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(Redirected from Nashid) Type of vocal music in the Islamic world For the former President of the Maldives, see Mohamed Nasheed.
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A nasheed (Arabic: نَشِيد, romanized: nashīd, lit. 'chant', plural Arabic: أَنَاشِيد, romanized: anāshīd) is a work of vocal music, partially coincident with hymns, that is either sung a cappella or with instruments, according to a particular style or tradition within Sunni Islam.

Nasheeds are popular throughout the Islamic world. The material and lyrics of a nasheed usually reference Islamic beliefs, history, religion, and current events.

A nashīd performer is called a nashidist in English and munshid in Arabic (Arabic: مُنْشِد, romanized: Munshid, fem: Arabic: مُنْشِدَة, romanized: Munshidah, plural: Arabic: مُنْشِدِين, romanized: Munshidīn).

Scholars on instruments

Further information: Islamic music § Differences of opinion over prohibition

The founders of all four of the major madhabs – Islamic schools of thought – and many other prominent scholars, have debated the legitimacy and use of musical instruments. For instance, according to the Hanafi school of thought, associated with the scholar Abu Hanifa, if a person is known to play musical instruments to divert people from God, their testimony is not to be accepted.

According to the widely acknowledged book of authentic hadiths Sahih al-Bukhari of Sunni scholarship, Muhammad taught that musical instruments are sinful:

Abu 'Amir or Abu Malik Al-Ash'ari said that he heard Muhammad saying: "From among my followers there will be some people who will consider illegal sexual intercourse, the wearing of silk, the drinking of alcoholic drinks and the use of musical instruments, as lawful. And there will be some people who will stay near the side of a mountain and in the evening their shepherd will come to them with their sheep and ask them for something, but they will say to him, 'Return to us tomorrow.' Allah will destroy them during the night and will let the mountain fall on them, and He will transform the rest of them into monkeys and pigs and they will remain so till the Day of Resurrection."

There is also evidence for music being permitted in the same book. Aisha said:

Abu Bakr came to my house while two small Ansari girls were singing beside me the stories of the Ansar concerning the Day of Buath. And they were not singers. Abu Bakr said protestingly, "Musical instruments of Satan in the house of Allah's Messenger!" It happened on the `Id day and Allah's Messenger said, "O Abu Bakr! There is an `Id for every nation and this is our `Id."

A few historical Islamic scholars such as Al-Ghazali have also said that musical instruments may be used as long as the songs are not promoting that which is Haraam.

Modern interpretations

A new generation of nasheed artists use a wide variety of musical instruments in their art. Many new nasheed artists are non-Arabs and sing in different languages. Some nasheed bands are Native Deen, Outlandish, and Raihan. Other well-known artists are Ahmed Bukhatir, Yusuf Islam (formerly known as Cat Stevens), Sami Yusuf, Junaid Jamshed, Maher Zain, Harris J, Siedd, Sulthan Ahmed, Humood AlKhudher, Hamza Namira, Atif Aslam, Raef, Mesut Kurtis, S'nada, Dawud Wharnsby, Zain Bhikha, Muhammad Al-Muqit, Mishary Rashid Al-Afasy, Abu Ubayda, Abu Ali (Musa al-Umaira), Abu Abd ul-Malik (Mohsin al-Dosari) and Abu Assim.

Nasheed artists appeal to a worldwide Muslim audience and may perform at Islamic oriented festivals (such as Mawlid), conferences, concerts and shows, including ISNA. Other artists and organisations such as Nasheed Bay promote an instrument-free stance, differing from the current trends of the increasing usage of instruments in nasheeds.

Many Shia groups such as Hezbollah don't follow the ruling of musical instruments in Islam. Their nasheeds are filled with drums and extreme autotune. In Alawite nasheeds, the singer mostly shouts and praises Ali. Some Bosnian nasheeds during the Yugoslav Wars were sung within the genre turbofolk.

Propaganda

Nasheeds are also used to spread propaganda. A notable example is from a Taliban nasheed called This Is the Home of the Brave.

In 2017, a Uyghur activist in Turkey claimed that nasheeds caused radicalisation, stating that "there's no doubt that anashīd played an important role in stirring up the young people and encouraging them to fight in these wars. People listen to anashīd, and they cry. They try to get people emotional, excited, to inspire them. Their aim is to target young people who aren't clear in their minds, to get them to join their jihad. This is not true Islam, persuading young people to go and get themselves killed."

The Islamic State (ISIS) is known for the use of nasheeds in their videos and propaganda, notable examples being the chant Dawlat al-Islam Qamat ("The Islamic State Has Been Established"), which came to be viewed as an unofficial anthem of ISIS, and Salil al-sawarim ("Clashing of Swords").

Famous jihadist munshids include Maher Meshaal and Abu Hajer al-Hadhrami.

See also

References

  1. Raudvere, Catharina; Stenberg, Leif (15 January 2009). Sufism Today: Heritage and Tradition in the Global Community. I. B. Tauris. p. 76. ISBN 9781845117627. Retrieved 6 January 2014.
  2. Shahih al-Bukhari Volume 7, Book 69, Number 494v: English translation of this hadith at https://sunnah.com/bukhari/74/16.
  3. Sahih al-Bukhari 952 (Book 13, Hadith 4); English translation at https://sunnah.com/bukhari:952.
  4. "What is the ruling concerning Music?". Dar al-Ifta al-Misriyyah. Archived from the original on 2021-06-29. Retrieved 2021-06-29.
  5. "Islamic Music For the New Generation". Ahmed Bukhatir.com. 4 July 2017. Retrieved 17 March 2019. Young Muslim singers are doing just that with Islamic songs called "Nasheeds"
  6. ^ Marshall, Alex (2014-11-09). "How Isis got its anthem". The Guardian. ISSN 0261-3077. Retrieved 2024-09-01.
  7. Soundscapes of Uyghur Islam, Rachel Harris, 2020, pp. 161
  8. Schatz, Bryan. "Inside the world of jihadi propaganda music". Mother Jones. Retrieved 2020-09-08.

Further reading

  • Thibon, Jean-Jacques, "Inshad", in Muhammad in History, Thought, and Culture: An Encyclopedia of the Prophet of God (2 vols.), edited by C. Fitzpatrick and A. Walker, Santa Barbara, ABC-CLIO, 2014, Vol. I, pp. 294–298. ISBN 1610691776.
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