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Henry Sargent

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American painter For the son and landscape architect, see Henry Winthrop Sargent. For the New Zealand farmer and benefactor, see Henry Sarjeant.
Henry Sargent
Self-Portrait by Henry Sargent, ca. 1795
Member of the
Massachusetts State Senate
In office
1812, 1815, 1816, and 1817
Personal details
Born(1770-11-25)November 25, 1770
Gloucester, Massachusetts
DiedFebruary 21, 1845(1845-02-21) (aged 74)
Boston, Massachusetts
Political partyFederalist
Spouse Hannah Welles
​ ​(m. 1807; died 1841)​
RelationsDaniel Sargent (brother)
Lucius M. Sargent (brother)
Children4, including Henry
Parent(s)Daniel Sargent Sr.
Mary Turner
EducationDummer Academy

Henry Sargent (baptized November 25, 1770 – February 21, 1845), American painter and military man, was born in Gloucester, Massachusetts.

Early life

Portrait of Sargent's mother, Mary Turner, by John Singleton Copley, 1763
Henry Sargent by Robert Field

He was one of seven children born to Daniel Sargent Sr. and Mary (née Turner) Sargent (1744–1813). He was the brother of author Lucius Manlius Sargent (1786–1867), and Daniel Sargent (1764–1842) merchant and a cousin of American Revolutionary War soldier Paul Dudley Sargent (1745–1828), and a great-grandson of William Sargent, who received a grant of land at Gloucester in 1678. Henry Sargent's father was a prosperous and public-spirited merchant.

Henry was sent as a young boy to Dummer Academy, South Byfield, and then, the family having moved to Boston, he continued his studies under local teachers. After a period in the counting house of Thomas Handasyd Perkins, he continued his commercial apprenticeship with his father, but suddenly, as he was attaining his majority, without having previously shown special partiality for the arts of design, he determined to become an artist. An elder brother's efforts in this direction seem to have stimulated him, and his mother encouraged him. John Trumbull, who visited Boston in 1790, saw some of his work and found it promising.

Career

In 1793, Sargent went to London, where he studied with Benjamin West and had courteous treatment from John Singleton Copley. A letter of Sargent's dated March 27, 1795 shows that he found living in London expensive and the painter's profession much depressed. He returned to Boston in 1799, still strongly conscious of "the apathy then existing towards the arts".

Public service

After his return to Boston in 1799, he took a commission in the national army then being raised under the command of Alexander Hamilton. This service was brief, but it gave Sargent a taste for military life which motivated his long connection with the Massachusetts militia.

In or shortly after 1799, he joined the Boston Light Infantry, which had been organized the year before and of which his brother, Daniel Sargent, was captain. Records of the adjutant-general's office in the Massachusetts State House show that Henry Sargent became first lieutenant of this company on October 1, 1804, and captain on March 31, 1807. Of a tall, thin, Yankee build, he was a handsome officer and an efficient drill master. During the War of 1812, his company aided in the fortification of Fort Strong, and on May 31, 1815, he was appointed aide-de-camp to the governor, with the rank of Colonel. In 1812, 1815, 1816, and 1817 he was a member of the Massachusetts Senate.

Later career

In the course of the following decade, growing deafness caused him gradually to withdraw from public services and to devote himself entirely to his painting and to mechanical inventions. He developed a plan for an elevated railway, but his inventions gained him no particular fame. His painting was that of a diligent and gifted artist whose talent fell short of genius. His portraits were less masterful than those of his fellow townsman, Gilbert Stuart, with whom he was personally intimate. Like Copley, whom he somewhat resembled as a painter, Sargent enjoyed intensive elaboration of textures and accessories. He had a capacity for doing canvases that required sustained effort.

The well-known Landing of the Pilgrims, at Pilgrim Hall, Plymouth, attributed to him, is not representative of his best work. Far better are the two conversation pieces, The Dinner Party (ca. 1821) and The Tea Party (ca. 1824), owned by the Museum of Fine Arts, Boston. These have something of the exquisiteness of the so-called Little Dutchmen and they give fascinating glimpses of social life in Boston homes of the early 19th century. An altar painting, The Christ Crucified, which Sargent made for the Holy Cross Church, Boston, won contemporary favor. The full-length portrait of Peter Faneuil, in Faneuil Hall, if by Sargent, to whom it is ascribed, must be a copy after John Smibert. Sargent's self-portrait is at the Museum of Fine Arts; his likenesses of Jeremy Belknap, D.D., and John Clarke, D.D., both friends of his parents, are at the Massachusetts Historical Society. Continuing to paint at intervals down into old age, he was elected in 1840 an honorary member of the National Academy of Design and in 1845, president of the newly organized Boston Artists' Association.

Personal life

On April 2, 1807, Sargent married Hannah Welles (1779–1841), the daughter of Samuel and Isabella (née Pratt) Welles, of Boston. Together, they had two daughters who died in infancy and two sons:

  • Henry Winthrop Sargent (1810–1882), who married Caroline Olmsted.
  • John Turner Welles Sargent (1814–1877), who married Amelia Jackson Holmes (1843–1889), only daughter of Oliver Wendell Holmes Sr., and Harriet Lydia Boardman Parker (1830–1868)

Sargent died on February 21, 1845.

Notes

  1. ^ Wilson, J. G.; Fiske, J., eds. (1900). "Sargent, Paul Dudley" . Appletons' Cyclopædia of American Biography. New York: D. Appleton.
  2. Sargent, Winthrop (1920). Colonel Paul Dudley Sargent. Philadelphia: Printed for Private Collection. Retrieved 23 August 2017.
  3. Legarde, Lisa; Northrup, Dale (1995). Frommer's New England 1996. Nelson Thornes. ISBN 9780028608778. Retrieved 23 August 2017.
  4. Julia DeWolf Addison, "Henry Sargent: A Boston Painter," Art in America, vol. 17 (October, 1929), p. 279.
  5. Dunlap, William. A History of the Rise and Progress of the Arts of Design in the United States, vol. II, p. 192. Ed. F. W. Bayley and C. E. Goodspeed, 1918.
  6. American Art Essentials. Research & Education Assoc. ISBN 9780738672694. Retrieved 23 August 2017.
  7. In 1820 Sargent's Landing of the Pilgrim Fathers of Plymouth in 1620 appeared on exhibit in Boston "in the building lately erected in the N.W. corner of Dock Square and in the rear of the Brattle Street meeting house;" cf. The Repertory; Date: 09-07-1820
  8. Goodman, Phebe S. (2003). The Garden Squares of Boston. UPNE. ISBN 9781584652984. Retrieved 23 August 2017.
  9. Dunlap, vol. II, p. 196.
  10. Harvard College (1780-) Class of 1862 (1912). Fiftieth Anniversary Class Report. Plimpton Press. Retrieved 23 August 2017.{{cite book}}: CS1 maint: numeric names: authors list (link)

References

  • Julie De Wolf Addison. "Henry Sargent: A Boston Painter." Art in America 17: 6 (October 1929): 279–84.
  • "Henry Sargent", Dictionary of American Biography. American Council of Learned Societies, 1928-1936.
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