Luke Carman is an Australian fiction writer and academic. He is known for his collection of semi-autobiographical stories, which is entitled An Elegant Young Man. The stories are set in Liverpool, Australia, a suburb outside Sydney. He has been called a post-grunge lit writer, a reference to an Australian literary genre from the 2000s which emerged following the 1990s grunge lit genre.
Career
An Elegant Young Man
His first book, An Elegant Young Man, won the NSW Premier's Literary Award for New Writing. An Elegant Young Man is a collection of short stories that are linked together, and which are semi-autobiographical. The stories have a protagonist whose name is also Luke and who lives in the author's hometown. Carman stated that he used Liverpool, Australia, as a setting because Australia's "western suburbs have been largely absent from the face of Australian fiction", with an effort to show the "...ugliness of working class suburbia and the pain of being an outsider" with "...authenticity, warts and all."
In one of the stories, a teen who "...dreams of fame fade into an adulthood of blue collar work"; the narrator/author is described as a "...passive force, constantly in the midst of the action but solely as an observer who cannot save anybody", as if in "paralysis", until characters' lives are "quietly lost to monotony." In another story, a female character who faces an abusive relationship becomes addicted to drugs. Carman used a "writers’ network" to hold discussions about draft versions of the book and perform the drafts, which helped him to develop his writing
Other activities and awards
He is a casual academic at Western Sydney University's Writing And Society Research Centre. In 2014, the Sydney Morning Herald named him the Best Young Novelist. One of his stories, "Liverpool Boys", is used in the SBS podcast series entitled True Stories, which showcases what SBS calls "Australia’s best emerging and early-career writers." He has published in HEAT, Westside and the Cultural Studies Review.
Intimate Antipathies, a collection of his essays was published in July 2019 by Giramondo, while a further collection, An Ordinary Ecstacy, was published in 2022.
Essay on Melbourne's literary scene
In 2016, Carman's essay on the Melbourne literary scene attracted international attention. An article in The Guardian stated what while "Australian creative industries are in crisis... Luke Carman’s galvanising and venomous essay has started the wrong conversation" with his essay, a "jeremiad against the Melbourne literary scene that was published in the journal Meanjin. Carman's essay criticizes "arts administrators at creative institutions – journals, festivals, funding bodies and hubs", who he states are "anti-artists". Ben Eltham states that top arts administrators may earn higher salaries than the poorly-paid writers. At the journal Overland, Emmett Stinson stated that the "response has been overwhelmingly negative"; however, he stated that for "...all of its hyperbolic rhetoric, the essay is a call for a limited form of underclass literary revolt – and the studied refusal of a creeping professionalisation" in the writing world.
See also
References
- ^ "Luke Carman". www.sbs.com.au. SBS. Archived from the original on 22 December 2017. Retrieved 22 December 2017.
- "Luke Carman". www.wheelercentre.com. Wheeler Centre. Retrieved 22 December 2017.
- ^ Cregan, Ellen. "REVIEW: An Elegant Young Man by Luke Carman". umsu.unimelb.edu.au. University of Melbourne Student Union. Archived from the original on 23 December 2017. Retrieved 22 December 2017.
- Neave, Lucy. "Revision, community and performance: the role of a literary network in the development of Michael Mohammed Ahmad’s The Tribe and Luke Carman’s An Elegant Young Man". New Writing: The International Journal for the Practice and Theory of Creative Writing. Volume 13, 2016 - Issue 2.
- Carman, Luke (June 2019). Intimate antipathies. Artarmon NSW. ISBN 978-1-925818-13-0. OCLC 1103605945.
{{cite book}}: CS1 maint: location missing publisher (link) - Stanton, Jack Cameron (23 September 2022). "Luke Carman goes in search of the interior lives of others". The Age. Retrieved 24 September 2022.
- Eltham, Ben (16 March 2016), "Infinite snark: who's afraid of the Melbourne literary scene?", The Guardian
- Stinson, Emmett (18 March 2016). "Vulgar Rhetoric". overland.org.au. Overland. Retrieved 22 December 2017.
Carman's point here is not simply to revel in the potential joblessness of arts administrators (though there's a bit of that, too), but to suggest that an insecure arts bureaucracy leaves more room to operate outside of the professionalised, middle-class norms such bureaucracies instil. For all of its hyperbolic rhetoric, the essay is a call for a limited form of underclass literary revolt – and the studied refusal of a creeping professionalisation.