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Laban notation symbols

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Laban Notation Symbols generally refers to the wide range of notation symbols (or signs) developing from the original work of Rudolf Laban and used in many different types of Laban Movement Study such as Labanotation and Laban Movement Analysis for graphically representing human body positions and movements.

History

see Rudolf Laban.

Notation staff

The concept of a "staff" is borrowed from music and the musical staff. It provides the basic framework for notating.

Body symbols

This section is empty. You can help by adding to it. (February 2013)

Spatial symbols

Several different methods have developed for notating space.

General spatial changes

Direction symbols

In Labanotation the direction symbols are organized as three levels: high, middle, and low (or deep):

27 Direction Symbols in Labanotation
(Hover mouse over symbols to see their names)
High Level forward-left-high forward-high forward-right-high left-forward-high forward-high right-forward-high
left-high place-high right-high left-high place-high right-high
backward-left-high backward-high backward-right-high left-back-high back-high right-back-high
Middle Level left-forward-middle forward-middle right-forward-middle left-forward-middle forward-middle right-forward-middle
left-middle place-middle right-middle left-middle place-middle right-middle
left-back-middle back-middle right-back-middle left-back-middle back-middle right-back-middle
Low Level forward-left-deep forward-low forward-right-deep left-forward-Low forward-Low right-forward-Low
left-deep place-low right-deep left-Low place-Low right-Low
backward-left-deep backward-deep backward-right-deep left-back-Low back-Low right-back-Low

In Laban Movement Analysis and Space Harmony (Choreutics) the same 27 direction symbols are used but they have a different conceptualization. Instead of envisaging the signs on three parallel horizontal planes (high, middle, and low levels), the direction signs are organized according to the octahedron, cube (hexahedron), and the icosahedron.

Vector motion symbols

In his early German publication Choreographie, Rudolf Laban used a different group of spatial directional signs which represented orientation of lines of motion (rather than orientations of limb positions).

These signs were translated into modern-day Labanotation signs, and referred to as "vector signs".

General Scheme of Rudolf Laban's Vector Signs
(Hover mouse over symbols to see their names) .
8 Diagonals (regular 45 degree orientations)
up-left-forward down-right-backward up-right-forward down-left-backward up-left-backward down-right-forward up-right-backward down-left-forward
3 Dimensions Diagonal motion oriented upward-forward-leftward Diagonal motion oriented downward-rightward-backward Diagonal motion oriented upward-forward-rightward Diagonal motion oriented downward-leftward-backward Diagonal motion oriented upward-backward-leftward Diagonal motion oriented downward-rightward-forward Diagonal motion oriented upward-backward-rightward Diagonal motion oriented downward-leftward-forward
Vertical CAPTION CAPTION - CAPTION CAPTION CAPTION CAPTION CAPTION CAPTION CAPTION CAPTION
Sagittal CAPTION CAPTION - CAPTION CAPTION CAPTION CAPTION CAPTION CAPTION CAPTION CAPTION
Lateral CAPTION CAPTION - CAPTION CAPTION CAPTION CAPTION CAPTION CAPTION CAPTION CAPTION
24 Inclinations (irregular deflected, tilted orientations)

Symbols for quality or dynamics

This section is empty. You can help by adding to it. (February 2013)

Symbols for relationships

"Relationships"' is used in a broad sense to refer to interactions amongst two or more bodies, for example awareness, focus, nearness, contact, physical weight support. Many fine distinctions have been deciphered. These have some relationship to Proxemics.

Notes and references

  1. (Hutchinson 1970, 15, 24, 29, 164-170)
  2. Laban, Rudolf. Choreographie (German) (1926). Jena: Eugen Diederichs. p. 13
  3. Rudolf Laban. Chorographie (1926), translated by Evamaria Zierach and Jeffrey Scott Longstaff
  4. Longstaff, Jeffrey (2001). Translating ‘vector symbols’ from Laban’s (1926) Choreographie. In Proceedings of the twenty-second biennial conference of the International Council of Kinetography Laban, 26 July - 2 August (pp. 70-86). Ohio State University, Columbus, Ohio. USA: ICKL.

Further reading

  • Hutchinson, Ann. (1970). Labanotation or Kinetography Laban: The System of Analyzing and Recording Movement. 3rd revised edition (1977). New York: Theatre Arts Books. (First published 1954).
  • Hutchinson-Guest, Ann (1983). Your move: A New Approach to the Study of Movement and Dance. New York: Gordon and Breach.
  • Hutchinson-Guest, Ann (1989). Choreo-Graphics; A Comparison of Dance Notation Systems from the Fifteenth Century to the Present. New York: Gordon and Breach.
  • Knust, Albrecht. (1948a). The development of the Laban kinetography (part I). Movement. 1 (1): 28–29.
  • Knust, Albrecht (1948b). The development of the Laban kinetography (part II). Movement. 1 (2): 27-28.
  • Knust, Albrecht (1979a). Dictionary of Kinetography Laban (Labanotation); Volume I: Text. Translated by A. Knust, D. Baddeley-Lang, S. Archbutt, and I. Wachtel. Plymouth: MacDonald and Evans.
  • Knust, Albrecht. (1979b). Dictionary of Kinetography Laban (Labanotation); Volume II: Examples. Translated by A. Knust, D. Baddeley-Lang, S. Archbutt, and I. Wachtel. Plymouth: MacDonald and Evans.
  • Laban, Rudolf. (1926). Choreographie (German). Jena: Eugen Diederichs.
  • Laban, Rudolf (1975). Laban’s Principles of Dance and Movement Notation. 2nd edition edited and annotated by Roderyk Lange. London: MacDonald and Evans. (First published 1956.)
  • Preston-Dunlop, V. (1969). Practical Kinetography Laban. London: MacDonald and Evans.
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