Misplaced Pages

Joe Viola

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
American film director (1938–2024)
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
This article relies excessively on references to primary sources. Please improve this article by adding secondary or tertiary sources.
Find sources: "Joe Viola" – news · newspapers · books · scholar · JSTOR (October 2024) (Learn how and when to remove this message)
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Joe Viola" – news · newspapers · books · scholar · JSTOR (October 2024) (Learn how and when to remove this message)
(Learn how and when to remove this message)

Joseph Andrew Viola (May 27, 1938 – October 16, 2024) was an American film director, screenwriter, and producer.

Life and career

Viola was born in The Bronx on May 27, 1938. He is known for his work with Jonathan Demme, with whom he collaborated on Angels Hard as They Come (1971), The Hot Box (1972), Black Mama White Mama (1973), Stop Making Sense (1984), and Beah: A Black Woman Speaks (2003). In 1994, Demme described him as "my best friend, one of the most gifted storytellers I've ever known."

Viola began his career directing television commercials, where he met Demme, who was a publicist for United Artists. In 1970, Roger Corman tasked Demme with writing an exploitation biker film for his fledgling company New World Pictures, and Demme recruited Viola as his co-writer. When Corman read their script, he asked Viola to direct, and the resulting film, Angels Hard as They Come, was a financial success for New World. As a result, Corman recruited Viola and Demme for another movie, The Hot Box. They also wrote the story for Black Mama White Mama, which John Ashley bought from Demme for $500. Demme made his directorial debut with Caged Heat in 1974, where Viola had a cameo role as a sports car driver.

In 1984, Viola served as the assistant director on Demme's concert film Stop Making Sense.

Viola wrote for television. He was a story editor for T. J. Hooker and Cagney & Lacey, and was a producer on the short-lived series Equal Justice, WIOU, Dellaventura. Other shows Viola wrote for include The Bionic Woman, One Day at a Time, MacGyver, Law & Order, and Melrose Place.

Viola wrote the segment "Manhattan Miracle" in the film Subway Stories, which was directed by Ted Demme.

Viola died in Los Angeles on October 16, 2024, at the age of 86.

Select credits

References

  1. ^ "Joseph Andrew Viola". Neptune Society. Retrieved 26 October 2024.
  2. DeCurtis, Anthony. "The Rolling Stone Interview: Jonathan Demme on 'Philadelphia', Tom Hanks, Homophobia". Rolling Stone.
  3. Nashawaty, Chris (27 April 2017). "Jonathan Demme on how he got started in filmmaking, in his own words". Entertainment Weekly.
  4. Lamont, John (1992). "The John Ashley Interview Part 2". Trash Compactor (Volume 2 No. 6 ed.). p. 6.
  5. Joyner, Will. "Episodes From a Transitory World". The New York Times.
  6. "The Hot Box". Santa Ana Register. 1972-09-23. p. 15. Retrieved 2024-10-11.

External links


Stub icon

This article about a United States film director is a stub. You can help Misplaced Pages by expanding it.

Categories: