Misplaced Pages

Henri Delaborde (painter)

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
French painter
You can help expand this article with text translated from the corresponding article in French. (July 2016) Click for important translation instructions.
  • Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
  • Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
  • You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Misplaced Pages article at ]; see its history for attribution.
  • You may also add the template {{Translated|fr|Henri Delaborde}} to the talk page.
  • For more guidance, see Misplaced Pages:Translation.
Henri Delaborde (1886);
portrait by Léon Bonnat.

Count Henri Delaborde (1811–1899) was a French art critic and historical painter, born in Rennes, son of Count Henri François Delaborde.

Life and career

He studied for some time in Paris with Delaroche and afterward produced historical pictures of a rather conventional classical type. Among them are:

  • Hagar in the Desert (1836, Dijon Museum)
  • St. Augustine (1837)
  • The Knights of St. John of Jerusalem restoring religion in Armenia (1844), at Versailles
Constantin III of Armenia (Guy de Lusignan) on his throne with the Hospitallers. "Les chevaliers de Saint-Jean-de-Jerusalem rétablissant la religion en Arménie", 1844 painting by Henri Delaborde.

He also painted frescoes in the Saint Clotilde Basilica. But he is known principally as a critic of art. Besides his writings, as perpetual secretary of the Académie des Beaux-Arts, he contributed to the Revue des Deux Mondes and other periodicals. The articles have been collected as Mélanges sur l'art contemporain (1866) and Etudes sur les beaux-arts en France et en Italie (1864). He published, among other volumes:

  • Ingres, sa vie, ses travaux, sa doctrine (1870)
  • Lettres et pensés d'Hippolyte Flandrin (1865)
  • Gérard Edelinck (1886)
  • La gravure (1882)
  • La gravure en Italie (1883)
  • Marc Antoine Raimondi (1887)
  • La Maîtres florentins du XV siècle (1889)
  • L'Académie des Beaux-Arts depuis la fondation de l'Institut de France (1891)

Count Delaborde was elected to the Institute in 1868 and was conservator of the department of prints in the National Library, Paris, from 1855 to 1885.

References

  • This article incorporates text from a publication now in the public domain: Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). New International Encyclopedia (1st ed.). New York: Dodd, Mead

External links

Categories: