| UNESCO World Heritage Site | |
|---|---|
 | |
| Location | Isfahan, Isfahan Province, Iran |
| Reference | 1397 |
| Inscription | 2012 (36th Session) |
| Area | 2.0756 ha (5.129 acres) |
| Buffer zone | 18.6351 ha (46.048 acres) |
| Coordinates | 32°40′11″N 51°41′7″E / 32.66972°N 51.68528°E / 32.66972; 51.68528 |
  Location of Jameh Mosque of Isfahan in IranShow map of Iran Jameh Mosque of Isfahan (West and Central Asia)Show map of West and Central Asia | |
The Jāmeh Mosque of Isfahān or Jāme' Mosque of Isfahān (Persian: مسجد جامع اصفهان Masjid-e-Jāmeh Isfahān), also known as the Atiq Mosque (مسجد عتیق) and the Friday Mosque of Isfahān (مسجد جمعه), is a historic congregational mosque (Jāmeh) of Isfahan, Iran. The mosque is the result of continual construction, reconstruction, additions and renovations on the site from around 771 to the end of the 20th century. The Grand Bazaar of Isfahan can be found towards the southwest wing of the mosque. It has been a UNESCO World Heritage Site since 2012. It is one of the largest and most important monuments of Islamic architecture in Iran.
History
Early history
The first mosque on this site was built circa 771, during the reign of the Abbasid caliph Al-Mansur. This first building was relatively small, measuring about 52 by 90 meters. It was built in mud-brick and had stucco-decoration in the Syro-Mesopotamian style of Abbasid architecture. Its remains were excavated in the 1970s during studies of the present-day mosque.
The mosque was then replaced by a larger one in 840-841 during the reign of Al-Mu'tasim. This new building measured around 88 by 128 meters and had a different qibla orientation than the first one. It had a large central courtyard surrounded by an arcade and hypostyle hall of baked brick pillars supporting either a flat roof or a roof of brick vaults. The hypostyle hall, was two bays deep along the sides, four bays deep on the side opposite the qibla (the northwest), and six bays deep on the qibla side where the main prayer hall was. The aisle leading the mosque's mihrab was slightly wider than the other aisles. There is no indication that the new mosque had a minaret, despite the existence of this feature in other mosques of the period, although Muqaddasi described the presence of a tall minaret in a central mosque of Isfahan before 985.
Under the control of the Buyid dynasty (10th-11th centuries) another arcade of polylobed brick piers was added around the courtyard, in front of the existing courtyard façades. Instead of the earlier stucco decoration, the new additions were decorated with patterns created with bricks laid in circles, diamond shapes, zigzags, and other geometric patterns similar to the brickwork found in other monuments from the Buyid period. The exact date of this renovation is uncertain but is estimated by some to be around 975 or the late 10th century. Oleg Grabar estimates the date as being between 985 and 1040, based on descriptions of the mosque in historical sources. Two minarets were also added at the entrance of the mosque near the dyers' market. They stood on either side of the entrance and were each built on top of a pedestal or base structure. This is the first recorded instance of the double minaret arrangement which later became common in Iran and beyond.
Seljuk period
The next great modifications of the mosque took place under the patronage of the Seljuks. Isfahan became the first capital of the Seljuk Empire after its conquest in 1050. The Seljuks modified the relatively uniform and egalitarian form of the hypostyle building, first by replacing the columns in front of the mihrab (on the south side of the mosque) with a large domed space in 1086–87. This was done under the patronage of Nizam al-Mulk, the famous vizier of Malik Shah. The new dome was the largest masonry dome in the Islamic world at the time. It has eight ribs and is supported on massive piers. It also introduced a new type of squinch, consisting of a barrel vault placed above two quarter-domes, which was copied in other mosques shortly afterward. This was an early appearance of the muqarnas technique (a three-dimensional geometrical composition of niches), which had been developing around this period. The domed space may have been intended to act as a maqsura, an area reserved for the sultan and his entourage during prayers.
In 1088–89 another dome was constructed on the north side of the mosque by Nizam al-Mulk's rival Taj al-Mulk. The function of this domed chamber is uncertain. Although it was situated along the north–south axis, it was located outside the boundaries of the mosque. The dome is considered a masterpiece of medieval Iranian architecture. Unlike the simpler eight-ribbed dome of Nizam al-Mulk, the north dome has interlacing ribs the form pentagons and five-pointed star patterns across the dome, a significant technical and aesthetic advancement. The lower walls of the chamber have a lighter and more elegant appearance, while the various elements of the wall and dome are also better-aligned vertically, leading one's gaze upward. Muqarnas squinches are again used for the transition of the dome to the square chamber.
The next major transformation stage took place by the early 12th century, probably after the mosque was damaged by fire in 1121–22. The historical context and exact chronology of this transformation is not well understood. At the latest, it was probably accomplished before 1230, when the Mongol invasions would have halted any major construction activity. In order to enhance the approach to the domed chamber of the mihrab, which stood in isolation amidst the older hypostyle hall, the columned space between the dome and the courtyard was replaced by a large iwan (a vaulted hall open to one side). This large barrel-vaulted hall is open to the courtyard on one side and leads to the domed hall through a doorway on the other side. To compliment it, the builders created three more monumental iwans at the middle of each other side of the courtyard. The northern iwan may have been the last of these to be built. These transformations resulted in giving the mosque its current four-iwan form, a type of layout which subsequently became prevalent in Iran and other parts of the Islamic world. The southern iwan of the courtyard (leading to the mihrab) was distinguished from the other iwans by being larger and by being embellished with large tiers of muqarnas. Different muqarnas compositions were also added to the other iwans at one time or another, with the result that the iwans, even if built around the same time, look different from each other now.
In addition to the addition of four iwans, the remaining bays of the old hypostyle halls were renovated with cross-ribbed vaults. There are around 200 of these smaller vaults and they all have different designs and display a rich variety of geometric decoration. Some of this work was probably done in the late 11th or early 12th centuries, but the chronology of construction here is unclear and many vaults likely date from different periods of repair and renovation. It's uncertain if the earlier minarets of the mosque were preserved until this time, but no historical texts make reference to them after the mid-11th century.
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South iwan of the courtyard (leading to the mihrab chamber)
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Detail and muqarnas vaulting in the southern iwan
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West iwan of the courtyard
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East iwan of the courtyard
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North iwan of the courtyard
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Interior and detail of the northern iwan
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Example of the variety of smaller domes in the hypostyle prayer hall
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Later changes and additions
After this, the later changes to the mosque were more limited. Nonetheless, nearly every period saw some work done on the mosque, reflecting the changing needs of the community and the changing tastes of new rulers. Under the Ilkhanid sultan Uljaytu (r. 1304–1317), the arcade around the sides of the courtyard was vertically divided into two levels, as it appears today. Uljaytu also created another rectangular prayer hall or "winter hall" adjoining the north side of the western iwan of the mosque. This hall is covered by a series of remarkable transverse vaults, while its southern wall features an elaborately-carved stucco mihrab dated to 1310. The mihrab is one of the finest works of Iranian or Islamic sculptural art from this period. It was crafted by Haydar, a highly respected calligrapher of the time who included his signature in the work.
Under the Muzaffarids a madrasa, known as the Muzaffarid Madrasa, was added on the east side of the mosque and another prayer hall on the west, both beyond the former outer wall of the mosque. This work was done possibly by Qutb al-Din Shah Mahmud, the governor of Isfahan (r. 1358–1375) who disputed the throne with his brother Shah Shuja.
In the 15th century changes were limited to various repairs. The vaulted ceiling of Uljaytu's prayer hall was reconstructed and many of the smaller vaults and domes of the hypostyle hall may date from this time. A new prayer hall was added on the southeast corner. The façades of the courtyard wee also progressively decorated with tilework. In particular, the rich tilework covering the façade of the southern iwan today was originally added under the patronage of the Aq Qoyunlu ruler Uzun Hasan in 1475–6.
Most Safavid rulers did work on the mosque, except for Shah Abbas I who was more preoccupied with his new constructions around the Naqsh-e Jahan Square. The current minarets of the mosque, which stand on either side of the southern iwan, were erected in the 17th century. During the Safavid era some parts of the prayer halls were also enlarged and new tile revetment were added to the iwans and minarets. The Muzaffarid prayer hall on the west side was replaced with a larger "winter prayer hall" during this time, distinguished by its wide, low arches. Further repairs and restorations were carried out under the later Afsharid and Qajar dynasties and up to modern times.
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Ilkhanid prayer hall (early 14th century)
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The stucco mihrab of Uljaytu (1310) in the Ilkhanid prayer hall
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Details of the mihrab
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Tranverse vault ceiling in the Ilkhanid prayer hall
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Mihrab and prayer space of the Muzaffarid Madrasa (14th century)
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Part of the tile decoration in the southern iwan, added by Uzun Hasan in 1475–6
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"Winter prayer hall" built by the Safavids, replacing an earlier Muzaffarid hall
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Detail of minaret and tile decoration from Safavid period
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Present day
The mosque today is an amalgamation of different styles and periods coalesced into one building, the details of which cannot always be easily dated. Its perimeter is now thoroughly enmeshed with the surrounding structures of the bazaar and the old city, such that it presents very few clear exterior façades.
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One of the entrances to the mosque today, on the west side
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Model of the mosque today, showing its various elements from above
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See also
References
- "Properties inscribed on the World Heritage List, Iran". UNESCO World Heritage Centre. Retrieved 27 June 2018.
- ^ M. Bloom, Jonathan; S. Blair, Sheila, eds. (2009). "Isfahan". The Grove Encyclopedia of Islamic Art and Architecture. Oxford University Press. ISBN 9780195309911.
- ^ Blair, Sheila; Bloom, Jonathan (2011). "Iraq, Iran, and Egypt: The Abbasids". In Hattstein, Markus; Delius, Peter (eds.). Islam: Art and Architecture. h.f.ullmann. pp. 109–110. ISBN 9783848003808.
- ^ Grabar, Oleg (1990). The Great Mosque of Isfahan. New York University Press. ISBN 0814730272.
- M. Bloom, Jonathan; S. Blair, Sheila, eds. (2009). "Architecture". The Grove Encyclopedia of Islamic Art and Architecture. Oxford University Press. ISBN 9780195309911.
- Bloom, Jonathan M. (2019). "Minaret". In Fleet, Kate; Krämer, Gudrun; Matringe, Denis; Nawas, John; Rowson, Everett (eds.). Encyclopaedia of Islam, Three. Brill. ISSN 1873-9830.
- ^ Blair, Sheila; Bloom, Jonathan (2011). "The Friday Mosque at Isfahan". In Hattstein, Markus; Delius, Peter (eds.). Islam: Art and Architecture. h.f.ullmann. pp. 368–369. ISBN 9783848003808.
- ^ O'Kane, Bernard (1995). Domes. Encyclopaedia Iranica, Online Edition. Retrieved 28 November 2010.
- Archnet Digital Library Archived 11 March 2007 at the Wayback Machine
- Blair, Sheila S.; Bloom, Jonathan M. (1995). The Art and Architecture of Islam 1250-1800. Yale University Press. ISBN 9780300064650.
- ^ "Masjid-i Jami' (Isfahan)". Archnet. Retrieved 1 September 2021.
- Bosworth, Clifford Edmund (2004). The New Islamic Dynasties: A Chronological and Genealogical Manual. Edinburgh University Press. ISBN 9780748621378.
- Ettinghausen, Richard; Grabar, Oleg; Jenkins, Marilyn (2001). Islamic Art and Architecture: 650–1250 (2nd ed.). Yale University Press. ISBN 9780300088670.
Further reading
- A. Gabriel: 'Le Masdjid-i Djum‛a d’Isfahān', A. Islam., ii (1935), pp. 11–44
- A. Godard: 'Historique du Masdjid-i Djum‛a d’Isfahan', Āthār-é Īrān, i (1936), pp. 213–82
- André Godard, "La mosquée du vendredi." L'Oeil revue d'art. No. 19/20. July/August 1956. p. 45.
- E. Galdieri: Iṣfahān: Masǧid-i Ǧum‛a, 3 vols (Rome, 1972–84)
- E. Galdieri: 'The Masǧid-i Ǧum‛a Isfahan: An Architectural Façade of the 3rd Century H.', A. & Archaeol. Res. Pap., vi (1974), pp. 24–34
- U. Scerrato: 'Notice préliminaire sur les recherches archéologiques dans la Masgid-i Jum‛a d’Isfahan', Farhang-i mi‛mārī-yi Īrān, iv (1976), pp. 15–18
- O. Grabar: The Great Mosque of Isfahan (New York, 1990)
- S. S. Blair: The Monumental Inscriptions from Early Islamic Iran and Transoxiana (Leiden, 1992), pp. 160–67
External links
- Masjid-i Jami' (Isfahan) at ArchNet (includes a large number of pictures of nearly every part of the mosque)
- https://isfahanjamehmosque.com/en/
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