Misplaced Pages

Hans Krell

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
German artist For the Polish theologian, see Johannes Crellius.
Hans Krell
Presumed self-portrait in the Battle of Orsha
Bornc. 1490
Crailsheim
Died1565 or 1586
Leipzig
Known forPainting
Notable workBattle of Orsha
MovementRenaissance

Hans Krell (c. 1490–1565 or 1586), also Krehl ou Kreil, was a German painter of the Renaissance, mainly known as a portrait painter. He is thought to have been born in Crailsheim or Ansbach, and died in Leipzig.

Hans Krell started his career as court painter of George the Pious, Margrave of Brandenburg-Ansbach in Ansbach. He then entered into the service of King Louis II of Hungary in Prague and Buda, where he was employed as court portraitist in the years 1522–1526. He is later recorded in Leipzig (from 1531) and in Freiberg in Saxony (since 1534). Krell was known as the Fürstenmaler (Painter of Princes) in service of the German Princes Albrecht of Brandenburg-Ansbach, Duke in Prussia, Hedwig Jagiellon, Electress of Brandenburg and the Elector Augustus of Saxony. His paintings of Saxon princes in the ceremonial hall and the council chamber of the Old Town Hall in Leipzig were continually being completed.

Hans Krell is credited by Dieter Koepplin as the author of a painting (Battle of Orsha) long associated with Lucas Cranach the Elder, painted around 1524–1530. The painting, today displayed in the National Museum in Warsaw, depicts the battle which was fought on 8 September 1514 between the allied forces of the Grand Duchy of Lithuania and the Kingdom of Poland on one side and the army of the Grand Duchy of Moscow on the other. According to specialists, the author must have taken part in the battle himself due to his high knowledge on the subject. Krell's connections with the Jagiellonian dynasty patrons (including king of Hungary) and rulers of Prussia makes this attribution probable. The author of the painting portraited himself in the painting observing the battle and gazing upwards through intertwined fingers.

References

  1. ^ Pierre Curie (1993). Chefs-d'oeuvre du musée des Beaux-Arts de Leipzig. Paris-Musées. p. 76. ISBN 9782879001180.
  2. ^ Thomas Ralph Merton (1950). A Catalogue of Pictures and Drawings from the Collection of Sir Thomas Merton: At Stubbings House, Maidenhead. Privately at Chiswick Press. p. 64.
  3. Biographical sketch in Helen A Dickinson German Masters of Art p. 96
  4. ^ Dorota Folga-Januszewska; Andrzej Rottermund; Lech Majewski (2008). Polish Commonwealth Treasures: On the History of Polish Collecting from the 13th Century to the Late 18th. Bosz. p. 120. ISBN 978-83-87730-81-9.

External links


Stub icon

This article about a German painter is a stub. You can help Misplaced Pages by expanding it.

Categories: