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James Christopher O'Sullivan is an Irish writer, publisher, editor, and academic from Cork city. He is a university lecturer, the founding editor of Blackwater Publishing and the now defunct New Binary Press, and the writer of several academics and creative books.

Career

Academia

O'Sullivan works in the Digital Humanities, with specific research interests in computer-assisted text analysis and cultural analytics, digital fiction, and digital publishing. He has held faculty positions at institutions such as Pennsylvania State University and the University of Sheffield. As of 2017, he was a lecturer at University College Cork.

In 2019 he published Towards a Digital Poetics: Electronic Literature & Literary Games (Palgrave Macmillan 2019). He has edited several academic volumes, including Technology in Irish Literature & Culture (Cambridge University Press 2023), The Bloomsbury Handbook to the Digital Humanities (Bloomsbury 2023) and Reading Modernism with Machines (Palgrave Macmillan 2016).

O'Sullivan has published scholarly papers and essays in a number of peer-reviewed academic journals and books, including Poetics, Digital Scholarship in the Humanities (Oxford University Press), Leonardo (The MIT Press), Digital Humanities Quarterly, the International Journal of Humanities and Arts Computing (Edinburgh University Press), Digital Studies/Le Champ Numérique, and Literary Studies in the Digital Age (Modern Language Association).

O'Sullivan has been the lead researcher or principal investigator on academic projects such as C21 Editions. Funded under a joint initiative of the Irish Research Council (IRC) and the United Kingdom's Arts and Humanities Research Council (AHRC), C21 Editions: Editing & Publishing in the Digital Age received grants worth approximately €650,000.

His various uses of stylometry to analyse the work of James Patterson have garnered media attention, including being cited by Anthony Lane in The New Yorker.

He is former associate director of the Digital Humanities Summer Institute at the University of Victoria, British Columbia.

O'Sullivan sometimes writes on the subject of Irish higher education in venues such as The Irish Times. In 2018, he publicly criticised Irish universities for focusing too much on commercially oriented "skills" to the detriment of critical thinking. O'Sullivan has also claimed that many Irish academics are working class, that the humanities have a reproducibility problem, and he has also publicly criticised students for anti-social behaviour.

He has written several features and opinion pieces on more general social and political matters for periodicals in Ireland and internationally, including The Guardian, the LA Review of Books, and The Irish Times.

Publishing

O'Sullivan founded New Binary Press in 2012, a publishing house dedicated to the publication of both print and electronic literature. Works published by the press include Graham Allen's The One That Got Away, which was shortlisted for the Shine/Strong Award 2015, while Unexplained Fevers by Jeannine Hall Gailey came second in the 2014 Science Fiction Poetry Association's Elgin Award.

O'Sullivan has been vocal on the economic realities facing independent publishing houses, as well as an advocate of the role they play in the development of literary communities. He sees Irish writing as belonging to many different perspectives, and is simply "literature that is embedded in the very soul of our island". Despite his profile as a digital publisher and scholar, O'Sullivan believes that print books have far greater "material and cultural importance" than digital formats, describing Kindle and iTunes as a "dangerous axis of power". O'Sullivan has been critical of major literary competitions, particularly those which he deems to be under the influence of their commercial sponsors. He has called for "improved transparency" and "the removal of commercial influences" from literary competitions, arguing that "small publishers can't take risks on large entry fees if there is any doubt in their mind over how decisions are being made". Despite his profile as a publisher of digital poetry and fiction, O'Sullivan has questioned the role that publishers can play in this field.

Creative writing

O'Sullivan's first collection of poetry, Kneeling on the Redwood Floor, was released by Lapwing Publications in 2011, a work which the author himself did not rate very highly. In 2014, Alba Publishing released his second collection, Groundwork, followed in 2017 by Courting Katie, published by Salmon Poetry. Reviewing Courting Katie, Dedalus poet Matthew Geden describes O'Sullivan as a "vibrant voice" that offers "timely reminders to look closer at the world around us". Writing in Poetry Ireland Review, Jessica Traynor likens O'Sullivan to a "latter-day Kavanagh" who "breathes life into deserted streets and grey city corners". O'Sullivan's poetry has been published in a number of Irish literary journals and periodicals, including The Stinging Fly, The SHOp, and Cyphers. In 2016, O'Sullivan was placed third in the Gregory O'Donoghue International Poetry Prize. He has twice been shortlisted for the Fish Poetry Prize, as well as the Fish Short Story Prize. He received a High Commendation in Munster Literature Centre Fool for Poetry 2014 International Chapbook Competition and 2013 Charles Macklin Poetry Prize.

Personal

O'Sullivan was born and raised in Cork city, Ireland, a place for which he has often expressed great affection and featured in his work. He is the grandson of the performer Billa O'Connell who died in 2021. O'Sullivan attended Coláiste an Spioraid Naoimh, though did not enjoy his time at school. He is a graduate of Cork Institute of Technology, University College Cork, and University College Dublin. While raised Catholic, O'Sullivan has been highly critical of the Catholic Church.

Bibliography

References

1. "Algorithmic Criticism as an Approach to Electronic Literature". Electronic Literature Lab. Retrieved 11 May 2017.
2. ARCS. "Introducing Digital Literary Studies". Advancing Research Communication & Scholarship. Retrieved 11 May 2017.
3. "Libraries hire digital humanities research designer". Penn State University. 2014. Retrieved 11 May 2017.
4. Furlough, Mike (2014). "Our new Digital Humanities Research Designer". Humanities in a Digital Age, Pennsylvania State University. Retrieved 11 May 2017.
5. Sheffield (2016). "New Staff Appointments in the HRI Digital Team". Faculty of Arts and Humanities, University of Sheffield. Archived from the original on 25 August 2017. Retrieved 11 May 2017.
6. "UCC Research Profiles: James O'Sullivan". research.ucc.ie. Retrieved 25 August 2017.
7. O'Sullivan, James Christopher (2019). Towards a digital poetics: electronic literature & literary games. doi:10.1007/978-3-030-11310-0. ISBN 978-3-030-11310-0. OCLC 1114601592.
8. Kelleher, Margaret; O'Sullivan, James, eds. (2023). Technology in Irish Literature and Culture. Cambridge Themes in Irish Literature and Culture. Cambridge: Cambridge University Press. doi:10.1017/9781009182881. ISBN 978-1-009-18287-4.
9. O’Sullivan, James (3 November 2022). The Bloomsbury Handbook to the Digital Humanities. Bloomsbury Publishing. ISBN 978-1-350-23213-6.
10. Ross, Shawna; O'Sullivan, James (2016). Reading Modernism with Machines: Digital Humanities and Modernist Literature. ISBN 9781137595683. OCLC 970815518.
11. "C21 Editions: Editing and Publishing in the Digital Age". University College Cork. Retrieved 11 October 2023.
12. "Digital Humanities scholars at UCC receive major IRC-AHRC grant". University College Cork. Retrieved 11 October 2023.
13. Fuller, Simon; O'Sullivan, James (2017). "Structure over Style: Collaborative Authorship and the Revival of Literary Capitalism". Digital Humanities Quarterly. 11 (1).
14. O'Sullivan, James (2017). "Why you don't need to write much to be the world's bestselling author". The Conversation. Retrieved 20 April 2017.
15. O'Sullivan, James (7 June 2018). "Bill Clinton and James Patterson are co-authors – but who did the writing?". The Guardian. Retrieved 7 June 2018.
16. O'Sullivan, James (16 January 2023). "Are the Clintons actually writing their novels? An expert uses 'stylometry' to analyse Hillary and Bill's writing". The Conversation. Retrieved 11 October 2023.
17. Lane, Anthony (18 June 2018). "Bill Clinton and James Patterson's Concussive Collaboration". The New Yorker. Retrieved 6 June 2018.
18. Moncrieff, Seán (2017). "Does the worlds bestselling author write his own books?". Newstalk. Archived from the original on 20 April 2017. Retrieved 20 April 2017.
19. "Digital Humanities Summer Institute". dhsi.org. Archived from the original on 14 August 2017. Retrieved 13 June 2017.
20. O'Sullivan, James (7 February 2018). "Universities have become like Ikea – just follow the instructions". The Irish Times. Retrieved 5 March 2018.
21. O'Sullivan, James. "Forget the ivory tower - lecturers are working class too". The Irish Times. Retrieved 23 January 2020.
22. Humanities, Talking (9 July 2019). "The humanities have a 'reproducibility' problem". Talking Humanities. Retrieved 11 October 2023.
23. "We are failing young people if we can't teach them common decency". The Irish Times. Retrieved 11 October 2023.
24. "History of New Binary Press". newbinarypress.com. Retrieved 11 May 2017.
25. ^ O'Sullivan, James (9 June 2017). "The realities of independent publishing in Ireland". The Irish Times. Retrieved 13 June 2017.
26. "Poetry Award Nomination for Prof Graham Allen". School of English, University College Cork. 2015. Retrieved 11 May 2017.
27. "2014 Elgin Awards". Science Fiction Poetry Association. 2014. Retrieved 11 May 2017.
28. ^ Horgan, Joseph (2017). "Keep going despite the prophets of doom". Books Ireland. p. 20.
29. Kapila, Lois (23 August 2016). "To Win Some Book Awards, Publishers Have to Pay". Dublin Inquirer. Retrieved 26 April 2017.
30. O'Sullivan, James (2021). "Publishing Electronic Literature". www.bloomsburycollections.com. Retrieved 11 October 2023.
31. O'Sullivan, James (2011). Kneeling on the redwood floor. Belfast: Lapwing Publications. ISBN 9781907276842. OCLC 783585371.
32. ^ Preston, Pierce (2011). "First Collection for Cork Poet". The Cork News. p. 46.
33. "Cork author finds inspiration in West Cork". The Southern Star. 2011. p. 14.
34. ^ "James, modest to a fault about his poetry". Evening Echo. No. 34, 389. 2011. p. 27.
35. O'Sullivan, James (2014). Groundwork. Uxbridge: Alba Publishing. ISBN 9781910185032. OCLC 883422802.
36. "Courting Katie by James O'Sullivan". salmonpoetry.com. Retrieved 3 January 2018.
37. ^ Geden, Matthew (2018). "On Bindweed, The Yellow House and Courting Katie: Matthew Geden reviews new collections by Mark Roper, William Wall and James O'Sullivan". Southword (33). Archived from the original on 1 February 2018. Retrieved 1 February 2018.
38. Traynor, Jessica (2018). "Things Being Various". Poetry Ireland Review. 126: 83–86.
39. "Gregory O'Donoghue International Poetry Competition". munsterlit.ie. 2016. Retrieved 11 May 2017.
40. "Shortlist, Fish Poetry Prize 2015". Fish Publishing. Retrieved 14 May 2017.
41. "Shortlist, Fish Poetry Prize 2016". Fish Publishing. Retrieved 14 May 2017.
42. "Shortlist, Fish Short Story Prize 2014/15". Fish Publishing. Retrieved 14 May 2017.
43. "Fool for Poetry Chapbook Competition". munsterlit.ie. Retrieved 14 May 2017.
44. ^ O'Donoghue, Martina (2011). "Interview with James O'Sullivan". C103FM.
45. ^ "Cork's James sees poems in print". Cork Independent. No. 34. 2011. p. 14.
46. "First collection for former Spioraid Naoimh Student". Bishopstown News. No. 20. 2011. p. 26.
47. "2011 CIT Societies & Activities Awards Announced". Bishopstown News. No. 16. 2011. p. 33.
48. O'Sullivan, James (24 March 2017). "We Are All Complicit in the Catholic Church's Corruption – HeadStuff". HeadStuff. Retrieved 20 April 2017.
49. O'Sullivan, James (26 April 2018). "A time for honesty… here's what the church means to me". Evening Echo. p. 18.

• 1986 births
• 21st-century Irish male writers
• Academics of University College Cork
• Irish male short story writers
• 21st-century Irish short story writers
• Living people
• 21st-century Irish poets
• Irish male poets
• Academics of the University of Sheffield