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The Valar (['valar]; singular Vala) are characters in J. R. R. Tolkien's legendarium. They are "angelic powers" or "gods" subordinate to the one God (Eru Ilúvatar). The Ainulindalë describes how some of the Ainur choose to enter the world (Arda) to complete its material development after its form is determined by the Music of the Ainur. The mightiest of these are called the Valar, or "the Powers of the World", and the others are known as the Maiar.

The Valar are mentioned briefly in The Lord of the Rings but Tolkien had developed them earlier, in material published posthumously in The Silmarillion, especially the "Valaquenta" (Quenya: "Account of the Valar"), The History of Middle-earth, and Unfinished Tales. Scholars have noted that the Valar resemble angels in Christianity but that Tolkien presented them rather more like pagan gods. Their role in providing what the characters in Middle-earth experience as luck or providence is also discussed.

Origin and acts

The creator Eru Ilúvatar first reveals to the Ainur his great vision of the world, Arda, through musical themes, as described in Ainulindalë, "The Music of the Ainur".

This world, fashioned from his ideas and expressed as the Music of Ilúvatar, is refined by thoughtful interpretations by the Ainur, who create their own themes based on each unique comprehension. No one Ainu understands all the themes that spring from Ilúvatar. Instead, each elaborates individual themes, singing of mountains and subterranean regions, say, from themes for metals and stones. The themes of Ilúvatar's music are elaborated, and each of the Ainur add harmonious creative touches. Melkor, however, adds discordant themes: He strives against the Music; his themes become evil because they spring from selfishness and vanity, not from the enlightenment of Ilúvatar.

Once the Music is complete, including Melkor's interwoven themes of vanity, Ilúvatar gives the Ainur a choice—to dwell with him or to enter the world that they have mutually created. The greatest of those that choose to enter the world become known as the Valar, the 'Powers of Arda', and the lesser are called the Maiar. Among the Valar are some of the most powerful and wise of the Ainur, including Manwë, the Lord of the Valar, and Melkor, his brother. The two are distinguished by the selfless love of Manwë for the Music of Ilúvatar and the selfish love that Melkor bears for himself and no other—least of all for the Children of Ilúvatar, Elves and Men.

Melkor (later named Morgoth, Sindarin for "dark enemy") arrives in the world first, causing tumult wherever he goes. As the others arrive, they see how Melkor's presence would destroy the integrity of Ilúvatar's themes. Eventually, and with the aid of the Vala Tulkas, who enters Arda last, Melkor is temporarily overthrown, and the Valar begin shaping the world and creating beauty to counter the darkness and ugliness of Melkor's discordant noise.

The Valar originally dwell on the Isle of Almaren in the middle of Arda, but after its destruction and the loss of the world's symmetry, they move to the western continent of Aman ("Unmarred") and found Valinor. The war with Melkor continues: The Valar realize many wonderful subthemes of Ilúvatar's grand music, while Melkor pours all his energy into Arda and the corruption of creatures like Balrogs, dragons, and Orcs. Most terrible of the early deeds of Melkor is the destruction of the Two Lamps and with them, the original home of the Valar, the Isle of Almaren. Melkor is captured and chained for many ages in the fastness of Mandos, until he is pardoned by Manwë.

With the arrival of the Elves in the world, a new phase of the regency of the Valar begins. Summoned by the Valar, many Elves abandon Middle-earth and the eastern continent for the West, Valinor, where the Valar concentrate their creativity. There they make the Two Trees, their greatest joy because they illuminate the beauty of Valinor and delight the Elves.

At Melkor's instigation the evil giant spider Ungoliant destroys the Trees. Fëanor, a Noldor Elf, with forethought and love, captures the light of the Two Trees in three Silmarils, the greatest jewels ever created. Melkor steals the Silmarils from Fëanor, kills his father, Finwë, chief of the Noldor in Aman, and flees to Middle-earth. Many of the Noldor, in defiance of the will of the Valar, swear revenge and set out in pursuit. This event, and the poisonous words of Melkor that foster mistrust among the Elves, leads to the exile of the greater part of the Noldor to Middle-earth: The Valar close Valinor against them to prevent their return.

For the remainder of the First Age, the Lord of Waters, Ulmo, alone of the Valar, visits the world beyond Aman. Ulmo directly influences the actions of Tuor, setting him on the path to find the hidden city of Gondolin. At the end of the First Age, the Valar send forth a great host of Maiar and Elves from Valinor to Middle-earth, fighting the War of Wrath, in which Melkor is defeated. The lands are changed, and the Elves are again called to Valinor.

During the Second Age, the Valar's main deeds are the creation of Númenor as a refuge for the Edain, who are denied access to Aman but given dominion over the rest of the world. The Valar, now including even Ulmo, remain aloof from Middle-earth, allowing the rise to power of Morgoth's lieutenant, Sauron, as a new Dark Lord. Near the end of the Second Age, Sauron convinces the Númenóreans to attack Aman itself. This leads Manwë to call upon Ilúvatar to restore the world to order; Ilúvatar answers by destroying Númenor, as described in the Akallabêth. Aman is removed from Arda (though not from the whole created world, Eä, for Elvish ships could still reach it). In the Third Age, the Valar send the Istari (or wizards) to Middle-earth to aid in the battle against Sauron.

The chief Valar

The names and attributes of the chief Valar, as they are described in the "Valaquenta", are listed below. In Middle-earth, they are known by their Sindarin names: Varda, for example, is called Elbereth. Men know them by many other names, and sometimes worship them as gods. With the exception of Oromë, the names listed below are not actual names but rather titles: The true names of the Valar are nowhere recorded. The males are called "Lords of the Valar", and the females are called "Queens of the Valar," or Valier. Of the known seven male and seven female Valar, there are six married pairs: Ulmo and Nienna are the only ones who dwell alone. This is evidently a spiritual rather than a physical union, as in Tolkien's later conception they do not reproduce.

The Aratar (Quenya: Exalted), or High Ones of Arda, are the eight greatest of the Valar: Manwë, Varda, Ulmo, Yavanna, Aulë, Mandos, Nienna, and Oromë. Lórien and Mandos are brothers and are collectively called as the Fëanturi, "Masters of Spirits".

Ilúvatar brings the Valar (and all the Ainur) into being by his thought and may therefore be considered their father. However, not all the Valar are siblings; where this is held to be so, it is because they are so "in the thought of Ilúvatar". It was the Valar who first practise marriage and later pass on their custom to the Elves; all the Valar have spouses, save Nienna, Ulmo, and Melkor. Only one such marriage among the Valar takes place within the world, that of Tulkas and Nessa after the raising of the Two Lamps.

Lords

Queens

Ex-Valar

Language

Tolkien at first decided that Valarin, the tongue of the Valar, would be the proto-language of the Elves. He developed the Valarin language and its grammar in the early 1930s. In this early conception, as described in the 1937 Lhammas, all Middle-earth's languages are derived from Valarin. In the 1940s, he changed his mind, and the tongue he had developed became Primitive Quendian instead. He then conceived an entirely new tongue for the Valar, still called Valarin; he did not develop this new language in any detail. In this later conception, Valarin is unrelated to the other languages of Middle-earth. Only a few words of Valarin, mainly proper names, are recorded. The Valar can communicate through thought and have no need for a spoken language, but may have developed Valarin when they took physical, humanlike (or elf-like) forms.

Analysis

Beowulf

The passage at the start of the Old English poem Beowulf about Scyld Scefing contains a cryptic mention of þā ("those") who have sent Scyld as a baby in a boat, presumably from across the sea, and to whom Scyld's body is returned in a ship funeral, the vessel sailing by itself. Shippey suggests that Tolkien may have seen in this both an implication of a Valar-like group who behave much like gods, and a glimmer of his Old Straight Road, the way across the sea to Valinor forever closed to mortal Men by the remaking of the world after Númenor's attack on Valinor.

Norse Æsir

Scholars such as John Garth have noted that the Valar resemble the Æsir, the Norse gods of Asgard. Thor, for example, physically the strongest of the gods, can be seen both in Oromë, who fights the monsters of Melkor, and in Tulkas, the strongest of the Valar. Manwë, the head of the Valar, has some similarities to Odin, the "Allfather", while the wizard Gandalf, one of the Maiar, resembles Odin the wanderer.

Godlike power

Tolkien compared King Théoden of Rohan, charging into the enemy at the Battle of the Pelennor Fields, to a Vala of great power, and to "a god of old":

Théoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Oromë the Great in the battle of the Valar when the world was young. His golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came ... and the hosts of Mordor wailed ... and the hoofs of wrath rode over them.

The Episcopal priest and author Fleming Rutledge comments that while Tolkien is not equating the events here with the Messiah's return, he was happy when readers picked up biblical echoes. In her view the language here is clearly biblical, evoking Malachi's messianic prophecy "See, the day is coming, burning like an oven, when all the arrogant and all evildoers will be stubble ... And you shall tread down the wicked, for they will be ashes under the soles of your feet".

Pagan gods or angels

The theologian Ralph C. Wood describes the Valar and Maiar as being what Christians "would call angels", intermediaries between the creator, Eru Ilúvatar, and the created cosmos. Like angels, they have free will and can therefore rebel against him.

Matthew Dickerson, writing in the J.R.R. Tolkien Encyclopedia, calls the Valar the "Powers of Middle-earth", noting that they are not incarnated and quoting the Tolkien scholar Verlyn Flieger's description of their original role as "to shape and light the world". Dickerson writes that while Tolkien presents the Valar like pagan gods, he imagined them more like angels and notes that scholars have compared the devotion of Tolkien's Elves to Elbereth, an epithet of Varda, as resembling the Roman Catholic veneration of Mary the mother of Jesus. Dickerson states that the key point is that the Valar were "not to be worshipped". He argues that as a result, the Valar's knowledge and power had to be limited, and they could make mistakes and moral errors. Their bringing of the Elves to Valinor meant that the Elves were "gathered at their knee", a moral error as it suggested something close to worship.

The scholar of literature Marjorie Burns notes that Tolkien wrote that to be acceptable to modern readers, mythology had to be brought up to "our grade of assessment". In her view, between his early work, The Book of Lost Tales, and the published Silmarillion, the Valar had greatly changed, "civilized and modernized", and this had made the Valar "slowly and slightly" more Christian. For example, the Valar now had "spouses" rather than "wives", and their unions were spiritual, not physical. All the same, she writes, readers still perceive the Valar "as a pantheon", serving as gods.

• Tolkien's Valar behave as a group, so that readers perceive them as a pantheon like the Olympian gods of the Greeks.

Elizabeth Whittingham comments that the Valar are unique to Tolkien, "somewhere between gods and angels". In her view they mostly lack the rough brutality of the Norse gods; they have the angels' "sense of moral rightness" but disagree with each other; and their statements most closely resemble those of Homer's Greek gods, who can express their frustration with mortal men, as Zeus does in the Odyssey In a letter to Milton Waldman, Tolkien states directly that the Valar are "'divine', that is, were originally 'outside' and existed 'before' the making of the world. Their power and wisdom is derived from their Knowledge of the cosmogonical drama". He explains that he intends them to be "of the same order of beauty, power, and majesty as the 'gods' of higher mythology". Whittingham notes further that Tolkien likens lesser spirits, wizards, who are Maiar not Valar, to guardian angels; and that when describing the Maiar he "vacillates between 'gods' and 'angels' because both terms are close but neither is exactly right". Tolkien states in another letter that the Valar "entered the world after its making, and that the name is properly applied only to the great among them, who take the imaginative but not the theological place of 'gods'." Whittingham comments that the "thoughtful and carefully developed explanations" that Tolkien gives in these letters are markedly unlike his depictions of the Valar in his "earliest stories".

Luck or providence

The Tolkien scholar Tom Shippey discusses the connection between the Valar and "luck" on Middle-earth, writing that as in real life, "People ... do in sober reality recognise a strongly patterning force in the world around them" but that while this may be due to "Providence or the Valar", the force "does not affect free will and cannot be distinguished from the ordinary operations of nature" nor reduce the necessity of "heroic endeavour". He states that this exactly matches the Old English view of luck and personal courage, as Beowulf's "wyrd often spares the man who isn't doomed, as long as his courage holds." The scholar of humanities Paul H. Kocher similarly discusses the role of providence, in the form of the intentions of the Valar or of the creator, in Bilbo's finding of the One Ring and Frodo's bearing of it; as Gandalf says, they were "meant" to have it, though it remained their choice to co-operate with this purpose.

Rutledge writes that in The Lord of the Rings, and especially at moments like Gandalf's explanation to Frodo in "The Shadow of the Past", there are clear hints of a higher power at work in events in Middle-earth:

There was more than one power at work, Frodo. The Ring was trying to get back to its master ... Behind that there was something else at work, beyond any design of the Ring-maker. I can put it no plainer than by saying that Bilbo was meant to find the Ring, and not by its maker. In which case you also were meant to have it.

Rutledge notes that in this way, Tolkien repeatedly hints at a higher power "that controls even the Ring itself, even the maker of the Ring himself ", and asks who or what that power might be. Her reply is that at the surface level, it means the Valar, "a race of created beings (analogous to the late-biblical angels)"; at a deeper level, it means "the One", Eru Ilúvatar, or in Christian terms, divine Providence.

Notes

1. In The Return of the King, Théoden is compared to Oromë when he leads the charge of Rohirrim in The Battle of the Pelennor Fields: "Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Oromë the Great in the battle of the Valar when the world was young."
2. "Tears unnumbered ye shall shed; and the Valar will fence Valinor against you, and shut you out, so that not even the echo of your lamentation shall pass over the mountains. On the House of Fëanor the wrath of the Valar lieth from the West unto the uttermost East, and upon all that will follow them it shall be laid also. Their Oath shall drive them, and yet betray them, and ever snatch away the very treasures that they have sworn to pursue. To evil end shall all things turn that they begin well; and by treason of kin unto kin, and the fear of treason, shall this come to pass. The Dispossessed shall they be for ever." The Silmarillion
3. The Book of Lost Tales had two additional Valar, Makar and Meássë, omitted from Tolkien's later works, with roles similar to war gods of classical myth.

References

Primary

1. Carpenter 2023, #154 to Naomi Mitchison, September 1954
2. ^ Tolkien 1977, "Ainulindalë"
3. ^ Tolkien 1977, ch. 1, "Of the Beginning of Days"
4. ^ Tolkien 1977, ch. 3 "Of the Coming of the Elves and the Captivity of Melkor"
5. Tolkien 1977, ch. 9 "Of the Flight of the Noldor"
6. Tolkien 1977, ch. 23, "Of Tuor and the Fall of Gondolin"
7. Tolkien 1977, ch. 24, "Of the Voyage of Eärendil and the War of Wrath"
8. ^ Tolkien 1977, "Akallabêth"
9. Tolkien 1980, "The Istari"
10. ^ Tolkien 1977, "Valaquenta"
11. Tolkien 1955, book 5, ch. 6 "The Battle of the Pelennor Fields"
12. Tolkien 1977 ch. 9 "Of the Flight of the Noldor"
13. Tolkien 1954a, book 1, ch. 3 "Three is Company"
14. Tolkien 1954a, book 2, ch. 1 "Many Meetings"
15. Tolkien 1954, book 4, ch. 10 "The Choices of Master Samwise"
16. Tolkien 2007, p. 150 "Words, Phrases and Passages"
17. Tolkien 1987, ch. 7 The Lhammas
18. Tolkien 1987 ch. 7 "The Lhammas"
19. Tolkien 2009, p. 72 "Tengwesta Qenderinwa"
20. Tolkien 1994, pp. 397–407
21. ^ Tolkien 1955, book 5, ch. 5, "The Ride of the Rohirrim"
22. Tolkien 1984, chs 3 "The Coming of the Valar and the Building of Valinor", 4 "The Chaining of Melko", 5 "The Coming of the Elves and the Making of Kôr", and 6 "The Theft of Melko and the Darkening of Valinor"
23. ^ Carpenter 2023, #131 to Milton Waldman, late 1951
24. Carpenter 2023, #212, unsent draft continuation to Rhona Beare, on or after 14 October 1858
25. Tolkien 1954a, book 1, ch. 2 "The Shadow of the Past"

Secondary

1. ^ Fauskanger 2022.
2. Shippey 2022, pp. 166–180.
3. ^ Garth 2003, p. 86.
4. ^ Chance 2004, p. 169.
5. Jøn 1997.
6. Burns 2005, pp. 95–101.
7. Rutledge 2004, p. 287, citing Malachi 4:1–3.
8. ^ Wood 2003, p. 13.
9. ^ Dickerson 2013, pp. 689–690.
10. ^ Burns 2004, pp. 163–178.
11. ^ Whittingham 2008, pp. 38, 69–70.
12. ^ Shippey 2005, pp. 173–174, 262.
13. Kocher 1974, p. 37.
14. Rutledge 2004, pp. 62–63.
15. Rutledge 2004, pp. 62–63, "The Third Power Makes Itself Known".

Sources

• Burns, Marjorie (2004). "Norse and Christian Gods: The Integrative Theology of J. R. R. Tolkien". In Chance, Jane (ed.). Tolkien and the Invention of Myth: A Reader. University Press of Kentucky. ISBN 978-0-8131-2301-1.
• Burns, Marjorie (2005). Perilous Realms: Celtic and Norse in Tolkien's Middle-earth. University of Toronto Press. ISBN 978-0-8020-3806-7.
• Carpenter, Humphrey, ed. (2023) . The Letters of J. R. R. Tolkien: Revised and Expanded Edition. New York: Harper Collins. ISBN 978-0-35-865298-4.
• Chance, Jane (2004). Tolkien and the Invention of Myth: A Reader. Lexington, Kentucky: University Press of Kentucky. ISBN 978-0-8131-2301-1.
• Dickerson, Matthew (2013) . "Valar". In Drout, Michael D. C. (ed.). The J. R. R. Tolkien Encyclopedia. Routledge. pp. 689–690. ISBN 978-0-415-86511-1.
• Fauskanger, Helge Kåre (2022). "Valarin - like the glitter of swords". Ardalambion: Of the Tongues of Arda, the invented world of J.R.R. Tolkien. Retrieved 21 October 2022.
• Garth, John (2003). Tolkien and the Great War: The Threshold of Middle-earth. Houghton Mifflin. p. 86. ISBN 978-0-618-33129-1.
• Jøn, A. Asbjørn (1997). An investigation of the Teutonic god Óðinn; and a study of his relationship to J. R. R. Tolkien's character, Gandalf (Thesis). University of New England.
• Kocher, Paul (1974) . Master of Middle-earth: The Achievement of J.R.R. Tolkien. Penguin Books. p. 37. ISBN 978-0-14-003877-4.
• Rutledge, Fleming (2004). The Battle for Middle-earth: Tolkien's Divine Design in The Lord of the Rings. William B. Eerdmans Publishing Company. ISBN 978-0-80282-497-4.
• Shippey, Tom (2005) . The Road to Middle-Earth: How J. R. R. Tolkien Created a New Mythology (Third ed.). HarperCollins. ISBN 978-0-261-10275-0.
• Shippey, Tom (2022). "'King Sheave' and 'The Lost Road'". In Ovenden, Richard; McIlwaine, Catherine (eds.). The Great Tales Never End: Essays in Memory of Christopher Tolkien. Bodleian Library Publishing. pp. 166–180. ISBN 978-1-8512-4565-9.
• Tolkien, J. R. R. (1954a). The Fellowship of the Ring. The Lord of the Rings. Boston: Houghton Mifflin. OCLC 9552942.
• Tolkien, J. R. R. (1954). The Two Towers. The Lord of the Rings. Boston: Houghton Mifflin. OCLC 1042159111.
• Tolkien, J. R. R. (1955). The Return of the King. The Lord of the Rings. Boston: Houghton Mifflin. OCLC 519647821.
• Tolkien, J. R. R. (1977). Christopher Tolkien (ed.). The Silmarillion. Boston: Houghton Mifflin. ISBN 978-0-395-25730-2.
• Tolkien, J. R. R. (1980). Christopher Tolkien (ed.). Unfinished Tales. Boston: Houghton Mifflin. ISBN 978-0-395-29917-3.
• Tolkien, J. R. R. (1984). Christopher Tolkien (ed.). The Book of Lost Tales. Vol. 1. Boston: Houghton Mifflin. ISBN 0-395-35439-0.
• Tolkien, J. R. R. (1987). Christopher Tolkien (ed.). The Lost Road and Other Writings. Boston: Houghton Mifflin. ISBN 0-395-45519-7.
• Tolkien, J. R. R. (1994). Christopher Tolkien (ed.). The War of the Jewels. Boston: Houghton Mifflin. ISBN 0-395-71041-3.
• Tolkien, J. R. R. (2007). "Words, Phrases and Passages in Various Tongues in The Lord of the Rings". Parma Eldalamberon (17): 150.
• Tolkien, J. R. R. (2009). "Tengwesta Qenderinwa". Parma Eldalamberon (18): 72.
• Whittingham, Elizabeth A. (2008). The Evolution of Tolkien's Mythology: A Study of the History of Middle-earth. McFarland. ISBN 978-1-4766-1174-7.
• Wood, Ralph C. (2003). The Gospel According to Tolkien. Westminster John Knox Press. p. 13. ISBN 978-0-664-23466-9.

v t e The Lord of the Rings
J. R. R. Tolkien Constructing The Lord of the Rings
About	Volumes The Fellowship of the Ring The Two Towers The Return of the King Stories "The Shadow of the Past" "The Council of Elrond" "The Scouring of the Shire" "The Tale of Aragorn and Arwen" Translating List of translations Swedish Reception Impact Literary Fandom Fan fiction Oxonmoot Tolkienmoot Works inspired Tolkien's impact on fantasy
Analysis	Elements Artwork Company of the Ring Family trees Heraldry Languages Black Speech Elvish Quenya Sindarin Khuzdul Maps Poetry A Elbereth Gilthoniel Namárië Song of Eärendil The Man in the Moon Stayed Up Too Late The Road Goes Ever On A Walking Song Proverbs Themes Addiction to power Ancestry as guide to character Architecture Christianity Death and immortality Decline and fall Dreams and visions Economy England Environmentalism Evil Forests Hell Heroism Luck and fate Magic Mental illness Moral dilemma Music Naming of weapons Northern courage Paganism Plants Psychological journeys Quests Race Sexuality Sound and language Time Trees Women Influences Antiquarianism Beowulf Celtic Classical world First World War Norse Medieval Modern sources Modernism A mythology for England Philology Shakespeare Techniques Anachronism Character pairing Editorial framing Frame stories Pseudotranslation Impression of depth Narrative structure Interlacing Storytelling Prose style Ambiguity Epic Pooh
Peoples	Maiar Balrogs Sauron Wizards Gandalf Radagast Saruman Free peoples Dwarves Balin Gimli Elves Galadriel Glorfindel Half-elven Arwen Elrond Legolas Thranduil Ents Treebeard Hobbits Bilbo Frodo Merry Pippin Sam Men Beornings Drúedain Dúnedain Aragorn of Gondor Boromir Denethor Faramir of Rohan Éomer Éowyn Théoden Wormtongue Monsters Barrow-wight Gollum Nazgûl Witch-king of Angmar Old Man Willow Orcs Shelob Trolls Wargs Watcher in the Water Other Eagles Goldberry Tom Bombadil
World	Geography Eriador Bree Old Forest Rivendell The Shire Bag End Gondor Harad Lothlórien Mirkwood Moria Mordor Rohan Isengard Battles Helm's Deep Pelennor Fields Morannon Things Mithril Oliphaunts Palantírs Phial of Galadriel Rings of Power One Ring List of weapons and armour
Related works	The Hobbit The Adventures of Tom Bombadil Errantry Fastitocalon The Sea-Bell The Road Goes Ever On Bilbo's Last Song The Silmarillion Unfinished Tales The Letters of J. R. R. Tolkien The History of Middle-earth The Children of Húrin The History of The Hobbit Beren and Lúthien The Fall of Gondolin The Nature of Middle-earth
Adaptations and derivative works Books Bored of the Rings (1969) The Last Ringbearer (1999) Muddle Earth (2003) Illustrations A Map of Middle-earth Pauline Baynes Barbara Remington John Howe Alan Lee Margrethe II of Denmark Ted Nasmith Theatre Fellowship! (2005) Lord of the Rings (2006) Music Music Inspired by Lord of the Rings (1972) Symphony No. 1 The Lord of the Rings (1988) Led Zeppelin "Ramble On" (1969) "Misty Mountain Hop" (1971) "The Battle of Evermore" (1971) Radio The Lord of the Rings (BBC, 1955) The Lord of the Rings (NPR, 1979) Hordes of the Things (1980) The Lord of the Rings (BBC, 1981) Der Herr der Ringe (1992) Film Animated The Lord of the Rings (Bakshi, 1978) The Return of the King (Rankin/Bass, 1980) The War of the Rohirrim (Kamiyama, 2024) Peter Jackson series The Fellowship of the Ring (2001) The Two Towers (2002) The Return of the King (2003) Music "Concerning Hobbits" "Into the West" "May It Be" Approach Production Hobbiton Movie Set Peter Jackson's interpretation Picturing Tolkien Tolkien on Film Other Sagan om ringen (1971) Khraniteli (1991) Hobitit (1993) The Rings of Power (2022) music Fan-made The Hunt for Gollum (2009) Born of Hope (2009) Video games Journey to Rivendell Game One Game Two: Shadows of Mordor War in Middle Earth Vol. I (1990) Vol. I (SNES) Riders of Rohan Elendor Vol. II: The Two Towers The Fellowship of the Ring The Two Towers The Return of the King War of the Ring The Third Age Game Boy Advance The Battle for Middle-earth Tactics The Battle for Middle-earth II The Rise of the Witch-king Conquest Aragorn's Quest War in the North Lego The Lord of the Rings Guardians of Middle-earth Shadow of Mordor Shadow of War Gollum Return to Moria The Lord of the Rings Online Mines of Moria Siege of Mirkwood Rise of Isengard Riders of Rohan Helm's Deep Mordor Minas Morgul War of Three Peaks Fate of Gundabad Before the Shadow Tabletop role- playing games Middle-earth Role Playing The Lord of the Rings Roleplaying Game The One Ring Roleplaying Game Adventures in Middle-earth Board games Middle Earth War of the Ring Gondor: The Siege of Minas Tirith Sauron Lord of the Rings War of the Ring Card games Middle-earth Collectible Card Game The Lord of the Rings Trading Card Game The Lord of the Rings: The Card Game Other games Middle-earth Strategy Battle Game Lego The Lord of the Rings

• Middle-earth Valar
• Lists of Middle-earth characters
• Lists of fictional deities