Misplaced Pages

Martin Leyer-Pritzkow

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
A major contributor to this article appears to have a close connection with its subject. It may require cleanup to comply with Misplaced Pages's content policies, particularly neutral point of view. Please discuss further on the talk page. (March 2016) (Learn how and when to remove this message)
This biographical article is written like a résumé. Please help improve it by revising it to be neutral and encyclopedic. (November 2018)
This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. Please help improve this article by introducing more precise citations. (November 2018) (Learn how and when to remove this message)
(Learn how and when to remove this message)

Martin Leyer-Pritzkow (born 2 January 1957 in Düsseldorf) is a German curator and writer about contemporary art. He lives and works in Düsseldorf, Germany.

Portrait of Martin Leyer-Pritzkow in front of the art work "Idyll" by the Swiss artist Thomas Ruch, 2015

Life

Martin Leyer-Pritzkow grew up the first years in Düsseldorf. Influenced by his grandfather, who has taken him to many exhibitions of classical modernism as a child, his interest in art developed. At grammar school in Düsseldorf-Gerresheim he received art lessons from Konrad Fischer (artist name: Konrad Lueg) and Gerhard Richter. In the year 1972 Leyer-Pritzkow changed school and graduated for high school in Bonn.

After studying economics at the Universities of Regensburg and Cologne, he began his career in 1983 as a marketing manager at Diners Club International, in Germany. He was director of marketing and sales at a former subsidiary of the 1989 Swiss reinsurance and the "Dr. Harald Quandt Holding ". He subsequently worked as a managing partner of a Direct Marketing company in Munich and consultant for a French consulting company in Lyon. In 1996 he started his own business as an independent curator in Düsseldorf.

Curatorial activities

Martin Leyer-Pritzkow organizes his own exhibitions of contemporary art in Germany and foreign countries. He cares about artistic life works, mediates contemporary fine art and gives lectures about the quality characteristics of contemporary art and strategical collecting. He analysis developments and tendencies of the international art market in newspapers and broadcast.

Curated exhibitions (selection)

  • 2016 H50 21K, Domagk Art studios, Munich, Germany
  • 2015 Natura nutrix - Homo vorax, Collateralevent of the 56th Venice Biennale with Nevia Pizzul-Capello and Hans-Joachim Petersen at Palazzo Albrizzi, Associaczone Culturale Italo-Tedesca, Venice, Italy
  • 2010 Muc-Dus Exchange, White Box, Munich and E.ON Headquarters, Düsseldorf, Germany
  • 2001 Young Figuratives, 2001 Carolinen Palais Munich, Germany
  • 2002 Young Figuratives Mönchehaus-Museum of Modern Art, Goslar, Germany
  • 2000 Adolf Bierbrauer, NRW Forum, Düsseldorf, Germany
  • 2000 Young Figurattives Cologne, Germany
  • 1999 Young Figuratives Rovigo, Italy
  • 1998 Due Dimensioni – Arte Giovane Italia e Germania, Venice, Italy
  • 1998 Young German Painters, Decoplage, Miami, USA

Exhibited artists (selection)

Agata Agatowski, Mahssa Askari, Armin Baumgarten, Thomas Bernstein, Christoph Beyer, Sarah Budde, Adolf Bierbrauer, Peter Brüning, Stefan Demary, Thea Djordjadze, Stefan Ettlinger, Fabrizio Gazzarri, Jårg Geismar, Karl Otto Götz, Heinz Hausmann, Hans-Jörg Holubitschka, Gerhard Hoehme, Florian Huth, Jacobo Jarach, Tina Juretzek, Agnieszka Kaszubowska, Horst Keining, Sven Kierst, Anna Krammig, Hendrik Krawen, Augusta Laar, André Lanskoy, Peter Lindenberg, Bernard Lokai, Yoshiyuki Miura, Maria-Elisabetta Novello, Jennifer Rieker, Katrin Roeber, Thomas Ruch, Julia Schewalie, Thyra Schmidt, Emil Schumacher, Brigitte Stenzel, Angelika J. Trojnarski, Fritz Winter et alii.

Teaching

From 1999 to 2008 he was lecturer at the Accademia di Belle Arti di Venezia in Venice.

Writings

  • (Ed.): Due Dinemsioni, Giovane Arte in Italia e Germania Texts by Massimo Dona, Fabrizio Gazzarri, Martin Leyer-Pritzkow, Tonato Antonio and Luigi Viola, in English, Italian and German language, Leyer-Pritzkow, Düsseldorf 1998, ISBN 3-926820-61-6.
  • (Ed.). Adolf Bierbrauer, in English and German language, Leyer-Pritzkow, Düsseldorf 2000, ISBN 3-926820-70-5.
  • (Ed.): Young Figuratives, in English and German language, Ketterer Kunst, Munich 2001. ISBN 3-00-007375-2.
  • (Ed.): Fabrizio Gazzarri: Dialoghi Inversi – Fabrizio Gazzarri, in English, Italian and German language, Leyer-Pritzkow, Düsseldorf 2003. ISBN 3-00-012419-5.
  • with Klaus Sebastian: Das Kunstkaufbuch (The Art Purchase Book) Prestel, Munich, Berlin, London, New York, 2005. ISBN 3-7913-3359-3.
  • Limits of freedom, the aesthetics of the moment, the introduction to the photographs of the artist Sven Kierst, in English and German, dauvi-Verlag, Bergheim 2012, ISBN 978-3-937855-06-6.

External links

Television

Categories: