This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Law with Two Phases" – news · newspapers · books · scholar · JSTOR (May 2021) (Learn how and when to remove this message) |
Hong Kong film
Law with Two Phases | |
---|---|
Directed by | Danny Lee |
Written by | Danny Lee |
Produced by | Frankie Chan, Guy Lai |
Starring | Danny Lee |
Cinematography | Chan Hwa Ming |
Edited by | Fung Shui |
Music by | Wai Lam |
Distributed by | Always Good Film Co. Ltd. |
Country | Hong Kong |
Language | Cantonese |
Law with Two Phases (traditional Chinese: 公僕; simplified Chinese: 公仆; pinyin: Gong pu; Cantonese Yale: Gung buk), also known as Law with Two Faces is a 1984 Hong Kong film written and directed by the film's lead star Danny Lee in his second directorial outing.
Reception
Impact on Hong Kong Cinema
Law with Two Phases launched Danny Lee's career as an actor. At the time, Lee was not well known to Chinese audiences, having appeared in low-budget productions such Heroic Cops, a film which marked early appearances by then-unknowns Chow Yun-fat and Ng Man Tat.
Hong Kong films centering on Hong Kong police at the time often relied on comedy rather than action. The American film Dirty Harry is said to have inspired filmmakers to bring a more true-to-life representation of life "behind the shield" to the screen (It is probably no small coincidence that Lee later named his production company "Magnum", after Harry Callahan's weapon of choice).
Lee's performance in the film earned him a Hong Kong Film Award, as well as a Golden Horse Award. The film also helped usher in a new version of the police drama with its own visual styles and trademarks, such as everything being painted in shades of grey, and tinged with social resonance and blows of violence. The gritty, almost documentary-like style and cinematography was a bold charge against the almost cartoonish look of many action films of the time, and audiences, critics, and fellow directors responded.
External links
This article related to a Hong Kong film of the 1980s is a stub. You can help Misplaced Pages by expanding it. |