Life in a Day (2011 film) - Misplaced Pages

(Redirected from Life in a Day (YouTube)) 2011 crowdsourced documentary film For the 2021 film, see Life in a Day 2020.

Life in a Day
Theatrical release poster
Directed by	Kevin Macdonald
Produced by	Liza Marshall
Edited by	Joe Walker
Music by	Harry Gregson-Williams Matthew Herbert
Production companies	Scott Free Productions YouTube LG Corp
Distributed by	National Geographic Entertainment
Release dates	21 January 2011 (2011-01-21) (YouTube) 27 January 2011 (2011-01-27) (Sundance)
Running time	95 minutes
Countries	United Kingdom United States
Languages	English Italian Japanese German Spanish Indonesian Balinese Portuguese Ukrainian Vietnamese Creole Catalan Dutch Bengali Masai Hindi Arabic Quechua Russian Telugu Tamil
Box office	$252,788

Life in a Day is a crowd-sourced documentary film comprising an arranged series of video clips selected from 80,000 clips submitted to the YouTube video sharing website, the clips showing respective occurrences from around the world on a single day, 24 July 2010.

The film is 94 minutes 53 seconds long and includes scenes selected from 4,500 hours of footage in 80,000 submissions from 192 nations. The completed film debuted at the Sundance Film Festival on 27 January 2011 and the premiere was streamed live on YouTube. On 31 October 2011, YouTube announced that Life in a Day would be available for viewing on its website free of charge, and on DVD.

Production

The film was produced by Scott Free Productions and the YouTube video sharing site. The film was distributed by National Geographic Entertainment. The visual effects were produced by Lip Sync Post.

The film was the creation of a partnership among YouTube, Ridley Scott Associates and LG electronics, announced on 6 July 2010. Users sent in videos supposed to be recorded on 24 July 2010, and then Ridley Scott produced the film and edited the videos into a film with Kevin Macdonald and film editor Joe Walker, consisting of footage from some of the contributors. All chosen footage authors are credited as co-directors.

The film's music was written by composer and producer Harry Gregson-Williams, along with Matthew Herbert. The film's opening song, written by Herbert, was performed by English singer-songwriter Ellie Goulding. The film also features the song "Jerusalem" by Kieran Leonard and "Future Prospect" by Biggi Hilmars.

Macdonald told The Wall Street Journal that the project was initially conceived as a way to commemorate the fifth birthday of YouTube, and that he wanted to "take the humble YouTube video, ... and elevate it into art." Editor Joe Walker said that as he understood it, the concept for the crowd-sourced documentary came from Ridley Scott's production company "Scott Free U.K." and from YouTube, while Macdonald explained more specifically that "the inspiration for me was a British group from the 1930s called the Mass Observation movement. They asked hundreds of people all over Britain to write diaries recording the details of their lives on one day a month and answer a few simple questions. ... These diaries were then organised into books and articles with the intention of giving voice to people who weren't part of the "elite" and to show the intricacy and strangeness of the seemingly mundane."

Macdonald began his "Around the world in 80,000 clips" article in The Guardian by posing the questions, "What do you love? What do you fear? What's in your pocket?" and explaining that "one day last summer, I asked ordinary people around the world to answer those three questions and spend a day filming their lives." The 80,000 individual clips received amounted to 4,500 hours of electronic footage. Macdonald explained that about 75% of the film's content came from people contacted through YouTube, traditional advertising, TV shows, and newspapers; the remaining 25% came from cameras sent out to the developing world, Macdonald pointing out "It was important to represent the whole world." At a reported cost of £40,000, "we did resort to snail mail for sending out 400 cameras to parts of the developing world – and getting back the resulting video cards." Macdonald later remarked that he regretted not sending out a far smaller number of cameras but providing training in camera operation and desired type of content: "Naively, I hadn't realised how alien, not only the concept of a documentary is to a lot of people (in the developing world), but also the idea that your own opinions are worth sharing."

Macdonald expressed to The Wall Street Journal that the film "could only be made in the last five years because ... you can get enough people who will have an understanding of how to shoot something." Walker told Wired magazine's Angela Watercutter that the film "couldn't have been made without technology. Ten years ago it would've been impossible." Macdonald explained that YouTube "allowed us to tap into a pre-existing community of people around the world and to have a means of distributing information about the film and then receiving people's 'dailies'. It just wouldn't have been organizationally or financially feasible to undertake this kind of project pre-YouTube."

The filmmaking team "used YouTube's ability to collect all of this material and then we had this sort of sweatshop of people, all multilingual film students, to sift through this material. It couldn't have been done any other way. Nobody had ever done a film like this before, so we had to sort of make it up as we went along." "To put (the 4500 hours of raw footage) in context, I just cut a feature film for Steve McQueen and there's 21 hours of for that."

Walker, whose team edited the whole film over seven weeks, remarked to Adam Sternbergh of The New York Times that "The analogy is like being told to make Salisbury Cathedral, and then being introduced to a field full of rubble. You have to start looking for buttresses and things that connect together." Walker indicated that a team of roughly two dozen researchers, chosen both for a cinematic eye and proficiency with languages, watched, logged, tagged, and rated each clip on a scale of one to five stars. Walker remarked that "the vast amount of material was two stars", and that he and director Kevin Macdonald reviewed the four-star and five-star rated clips.

In addition to the star rating system, the editing/selecting team also organised the 80,000 clips according to countries, themes and video quality as part of the selection process, and further had to convert from 60 different frame rates to make the result cinematically acceptable. All the logging and researching was done using the Quantum CatDV media asset management software.

Themes and content

Macdonald said that the film focused on a single day "because a day is the basic temporal building block of human life—wherever you are," with Walker adding that the particular day, 24 July 2010, was chosen because it was the first Saturday after the World Cup.

Concerning the chronology of the film and the order of the clips, Macdonald explained that he let the 300 hours of "best bits" tell him what the themes and structure of the film should be, likening the material to a Rorschach test—"you will see in it what you want to see in it." Joe Walker further explained that "We always wanted to have a number of structures, so it's not just midnight to midnight, but it's also from light to dark and from birth to death. ... bashing things together and making them resonate against each other and provoking thought."

Macdonald said he saw the movie "as a metaphor of the experience of being on the Internet. ... clicking from one place to another, in this almost random way…following our own thoughts, following narrative and thematic paths." Betsy Sharkey wrote in the Los Angeles Times that "this fast-paced documentary is shaped as much by Internet savvy as traditional filmmaking, which doesn't make the experience of it any less satisfying, or the implications any less provocative." "The story is told through the voices of the contributors, but mostly it's the images that do the heavy lifting."

Macdonald explained that the film "doesn't have a traditional story or a traditional narrative, but it has thematic movement recurring characters." He praised certain specific contributions, including "the most technically amazing skydiving shot I have ever seen in any film" and "a hand going up to a window pane and picking a fly off and filming the hand walking through the house and letting the fly go—and you see the fly take off in the distance." Asked if there any particular submission crystallised the film's theme, Macdonald cited "the family who had been going through cancer." More generally, Macdonald praised the immediacy that a handycam permits.

Ian Buckwalter of Washingtonian magazine said that "the familiar beats of the day (were) cut together to show that we're actually far more similar than we are different." The Washington Post's Michael O'Sullivan similarly noted that "the people whose lives form the spine of Life feel familiar... Their hopes and joys, disappointments and fears are our own." Liz Braun, writing in the Toronto Sun, said that "The overall sense of the project appears to be: It's good to be alive. ... According to the film, there are things that divide us as humans, but far more things that unite us." Toronto Star critic Peter Howell was in accord, observing that the "film shows things (what) billions of us do every day, perhaps thinking that we are somehow alone in our pursuits. Yet we couldn't be more connected." However, The Boston Globe's Tom Russo gave director "Macdonald and crew credit for picking out good, clear, telling contrasts, and not sweating potential heavy-handedness," citing contrasts between "one smug contributor pull a set of Lamborghini keys from his pocket, ... then mov on to ragged-looking Third Worlders amusedly scoffing at the idea that they'd have anything in their pockets," and a Westerner "quietly worries about losing his hair, while an older Afghan man quietly worries about getting through the day alive."

Sharkey described the progression of the film: "Beginning with videos that start pre-dawn then moving through morning, afternoon and evening, ... the rituals that define a day begin to emerge. Beyond an extraordinary range of cultures, terrain and styles reflected, which are captivating on their own, the film stands as a stirring reminder of how ordinary and yet eclectic humanity can be. If Life in a Day is any measure, we are a quirky, likeable, unpredictable and yet predictable bunch."

Yumi Goto of TIME LightBox remarked that "the most striking aspect of this documentary is that it's the first crowdsourced, user-generated content to hit the big screen." O'Sullivan said that, being "alternately funny, scary, boring, moving, amateurish and gorgeous, it is a pretty spectacular thing: a crowdsourced movie that manages to feel singular and whole." Anthony Benigno wrote in Filmcritic.com that the film "is pretty much the first social-media movie ever made."

The New York Times' Adam Sternbergh wrote that "the film's most memorable moments are the ones of unexpected intimacy. ... The film aims to tell the story of a planet, but it's the vulnerability of these individual moments, contributed as part of a larger project, that lingers." The Los Angeles Times' Betsy Sharkey wrote that "The fact that we all experienced that day is part of what gives the documentary an unusual kind of relatability."

Sharkey characterised the film as being "the most hopeful yet from Macdonald, a director who's made his reputation by digging into the more corrupted and conflicted side of human nature with One Day in September, his Oscar-winning documentary on the 1972 Munich massacre of Israeli Olympic athletes... he lightness unearthed in Life in a Day has an earthy and at times euphoric appeal."

Reception

Life in a Day has received generally positive reception from film critics. Rotten Tomatoes reports that 82% of 52 critics have given the film a positive review, with a rating average of 7.1 out of 10. Metacritic gave the film a rating average of 58/100, indicating "mixed or average reviews".

Helen O'Hara from Empire stated that the film was "moving and insightful. Not a classic by any means, but a fascinating glimpse of the way we live today." Michael O'Sullivan of the Washington Post gave the film three and a half stars out of four, saying that "Life in a Day is, without exaggeration, a profound achievement." Peter Howell, a critic of the Toronto Star, gave the film three out of four stars, saying "the vast majority of the film feels undeniably real and incredibly inspiring." Wired magazine's Angela Watercutter wrote that the film "brims with intimacy and urgency."

CNN's Mark Rabinowitz wrote that the film is "a rousing success of an experiment: quite possibly the first large-scale, global use of the Internet to create meaningful and beautiful art," with CNN Newsroom's Josh Levs remarking that the film is "the best time capsule in the history of the world." Ian Buckwalter of Washingtonian called the condensed experiences "breathtaking" and "as riveting as any narrative."

Liz Braun, writing in the Toronto Sun, said that "a lot is predictable" and "It's all familiar for the most part, and it's all mildly interesting," but also cited several "sequences that fully engage a viewer emotionally." Andrew Schenker from Slant Magazine criticised the film by stating: "Only a few snippets escape the uncritical narcissism that the film celebrates." Contentions such as Schenker's were contradicted by The New York Times' Adam Sternbergh who wrote that "if the knock against the Internet... is that it stokes our collective narcissism, this film, in its best moments, proves the opposite: not a global craving for exposure but a surprising universal willingness to allow ourselves to be exposed."

Though saying Life in a Day "isn't a bad movie" and there are "fits and spurts" in which the film is "actually quite beautiful," "funny" and "moving", Anthony Benigno from Filmcritic.com asserted that documentaries should have a point, narrative, conflict and goal, but called this film "scattershot" and "at its worst, veering closer into exploitation...and even voyeurism." V.A. Musetto, a critic from the New York Post, said about the film: "Judging by the National Geographic doc Life in a Day, a lot of nothing happened on 24 July 2010." A counterpoint was expressed by the Los Angeles Times' Betsy Sharkey: "the world community had a lot of interesting things on its mind, but it still took filmmakers like Macdonald and Walker to help us say it with feeling."

Two writers for The New York Times adopted opposing opinions. Mike Hale's review asserted that "much of the material is interesting in its own right... but... the problem is the resolutely conventional and soft-headed way in which that material has been assembled," and that "the overall tone remains gee-whiz." In contrast, Adam Sternbergh concluded that "the montages of ordinary acts, repeated from Japan to Dubai to Las Vegas, take on a kind of profundity."

Criticism of free labour

The film has been criticised for its use of free labour. In the film industry, the production teams required to produce images and sounds are normally paid. However, in the case of Life in a Day, the labour undertaken by YouTube users to shoot the content used in film was not compensated, even though the film was screened in traditional cinema venues for a profit.

List of contributors

All authors of the videos are credited as co-directors.

Phil Loarie
Natalia Andreadis
Kjell Bismeyer
Jon Haas
Per-Terie Gabrielsen
Julia Gabrielsen
Daniel Gastelu
Kristopher Kauth
Laec Christensen
Lilit Movsisyan
Marc Proctor
Marianne G. Petronic
and Thomas E. Shaad
Nick Roden
Soma Helmi
Harvey Glen
Jan Van Etten
Andrew Reams
Cristina Bocchialini
and Ayman El Gazwy
Sean Grey
Joseph Michael
Paul Richard Smith
Xaver Walser
David Saddler
Alejo Crisostomo
Chris Cate
Alejandro Romero Pallares
Beniamino Brogi
Sergey Agapov
Andreea Diana Tanasescu
Francesco Villa
Vania Da Rui
Angela Hockabout
Effer Lecebe
Marek Mackovic
Andreas Thiele
S.Prince Ennares Periyar
Alexander Rastopcin
Thomas S. Stepleton
Jennifer Howd
Christophe Querry
Cindy Baer
Igor Saramago
2Stupids
Jorge Bastardo
Jochem Koole
Javier De Lara Rodríguez
Caryn Waechter
Hiroaki Aikawa
Ester Brym Ortiz Guillen
Friedrich Joachim Tragauer
Shawn Gadberry
Toniu Xou
and Patricia Martínez Del Hoyo
Marco Cavallini
Ivan Zuber
Felix Henrichs
Amil Shivji
Thomas Ellis
Boris Gryshkevych
Christopher Santiago
Julie Couturier
Geneviève Dulude-De Celles
and Sarah Mannering
Loressa Clisby
Javed Kana
Fred Neukam
Justin P. Janowski
Mario Obst
Alex Laney
Andrew Ray Johnson
Guido Berger
Tahlia Merrill
Linda López
Yevgeniy Vaskevich
Christian Buch Iversen
Linda Matarasso
Omar Ortiz
Bailey Sutton
Adrian Njenga
Kate Mead
Will Brewster
Ryan Lynch
Andrew John Wilhelmsen
Alice Wenley
Kevin Liuzzo
Melissa Guzmán
John Lesinka Leng'eny
Aditya Kolli
Jusitn Swan
Bruno Xhoxhi
Alaa Hassan
Bob Liginki jr
Suzanne Lucas
Jaai' Dukstra
Neelendra R.
Vetrivell Velumuthu
Rhys Wood
Denis Baribault
Brian Kragtwijk
Cléméntine Isaac
Anmol Mishra
Jared Hosid
Michael T. Balonek
Andrea Dalla Costa
Malgorzata Malak
Sergej Kondakov, mga
Christos Pentedimos
Flavio Comin
Natalia Vorontsova
Denis Rahovetskijyu
Diana Priscila
Joào Xàrà Aguiar Da Silva
Takuya Morimoto
Seth Oliver Grant
Michajl Nazarov
Lisa M. Cottrell-Bentley
Zillah Bowes
Tony Reale
Sergey Chebkasov
James Marcus Haney
Justin Peele
Joaquin Montalvan
Mauricio Escalona González
Ali Hisham
Cec Marquez
Joseph Choi
Ashlee Jenita Ferret
Adrian Cornescian
Francesco La Regina
Ismail Youssef
Dario Peroni
José Fernando De Miranda
Gerald McMahon Parsons
Pankaj Rai
Clare Olivia Fisher
Randy Ray Sides
Derek Broes
Ida Lai
Mao Hamamoto
Lesley Rowland
Antony M.J.L. Delarue
Tran Thi Thanh Ha
Michael Hira
Brian House
Pratibha Rolta
Alberto Ramiro González Benavides
Johnny Nguyen
Eduardo Sánchez
Lilly Lee Jackson
Torrey Meeks
Jkeldesh
Marian Banovski
Sdenka Zobeida Salas Pilco
Miguel Curado Malta
Jeff Dolen
Ruhel Hamed
Valentina Rossa
Destefano Emanuele
Etienne Heyman
Renchano Hümtsoe
Andrea Walter
Andrea Da'fronza
Sergio Donato
Sergey Ligun
Ben Cupczak
Thiago Fazolari Meyer
Jack Attridge
Joseph Bolz
Maria Fernanda Ferraz De Camargo
Edward J. McNelis
Mark Steven Mocarski
Michel Gauthier jr
Rachel Brown
and Tegan Bukowski
Laura Lemijnyete
Alfredo A. Oliveira
Alexander St. John Westby Simcock
Maria Antonieta Carelda Cansieco
Marius Ionut Calu
Denis Baroi
Elisa Pennino
Michael Cooper
Anne Crossey
Christopher Redmont
Meuke Van Herwijnen
Kartik Chaturvedi
Dave Davidson
Jennifer Wardle
Kiril Kostov
Christopher Brian Hebrot
Timothy Kiernan
Guy Hawkins
Nicholas Gallucci
and Emmanuele Pickett
Anastasiya Fadeeva
Mischa Hrziwnatzki
Dean Boysen
Alberto Lama
Gilbert Ndahayo
Pisanu Mhokprakhon
Shehab Elnoury
Brian Hendrix
David Jacques
Ryan Peter Reis
Don Thrash
Rebecca McEvoy
and Keith McEvoy
Rustom Bailey Iraní
Mareike Herberg
John Walkley
Andrea Salvatori
Alejandro Angel T.
Sophie Kolb
Ian Service
Maureen Ravelo
Bairmuc2010
Roberto Corso
Roger Szilagyi
Besnik Hyseni
Andrew Coleman
Sonya Mishieva
Drake Shannon
Haley Cummings
Naotomo Umewaka
Herman Daniel Afanador Jiménez
Patrick Flanary
Jason Bohenek
Denis Pryanikov
Baitijrin Alexander Muhammedovic
and Ardilanov Renat Valerevich
Pedro Nuno Tavarez Barcelos G. Lobito
Jens Gottschalk
Alex Peacher
Anthony Sheppard
Jose Alderson
Glenn Vivares
Balog Zsofia
Manasvi Kumar
Assan Isa Aldoy
Peter Njogu
Kevin McMahon
John X. Demaio
Logan Needham
Angélique A.E. Georges
Frederik Boje
Raul Rivas
Socrates Cuadri
Alan Teitel
Tom Robinson
Louie Rodríguez
Massoud Hossaini
Stephanie Steenstra
Sherkhan Mateen
Albina
Farzana Wahidy
Timothy A. Conneally
Frederic Lumiere
and Jane Haubrich
David Chappelow
M. Dowod Taban
Georgia Merton
Giuseppe Mattia
John Paul Mallo
Natalia Andreadis
Jessica Geltz
Leah Collum
Massomi Sultani
Rachel Hart
Shir Decker
Noorshah Noorani
Alberta Álvarez Portela
Jessie Brisendine
Robin Bordeaux
Esther De Blu
Johanna Nifosi
Natalie Itzkowic
Han Siu
Mojca Breceli
Brad Sorensen
Amy Levandosky
Benjamin Richey
Neil Tuttle
Ina Angelina Foerster
Bernhard Kleine-Frauns
Christopher Farrell
Thorben Winkler
David Peter
Frank De Vries
Iddimus
Christian Dremsa
Mareike Sehr
Marcus Gebauer
Sven Matika
Timo Jenderny
Bjorn Neumann
Daniel Montau
Shankar Karuppayah
Andrew K.
Maike Spieker
Sinan Lafci
Aliriza Guler
Kevin Meister
Erfan Asgari Aragh
Bojan Kekezovic
Jen Kleinhenz
Jobal Ferreira Almeida
Dawud Havard
Sergius Sutanto
Alex Tak Lam Chan
Johannes Dinda
Samuel Cockedey
Bo Kovich
Carry Premiere
Rico Damacen
Marcus Tedenryd
Timothy Stevens
Gabor Kukucska
Alison Segar
Gaby Aguirre Apaza
Susan Harper
Daniel Mas Castane
Shahin Najafipour
Alan John Smith
Marx Succes jr
Ashley B. Fisher
Erick Henning
Nakagawa Kazuhiko
Joaquin Granados Ortega
Neil Fisher
Sean Charles Denny
Igor Lymar
Anna Vakhotska
Ermete Ricci
Sara Isabel Amorim Marinho
Satoshi Onabuchi
Betsy DelValley
Tomasz Skowronski
Dorgas Muller
Joris Mathei
Simone Pessoa
Kittikhun Srisathit

Follow-on projects and legacy

In October 2011, BBC News announced that Britain in a Day would be funded by BBC Learning as part of BBC's "Cultural Olympiad," with the Britain in a Day YouTube channel accepting video contributions from the public about their lives on a specific day: 12 November 2011. Scott oversaw the project with executive producer Macdonald (both from Life in a Day) and director Morgan Mathews.

In 2012 directors Philip Martin and Gaku Narita teamed up to create Japan in a Day which accounts of the aftermath from Japan's devastating tsunami in 2011 featuring YouTube videos shot by survivors living in and near the affected areas.

Macdonald and Scott also created Christmas in a Day (November 2013) a forty-eight-minute YouTube documentary on which a 3.5-minute advertisement for U.K. supermarket Sainsbury's was based. The film constituted crowd-sourced clips recorded on Christmas 2012.

Italy in a Day (September 2014), directed by Gabriele Salvatores, included clips selected from 45,000 crowd-sourced video submissions recorded on 26 October 2013, and premiered during the 71st Venice International Film Festival.

The production house behind Italy in a Day is teaming with Scott Free Productions to produce Israel in a Day, with Germany and France also working on their own versions in the format.

India in a Day was released in 2015.

Spain in a Day by Isabel Coixet was released in 2016.

Canada in a Day was released in 2017.

UN in a Day, directed by Rubén Mendoza which count a day (August 24) to all the members of the Universidad Nacional de Colombia in celebration of its 150th anniversary. That Movie was released in 2017.

Panama in a Day was released in 2019.

Life in a Day 2020 was released in 2021.

References

^ "LIFE IN A DAY | British Board of Film Classification". bbfc.co.uk.
Life in a Day at Box Office Mojo
"World awaits YouTube's 'Life in a Day' premier at Sundance". International Business Times. 24 January 2011. Retrieved 27 January 2011.
"World invited to watch premiere of life through a lens". The Sydney Morning Herald. 24 July 2010. Retrieved 27 January 2011.
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"YouTube's 'Life in a Day' Project – CBS News Video". CBS News. 22 July 2010. Archived from the original on 24 July 2010. Retrieved 27 January 2011.
"Howell: Tears flow during Sundance's 'Life in a Day'". Toronto Star. Toronto. 25 January 2011. Retrieved 27 January 2011.
"Life in a Day now available on YouTube". 31 October 2011. Archived from the original on 1 November 2011. Retrieved 31 October 2011.{{cite web}}: CS1 maint: bot: original URL status unknown (link), YouTube's official blog ().
Barrett, Brian, Life in a Day: Watch the Beautiful YouTube-Fueled Epic Right Now (archive), Gizmodo, 31 October 2011.
"'Life in a Day' to get theatrical release". United Press International. Retrieved 27 January 2011.
Fernandez, Jay A (24 January 2011). "National Geographic Films picks up Life in a Day". Reuters. Retrieved 27 January 2011.
"Life in a Day" – via www.imdb.com.
"YouTube Captures "Life in a Day"". Reuters. 7 July 2010. Archived from the original on 16 June 2022.
Goulding, Ellie (19 January 2011). "Brits/Film Studios/Showbiz!". Cherrytree Records. Archived from the original on 8 July 2011. Retrieved 27 January 2011.
Leonard, Kieran. "Kieran Leonard". kieranleonardmusic.co.uk. Archived from the original on 2 April 2012. Retrieved 12 September 2011.
^ Dodes, Rachel, "‘Life in a Day' Director Aims to Elevate YouTube Videos Into Art" (archive), edited interview transcript in The Wall Street Journal's "SpeakEasy" section, 22 July 2011.
^ Watercutter, Angela, "Life in a Day Distills 4,500 Hours of Intimate Video Into Urgent Documentary" (archive), Wired magazine, 29 July 2011.
^ Macdonald, Kevin, "Life in a Day: Around the world in 80,000 clips" (archive), The Guardian, 7 June 2011.
^ Sternbergh, Adam, "Around the World in One Day" (archive), The New York Times, 22 July 2011.
Fox, David. "Metadata Mashup: Life in a Day on camera". TVBEurope. Retrieved 19 August 2017.
^ Sharkey, Betsy, "Movie review: 'Life in a Day'" (archive), the Los Angeles Times, 29 July 2011. (Sharkey slightly misstates the "love/fear/pockets" quotation.)
^ Buckwalter, Ian, “Another Earth,” “Life in a Day,” and “Cowboys & Aliens”: Movie Tickets (archive), "Arts and Events" section of Washingtonian magazine online, posted 27 July 2011.
^ O'Sullivan, Michael, "Life in a Day" (Critic's Pick) (archive), The Washington Post, 29 July 2011.
^ Braun, Liz, (QMI Agency), "'Life in a Day' a free-wheeling look at human events" (archive), Toronto Sun, 29 July 2011.
^ Howell, Peter, "Life in a Day: A brief, shining moment on Planet Earth" (archive), The Toronto Star, 28 July 2011.
Russo, Tom, "Life in a Day: From trivial to beautiful in ‘Life'" (archive), The Boston Globe, 5 August 2011.
Goto, Yumi, "From Midnight to Midnight: Life in a Day" (archive), feature of TIME LightBox (photo editors section), 1 August 2011.
^ Benigno, Anthony, "Review in Theaters, Life in a Day" Archived 16 November 2011 at the Wayback Machine (archive), filmcritic.com, 28 July 2011.
"Life in a Day (2011)". Rotten Tomatoes. Flixster. Retrieved 20 July 2011.
"Life in a Day". Metacritic. Retrieved 30 July 2011.
O'Hara, Helen (26 May 2011). "Life In A Day". Empire. Retrieved 17 October 2021.
Rabinowitz, Mark, "Review: 'Life in a Day' an inspiring snapshot of planet Earth", CNN.com, 29 July 2011.
Levs, Josh, "CNN NEWSROOM Scrambling to Make a Deal; World Worries about U.S. Debt; "Life in a Day" Opens in Theaters; ... Aired July 30, 2011 – 12:00 ET" (archive), transcripts.CNN.com, 30 July 2011.
"Review: Life in a Day". Slant Magazine. 24 July 2011.
Musetto, V.A. (31 July 2011). "Life in a Day". New York Post.
Hale, Mike, "Movie Review: Life in a Day (2011): The World as YouTube Knows It" (archive), The New York Times Movie Review, 28 July 2011.
"Undercompensated Labor in Life in a Day William J. Moner / FLOW Staff – Flow".
"Artistic Labour, Enclosure and the New Economy • 30 - Summer 2012 • Afterall". www.afterall.org.
"End credits of film Life in a Day 2010. From 1:32:34 to 1:32:58". YouTube. 21 January 2011. Retrieved 20 October 2021.
"London 2012 Britain in a Day project launched" (archive), BBC News Entertainment and Arts, 6 October 2011.
"Ridley Scott to help create a portrait of Britain in a Day" (archive), Radio Times, 5 October 2011.
^ Gray, Richard, "Battle of the Christmas adverts put to the test" (archive), The Telegraph, 9 December 2013.
• Sainsbury's short video: "Sainsbury's Christmas Advert 2013 – Full Length".
• Full length YouTube documentary: "Christmas in a Day – the full film – directed by Kevin Macdonald (Official)"
^ Ide, Ella, "Italy's ills, hopes laid bare in new crowdsourced film" (archive), Business Insider, 3 September 2014.
"CTV's Canada in a Day debuts June 25". Toronto Star, June 13, 2017.
"Acerca de | Panama in a Day". 15 August 2019. Archived from the original on 15 August 2019.
"'Panama in a Day', retrato de un país de grandes y pequeñas historias". El Siglo.
"Kevin Macdonald, Ridley Scott to Reunite for 'Life in a Day 2020,' 10 Years on From Crowdsourced Original". The Hollywood Reporter. 8 July 2020. Retrieved 9 July 2020.

External links

v t e Films directed by Kevin Macdonald
Feature films	The Last King of Scotland (2006) State of Play (2009) The Eagle (2011) How I Live Now (2013) Black Sea (2014) The Mauritanian (2021)
Documentaries	One Day in September (1999) Being Mick (2001) Touching the Void (2003) My Enemy's Enemy (2007) Life in a Day (2011) Marley (2012) Sky Ladder: The Art of Cai Guo-Qiang (2016) Whitney (2018) Life in a Day 2020 (2021) High & Low – John Galliano (2023)
Other	Oasis (2017)

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