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Liza Soberano

Liza Soberano (born January 4, 1998) is an American and Filipino actress. Her accolades include a FAMAS Award, a Star Award, and six Box Office Entertainment Awards. She began her career as a model, before her television debut in the fantasy anthology series Wansapanataym (2011). She achieved wider recognition for starring in the second season of Got to Believe (2013) and Forevermore (2014), the latter of which marked the first of her collaborations with actor Enrique Gil. Soberano found commercial successes in several romantic films, winning the Box Office Entertainment Award for Box Office Queen for My Ex and Whys (2017). Attempting to shed her image as an on-screen couple with Gil, she sought roles in other genres, before pursuing an acting career in Hollywood with Lisa Frankenstein (2024). Soberano has been described by media publications as one of the most beautiful Filipino actresses of her generation. She is vocal about gender equality, women's rights, and mental health. (Full article...)

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KiMo Theater

KiMo Theater is a theater and historic landmark located in Albuquerque, New Mexico, on the northeast corner of Central Avenue and Fifth Street. It was built in 1927 in the extravagant Pueblo Deco architecture, which is a blend of adobe-style Pueblo Revival building styles (rounded corners and edges), decorative motifs from indigenous cultures, and the soaring lines and linear repetition found in American Art Deco architecture. The name Kimo, meaning 'mountain lion', was suggested by Pablo Abeita in a competition sponsored by the Albuquerque Journal. The theater opened on September 19, 1927, with a program including Native American dancers and singers, a performance on the newly installed $18,000 Wurlitzer theater organ, and the comedy film Painting the Town. According to local legend, the KiMo Theatre is haunted by the ghost of Bobby Darnall, a six-year-old boy killed in 1951 when a water heater in the theater's lobby exploded. The tale alleges that a theatrical performance of A Christmas Carol in 1974 was disrupted by the ghost, who was supposedly angry that the staff was ordered to remove donuts they had hung on backstage pipes to appease him. This photograph shows the facade of the KiMo Theater, seen from across Central Avenue.

Photograph credit: Daniel Schwen

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