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Maude Vizard-Wholohan

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Elizabeth Maude Vizard-Wholohan (13 August 1859 – 7 September 1950), commonly referred to as Mrs Wholohan, was a South Australian artist and benefactor.

History

Wholohan was born Elizabeth Jane Vizard in Brompton, South Australia, daughter of Joseph Eliza(?) Vizard (died c. 30 April 1911).

She married Patrick Francis Foran Wholohan (c. 1851 – 15 September 1935) at St Mary's (Catholic) Church, Port Adelaide on 20 December 1880. In 1935 they had a home at Alexandra Avenue, Rose Park.

She studied painting under James Ashton at his Norwood Art School 1891, where she did some excellent still lifes and flower paintings. In 1893 she joined the Adelaide Easel Club, where her husband (head master at a school in Knightsbridge, later at Marryatville) was president. Her flower paintings continued to attract favorable comment. Her work sold readily at the London Exhibition of Australian Art in 1898, and her name was mentioned by Ashton alongside that of Hans Heysen when talking of promising students and alongside that of Marie Tuck by The Advertiser's art critic.

The Adelaide Easel Club, which was a breakaway from the South Australian Society of Arts, rejoined the parent body in 1901. Wholohan continued to exhibit with the Society, but she was criticised for monotonous choice of subject. By 1903 she had joined the South Australian School of Design She continued to paint, and also did some good work in sculpture and furniture-making but never achieved further praise from critics.

She was an aficionado of music performance, and for a few years sponsored a scholarship for music composition, presented in conjunction with Hooper Brewster-Jones's prizes. Some, perhaps all, of the recipients were:

  • 1921 shared between Edith Piper and Gladys Bruer
  • 1923 shared between Doris Collett and Spruhan Kennedy
  • 1925 Captain Hugh King of the Adelaide Metropolitan Choral Society (award repeated 1926)

She died at her home, 3 Webb Street, Rose Park She had no children or relatives in Australia; she left £10,000 in her will to fund an annual Maude Vizard-Wholohan Prize of £200 for works by South Australian artists, a portrait and landscape or seascape in alternate years, the winning picture to become the property of the Art Gallery of South Australia. Opinions differed greatly as to the merits of such restrictive conditions.

In 1954 the Art Gallery board disclaimed the trust and sought a revision of its conditions from the Supreme Court. The sticking-point was apparently that administration of the trust was to be in conjunction with "an outside art group" i.e. the South Australian Society of Arts (SASA).

It is not certain whether the SASA made any awards earlier, but the Art Gallery of South Australia dates the Maude Vizard-Wholohan Prize from 1957. In its revised form there is no restriction to SA residents, there are up to five categories with different prizes, none necessarily awarded in any year, and the Art Gallery has the option to dispose of the acquired works.

References

  1. "Family Notices". South Australian Register. Vol. XXIII, no. 4005. South Australia. 15 August 1859. p. 2. Retrieved 23 November 2023 – via National Library of Australia.
  2. "Family Notices". The Express and Telegraph. Vol. XVIII, no. 5, 087. South Australia. 21 December 1880. p. 2. Retrieved 23 November 2023 – via National Library of Australia.
  3. "Norwood Art Schools". The Express and Telegraph. Vol. XXIX, no. 8, 652. South Australia. 24 September 1892. p. 6. Retrieved 23 November 2023 – via National Library of Australia.
  4. "Adelaide Easel Club". South Australian Register. Vol. LVIII, no. 14, 437. South Australia. 20 February 1893. p. 5. Retrieved 23 November 2023 – via National Library of Australia.
  5. "The Adelaide Easel Club's Exhibition". Quiz and The Lantern. Vol. VI, no. 285. South Australia. 14 February 1895. p. 4. Retrieved 23 November 2023 – via National Library of Australia.
  6. "South Australian Art in London". South Australian Register. Vol. LXIII, no. 16, 071. South Australia. 17 May 1898. p. 4. Retrieved 23 November 2023 – via National Library of Australia.
  7. "South Australia's Position in the Art World". Yorke's Peninsula Advertiser. Vol. XXVII, no. 2080. South Australia. 19 May 1899. p. 3. Retrieved 23 November 2023 – via National Library of Australia.
  8. "The Federal Art Exhibition". The Advertiser (Adelaide). South Australia. 11 November 1899. p. 11. Retrieved 23 November 2023 – via National Library of Australia.
  9. "Art and Federation". The Advertiser (Adelaide). Vol. XLIII, no. 13123. South Australia. 8 November 1900. p. 4. Retrieved 23 November 2023 – via National Library of Australia.
  10. "School of Design". The Register (Adelaide). Vol. XLVIII, no. 17, 640. South Australia. 28 May 1903. p. 6. Retrieved 23 November 2023 – via National Library of Australia.
  11. "Family Notices". The News (Adelaide). Vol. 55, no. 8, 452. South Australia. 8 September 1950. p. 21. Retrieved 22 November 2023 – via National Library of Australia.
  12. ^ "Ruling Sought on £10,000 Art Gift". The News (Adelaide). Vol. 63, no. 9, 775. South Australia. 9 December 1954. p. 43. Retrieved 24 November 2023 – via National Library of Australia.
  13. "Valuable Art Prize Bequest". The Advertiser (Adelaide). Vol. 93, no. 28, 694. South Australia. 27 September 1950. p. 3. Retrieved 23 November 2023 – via National Library of Australia.
  14. "Views differ on art prize". The News (Adelaide). Vol. 55, no. 8, 468. South Australia. 27 September 1950. p. 27. Retrieved 24 November 2023 – via National Library of Australia.
  15. "Art Gallery of SA: Timeline". Retrieved 24 November 2023.
  16. ^ Alan McCulloch (1984). "Vizard-Wholohan Prize". Encyclopedia of Australian Art. Hutchinson. p. 984. ISBN 009148300X.
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