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Life Goes On (1965 film)

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1965 Spanish film
Life Goes On
Film poster
SpanishEl mundo sigue
Directed byFernando Fernán Gómez
Screenplay byFernando Fernán Gómez
Based onEl mundo sigue
by Juan Antonio de Zunzunegui
Produced byJuan Estelrich
Starring
CinematographyEmilio Foriscot
Edited byRosa M. Salgado
Music byDaniel J. White
Production
company
Ada Films
Distributed byNueva Films
Release date
  • 10 July 1965 (1965-07-10)
CountrySpain
LanguageSpanish

Life Goes On (Spanish: El mundo sigue) is a 1965 Spanish melodrama film directed and written by Fernando Fernán Gómez, which stars Lina Canalejas and Gemma Cuervo. It is based on the 1960 novel by Juan Antonio de Zunzunegui.

Plot

Set in post-War Madrid, primarily in Maravillas and Malasaña, the plot tracks the fratricidal feud between two sisters, Eloísa and Luisita.

Cast

Production

Life Goes On is an adaptation of the 1960 novel El mundo sigue by Falangist author and RAE member Juan Antonio de Zunzunegui [es], which depicts a bleak vision of Madrilenian society, with Zunzunegui being, according to Fernán Gómez, "the writer who has best brought to narrative the enormous political failure of the Spanish post-war period". Despite the original author's acquaintance with the Francoist regime, the screenplay was banned by State censorship, and had to wait to a ministerial reshuffle (from Gabriel Arias-Salgado to Manuel Fraga) to be brought back, after some modifications. The film was produced by for Ada Films. Shooting took place in 1963. The film was nonetheless granted a negative C rating by the censorship board (on the basis of its purportedly poor aesthetics values), imperiling its commercial distribution.

Release

Rather than an outright distribution ban, the film's release was restricted, with the film premiering at Bilbao's Cine Buenos Aires on 10 July 1965 under Nueva Films. The film was re-released on 15 July 2015 by A Contracorriente Films in 15 Spanish cities.

Reception

Mirito Torreiro of Fotogramas rated the film 5 out of 5 stars, deeming it to be "one of the most terrifying and merciless moral portraits of Francoist Spain ever made by Spanish cinema".

See also

References

  1. ^ Faulkner 2017, p. 838.
  2. ^ Romero Santos, Rubén (28 August 2021). "'El mundo sigue': la peor experiencia de Fernando Fernán Gómez fue su mayor obra maestra". Cinemanía – via 20minutos.es.
  3. ^ Faulkner 2017, p. 839.
  4. ^ Pérez, Ricardo (7 August 2015). "El mundo sigue". Diario Siglo XXI.
  5. ^ "Maestros del cine moderno español (III): Fernando Fernán-Gómez (1ª parte)" (PDF). La Madraza. Centro de Cultura Contemporánea. Universidad de Granada. February 2022. p. 101.
  6. ^ Casado, Marina (10 July 2021). "El Madrid de los cincuenta en 'El mundo sigue', de Zunzunegui". El País.
  7. Fernández-Cebrián, Ana (2023). Fables of Development: Capitalism and Social Imaginaries in Spain (1950-1967). Liverpool: Liverpool University Press. p. 123. ISBN 978-1-802-07805-3.
  8. ^ Tsanis, Magdalena (7 July 2015). "'El mundo sigue', de Fernán Gómez, resucita 50 años después". El Periódico de Aragón. Prensa Ibérica.
  9. Faulkner, Sally (2013). A History of Spanish Film: Cinema and Society 1910-2010. Bloomsbury Publishing.
  10. Lombardo, Manuel J. (17 July 2015). "Negra, negrísima España". Diario de Sevilla. Grupo Joly.
  11. Faulkner, Sally (2017). "Delayed Cinema and Feminist Discourse in Fernando Fernán-Gómez's El mundo sigue (1963/1965/2015)". Bulletin of Hispanic Studies. 94 (8): 833. doi:10.3828/bhs.2017.51. hdl:10871/30347.
  12. Faulkner 2017, p. 833.
  13. Torreiro, Mirito (22 June 2015). "El mundo sigue (50 aniversario)". Fotogramas.
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