This article is written like a personal reflection, personal essay, or argumentative essay that states a Misplaced Pages editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style. (November 2022) (Learn how and when to remove this message) |
Mad Love | ||||
---|---|---|---|---|
Studio album by Linda Ronstadt | ||||
Released | February 26, 1980 (Charted on March 15) | |||
Recorded | October 24, 1979 – January 10, 1980 | |||
Studio | Record One (Los Angeles) | |||
Genre | ||||
Length | 31:09 | |||
Label | Asylum | |||
Producer | Peter Asher | |||
Linda Ronstadt chronology | ||||
| ||||
Singles from Mad Love | ||||
| ||||
Mad Love is the tenth studio album by singer Linda Ronstadt, released in 1980. It debuted at #5 on the Billboard album chart, a record at the time and a first for any female artist, and quickly became her seventh consecutive album to sell over one million copies. It was certified platinum and nominated for a Grammy.
The album reflected the advent in the later 1970s of punk rock and new wave music.
Many veteran acts, including Fleetwood Mac, Carly Simon, Heart, Queen, Joni Mitchell and James Taylor, made sincere (and often successful) efforts to revitalize their sound by adopting aspects of the stripped-down, unpretentious D.I.Y. punk and new wave aesthetic. Mad Love was Ronstadt's response to this trend.
The album contains three songs by Elvis Costello ("Party Girl", "Girls Talk" and "Talking in the Dark") as well as three tracks from The Cretones' first album, Thin Red Line (1980). Although Ronstadt had regularly recorded edgy material by non-mainstream songwriters, including Elvis Costello's "Alison," she hired Cretones guitarist Mark Goldenberg to provide arrangements, play guitar and lend authenticity to the project. The cover art's brash, hot pink and black ransom-note graphics and the singer’s new spiky, short-cropped hairstyle reinforced Mad Love’s claim to New Wave status.
The carefully-calculated production and promotion of Mad Love reflected the considerable professional risk undertaken by Ronstadt after a succession of multi-platinum hits. As the queen of '70s easy-going pop, Ronstadt was unlikely to impress punk and new wave's skeptical critics and puritanical audiences. At the same time, her embrace of a highly-ironic, frenetic, radically unelaborated style had the potential to alienate Ronstadt’s huge mainstream audience eager for the latest iteration of the Heart Like a Wheel formula. The inclusion of new material by established superstars who had embraced aspects of punk rock such as Neil Young ("Look Out for My Love") provided some continuity with Ronstadt's previous releases.
The record-buying public proved to be more adventurous than anticipated, making Ronstadt's risk pay off richly. The album's singles — the manic, Blondie-esque rocker "How Do I Make You" and the dark, breathless remake of the 1965 ballad "Hurt So Bad" — climbed to the #10 and #8 positions on the Billboard charts in mid 1980, while other tracks like "I Can't Let Go" received heavy rotation on classic rock FM stations. Mad Love reach #3 on the album charts and sold over one million copies, making it Ronstadt’s seventh consecutive platinum record. For the fourth time, Ronstadt was named Billboard's #1 Female Artist of the Year. "How Do I Make You" earned her a Grammy Award nomination in the Best Rock Vocal Performance Female single category.
Ronstadt leveraged the success of Mad Love to compel Asylum Records to greenlight two non-pop/rock projects—a collection of torch standards backed by the Nelson Riddle Orchestra and a collection of classical mariachi music sung in Spanish. Previously deemed commercially unviable by the label, both projects were commercial successes on the scale of Ronstadt's pop albums.
In 2011, after 31 years, Mad Love was taken out of print. The album was reissued in 2012 as part of Warner/Rhino's "Original Album Series," a boxed set comprising five classic albums, but this series was also discontinued.
Review scores | |
---|---|
Source | Rating |
AllMusic | |
Robert Christgau | B− |
Record Mirror | |
Rolling Stone | (mixed) |
The Rolling Stone Album Guide |
Track listing
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Mad Love" | Mark Goldenberg | 3:40 |
2. | "Party Girl" | Elvis Costello | 3:22 |
3. | "How Do I Make You" | Billy Steinberg | 2:25 |
4. | "I Can't Let Go" | Chip Taylor, Al Gorgoni | 2:44 |
5. | "Hurt So Bad" | Teddy Randazzo, Bobby Weinstein, Bobby Hart | 3:17 |
No. | Title | Writer(s) | Length |
---|---|---|---|
6. | "Look Out for My Love" | Neil Young | 3:29 |
7. | "Cost of Love" | Goldenberg | 2:38 |
8. | "Justine" | Goldenberg | 4:00 |
9. | "Girls Talk" | Costello | 3:22 |
10. | "Talking in the Dark" | Costello | 2:12 |
Total length: | 31:09 |
Personnel
- Linda Ronstadt – lead vocals, backing vocals (4, 6)
- Bill Payne – keyboards
- Michael Boddicker – synthesizers (10)
- Dan Dugmore – electric guitar (1-6, 8-10), electric guitar solo (1, 6)
- Mark Goldenberg – electric guitar (1-4, 7-10), backing vocals (1, 3, 7), electric guitar solo (3, 4)
- Danny Kortchmar – electric guitar (5), electric guitar solo (5)
- Mike Auldridge – dobro (6)
- Peter Bernstein – acoustic guitar (9)
- Bob Glaub – bass
- Russ Kunkel – drums
- Peter Asher – tambourine (4), percussion (9)
- Steve Forman – percussion (9)
- Waddy Wachtel – backing vocals (1, 7)
- Nicolette Larson – backing vocals (3, 4, 9)
- Rosemary Butler – backing vocals (4, 9)
- Kenny Edwards – backing vocals (8)
- Andrew Gold – backing vocals (8)
Production
- Peter Asher – producer
- Val Garay – recording, mixing
- Niko Bolas – recording assistant
- Mike Reese – mastering
- Doug Sax – mastering
- The Mastering Lab (Hollywood, California) – mastering location
- Kosh – art direction, design
- Peter Howe – photography
Charts
Chart (1980) | Peak position |
---|---|
Australia (Kent Music Report) | 6 |
Dutch Albums (Album Top 100) | 37 |
New Zealand Albums (RMNZ) | 22 |
Norwegian Albums (VG-lista) | 34 |
United Kingdom (Official Charts Company) | 65 |
US Billboard 200 | 3 |
Certifications and sales
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) | Platinum | 50,000 |
Japan | — | 100,990 |
United States (RIAA) | Platinum | 1,000,000 |
Shipments figures based on certification alone. |
Release history
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
North America | February 18, 1980 |
|
Asylum Records |
References
- Cateforis, Theo (2011). Are We Not New Wave? : Modern Pop at the Turn of the 1980s. University of Michigan Press. p. 40. ISBN 978-0-472-03470-3.
- "11 Classic Rockers Who Went New Wave For One Album". VH1.com. Archived from the original on June 25, 2022.
- AllMusic review
- Gurr, Ronnie (23 February 1980). "Linda Ronstadt: Mad Love / Warren Zevon: Bad Luck Streak in Dancing School". Record Mirror. p. 12.
- Robert Christgau review
- "Mad Love". Rolling Stone. 1980-04-03. Archived from the original on 2016-12-21.
- Brackett, Nathan; Christian Hoard (2004). The Rolling Stone Album Guide. New York City, New York: Simon and Schuster. p. 701. ISBN 0-7432-0169-8.
rolling stone linda ronstadt album guide.
- Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 258. ISBN 0-646-11917-6.
- "Dutchcharts.nl – Linda Ronstadt – Mad Lovee" (in Dutch). Hung Medien. Retrieved October 22, 2019.
- "Charts.nz – Linda Ronstadt – Mad Lovee". Hung Medien. Retrieved October 22, 2019.
- "Norwegiancharts.com – Linda Ronstadt – Mad Lovee". Hung Medien. Retrieved October 22, 2019.
- "Linda Ronstadt Chart History (Billboard 200)". Billboard. Retrieved October 22, 2019.
- "Kent Music Report No 341 – 5 January 1981 > Platinum and Gold Albums 1980". Kent Music Report. Retrieved November 13, 2021 – via Imgur.com.
- Oricon Album Chart Book: Complete Edition 1970-2005. Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9.
- "American album certifications – Linda Ronstadt – Mad Love". Recording Industry Association of America.
- Ronstadt, Linda (February 18, 1980). "Mad Love (Liner Notes)". Asylum Records. 5E-510 (LP); 5C-5510 (Cassette).