Misplaced Pages

Mercedes Elena Gonzalez

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Artist (b. 1952)
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
This article has an unclear citation style. The references used may be made clearer with a different or consistent style of citation and footnoting. (April 2019) (Learn how and when to remove this message)
This article may contain an excessive amount of intricate detail that may interest only a particular audience. Please help by spinning off or relocating any relevant information, and removing excessive detail that may be against Misplaced Pages's inclusion policy. (April 2019) (Learn how and when to remove this message)
(Learn how and when to remove this message)

Mercedes Elena González is an artist from Caracas, Venezuela. She has worked on various multimedia art pieces that incorporate lines, shapes, and colors to showcase modern abstraction.

Early life and career

Mercedes Elena González was born in Caracas, Venezuela, in 1952. In the years 1974 to 1976, she attended a school in her hometown known as Taller Teresa Azara. Following her attendance there, González continued her studies at the School of the Museum of Fine Arts in Boston, Massachusetts until 1980.

Selected works

September 1955 Series (2013)

In her series, September 1955, González portrays art that was inspired by a Venezuelan magazine called Integral. The name itself is derived from the specific month and year that Integral showcased modern abstraction as a new form of art. González uses her drawing as means to explore the hopefulness that modern abstraction brought to youth during the 1950s, along with the political obstacles that have slowly ruined the countries well-being. She comes from a generation in which modernism was not popular in Latin America. Her series reflects on her personal realization of what Venezuela has come to be, through the use of abstract art.

Vulvosa tríptico (Vulviform triptych) (1979–81)

This series of art explores the biological process of reproduction. It was created on a graphite board with acrylic paint. Her father was a doctor and, for that reason, a lot of her art reflects anatomical features. This specific series was controversial at the time because of how uncommon it was to see vaginal imagery in Venezuela. The use of soft lines and colors gave viewers a calm feeling about the subject. Her art was inspired by Georgia O'Keeffe, an artist who also sparked controversy.

References

  1. Fajardo-Hill, Cecilia, Andrea Giunta, and Rodrigo Alonso. Radical Women: Latin American Art, 1960-1985. , 2017. Print.
  2. "Mercedes Elena Gonzalez". Artspace. Retrieved 2019-03-18.
  3. Mendoza, Anabela. "Venezuelan Artist Mercedes Elena Gonzalez at Henrique Faria Fine Arts". VAEA. Retrieved 2019-03-18.
  4. "Henrique Faria Fine Art - Mercedes Elena González: September 1955". www.henriquefaria.com. Retrieved 2019-03-18.
  5. Tate. "Abstract art – Art Term". Tate. Retrieved 2019-03-18.
  6. "Mercedes Elena González | Radical Women digital archive". Hammer Museum. Retrieved 2019-03-18.
  7. McAlpine, Claire (2016-10-31). "Was Georgia O'Keeffe actually painting vulvas?". Medium. Retrieved 2019-03-18.

External links

Categories: