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National Film Award for Best Odia Feature Film

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(Redirected from National Film Award for Best Feature Film in Oriya)

National Film Award for Best Odia Feature Film
National award for contributions to Indian Cinema
Awarded forBest Odia Feature Film(s) of the year
Sponsored byNational Film Development Corporation of India
Formerly calledPresident's Silver Medal for Best Feature Film in Odia (1960–1968)
National Film Award for Best Feature Film in Odia (1969–2021)
Reward(s)
  • Rajat Kamal (Silver Lotus)
  • ₹2,00,000
First awarded1960
Last awarded2022
Most recent winner Daman
Highlights
Total awarded40
First winnerSri Lokanath

The National Film Award for Best Odia Feature Film is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal (Silver Lotus).

The National Film Awards, established in 1954, are the most prominent film awards in India that merit the best of the Indian cinema. The ceremony also presents awards for films in various regional languages.

The films made in Odia language were not considered until the 8th National Film Awards ceremony held in March 1961. The 1960 Prafulla Kumar Sengupta directorial film Sri Lokenath received the first president's silver medal for Best Feature Film in Odia. Since the 70th National Film Awards, the name was changed to "Best Odia Feature Film".

Winners

Award includes 'Rajat Kamal' (Silver Lotus Award) and cash prize. Following are the award winners over the years:

Awards legends
* President's Silver Medal for Best Feature Film
* Certificate of Merit for the Second Best Feature Film
* Certificate of Merit for the Third Best Feature Film
* Certificate of Merit for the Best Feature Film
List of award films, showing the year (award ceremony), producer(s), director(s) and citation
Year Film(s) Producer(s) Director(s) Citation Refs.
1960
(8th) 		Sri Lokanath Rupa Raga Pvt Ltd. Prafulla Kumar Sengupta  –
1961
(9th) 		Nua Bou Ram Krishna Tripathy Prabhat Mukherjee  –
1962
(10th) 		Suryamukhi Soumendra Misra P. K. Sengupta  –
Lakshmi  • Parvati Ghose
 • G. P. Ghose 		Sarda Naik  –
1963
(11th) 		Jeevan Sathi Srinibash Paikaroy Prabhat Mukherjee  –
Nari Narendra Kumar Mitra Trilochana
 • Narendra Kumar Mitra
 • Amalendu Bagehi
 • Kavichandra Kalicharan Patnaik) 		 –
1964
(12th) 		Sadhana Diamond Valley Production Prabhat Mukherjee  –
Naba Janma Pancha Sakha Pictures Sachin Mukherji  –
1965
(13th) 		No Award
1966
(14th) 		Kaa Parbati Ghose Sidhartha  –
1967
(15th) 		Arundhati Dhiren Patnaik Prafulla Sengupta  –
1968
(16th) 		Stree Parbati Ghose Sidhartha  –
1969
(17th) 		No Award
1970
(18th) 		No Award
1971
(19th)
1972
(20th) 		No Award
1973
(21st) 		No Award
1974
(22nd) 		No Award
1975
(23rd) 		No Award
1976
(24th) 		Shesha Shrabana Nagen Roy Prashant Nanda
1977
(25th) 		Chilika Teerey Shyamghan Rai Chaudhari Biplab Rai Chaudhari For showing how, brutally oppressed by vested socio-economical interests, but now inspired by a new sense of freedom the fisher folk of Chilka lake cast off the shackles of the past and achieve their liberation for presenting with understanding and compassion the conflict between individual needs and the welfare of the community, for portraying with vigor and intensity the role of Chilka lake as a mother of the people, sharing with them their joys and sorrows.
1978
(26th) 		No Award
1979
(27th)
1980
(28th) 		No Award
1981
(29th) 		Seeta Raati Balram Misra Manmohan Mahapatra For a commendable work on the theme of a woman who faces life courageously despite the orthodox forces aligned against her.
1982
(30th) 		No Award
1983
(31st) 		Neeraba Jhada Manmohan Mahapatra Manmohan Mahapatra For sensitive narration of the looming tragedy of an uprooted rural community.
1984
(32nd) 		Klanta Aparahna Dynamic Studio Manmohan Mahapatra  –
1985
(33rd) 		Hakim Babu Amiya Ranjan Patnaik Pranab Das For a film which makes a powerful comment on the bureaucratic system which renders even an idealistic officer helpless and unable to realise his own objectives.
1986
(34th) 		Majhi Pahacha Dipti Mohanty Manmohan Mahapatra For a faithful portrayal of a range of individuals in today's urban milieu.
1987
(35th) 		Nishidhdha Swapna Manmohan Mahapatra Manmohan Mahapatra For its uncompromising technique in objectively observing in life of a family in an Odia village defining the attitudes, motivations, hopes and disillusionment of each one in the context of social change of which they are all a part.
1988
(36th) 		Kichi Smruti Kichi Anubhuti K. Jagadeswari Manmohan Mahapatra For the cinematic depiction of the past, present and future of the psyche of a representative village.
1989
(37th) 		Andha Diganta Vox Visuals Pvt. Ltd. Manmohan Mahapatra For its unemotional description of the increasing misery of a peasant who discovers his inadequacy in fighting his economic servitude and his own bourgeois attitude towards his wife's past.
1990
(38th) 		No Award
1991
(39th) 		Tara Bijaya Jena Bijaya Jena Marked by its sincerity in truthfully portraying woman's search for her identity in a male dominated society.
1992
(40th) 		Vinya Samaya Shankar Gope Manmohan Mahapatra For its competent treatment of the corruption of modern youth in search of illusive wealth.
1993
(41st) 		Aranya Rodana Prasan Prusti Biplab Ray Chaudhuri For its very sensitive and cinematic handling of an urban journalist's quest to understand the complexities of tribal life, seen through the eyes of an orphaned boy.
1994
(42nd) 		No Award
1995
(43rd) 		Moksha  • Jayadev Mallick
 • Pramoda Kumar Nayak 		 • Gouri Shankar Das
 • Malaya Kumar Roy 		For depicting the life of two people in a rural set up who suffer an entire life of loneliness and unfulfilment, because of the rigid traditional values of society.
1996
(44th) 		Shunya Swaroopa Alaya Kumar Mohanty Himanshu Sekhar Khatua For a beautifully photographed film depicting the conflicts of a layman floundering in the world of sanyasias.
1997
(45th) 		Shesha Drushti NFDC Apurba Kishore Bir For the film's exploration of a suffering mother who undergoes the trauma created by her own sons and rediscovers her creative talent and rehabilitates herself.
1998
(46th) 		Nandan N'CYP Apurba Kishore Bir For its simple story and realistic milieu. Nandan portrays the aspiration of a poor child and the constraints of his parents in fulfilling them. The triumph of family values and love over material gloss has universal appeal.
1999
(47th) 		Biswaprakash NFDC Susant Misra For depicting the story of a young man in search of his identify and direction in life. The beautifully photo-graphed film depicts the lack of opportunities in a small town.
2000
(48th) 		No Award
2001
(49th) 		Magunira Shagada NFDC Prafulla Mohanty For showing the agony of a man trapped within tradition and unable to accept the changes that impact life around him.
2002
(50th) 		No Award
2003
(51st) 		Aw Aaakare Aa Subash Das Subash Das For a passionate call for reforms in the present education system.
2004
(52nd) 		No Award
2005
(53rd) 		Kathantara Iti Samanta Himanshu Khatua For seeking to re-establish Indian family values in the modern day situation.
2006
(54th) 		Puja Pain Phulatie Padmini Puty Gadadhar Puty For an emotional portrayal of the bonding and generosity of children.
2007
(55th) 		No Award
2008
(56th) 		No Award
2009
(57th) 		No Award
2010
(58th) 		No Award
2011
(59th) 		No Award
2012
(60th) 		No Award
2013
(61st) 		No Award
2014
(62nd) 		Aadim Vichar Mohapatra Movie Magic Pvt. Ltd. Sabyasachi Mohapatra For its vibrant portrayal of a tribal community whose enabling humanism shows a way out of pettiness and prejudice.
2015
(63rd) 		Pahada Ra Luha Mohapatra Movie Magic Pvt. Ltd. Sabyasachi Mohapatra For showcasing chronicles 25 years of the life of innocent tribal of Odisha, in the backdrop of the massive political transformations and Maoist insurgency.
2016
(64th) 		No Award
2017
(65th) 		Hello Arsi Ajaya Routray Sambit Mohanty  –
2018
(66th) 		No Award
2019
(67th) 		Saala Budhar Badla New Generation Films Sabyasachi Mohapatra Entertaining and musical tale of sweet revenge of the two warring tribal villages.
Kalira Atita Eleenora Images Pvt Ltd. Nila Madhab Panda Realistically shot touching tale of a schizophrenic poor man fighting with his past tragedies.
2020
(68th) 		No Award
2021
(69th) 		Pratikshya Anupam Patnaik Anupam Patnaik "A story about dreams, desperation, and aspirations. Like every unemployed graduate, Sanjay is adamant about finding a government job. Bipin, his father tries hard to convince Sanjay to do any job as his retirement is at bay."
2022
(70th) 		Daman  • JP Motion Pictures
 • Mentis Films 		 • Vishal Mourya
 • Debi Prasad Lenka 		 –

References

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  53. "62nd National Film Awards" (PDF) (Press release). Directorate of Film Festivals. 24 March 2015. Retrieved 24 March 2015.
  54. "69th National Film Awards: Pratikshya adjudged Best Odia feature film | Sambad English". 24 August 2023. Retrieved 24 August 2023.
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  59. "70th National Film Awards: Rishab Shetty wins Best Actor for 'Kantara,' 'Aattam' bags Best Feature Film". The Hindu (Press release). 16 August 2024. Retrieved 21 August 2024.

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