Mordecai Richler

(Redirected from Mordechai Richler) Canadian writer (1931–2001)

Mordecai RichlerCC
Richler in the 1960s
Born	(1931-01-27)January 27, 1931 Montreal, Quebec, Canada
Died	July 3, 2001(2001-07-03) (aged 70) Montreal, Quebec, Canada
Resting place	Mount Royal Cemetery
Education	Baron Byng High School
Alma mater	Sir George Williams University
Occupation	Writer
Spouses	Catherine Boudreau (m. 1954, divorced) Florence Isabel Mann (née Wood) (m. 1961⁠–⁠2001)
Children	Daniel Richler Jacob Richler Noah Richler Martha Richler Emma Richler

Mordecai Richler CC (January 27, 1931 – July 3, 2001) was a Canadian writer. His best known works are The Apprenticeship of Duddy Kravitz (1959) and Barney's Version (1997). His 1970 novel St. Urbain's Horseman and 1989 novel Solomon Gursky Was Here were nominated for the Booker Prize. He is also well known for the Jacob Two-Two fantasy series for children. In addition to his fiction, Richler wrote numerous essays about the Jewish community in Canada, and about Canadian and Quebec nationalism. Richler's Oh Canada! Oh Quebec! (1992), a collection of essays about nationalism and anti-Semitism, generated considerable controversy.

Biography

Early life and education

The son of Lily (née Rosenberg) and Moses Isaac Richler, a scrap metal dealer, Richler was born on January 27, 1931, in Montreal, Quebec, and raised on St. Urbain Street in that city's Mile End area. He was fluent in English, French and Yiddish, and graduated from Baron Byng High School. Richler enrolled in Sir George Williams College (now Concordia University) to study but did not complete his degree. Years later, Richler's mother published an autobiography, The Errand Runner: Memoirs of a Rabbi's Daughter (1981), which discusses Mordecai's birth and upbringing, and the sometimes difficult relationship between them. (Mordecai Richler's grandfather and Lily Richler's father was Rabbi Yehudah Yudel Rosenberg, a celebrated rabbi in both Poland and Canada and a prolific author of many religious texts, as well as religious fiction and non-fiction works on science and history geared for religious communities.)

Richler moved to Paris at age nineteen, intent on following in the footsteps of a previous generation of literary exiles, the so-called Lost Generation of the 1920s, many of whom were from the United States.

Career

Richler returned to Montreal in 1952, working briefly at the Canadian Broadcasting Corporation, then moved to London in 1954. He published seven of his ten novels, as well as considerable journalism, while living in London.

Worrying "about being so long away from the roots of my discontent", Richler returned to Montreal in 1972. He wrote repeatedly about the Anglophone community of Montreal and especially about his former neighbourhood, portraying it in multiple novels.

Marriage and family

In England, in 1954, Richler married Catherine Boudreau, nine years his senior. On the eve of their wedding, he met and was smitten by Florence Mann (née Wood), then married to Richler's close friend, screenwriter Stanley Mann.

Some years later Richler and Mann both divorced their prior spouses and married each other, and Richler adopted her son Daniel. The couple had four other children together: Jacob, Noah, Martha and Emma. These events inspired his novel Barney's Version.

Richler died of cancer on July 3, 2001, in Montreal, aged 70.

He was also a second cousin of novelist Nancy Richler.

Journalism career

Throughout his career, Richler wrote journalistic commentary, and contributed to The Atlantic Monthly, Look, The New Yorker, The American Spectator, and other magazines. In his later years, Richler was a newspaper columnist for The National Post and Montreal's The Gazette. In the late 1980s and early 1990s, he authored a monthly book review for Gentlemen's Quarterly.

Richler was often critical of Quebec but of Canadian federalism as well. Another favourite Richler target was the government-subsidized Canadian literary movement of the 1970s and 1980s. Journalism constituted an important part of his career, bringing him income between novels and films.

The Apprenticeship of Duddy Kravitz

Richler published his fourth novel, The Apprenticeship of Duddy Kravitz, in 1959. The book featured a frequent Richler theme: Jewish life in the 1930s and 40s in the neighbourhood of Montreal east of Mount Royal Park on and about St. Urbain Street and Saint Laurent Boulevard (known colloquially as "The Main"). Richler wrote of the neighbourhood and its people, chronicling the hardships and disabilities they faced as a Jewish minority.

To a middle-class stranger, it is true, one street would have seemed as squalid as the next. On each corner a cigar store, a grocery, and a fruit man. Outside staircases everywhere. Winding ones, wooden ones, rusty and risky ones. Here a prized lot of grass splendidly barbered, there a spitefully weedy patch. An endless repetition of precious peeling balconies and waste lots making the occasional gap here and there.
— The Apprenticeship of Duddy Kravitz, Penguin Books, 1964, p. 13

Following the publication of Duddy Kravitz, according to The Oxford Companion to Canadian Literature, Richler became "one of the foremost writers of his generation".

Reception

Many critics distinguished Richler the author from Richler the polemicist. Richler frequently said his goal was to be an honest witness to his time and place, and to write at least one book that would be read after his death. His work was championed by journalists Robert Fulford and Peter Gzowski, among others. Admirers praised Richler for daring to tell uncomfortable truths; Michael Posner's oral biography of Richler is titled The Last Honest Man (2004).

Critics cited his repeated themes, including incorporating elements of his journalism into later novels. Richler's ambivalent attitude toward Montreal's Jewish community was captured in Mordecai and Me (2003), a book by Joel Yanofsky.

The Apprenticeship of Duddy Kravitz has been performed on film and in several live theatre productions in Canada and the United States.

Controversy

Main article: Delisle–Richler controversy

Richler's most frequent conflicts were with members of the Quebec nationalist movement. In articles published between the late 1970s and the mid-1990s, Richler criticized Quebec's restrictive language laws and the rise of sovereigntism. Critics took particular exception to Richler's allegations of a long history of anti-Semitism in Quebec.

Soon after the first election of the Parti Québécois (PQ) in 1976, Richler published "Oh Canada! Lament for a divided country" in the Atlantic Monthly to considerable controversy. In it, he claimed the PQ had borrowed the Hitler Youth song "Tomorrow Belongs to Me" from Cabaret for their anthem "À partir d'aujourd'hui, demain nous appartient", though he later acknowledged his error on the song, blaming himself for having "cribbed" the information from an article by Irwin Cotler and Ruth Wisse published in the American magazine Commentary. Cotler eventually issued a written apology to Lévesque of the PQ. Richler also apologized for the incident and called it an "embarrassing gaffe".

In 1992 Richler published Oh Canada! Oh Quebec!: Requiem for a Divided Country, which parodied Quebec's language laws. He commented approvingly on Esther Delisle's The Traitor and the Jew: Anti-Semitism and the Delirium of Extremist Right-Wing Nationalism in French Canada from 1929–1939 (1992), about French-Canadian anti-Semitism in the decade before the start of World War II. Oh Canada! Oh Quebec! was criticized by the Quebec sovereigntist movement and to a lesser degree by other anglophone Canadians. His detractors claimed that Richler had an outdated and stereotyped view of Quebec society, and fearmongered that he risked polarizing relations between francophone and anglophone Quebecers. Sovereigntist Pierrette Venne, later elected as a Bloc Québécois MP, called for the book to be banned. Daniel Latouche compared the book to Mein Kampf.

Nadia Khouri believes that there was a discriminatory undertone in the reaction to Richler, noting that some of his critics characterized him as "not one of us" or that he was not a "real Quebecer". She found that some critics had misquoted his work; for instance, in reference to the mantra of the entwined church and state coaxing females to procreate as vastly as possible, a section in which he said that Quebec women were treated like "sows" was misinterpreted to suggest that Richler thought they were sows. Québécois writers who thought critics had overreacted included Jean-Hugues Roy, Étienne Gignac, Serge-Henri Vicière, and Dorval Brunelle. His defenders asserted that Mordecai Richler may have been wrong on certain specific points, but was certainly not racist nor anti-Québécois. Nadia Khouri acclaimed Richler for his courage and for attacking the orthodoxies of Quebec society. He has been described as "the most prominent defender of the rights of Quebec's anglophones".

Some commentators were alarmed about the strong controversy over Richler's book, saying that it underlines and acknowledges the persistence of anti-Semitism among sections of the Quebec population. Richler received death threats; an anti-Semitic Francophone journalist yelled at one of his sons, "f your father was here, I'd make him relive the Holocaust right now!" An editorial cartoon in L'actualité compared him to Hitler. One critic controversially claimed that Richler had been paid by Jewish groups to write his critical essay on Quebec. His defenders believed this was evoking old stereotypes of Jews. When leaders of the Jewish community were asked to dissociate themselves from Richler, the journalist Frances Kraft said that indicated that they did not consider Richler as part of the Quebec "tribe" because he was Anglo-speaking and Jewish.

About the same time, Richler announced he had founded the "Impure Wool Society," to grant the Prix Parizeau to a distinguished non-Francophone writer of Quebec. The group's name plays on the expression Québécois pure laine, typically used to refer to Quebecker with extensive French-Canadian multi-generational ancestry (or "pure wool"). The prize (with an award of $3000) was granted twice: to Benet Davetian in 1996 for The Seventh Circle, and David Manicom in 1997 for Ice in Dark Water.

In 2010, Montreal city councillor Marvin Rotrand presented a 4,000-signature petition calling on the city to honour Richler on the 10th anniversary of his death with the renaming of a street, park or building in Richler's old Mile End neighbourhood. The council initially denied an honour to Richler, saying it would sacrifice the heritage of their neighbourhood. In response to the controversy, the City of Montreal announced it was to renovate and rename a gazebo in his honour. For various reasons, the project stalled for several years but was completed in 2016.

Representation in other media

St. Urbain's Horseman (1971) was made into a CBC television drama.
In 1973 The Apprenticeship of Duddy Kravitz was adapted into a film of the same name starring Richard Dreyfuss as Duddy.
The Apprenticeship of Duddy Kravitz has repeatedly been adapted as a musical play, i.e. in 1984 (Edmonton, Alberta, Canada), 1987 (Philadelphia), and 2015 (Montreal).
The animator Caroline Leaf created The Street (1976), based on Richler's 1969 short story of the same name. It was nominated for an Academy Award in animation.
In 1978 Jacob Two-Two Meets the Hooded Fang was adapted into a theatrical film as Jacob Two-Two Meets the Hooded Fang (1978 film).
In 1999 Jacob Two-Two Meets the Hooded Fang was adapted into a television film as Jacob Two Two Meets the Hooded Fang (1999 film).
In 1985 Joshua Then and Now (1980) was adapted into a film of the same name.
In 2003 Jacob Two-Two was adapted into an animated series of the same name loosely based on the titular character of the book series.
In 2009 Barney's Version was adapted for radio by the CBC.
In 2010 Barney's Version (1997) was adapted into a film of the same name.

Awards and recognition

1969 Governor General's Award for Cocksure and Hunting Tigers Under Glass.
1972 Governor General's Award for St. Urbain's Horseman.
1975 Writers Guild of America Award for Best Comedy for screenplay of The Apprenticeship of Duddy Kravitz.
1976 Canadian Library Association Book of the Year for Children Award: Jacob Two-Two Meets the Hooded Fang.
1976 Ruth Schwartz Children's Book Award for Jacob Two-Two Meets the Hooded Fang.
1990 Commonwealth Writers Prize for Solomon Gursky was Here
1995 Mr. Christie's Book Award (for the best English book age 8 to 11) for Jacob Two-Two's First Spy Case.
1997 The Giller Prize for Barney's Version.
1998 Canadian Booksellers Associations "Author of the Year" award.
1998 Stephen Leacock Award for Humour for Barney's Version
1998 Commonwealth Writers Prize for Best Book (Canada & Caribbean region) for Barney's Version
1998 The QSPELL Award for Barney's Version.
2000 Honorary Doctorate of Letters, McGill University, Montreal, Quebec.
2000 Honorary Doctorate, Bishop's University, Lennoxville, Quebec.
2001 Companion of the Order of Canada
2004 Number 98 on the CBC's television show about great Canadians, The Greatest Canadian
2004 Barney's Version was chosen for inclusion in Canada Reads 2004, championed by author Zsuzsi Gartner.
2006 Cocksure was chosen for inclusion in Canada Reads 2006, championed by actor and author Scott Thompson
2011 Richler posthumously received a star on Canada's Walk of Fame and was inducted at the Elgin Theatre in Toronto.
2011 In the same month he was inducted into Canada's Walk of Fame, the City of Montreal announced that a gazebo in Mount Royal Park would be refurbished and named in his honour. The structure overlooks Jeanne-Mance Park, where Richler played in his youth.
2015 Richler was given his due as a "citizen of honour" in the city of Montreal. The Mile End Library, in the neighbourhood he portrayed in The Apprenticeship of Duddy Kravitz, was given his name.

Published works

Jacob Two-Two Meets the Hooded Fang (Alfred A. Knopf, 1975), illustrated by Fritz Wegner
Jacob Two-Two and the Dinosaur (1987)
Jacob Two-Two's First Spy Case (1995)

Travel

Images of Spain (1977)
This Year in Jerusalem (1994)

Essays

Hunting Tigers Under Glass: Essays and Reports (1968)
Shovelling Trouble (1972)
Notes on an Endangered Species and Others (1974)
The Great Comic Book Heroes and Other Essays (1978)
Home Sweet Home: My Canadian Album (1984)
Broadsides (1991)
Belling the Cat (1998)
Oh Canada! Oh Quebec! Requiem for a Divided Country (1992)
Dispatches from the Sporting Life (2002)

Nonfiction

On Snooker: The Game and the Characters Who Play It (2001)

Anthologies

Canadian Writing Today (1970)
The Best of Modern Humour (1986) (U.S. title: The Best of Modern Humor)
Writers on World War II (1991)

Film scripts

Insomnia Is Good for You (1957) (co-written with Lewis Griefer )
Dearth of a Salesman (1957, starring Peter Sellers ) (co-written with Lewis Griefer )
No Love for Johnnie (1962) (co-written with Nicholas Phipps, based on the novel by Wilfred Fienburgh)
Life at the Top (1965) (screenplay from novel by John Braine)
The Apprenticeship of Duddy Kravitz (1974) (Screenwriters Guild Award and Oscar screenplay nomination)
The Street (1976) (Oscar nomination)
Fun with Dick and Jane (1977, with David Giler & Jerry Belson, from a story by Gerald Gaiser)
The Wordsmith (1979)
Joshua Then and Now (1985)
Barney's Version (2010, screenplay by Michael Konyves, based on Richler's novel of the same name; Richler wrote an early draft)

References

"Mordecai Richler Biography". eNotes.com. Retrieved May 15, 2015.
^ Depalma, Anthony (July 4, 2001). "Mordecai Richler, Novelist Who Showed a Street-Smart Montreal, Is Dead at 70". The New York Times. ISSN 0362-4331. Retrieved November 5, 2021.
^ Foran, Charles (March 4, 2015). "Mordecai Richler". The Canadian Encyclopedia. Historica Canada.
Brownfeld, Allan C. (March 22, 1999). "Growing intolerance threatens humane Jewish tradition". Washington Report on Middle East Affairs. Retrieved September 26, 2016.
McNay, Michael (July 5, 2001). "Mordecai Richler". The Guardian.
"Nancy Richler novel meticulous study of Jews in postwar Montreal". Winnipeg Free Press. April 24, 2012.
Brown, Ruseell (1997). "Richler, Mordecai". In Benson, Eugene; Toye, William (eds.). The Oxford Companion to Literature (2 ed.). Don Mills, Ontario: Oxford University Press. p. 1000.
"Mordecai Richler: an obituary tribute by Robert Fulford". Robertfulford.com. July 4, 2001. Retrieved August 20, 2011.
Steyn, Mark (September 2001). "Mordecai Richler, 1931–2001". New Criterion. 20 (1): 123–128.
See the following authored by Richler:
• "Fighting words". New York Times Book Review. Vol. 146, no. 50810. June 1, 1997. p. 8.
• "Tired of separatism". The New York Times. Vol. 144, no. 49866. October 31, 1994. p. A19.
• "O Quebec". The New Yorker. Vol. 70, no. 15. May 30, 1994. p. 50.
• "On Language: Gros Mac attack". New York Times Magazine. Vol. 142, no. 49396. July 18, 1993. p. 10.
• "Language Problems". Atlantic Monthly. Vol. 251, no. 6. June 1983. p. 10-18.
• "OH! CANADA! Lament for a divided country". Atlantic Monthly. Vol. 240, no. 6. December 1977. p. 34.
^ Conlogue, Ray (June 26, 2002). "Oh Canada, Oh Quebec, Oh Richler". The Globe and Mail. Retrieved May 31, 2018.
Richler, Mordecai (December 1977). "OH! CANADA! Lament for a divided country". Atlantic Monthly. Vol. 240, no. 6. p. 34.
"Video: Controverse autour du livre Oh Canada Oh Québec!". Archives. Société Radio-Canada. March 31, 1992. Retrieved September 22, 2006.
Foglia, Pierre (December 16, 2000). "Faut arrêter de freaker". La Presse.
Smith, Donald (1997). D'une nation à l'autre: des deux solitudes à la cohabitation. Montreal: Éditions Alain Stanké. p. 56.
Smart, Pat (May 1992). "Daring to Disagree with Mordecai". Canadian Forum. p. 8.
Johnson, William (July 7, 2001). "Oh, Mordecai. Oh, Quebec". The Globe and Mail.
"Le Grand Silence". Le Devoir. March 28, 1992.
Richler, Trudeau, "Lasagne et les autres", October 22, 1991. Le Devoir
Sarah Scott, Geoff Baker, "Richler Doesn't Know Quebec, Belanger Says; Writer 'Doesn't Belong', Chairman of Panel on Quebec's Future Insists", The Gazette, September 20, 1991.
^ Khouri, Nadia. Qui a peur de Mordecai Richler. Montréal: Éditions Balzac, 1995. ISBN 9782921425537
"Hitting below the belt.", By: Barbara Amiel, Maclean's, August 13, 2001, Vol. 114, Issue 33
Ricou, above
Khouri, above, Scott et al., above, Delisle cited in Kraft, below
Noah Richler, "A Just Campaign", The New York Times, October 7, 2001, p. AR4
Michel Vastel, "Le cas Richler". L'actualité, November 1, 1996, p.66
Frances Kraft, "Esther Delisle", The Canadian Jewish News, April 1, 1993, p. 6
Siemens: "Canadian Literary Awards and Prizes", The Encyclopedia of Literature in Canada Archived February 5, 2012, at the Wayback Machine
"Mordecai Richler would have enjoyed Montreal memorial controversy". Toronto Star. March 13, 2015. Retrieved May 15, 2015.
"Mordecai Richler gazebo finally finished". CBC News. September 12, 2016.
"Press Release: Canada's Walk of Fame Announces the 2011 Inductees". Canada's Walk of Fame. June 28, 2011. Archived from the original on July 10, 2011. Retrieved June 28, 2011.
Peritz, Ingrid (June 24, 2011). "Mordecai Richler to be honoured with gazebo on Mount Royal". The Globe and Mail. Retrieved December 25, 2011.
"Editorial: At last, a Richler library". Montrealgazette.com. March 12, 2015. Retrieved May 15, 2015.
The Jacob Two-Two books are about 100 pages each. Two of them are Richler's only works in Internet Speculative Fiction Database (ISFDB), which catalogues them as juvenile fantasy novels and reports multiple cover artists and interior illustrators.
"Mordecai Richler – Summary Bibliography". ISFDB. Retrieved July 25, 2015.
"The Street". National Film Board of Canada. Retrieved August 21, 2012.

External links

"Mordecai Richler". Face to Face. Canadian Museum of History.
Mordecai Richler at IMDb
Yiddish phrases & cultural references in The Apprenticeship of Duddy Kravitz
CBC Digital Archives: Mordecai Richler Was Here
Obituary of Richler
Literary biography of Richler
Obituary by Robert Fulford
Mordecai Richler at Find a Grave
Walk in Montreal commemorating Mordecai Richler

v t e Recipients of the Giller Prize
1990s	M. G. Vassanji, The Book of Secrets (1994) Rohinton Mistry, A Fine Balance (1995) Margaret Atwood, Alias Grace (1996) Mordecai Richler, Barney's Version (1997) Alice Munro, The Love of a Good Woman (1998) Bonnie Burnard, A Good House (1999)
2000s	Michael Ondaatje, Anil's Ghost / David Adams Richards, Mercy among the Children (2000) Richard B. Wright, Clara Callan (2001) Austin Clarke, The Polished Hoe (2002) M. G. Vassanji, The In-Between World of Vikram Lall (2003) Alice Munro, Runaway (2004) David Bergen, The Time in Between (2005) Vincent Lam, Bloodletting & Miraculous Cures (2006) Elizabeth Hay, Late Nights on Air (2007) Joseph Boyden, Through Black Spruce (2008) Linden MacIntyre, The Bishop's Man (2009)
2010s	Johanna Skibsrud, The Sentimentalists (2010) Esi Edugyan, Half-Blood Blues (2011) Will Ferguson, 419 (2012) Lynn Coady, Hellgoing (2013) Sean Michaels, Us Conductors (2014) André Alexis, Fifteen Dogs (2015) Madeleine Thien, Do Not Say We Have Nothing (2016) Michael Redhill, Bellevue Square (2017) Esi Edugyan, Washington Black (2018) Ian Williams, Reproduction (2019)
2020s	Souvankham Thammavongsa, How to Pronounce Knife (2020) Omar El Akkad, What Strange Paradise (2021) Suzette Mayr, The Sleeping Car Porter (2022) Sarah Bernstein, Study for Obedience (2023) Anne Michaels, Held (2024)

v t e Winners of the Governor General's Award for English-language fiction
1930s	Bertram Brooker, Think of the Earth (1936) Laura Salverson, The Dark Weaver (1937) Gwethalyn Graham, Swiss Sonata (1938) Franklin D. McDowell, The Champlain Road (1939)
1940s	Ringuet, Thirty Acres (1940) Alan Sullivan, Three Came to Ville Marie (1941) G. Herbert Sallans, Little Man (1942) Thomas Head Raddall, The Pied Piper of Dipper Creek (1943) Gwethalyn Graham, Earth and High Heaven (1944) Hugh MacLennan, Two Solitudes (1945) Winifred Bambrick, Continental Revue (1946) Gabrielle Roy, The Tin Flute (1947) Hugh MacLennan, The Precipice (1948) Philip Child, Mr. Ames Against Time (1949)
1950s	Germaine Guèvremont, The Outlander (1950) Morley Callaghan, The Loved and the Lost (1951) David Walker, The Pillar (1952) David Walker, Digby (1953) Igor Gouzenko, The Fall of a Titan (1954) Lionel Shapiro, The Sixth of June (1955) Adele Wiseman, The Sacrifice (1956) Gabrielle Roy, Street of Riches (1957) Colin McDougall, Execution (1958) Hugh MacLennan, The Watch That Ends the Night (1959)
1960s	Brian Moore, The Luck of Ginger Coffey (1960) Malcolm Lowry, Hear Us O Lord from Heaven Thy Dwelling Place (1961) Kildare Dobbs, Running to Paradise (1962) Hugh Garner, Hugh Garner's Best Stories (1963) Douglas LePan, The Deserter (1964) (1965) Margaret Laurence, A Jest of God (1966) (1967) Alice Munro, Dance of the Happy Shades (1968) Robert Kroetsch, The Studhorse Man (1969)
1970s	Dave Godfrey, The New Ancestors (1970) Mordecai Richler, St. Urbain's Horseman (1971) Robertson Davies, The Manticore (1972) Rudy Wiebe, The Temptations of Big Bear (1973) Margaret Laurence, The Diviners (1974) Brian Moore, The Great Victorian Collection (1975) Marian Engel, Bear (1976) Timothy Findley, The Wars (1977) Alice Munro, Who Do You Think You Are? (1978) Jack Hodgins, The Resurrection of Joseph Bourne (1979)
1980s	George Bowering, Burning Water (1980) Mavis Gallant, Home Truths: Selected Canadian Stories (1981) Guy Vanderhaeghe, Man Descending (1982) Leon Rooke, Shakespeare's Dog (1983) Josef Škvorecký, The Engineer of Human Souls (1984) Margaret Atwood, The Handmaid's Tale (1985) Alice Munro, The Progress of Love (1986) M. T. Kelly, A Dream Like Mine (1987) David Adams Richards, Nights Below Station Street (1988) Paul Quarrington, Whale Music (1989)
1990s	Nino Ricci, Lives of the Saints (1990) Rohinton Mistry, Such a Long Journey (1991) Michael Ondaatje, The English Patient (1992) Carol Shields, The Stone Diaries (1993) Rudy Wiebe, A Discovery of Strangers (1994) Greg Hollingshead, The Roaring Girl (1995) Guy Vanderhaeghe, The Englishman's Boy (1996) Jane Urquhart, The Underpainter (1997) Diane Schoemperlen, Forms of Devotion (1998) Matt Cohen, Elizabeth and After (1999)
2000s	Michael Ondaatje, Anil's Ghost (2000) Richard B. Wright, Clara Callan (2001) Gloria Sawai, A Song for Nettie Johnson (2002) Douglas Glover, Elle (2003) Miriam Toews, A Complicated Kindness (2004) David Gilmour, A Perfect Night to Go to China (2005) Peter Behrens, The Law of Dreams (2006) Michael Ondaatje, Divisadero (2007) Nino Ricci, The Origin of Species (2008) Kate Pullinger, The Mistress of Nothing (2009)
2010s	Dianne Warren, Cool Water (2010) Patrick deWitt, The Sisters Brothers (2011) Linda Spalding, The Purchase (2012) Eleanor Catton, The Luminaries (2013) Thomas King, The Back of the Turtle (2014) Guy Vanderhaeghe, Daddy Lenin and Other Stories (2015) Madeleine Thien, Do Not Say We Have Nothing (2016) Joel Thomas Hynes, We'll All Be Burnt in Our Beds Some Night (2017) Sarah Henstra, The Red Word (2018) Joan Thomas, Five Wives (2019)
2020s	Michelle Good, Five Little Indians (2020) Norma Dunning, Tainna (2021) Sheila Heti, Pure Colour (2022) Anuja Varghese, Chrysalis (2023) Jordan Abel, Empty Spaces (2024)

v t e Commonwealth Writers' Prize: Best Book Winners
1987–1989	Olive Senior (1987) Festus Iyayi (1988) Janet Frame (1989)
1990–1999	Mordecai Richler (1990) David Malouf (1991) Rohinton Mistry (1992) Alex Miller (1993) Vikram Seth (1994) Louis de Bernières (1995) Rohinton Mistry (1996) Earl Lovelace (1997) Peter Carey (1998) Murray Bail (1999)
2000–2009	J. M. Coetzee (2000) Peter Carey (2001) Richard Flanagan (2002) Austin Clarke (2003) Caryl Phillips (2004) Andrea Levy (2005) Kate Grenville (2006) Lloyd Jones (2007) Lawrence Hill (2008) Christos Tsiolkas (2009)
2010–2011	Rana Dasgupta (2010) Aminatta Forna (2011)

v t e Writers Guild of America Award for Best Adapted Screenplay
Adapted Drama (1969–1983)	Waldo Salt (1969) Robert Anderson (1970) Ernest Tidyman (1971) Francis Ford Coppola & Mario Puzo (1972) Waldo Salt & Norman Wexler (1973) Francis Ford Coppola & Mario Puzo (1974) Bo Goldman & Lawrence Hauben (1975) William Goldman (1976) Alvin Sargent (1977) Oliver Stone (1978) Robert Benton (1979) Alvin Sargent (1980) Ernest Thompson (1981) Costa-Gavras & Donald E. Stewart (1982) Julius J. Epstein (1983)
Adapted Comedy (1969–1983)	Arnold Schulman (1969) Ring Lardner Jr. (1970) John Paxton (1971) Jay Presson Allen (1972) Alvin Sargent (1973) Lionel Chetwynd & Mordecai Richler (1974) Neil Simon (1975) Blake Edwards & Frank Waldman (1976) Larry Gelbart (1977) Elaine May & Warren Beatty (1978) Jerzy Kosiński (1979) Jim Abrahams, David Zucker & Jerry Zucker (1980) Gerald Ayres (1981) Blake Edwards (1982) James L. Brooks (1983)
Adapted Screenplay (1984–present)	Bruce Robinson (1984) Richard Condon & Janet Roach (1985) Ruth Prawer Jhabvala (1986) Steve Martin (1987) Christopher Hampton (1988) Alfred Uhry (1989) Michael Blake (1990) Ted Tally (1991) Michael Tolkin (1992) Steven Zaillian (1993) Eric Roth (1994) Emma Thompson (1995) Billy Bob Thornton (1996) Curtis Hanson & Brian Helgeland (1997) Scott Frank (1998) Alexander Payne & Jim Taylor (1999) Stephen Gaghan (2000) Akiva Goldsman (2001) David Hare (2002) Shari Springer Berman & Robert Pulcini (2003) Alexander Payne & Jim Taylor (2004) Larry McMurtry & Diana Ossana (2005) William Monahan (2006) Joel Coen & Ethan Coen (2007) Simon Beaufoy (2008) Jason Reitman & Sheldon Turner (2009) Aaron Sorkin (2010) Alexander Payne, Jim Rash & Nat Faxon (2011) Chris Terrio (2012) Billy Ray (2013) Graham Moore (2014) Adam McKay & Charles Randolph (2015) Eric Heisserer (2016) James Ivory (2017) Nicole Holofcener & Jeff Whitty (2018) Taika Waititi (2019) Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern & Nina Pedrad (2020) Sian Heder (2021) Sarah Polley (2022) Cord Jefferson (2023)

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