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List of Native American women artists

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See also: Category:Native American women artists

Native American women in the arts include the following notable individuals. This list article is of women visual artists who are Native Americans in the United States.

The Indian Arts and Crafts Act of 1990 defines "Native American" as those being enrolled in either federally recognized tribes or certain state-recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." This list does not include non-Native American women artists who use Native American themes or motifs in their work. Additions to the list need to reference a recognized, documented source and specifically name the tribal affiliation according to federal and state lists.

Native American artists are part of the Indigenous artists of the Americas.

Basketry

Beadwork

Ceramics

Installation arts

Charlene Teters in 2011

Jewelry

Mixed media

  • Hulleah Tsinhnahjinnie, Seminole/Creek/Navajo. born 1954 Phoenix. attended IAIA. BFA California College of Arts and Crafts (Oakland). Instructor at IAIA, SF Art Inst, UC Davis, California College of Arts and Crafts. Mixed media.
  • Sara Bates, Cherokee Nation, born 1944 Muskogee, Oklahoma BA Fine Art and Women's Studies, Cal State Bakersfield 1987; MFA Sculpture and Painting UCSB 1989, mixed media

Painting

Tonita Peña
  • Pop Chalee ("Blue Flower"), Taos Pueblo, born Merina Lujan, painter, muralist, performer
  • Sharron Ahtone Harjo (born 1945), Kiowa painter from Oklahoma.
  • Helen Hardin, Tsa-Sah-Wee-Eh ("Little Standing Spruce"), Santa Clara Pueblo, b. 1943 Abq NM. Painter/printmaker in the collections of the Heard Museum, Wheelwright Museum of the American Indian, Museum of New Mexico and others.
  • Tonita Peña, Quah Ah, San Ildefonso Pueblo, born 1893 San Ildefonso, attended St. Catherine's Indian School. Painter and muralist.
  • Pablita Velarde - Tse Tsan ("Golden Dawn"), Santa Clara Pueblo, born 1918 at Santa Clara Pueblo, New Mexico. Attended St. Catherine's Indian School. Painter, book illustrator, muralist.
  • Jaune Quick-to-See Smith, Salish/Cree/Shoshone, born 1940 St. Ignatius, Montana. BA art education, Framingham State College, 1976. MA art, UNM, 1980. Work includes paintings and other art.
  • Kay WalkingStick, Cherokee Nation. born 1935 Syracuse New York. BFA Beaver College (Pennsylvania) 1959; MFA Pratt Institute 1975. Painter.
  • Emmi Whitehorse, Navajo. born 1956–1957, Crownpoint, New Mexico. BA painting UNM 1980. MA printmaking UM 1982. Painter.

Performing arts

  • Malinda M. Maynor, Lumbee, born Robeson County North Carolina (probably on reservation). A.B. History and Literature Harvard 1995; MA documentary film and video, Stanford 1997. Won film awards Best Indian-Produced Short Documentary 1997 Red Earth Film Festival and Best Short Documentary at South by Southwest Film Festival, 1997

Photography

Linda Lomahaftewa in 2009
  • Carmelita Little Turtle (Carm Little Turtle), Apache, Tarahumara, born 1952 Santa Maria, California, attended Navajo Community College, UNM, College of the Redwoods; photography Shenandoah Films in Arcata
  • Linda Lomahaftewa, Hopi/Choctaw, born 1947 Phoenix; Assoc. Institute of American Indian Arts in Santa Fe, BFA and MFA San Francisco Art Institute 1970 and 1971. Photographer.
  • Jolene Rickard, Tuscarora, born 1956 Niagara Falls New York. BFA Rochester Institute of Technology 1978. MA, PhD SUNY Buffalo 1996. Photographer.
  • Sarah Sense, Chitimacha / Choctaw, born1980 Sacramento, California. BFA CSU Chico 2003, MFA Parsons the New School for Design, New York 2005. Former curator American Indian Community House Gallery 2005–07. Photoweavings.

Printmaking

  • Jean LaMarr, Pit River/Paiute, born 1945 Susanville, California, attended San Jose City College, UCB, U Oregon; art instructor at SF Art Institute and U Oregon. Printmaker.
  • Melanie Yazzie, Navajo. born 1966, Ganado, Arizona. BA studio art ASU 1990. MFA printmaking UC Boulder 1993.

Sculpture

  • Lillian Pitt, Wa'-K-a-mu, Warm Springs Yakima Wasco, born 1943 Warm Springs, Oregon. AA, mental health and human services, Mt Hood Community College 1981. Maskmaker, bronze casting, raku ware
  • Roxanne Swentzell, Santa Clara Pueblo, born 1992 Taos, New Mexico. Attended Institute of American Indian Arts and Portland Museum Art School. Ceramic sculpture.

Textiles

Woodworkers

See also

References

  1. "Linda Aguilar". The Autry Museum. Retrieved 2 March 2024.
  2. ^ First American Art Magazine
  3. "Elsie Allen, 1899-1990". Sonoma State University Library. 15 September 2017. Retrieved 24 December 2018.
  4. Wycliffe, Lydia L. (2001). Woven Worlds: Basketry from the Clark Field Collection at the Philbrook Museum of Art. Tulsa, OK: Philbrook Museum of Art. ISBN 0-86659-024-2.
  5. "Annie Antone: excerpts from American Indian Art Magazine, 2010". heard.contentdm.oclc.org. Retrieved 2024-03-04.
  6. Dalrymple, Larry (2000). Indian Basketmakers of California and the Great Basin. Santa Fe: Museum of New Mexico Press. ISBN 0-89013-337-9.
  7. Trainer, Laureen (2006). Amy Scott (ed.). Yosemite: Art of an American Icon. Los Angeles and Berkeley: Autry National Center and University of California Press. pp. 194. ISBN 0-520-24922-4.
  8. Yohe & Greeves (2019, p. 133)
  9. ^ Farris (1999)
  10. Ahlberg Yohe, Jill; Greeves, Teri; Power, Susan (2019). ""Nellie Two Bears Gates: Chronicling History through Beadwork"". Hearts of Our People: Native Women Artists. Minneapolis: Minneapolis Institute of Art.
  11. "Honor Awards, 1993: Emily Waheneka" (PDF). nationalwca.org. National Women's Caucus for Art. Retrieved 12 January 2017.
  12. Gogol, John M. (September 1985). "Columbia River/Plateau Indian Beadwork". American Indian Basketry and Other Native Arts. 18: 4–5.
  13. "Jar". Denver Art Museum. Retrieved 18 December 2020.
  14. Benson, Arlon (1993). "Nampeyo, Daisy Hooee". In Bataille, Gretchen M. (ed.). Native American Women: A Biographical Dictionary. New York: Garland Publishing. p. 184. ISBN 0-8240-5267-6. OCLC 26052106 – via Internet Archive.
  15. Spivey, Richard (2003). The Legacy of Maria Poveka Martinez. Santa Fe, New Mexico: Museum of New Mexico Press. p. 33. ISBN 0890134197.
  16. Jacobs 2003, p. 84.
  17. McMaster, Gerald (1998). Reservation X: The Power of Place in Aboriginal Contemporary Art. Seattle: University of Washington Press. ISBN 0-295-97775-2.
  18. "Artists » Ida Sahmie". Wheelwright Museum of the American Indian. Retrieved 2020-08-10.
  19. "Margaret Tafoya". National Endowment for the Arts. Retrieved 18 December 2020.
  20. ^ Green River Trail Tukwilla, Washington (collections database), King County, Washington: 4Culture, retrieved 2017-05-10
  21. "Exhibitions : Our Side: Elisa Harkins, Tanya Lukin Linklater, Marianne Nicolson, and Tanis S'eiltin". Missoula Art Museum. September 12, 2017 – February 24, 2018. Retrieved November 9, 2019.
  22. "Interview: Charlene Teters on Native American Symbols as Mascots" (PDF). Archived from the original on July 20, 2008. Retrieved December 25, 2018.{{cite web}}: CS1 maint: bot: original URL status unknown (link). The NEA Higher Education Journal. 121-130 (retrieved 15 May 2009)
  23. "Heard on Campus: Charlene Teters of the Institute of American Indian Arts". Penn State News. Pennsylvania State University. Retrieved 25 December 2018.
  24. "Academic Dean". IAIA Academics. Institute of American Indian Arts. Retrieved 25 December 2018.
  25. "Sharron Ahtone Harjo - Native American Painter - Adobe Gallery, Santa Fe". www.adobegallery.com. Retrieved 2024-03-04.
  26. "Spirit Lines: Helen Hardin Etchings". Heard Museum, Phoenix, AZ. Retrieved 25 December 2018.
  27. 🖉"Jaune Quick-to-See Smith Bio". NBMAA.
  28. ^ Mithlo, Nancy Marie; Fadden, Stephen; Wall, Stephen; Caro, Mario (2011). Manifestations: New Native Art Criticism. Albuquerque: Museum of Contemporary Native American Art. ISBN 978-0-615-48904-9.
  29. "Collections: Emmi Whitehorse". Brooklyn Museums. Retrieved 25 December 2018.
  30. Indyke, Dottie (January 1, 1970). "Native Arts-Emmi Whitehorse". Southwest Art Magazine.
  31. McMaster, Gerald (1998). Reservation X: The Power of Place in Aboriginal Contemporary Art. Seattle: University of Washington Press. ISBN 0-295-97775-2.
  32. "Melanie Yazzie: Memory Weaving". WheelwrightMuseum. Retrieved 25 March 2024.
  33. "Mary Kawennatakie Adams | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2024-03-04.
  34. First American Art Magazine
  35. "about". Gwen Westerman. Retrieved 2024-03-04.
  36. Macnair, Peter L.; Hoover, Alan L.; Neary, Kevin (1984). The Legacy: Tradition and Innovation in Northwest Coast Indian Art. Vancouver, B.C.: Douglas & McIntyre.

Sources

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