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Margot Neville

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Pseudonym of Margot Goyder and Ann Goyder
Ann Neville Goyder Joske and Margot Goyder, 1940

Margot Neville was the name adopted by Australian writers Margot Goyder (1896–1975) and her sister Ann or Anne Neville Goyder Joske (1887–1966) for their work: short stories, plays and humorous novels, before they became known for a series of murder mysteries, featuring Inspector Grogan and Detective Sergeant Manning. Much of their work, including some full-length novels, appeared in The Australian Women's Weekly, then the country's foremost publisher of light fiction.

The Goyder sisters were members of a family well-known in Melbourne and Launceston, being daughters of Charles Edmund Goyder and granddaughters of Frederick Charles Goyder. Assertions that they were nieces of George Goyder, Surveyor-General of South Australia, can be discounted. For more family details see below.

History

Their mode of collaboration was unusual — rather than sharing chapters or each taking care of a particular aspect such as dialogue, every word on paper was a shared decision.

Several short stories were published in London magazines such as the Woman's Home Companion.

Their novel Kiss Proof was published as a serial in London's Evening Standard.

Their play Once a Husband starring Cyril Maude, Owen Nares and Fay Compton was produced at the Haymarket Theatre.

Then came the publication on Saturday 26 October 1935 of Giving the Bride Away by the Australian Women's Weekly in their series of free 32-page "book length" supplements. The Weekly, not unexpectedly, praised the wit of their writing, inviting comparison to P. G. Wodehouse and Ben Travers. Further such publications were Safety First, which, they assured readers, was even better than the first, Kissproof the following year, Jenifer's Husband, Marietta Is Stolen in 1937.

The Weekly also ran within its pages their short stories and humorous essays.

They left for London in 1936 and from April 1937 to September 1938 their weekly "London Letter" was broadcast on ABC Radio 3LO, and from February to July 1940 contributed "Margot Neville's Mailbag" to the Australian airwaves.

Their switch to murder mysteries was signalled by a 1945 serialized short novel Rendezvous with Death, spread over four issues in the Australian Women's Weekly, and introducing Detective-Inspector Grogan and Detective-Sergeant Manning. The Gardenia Case, a year later, was considerably longer — four full pages each week for nine weeks. The Cliffside Case followed in 1948, The Case of Come-hither Bend in 1950, Cyanide for Supper in 1951, The Seagull Said Murder in 1953. Murder of the Well Beloved, earlier a Book of the Month selection in London was republished as a free lift-out supplement the following January. Murder and Poor Jenny was serialized in 1955, and Murder of Olympia in 1956 (year of the Melbourne Olympics) with a twist — readers were invited to solve the mystery before Grogan and Manning. Murder Was Her Welcome was in 1957 their next serial, published before its appearance in Australian bookshops. The Flame of Murder was serialized in 1959 and Sweet Night for Murder in 1960. Murder Beyond the Pale was serialized in 1962 — making them, at 14 books, the Weekly's most published author. Drop Dead was serialized in 1963, Come and See Me Die in 1964 and Head on the Sill in 1966. That may have been the last "Margot Neville" novel published by the Weekly, though their short stories continued to appear spasmodically.

Works

Novels (22 or 24 in all)

  • Marietta is Stolen (1922)
  • This Can't Be I (1923)
  • Safety First (1924) dramatized by Miles Malleson, and produced at the Royalty Theatre
  • Kiss Proof (1928)
  • Giving the Bride Away (1930)
  • Murder in a Blue Moon (1948)
  • Murder of the Well-Beloved (1953)
  • Murder and Poor Jenny (1954)
  • The Hateful Voyage (1956)
  • Murder of Olympia (1956)
  • Murder to Welcome Her (1957)
  • The Flame of Murder (1958)
  • Sweet Night for Murder (199)
  • Confession of Murder (1960)
  • Murder Beyond the Pale (1961)
  • Drop Dead (1962)
  • Come See Me Die (1963)
  • My Bad Boy (1964)
  • Head on the Sill (1966)

Plays

  • Love at Second Sight (1927), dramatization of their novel Safety First, also filmed
  • Wolf! (1931) with Joan Lindsay as "Margot Neville and Lindsay Beckett"
  • (with Gerald Kirby) Once a Husband (1932)
  • Heroes Don't Care (1936), Rex Harrison starred in the play's London premiere.
  • (with Gerald Kirby) Giving the Bride Away (1939)
Short stories
  • Holiday's End (1957) in Australian Women's Weekly; many others 1936–1969.

Criticism

  • Sydney's Daily Telegraph conceded the high literary standard of Murder and Gardenias, but found execution of the crime ridiculous, and the police protagonists implausible; the only believable Australian fictional detective being Upfield's "Boney".
  • The Oxford Companion to Australian Literature observed that, although set in Australia, the murder novels have little "local colour".

Family

Charles Edmund Goyder (1857 – 26 August 1907) was born in Adelaide, the eldest son of Frederick Charles Goyder (c. 1826 – 25 January 1900). He married Nelly Hay (died 25 January 1921) on 5 August 1882. Their children include:

  • Madge Goyder (16 May 1883 – 10 October 1951) married William Allder Morrison on 7 January 1908 Madge was an actress.
  • Dorothy Goyder (5 April 1885 – 26 October 1966) was a Melbourne journalist
  • (Ann) Neville Goyder (27 March 1887 – 17 May 1966) married businessman Jerrold Joske on 9 October 1907. He divorced her in 1929 and married again in 1935.
  • Guy de Erasby Goyder (27 November 1889 – 2 August 1952) who married Constance Alexa Gordon-Cumming on 14 February 1925.
  • Margot Goyder (11 May 1896 – 5 January 1975)

Notes

  1. As they were granddaughters of F. C. Goyder, they cannot be literally nieces of George Goyder (1826–1898), who was a son of David Goyder. Assertions that F. C. Goyder (who was once a surveyor) and George Goyder worked together in New South Wales, naming the Gwydir River, are unsupportable.
  2. Misreported as Horses Don't Care in the Oxford reference.

References

  1. ^ William H. Wilde; Joy Hooton; Barry Andrews (1994). The Oxford Companion to Australian Literature. Oxford University Press. ISBN 0-19-553381-X.
  2. ^ "Australian Girls Write London Comedy it". The Australian Women's Weekly. Vol. IV, no. 13. 29 August 1936. p. 2. Retrieved 28 April 2023 – via National Library of Australia.
  3. "Goyder Sisters". AustLit. Retrieved 28 April 2023.
  4. "Advertising". The Herald (Melbourne). Vol. LXVII, no. 4797. Victoria, Australia. 17 June 1861. p. 1. Retrieved 28 April 2023 – via National Library of Australia.
  5. ^ "Two Brilliant Writing Sisters". The Australian Women's Weekly. Vol. III, no. 21. 26 October 1935. p. 10. Retrieved 29 April 2023 – via National Library of Australia. Throughout this and other stories by the Weekly, Neville was called "Mrs Ann Neville", itself a pseudonym.
  6. "Giving the Bride Away". The Australian Women's Weekly. Vol. III, no. 21. 26 October 1935. p. 1 (Supplement). Retrieved 29 April 2023 – via National Library of Australia.
  7. "Your Favorite Free Novels". The Australian Women's Weekly. Vol. IV, no. 23. 7 November 1936. p. 2. Retrieved 29 April 2023 – via National Library of Australia.
  8. "Safety First". The Australian Women's Weekly. Vol. III, no. 42. 21 March 1936. p. 2 Supplement. Retrieved 29 April 2023 – via National Library of Australia.
  9. "Kissproof". The Australian Women's Weekly. Vol. IV, no. 21. 24 October 1936. p. 1 (Supplement). Retrieved 29 April 2023 – via National Library of Australia.
  10. "Jenifer's Husband". The Australian Women's Weekly. Vol. IV, no. 31. 2 January 1937. p. 1 (Supplement). Retrieved 29 April 2023 – via National Library of Australia.
  11. "Marietta Is Stolen". The Australian Women's Weekly. No. 8. 31 July 1937. p. 1 (Supplement). Retrieved 29 April 2023 – via National Library of Australia.
  12. "Sugar Cured". The Australian Women's Weekly. Vol. III, no. 51. 23 May 1936. p. 6. Retrieved 29 April 2023 – via National Library of Australia.
  13. "Double or Quits". The Australian Women's Weekly. Vol. 8, no. 27. 7 December 1940. p. 8. Retrieved 29 April 2023 – via National Library of Australia.
  14. "Thanks. I'd Rathe Get Wet!". The Australian Women's Weekly. Vol. 7, no. 48. 4 May 1940. p. 2. Retrieved 29 April 2023 – via National Library of Australia.
  15. "Take a d-e-e-p Breath". The Australian Women's Weekly. Vol. 8, no. 2. 15 June 1940. p. 2. Retrieved 29 April 2023 – via National Library of Australia.
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  18. "Rendezvous with Death". The Australian Women's Weekly. Vol. 13, no. 23. 17 November 1945. p. 8. Retrieved 29 April 2023 – via National Library of Australia.
  19. "The Gardenia Case". The Australian Women's Weekly. Vol. 14, no. 21. 2 November 1946. p. 8. Retrieved 29 April 2023 – via National Library of Australia.
  20. "Popular Australian Author Writes Our New Serial". The Australian Women's Weekly. Vol. 16, no. 15. 18 September 1948. p. 15. Retrieved 29 April 2023 – via National Library of Australia.
  21. "Murder of the Well-Beloved". The Australian Women's Weekly. Vol. 21, no. 32. 6 January 1954. p. 1 (Supplement). Retrieved 29 April 2023 – via National Library of Australia.
  22. "Murder Was Her Welcome". The Australian Women's Weekly. Vol. 25, no. 15. 18 September 1957. p. 24 (Fiction Section ). Retrieved 29 April 2023 – via National Library of Australia.
  23. "The Weekly Round". The Australian Women's Weekly. Vol. 30, no. 14. 5 September 1962. p. 2. Retrieved 29 April 2023 – via National Library of Australia.
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  38. "Life of Sydney". The Daily Telegraph. Vol. IV, no. 300. New South Wales, Australia. 6 March 1940. p. 10. Retrieved 28 April 2023 – via National Library of Australia.
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  43. "In Divorce". The Sydney Morning Herald. No. 28, 262. New South Wales, Australia. 3 August 1928. p. 8. Retrieved 28 April 2023 – via National Library of Australia.
  44. "Jottings of Social Interest". The Sydney Mail. Vol. XLVI, no. 1192. New South Wales, Australia. 30 January 1935. p. 20. Retrieved 28 April 2023 – via National Library of Australia.
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