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La parisienne japonaise

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Painting by Alfred Stevens
La parisienne japonaise
ArtistAlfred Stevens
Year1872
MediumOil on canvas
Dimensions111.8 cm × 77.3 cm (44 in × 30.4 in)
LocationLa Boverie, Liège

La parisienne japonaise is an oil on canvas painting by Belgian painter Alfred Stevens. It depicts a young woman in a blue kimono standing in front of a mirror. The painting testifies to Stevens' involvement with Japonisme. Stevens was one of the earliest collectors of Japanese art in Paris.

Context

During the Kaei era (1848–1854), after more than 200 years of seclusion, foreign merchant ships of various nationalities began to visit Japan. Following the Meiji Restoration in 1868, Japan ended a long period of national isolation and became open to imports from the West, including photography and printing techniques. With this new opening in trade, Japanese art and artifacts began to appear in small curiosity shops in Paris and London. Japonisme began as a craze for collecting Japanese art, particularly ukiyo-e. Some of the first samples of ukiyo-e were to be seen in Paris.

Girl in Kimono, same period

The Ukiyo-e became a great influence on painting and the decorative arts. At that time, Japonisme influenced Steven' work, just as James McNeill Whistler's, to whom Stevens was close (Whistler was especially close to Tissot in the 1870s and to Stevens in the 1880s). Starting from the 1860s, paintings by Whistelr's friends Stevens and James Tissot depict European women whose enthralled gazes directed at East Asian objects seem to "invest those objects with uncanny vitality."

Both Stevens and Whistler best expressed this exotic influence in a series of female portraits. La parisienne japonaise is a typical example therof. Almost all objects on display are Japanese and probably come from Stevens's personal collection.

Painting

La parisienne japonaise shows a sophisticated woman in an elegantly decorated blue kimono, with a fan in her right hand, standing in front of a mirror in which she looks at herself somewhat absentmindedly.

The mirrored image also gives the viewer an impression of the space in which she is located. A vase of flowers is thus visible via the mirror on the left. The background is relatively empty, and a folding screen behind the young woman prevents from further inquiring into her whereabouts, so that the attention automatically returns to the model and her colorful, exotic dress.

References

  1. Stevens ging als geen ander mee met het toentertijd sterk in mode zijnde Japonisme.
  2. Cate, Phillip Dennis; Eidelberg, Martin; Johnston, William R.; Needham, Gerald; Weisberg, Gabriel P. (1975). Japonisme: Japanese Influence on French Art 1854–1910. Kent State University Press. p. 1.
  3. Yvonne Thirion, "Le japonisme en France dans la seconde moitié du XIXe siècle à la faveur de la diffusion de l'estampe japonaise", 1961, Cahiers de l'Association internationale des études francaises, Volume 13, Numéro 13, pp. 117–130. DOI 10.3406/caief.1961.2193
  4. Richard Dorment (1971). From Realism to Symbolism: Whistler and His World. New York: Columbia University.
  5. ^ Aileen Tsui. "Whistler's La Princesse du pays de la porcelaine: Painting Re-Oriented". Association of Historians of Nineteenth-Century Art. Retrieved 10 September 2020.

Sources

  • Saskia de Bodt and others: Alfred Stevens. Brussels – Paris 1823-1906 . Royal Museums of Fine Arts of Belgium, Van Gogh Museum / Mercator Fund, 2009. ISBN 9789061538745

External links

Alfred Stevens
1850s
1860s
  • In Memoriam (1861)
  • Elegant Figures in a Salon
  • Standing Figure of a Woman
  • Palm Sunday
  • Pleasant Letter
  • The Breakup Letter
  • The Lady in Pink
  • News from Afar
  • Admiring the Portrait
  • Young Woman in White Holding a Bouquet
  • Mademoiselle de Clermont-Tonnerre
  • The Present
  • The Reader
  • Autumn Flowers
  • Hesitation (Madame Monteaux)
  • L'atelier
1870s
  • Lady Macbeth
  • The Blue Ribbon
  • Young Woman Resting in a Music Room
  • Curious
  • La parisienne japonaise
  • Meditation
  • The Bath
  • The Parisian Sphinx
  • After The Ball (The Confidence)
  • At the Railway Station
  • The Japanese Mask
  • Fall
  • Rêverie (1878)
  • Femme au chapeau de paille
  • The Widow
  • The Attentive Listener
1880s
  • The Artist in Her Studio (Kunstenares in haar atelier)
  • Young Woman with a Japanese Screen
  • Camille Lemonnier in the Artist's Studio
  • Yamatori
  • All Happiness
  • A Seated Woman in Oriental Dress
  • In Deep Thought
  • Mother and Her Children
  • Mary Magdalene
  • L'étude du rôle
  • Salome
  • In the studio
1890s
  • Storm at Honfleur
  • Visit to the Studio
  • Puesta de sol
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