Article snapshot taken from Wikipedia with creative commons attribution-sharealike license.
Give it a read and then ask your questions in the chat.
We can research this topic together.
You can help expand this article with text translated from the corresponding article in German. (March 2009) Click for important translation instructions.
View a machine-translated version of the German article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Misplaced Pages article at ]; see its history for attribution.
You may also add the template {{Translated|de|Hans Aeschbacher}} to the talk page.
Though originally trained as a printer, he taught himself to draw and paint. At the age of about 30 years old, he began to sculpt.
His early works were predominantly terra-cotta and plaster, but by 1945, he was sculpting almost exclusively with stone. His earlier sculptures were very abstract and geometrical, and also quite large in size. In the mid-1950s, Aeschbacher began using mostly volcanic rock as a medium, and his sculptures became more fluid and smaller. By the late 1950s, his sculptures again became angular and large, with pieces as large as 15 feet (4.6 m) tall.
