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List of musical instruments by Hornbostel–Sachs number: 321.33

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This is a list of instruments by Hornbostel–Sachs number, covering those instruments that are classified under 321.33 under that system. These instruments are also known as semi-spike lutes, tanged lutes and internal spike lutes. These instruments are made of a resonator and string bearer that are physically united, with strings in parallel to the sound table and a handle which is also the string bearer and which passes through the resonator but does not pierce its tail end.

West African griot lutes

Tanged lutes are common in East Africa, as are a closely related class of instrument called spike lutes. These are instruments in which the handle does extends all the way through the resonator. A hereditary class of West African musicians, griots, play tanged lutes, and no other form of stringed instrument; non-griot performers in West Africa play a mixture of both spike lutes and tanged lutes. The term griot lute thus typically refers to these tanged lutes of East Africa.

The resonator of East African lutes may be made of wood, metal (such as a discarded can) or a half-calabash gourd. Griot lutes are exclusively wood, while non-griot lutes occur in all three categories. Typically, calabash lutes have no more than two strings, while the wooden instruments generally have more.

Griot lutes tend to be wooden troughs, either boat- (naviform) or figure-8-shaped. Lutes used by griots have a V- or fan-shaped bridge, a feature unique to East African lutes, while non-griot lutes use cylindrical bridges; a few use two-footed bridges in the shape of an upside-down "u", while the Hausa wase places the bridge under the head, creating a ridged lump upon which the strings rest. Non-griot lutes are not restricted by heredity, and are used for many social purposes, most commonly hunting. It likely that one or more of these instruments is the ancestor of the African American banjo.

Classification

3: Instruments in which sound is produced by one or more vibrating strings (chordophones, string instruments).
32: Instruments in which the resonator and string bearer are physically united and can not be separated without destroying the instrument
321: Instruments in which the strings run in a plane parallel to the sound table (lutes)
321.3: Instruments in which the string bearer is a plain handle (handle lutes)
321.33: Instrument in which the handle extends into but does not pass completely through the resonator (tanged lutes)
321.331: Instrument whose body is shaped like a bowl (tanged bowl lutes)
321.332: Instrument whose body is shaped like a box (tanged box lutes)

These instruments may be classified with a suffix, based on how the strings are caused to vibrate.

  • 4: Hammers or beaters
  • 5: Bare hands and fingers
  • 6: Plectrum
  • 7: Bowing
    • 71: Using a bow
    • 72: Using a wheel
    • 73: Using a ribbon
  • 8: Keyboard
  • 9: Using a mechanical drive
Instrument Tradition Hornbostel–Sachs classification Description
gimbri
guinbri, guimbri, gimbri, ginibri
Moroccan Arab 321.331

321.332

multiple styles considered same

half-spike or tanged bowl lute, bowl carved from wood, with tuning pegs, possibly teardrop shaped

half-spike or tanged box lute, constructed box or metal can

Xalam or khalam
bappe, diassare, gúlúm, gurmi, hoddu / kologu, Khalam/Xalam, komsa, koni, kontigi, konting, molo, ndere, 'ngonifola, ngoni, tidinit
Music of West Africa 321.33


References

Notes

  1. Sachs and von Hornbostel, pg. 6-25
  2. Charry, Eric (March 1996). "Plucked Lutes in West Africa: An Historical Overview". The Galpin Society Journal. 49. Galpin Society: 3–37. doi:10.2307/842390. JSTOR 842390. Charry cites Balfour, Wachsmann and Brown; see Further reading
  3. ^ Pestcoe
  4. ^ Charry, Eric (March 1996). "Plucked Lutes in West Africa: An Historical Overview". The Galpin Society Journal. 49. Galpin Society: 3–37. doi:10.2307/842390. JSTOR 842390.
  5. Coelho, pg. 45

Further reading

  • Brown, Howard Mayer. "Chordophone". In Stanley Sadie (ed.). The New Grove Dictionary of Musical Instruments, Volume II. London: Macmillan. pp. 549–553.
  • Wachsmann, Klaus. "Lute 1: The Generic Term and Lute 2: Ancient Lutes". In Stanley Sadie (ed.). The New Grove Dictionary of Musical Instruments, Volume II. London: Macmillan. pp. 549–553.
Hornbostel–Sachs system
1. Idiophone
(list)
11. Struck
  • 111. Directly
    • 111.1. Concussion
    • 111.2. Percussion
  • 112. Indirectly
    • 112.1. Shaken/rattle
    • 112.2. Scraped/rasp
12. Plucked
  • 121. Frame
  • 122. Comb
    • 122.1. Lace (Mbira)
    • 122.2. Cut out
13. Friction
14. Blown
  • 141. Stick
  • 142. Plaque
2. Membran-
ophone

(list)
21. Struck
22. Plucked
23. Friction
  • 231. Stick
  • 232. Cord
  • 233. Hand
24. Singing
  • 241. Free
  • 242. Tube/vessel
3.
Chordophone
(list)
31. Simple
/ zither
32.
Composite
4. Aerophone
(list)
41. Free
  • 411. Displacement
  • 412. Interruptive
    • 412.1. Idiophonic/reed
      • 412.11. Concussive
      • 412.12. Percussive
      • 412.13. Free reed
      • 412.14. Band/Ribbon
    • 412.2. Non-idiophonic
      • 412.21. Rotating
      • 412.21. Whirling
  • 413. Plosive
42.
Non-free
5.
Electrophone
(list)
Categories: