Misplaced Pages

Johann Gotthard von Müller

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
German line engraver
You can help expand this article with text translated from the corresponding article in German. (October 2020) Click for important translation instructions.
  • Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
  • Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
  • You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Misplaced Pages article at ]; see its history for attribution.
  • You may also add the template {{Translated|de|Johann Gotthard von Müller}} to the talk page.
  • For more guidance, see Misplaced Pages:Translation.
J. G. von Müller, a 1773 portrait of Müller by Johann Friedrich August Tischbein
A portrait of Müller by Jérôme Bonaparte

Johann Gotthard von Müller (4 May 1747 in Bernhausen, near Stuttgart – 14 March 1830 in Stuttgart) was a German line engraver.

Biography

He prepared himself for the church, but attended the academy of fine arts as well and studied under the court painter Guibal. Developing a talent for engraving, he went to Paris in 1770, where for six years he studied under Johann Wille. He won a number of prizes there, and was elected a member of the French Academy.

In 1776, Duke Charles recalled him to Stuttgart, where he taught for nine years, and whence he was summoned to Paris to engrave a portrait of Louis XVI, after Joseph Duplessis. Next in importance to this is his engraving of Trumbull's “Battle of Bunker Hill.”

On his return to Stuttgart he became professor of engraving. He was elected a member of the principal European academies, and was knighted in 1818. He engraved thirty-three plates in all, of which, besides those mentioned, the best are: “Madonna della Seggiola,” after Raphael; “Saint Catharine with Two Angels,” after Leonardo da Vinci; “Schiller,” after the portrait by Anton Graff; and “Saint Cecilia,” after Domenichino.

Personal life

He trained his son, Johann Friedrich as a line engraver. Friedrich went to Paris to complete his studies and mostly worked there. He executed engravings of “St. John” and “St. Cecilia” after Domenichino. After preparing in Rome for the engraving of Raphael's “Madonna di San Sisto,” he devoted the remainder of his life to that masterpiece. In 1814 he was appointed professor in the Dresden Academy of Fine Arts, but his health being impaired by overwork, he retired. His works, 18 in number, were noticed favorably.

Notes

  1. Library of Universal Knowledge. American book exchange. 1881. p. 287.

References

Attribution

External links

August Wintterlin (1885), "Müller, Johann Gotthard (von)", Allgemeine Deutsche Biographie (in German), vol. 22, Leipzig: Duncker & Humblot, pp. 610–616 August Wintterlin (1885), "Müller, Johannes Friedrich Wilhelm", Allgemeine Deutsche Biographie (in German), vol. 22, Leipzig: Duncker & Humblot, pp. 617–620

Categories: