist at the Chapel Royal, and was finally sworn in as the First Organist on 24 March 1697, after the death of William Child.

Works

Pigott has been tentatively identified as the manuscript copyist known as "London A" by his handwriting and by his known association with Henry Purcell and other notable composers of the time. Pigott also collaborated with John Blow, William Croft and Jeremiah Clarke in the production of A Choice Collection of Ayres for the Harpsicorde (London, 1700). His setting of Abraham Cowley's poem The Separation, appears in a compilation called The Banquet of Musick published in volumes between 1688 and 1692. Pigott's setting of the anthem, I was glad, was sung at the coronation of Queen Anne in 1702; it was also used at the coronation of King George I in 1714 and was probably the setting intended for that of King George II in 1727 but was omitted on the day by mistake.

Family

It is believed that Pigott was the son of Francis Pigott (1614 to 1694), who is mentioned as a musician in the diary of Samuel Pepys, and his wife, Elizabeth née Lawson, who were married in 1664. The younger Francis Pigott married Anne Pelling in 1688; their son, John Pigott, succeeded his father as the organist at the Temple Church in 1704. John's son, another Francis Pigott, was organist at St George's Chapel, Windsor Castle until 1756.

Scores

• Free scores by Francis Pigott (composer) at the International Music Score Library Project (IMSLP)

References

1. ^ Shay, Robert and Thompson, Robert (2006), Purcell Manuscripts: The Principal Musical Sources, Cambridge University Press ISBN 978-0521028110 (p. 312)
2. Calhoun, Thomas O (1993), The Collected Works of Abraham Cowley; Volume 2 : Poems (1656); Part I: The Mistress, University of Delaware Press ISBN 978-0874134087 (p. 314)
3. Range, Matthias (2012), Music and Ceremonial at British Coronations: From James I to Elizabeth II Archived 4 March 2016 at the Wayback Machine, Cambridge University Press, ISBN 978-1-107-02344-4 (Appendix C, pp. 281–284)
4. Pigott, Chris (15 April 2012). "The Diary of Samuel Pepys - Encyclopedia - Francis Piggot". www.pepysdiary.com. Phil Gyford. Retrieved 18 September 2015.
5. Dearnley, Christopher (1970), English church music, 1650-1750: in Royal Chapel, Cathedral, and Parish Church, Barrie & Jenkins ISBN 978-0257657875 (p.117)
6. West, John E (1899), Cathedral Organists Past and Present, Novello & Company, London (p. 132)

• 1660s births
• 1704 deaths
• English Baroque composers
• English classical organists
• British male organists
• Composers for harpsichord
• Gentlemen of the Chapel Royal
• 17th-century classical composers
• English male classical composers
• 17th-century male musicians
• Male classical organists
• 17th-century English composers