Leo Brouwer | |
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Background information | |
Birth name | Juan Leovigildo Brouwer Mezquida |
Born | (1939-03-01) March 1, 1939 (age 85) Havana, Cuba |
Genres | Classical, folk, aleatoric, atonal |
Occupation(s) | Musician, composer, conductor |
Instrument | Guitar |
Years active | 1967–present |
Labels | Egrem, Zoho Music |
Juan Leovigildo Brouwer Mezquida (born March 1, 1939) is a Cuban composer, conductor, and classical guitarist. He is a Member of Honour of the International Music Council.
Early years
Brouwer was born in Havana. When he was 13, he began classical guitar with the encouragement of his father, who was an amateur guitarist. His teacher was Isaac Nicola, who was a student of Emilio Pujol, who was himself a student of Francisco Tárrega. At age 17 he performed publicly for the first time and began composing.
Brouwer went to the United States to study music at the Hartt College of Music of the University of Hartford, and later at the Juilliard School, where he studied under Vincent Persichetti and took composition classes with Stefan Wolpe.
In 1970 Brouwer played in the premiere of El Cimarrón by Hans Werner Henze in Berlin. Together with Morton Feldman, he was awarded a 1972 scholarship by the DAAD (German Academic Exchange Service) and to work as a guest composer and lecturer at the Academy of Science and Arts of Berlin. In Germany Brouwer also recorded a number of LPs for Deutsche Grammophon.
Composing and performing
In his early compositions, Brouwer remained close to the rhythms of Cuban music, while later he was drawn to aleatoric music. During the 1960s and 70s, he became interested in the music of modernist composers such as Luigi Nono and Iannis Xenakis, using indeterminacy in works such as Sonograma I. Other works from this period include the guitar pieces Canticum (1968), La espiral eterna (1971), Parábola (1973) and Tarantos (1974). More recently, Brouwer's works have leaned towards tonality and modality. The solo guitar works El Decamerón Negro (1981), Paisaje cubano con campanas (1986), and the Sonata (1990; for Julian Bream) exemplify this tendency. His playing career ended in the early 1980s due to an injury to a tendon in his right hand middle finger.
Brouwer has written for guitar, piano, and percussion, and has composed orchestral works, ballet, and music for over one hundred movies, including the film Like Water for Chocolate. For a guitar competition in Hungary in 1979, he wrote a composition that employed 200 guitarists. He is known for a series of studies called the Etudes Simples. Brouwer has also transcribed Beatles songs for classical guitar.
He has performed and recorded works by Sylvano Bussotti, Hans Werner Henze, Maurice Ohana, Cristóbal Halffter, Leni Alexander, Cornelius Cardew, and Heitor Villa-Lobos.
Other activities
He has been a conductor for many symphony orchestras, including the BBC Concert Orchestra, the Berlin Philharmonic, and the Cordoba Symphony in Spain.
Brouwer is involved in the Concurso y Festival Internacional de Guitarra de la Habana (Havana International Guitar Festival and Competition). He frequently travels to attend guitar festivals throughout the world, and especially to other Latin American countries.
Brouwer, according to the composer himself, has never been a member of the Communist Party of Cuba, but has nevertheless held a number of official posts in Cuba, including with the music department of the Cuban Institute of Cinematographic Art and Industry.
Family
He is the grandson of Cuban composer Ernestina Lecuona y Casado. His great-uncle, Ernesto Lecuona, composed "La Malagueña" and his second cousin, Margarita Lecuona, composed "Babalú", which was popularized by Cuban musician and actor Desi Arnaz. Brouwer is the great-uncle of Al Jourgensen of Ministry fame. Brouwer is the brother of Jourgensen's maternal grandfather.
Selected compositions
Main article: List of compositions by Leo BrouwerChamber and solo instrumental
- Black Decameron, composed in 1981 for American guitarist Sharon Isbin, premiered in 1983.
- 2009 Mitología de las Aguas (Sonata No. 1 for flute and guitar)
Film scores
- 1968: Lucía
- 1992: Like Water for Chocolate (film)
References
- "Members of Honour - International Music Council". Imc-cim.org. 2016-04-06. Retrieved 2020-03-21.
- ^ Whitesel, Tod. "Leo Brouwer | Biography & History | AllMusic". AllMusic. Retrieved 28 November 2016.
- "Images for Hans Werner Henze - el Cimarrón". Discogs. Archived from the original on 21 January 2013.
- "HENZE el Cimarrón Pearson/Zoeller - Catalogue - Deutsche Grammophon". Archived from the original on 21 January 2013.
- "Deutsche Grammophon Gesellschaft - Catalogue - DAVID ALAGNA Le Dernier Jour d'un Condamné Roberto Alagna, Indra Thomas, Jean-Philippe Lafont". Archived from the original on 2008-05-23. Retrieved 2020-03-21.
- "Images for Leo Brouwer - Werke für Gitarre Solo von Gaspar Sanz, Luis…". Discogs. Archived from the original on 10 April 2013.
- "LEO BROUWER Rara - Download - Buy Now". Deutschegrammophon.com. 2002-06-03. Retrieved 2020-03-21.
- "CONTENTdm Collection : Item Viewer". Archived from the original on 2008-04-22. Retrieved 2020-03-21.
- "Classical Guitar Alive! Play Lists". Guitaralive.org. Retrieved 2020-03-21.
- "Guitarra Magazine - an online Guitar Publication - Practice - Performance - Technique". www.guitarramagazine.com. Archived from the original on 5 March 2006. Retrieved 15 January 2022.
- ^ Bergeron, Kathleen A. (28 September 2016). "Letter from Havana: Leo Brouwer, the Rolling Stones, and the Cuban Guitar Scene". Classical Guitar. Retrieved 28 November 2016.
- Rara Archived 2011-04-24 at the Wayback Machine Recording by Leo Brouwer
- Brouwer, Leo; Hdez, Hernández; Carmona, Nisleidys Flores (2004). Leo Brouwer: gajes del oficio.
- Sadie, Julie Anne; Samuel, Rhian (1994). The Norton/Grove Dictionary of Women Composers. W.W. Norton. p. 272. ISBN 978-0-393-03487-5.
- "Ministry's Al Jourgensen: "God Keeps Me Around Because I Amuse Him" | Soundcheck". Wnyc.org. 2014-06-16. Retrieved 2020-03-21.
Other sources
- Andy Daly, Leo Brouwer. Music Web International, accessed June 9, 2011
- Brouwer, Leo; Hdez, Hernández; Carmona, Nisleidys Flores (2004). Leo Brouwer: gajes del oficio.
- Hernández, Isabelle (2000). Leo Brouwer. Havana: Editora Musical de Cuba. ISBN 959-7153-01-7.
Further reading
Articles
- Hablar con Leo (in Spanish)
- "Let Us Play for Our Children" Guitar magazine
- Hombre que juega Pedro de la Hoz, 2004 (Granma) (in Spanish)
- El Decameron Negro by Arnaud Dumond (in French)
Interviews
- 1 2 Entretiens avec Leo Brouwer by Arnaud Dumond, Françoise-Emmanuelle Denis (in French)
- An Interview With Leo Brouwer by Constance McKenna, 1988
- Leo Brouwer Artist Profile/Interview Classical Guitar Alive! (audio recording recovered from the Internet Archive)
Documentaries
- Leo Brouwer–Irakere (1978), written and directed by Jose Padron
- Leo Brouwer (2000), written and directed by Jose Padron
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Culture |
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- 1939 births
- 20th-century classical composers
- 20th-century guitarists
- 20th-century male musicians
- 21st-century classical composers
- 21st-century guitarists
- 21st-century male musicians
- Composers for the classical guitar
- Cuban classical composers
- Cuban classical guitarists
- Cuban film score composers
- Deutsche Grammophon artists
- Juilliard School alumni
- Latin Grammy Award winners
- Latin music composers
- Living people
- Cuban male classical composers
- Male film score composers
- Cuban male guitarists
- Musicians from Havana
- Pupils of Vincent Persichetti
- University of Hartford Hartt School alumni
- Zoho Music artists