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The album title comes from the Miss Universe 2015 controversy, when the presenter of the show, Steve Harvey, mistakenly announced Ariadna Gutiérrez of Colombia as the new Miss Universe. Only after being crowned did Harvey return to the stage to apologize, stating that Gutiérrez was in fact the first runner-up, with Pia Wurtzbach of the Philippines the actual winner. Following the incident, racism from Colombians towards Harvey and Wurtzbach led Pimienta to reflect on her identity and on differences between her home country of Colombia and her country of residence, Canada. She said "the floodgates opened, my head exploded, depression started, anxiety began...and now we have the album!"
Miss Colombia was met with critical acclaim. At Metacritic, the album received an average score of 86/100 based on six reviews, indicating "universal acclaim". Hannah Mylrea from New Musical Express wrote that the album "is an impressive, experimental collection, filled with complex, crunching production and romantic lyrics that recount love and loss. Mixing the old and traditional with modern elements, it’s a powerful statement of Lido Pimienta’s innovative creative vision and Colombia as a whole." Peyton Thomas from Pitchfork commented on the album and Pimienta's place within the music industry, writing, "The great promise of Miss Colombia, and of her new leadership in a predominantly white scene, is that brown girls will hear it and be inspired to surge to the front." Richard Villegas from Rolling Stone wrote, "The organic, delightfully earnest tracks blend Miss Colombia‘s avant-Latin sonic palette with revered cross-generational traditions, forging a new world of musical borderlessness that Pimienta is glad to call home."
^ Crudgington, Kate (April 22, 2020). "Interview: Lido Pimienta". Get In Her Ears. Archived from the original on December 11, 2021. Retrieved December 11, 2021.