Misplaced Pages

Louis-Victor Bougron

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
French sculptor (1798–1879)
You can help expand this article with text translated from the corresponding article in French. (August 2024) Click for important translation instructions.
  • View a machine-translated version of the French article.
  • Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
  • Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
  • You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Misplaced Pages article at ]; see its history for attribution.
  • You may also add the template {{Translated|fr|Louis-Victor Bougron}} to the talk page.
  • For more guidance, see Misplaced Pages:Translation.

Louis-Victor Bougron (2 November 1798 - 10 December 1879) was a French sculptor. He is best known for the scandal in which he opposed Auguste de Forbin, the director general of the royal museums

Life

Born on rue Saint-Denis in Paris, he was the grandson of Pierre-Amable Bougron, a former paper merchant and storekeeper in the royal press, and Louise-Amélie Milandre. Via his mother, Louis-Victor was great-grandson of Marie-Françoise Marchand, a famour actor in the Comédie-Française, known as Mlle Dumesnil.

Initially studying at the École des Arts et Métiers in Châlons, in 1817 he was seconded to Paris to administer hospices. He left that job in 1821 to study sculpture, becoming a pupil of Charles Dupaty. On 18 October 1823 he joined the École des beaux-arts de Paris and first exhibited at the Paris Salon of 1824, winning a second medal with a plaster statue titled The Spartan Othryades Dying for his Fatherland. In 1831 he exhibited a plaster group entitled King Pepin Descending into the Arena to Fight a Lion, a work complimented by Louis-Philippe I, who took him on to produce a marble copy to decorate a public square. That royal commission did not bring him the post of head of the Beaux-Arts, instead only receiving a first honourable mention. He insisted on claiming the post, with no success, and in 1832 published a booklet violently attacking the count of Forbin entitled Réclamation tardive. Petit mémoire contre M. le comte de Forbin, directeur-général des Musées royaux, par L.-V. Bougron, statuaire,

In 1837 he was living in Lille, where he taught drawing at the pensionnat du Sacré-Cœur. He producede several works for the city's churches and also worked for Cambrai, Saint-Omer, Arras and Boulogne-sur-Mer. He moved to Versailles in 1868 and was still living there in 1875 when he exhibited at the Paris Salon for the last time in 1875 and also dying there in 1879.

Works

Saint Apollonia (1825), Paris, église Saint-Laurent.
Charles-Louis, viscount of Le Couédic de Kergoualer (1740-1780), capitaine de vaisseau (1830), Paris, musée national de la Marine.

References

  1. (in French) Paris, État civil reconstitué, vue 37/51.
  2. (in French) Archives départementales des Yvelines Acte de décès No. 1142 dressé à Versailles le même jour, vue 196 / 229
  3. (in French) "Palais de justice"..
Categories: