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This is a list of works and appearances by the English playwright, actor, singer and songwriter Noël Coward.

Stage works

Stage appearances

London, except where stated otherwise

Source: Mander and Mitchenson.

Songs

Coward wrote more than three hundred songs. The Noël Coward Society's website, drawing on performing statistics from the publishers and the Performing Rights Society, names "Mad About the Boy" (from Words and Music) as Coward's most popular song, followed, in order, by:

• "I'll See You Again" (Bitter Sweet)
• "Mad Dogs and Englishmen" (Words and Music)
• "If Love Were All" (Bitter Sweet)
• "Someday I'll Find You" (Private Lives)
• "I'll Follow My Secret Heart" (Conversation Piece)
• "London Pride" (1941)
• "A Room With a View" (This Year of Grace)
• "Mrs Worthington" (1934)
• "Poor Little Rich Girl" (On with the Dance)
• "The Stately Homes of England" (Operette)

In the society's second tier of favourites are:

• "The Party's Over Now" (Words and Music)
• "Dearest Love" (Operette)
• "Dear Little Café" (Bitter Sweet)
• "Parisian Pierrot" (London Calling!)
• "Men About Town" (Tonight at 8.30)
• "Twentieth Century Blues" (Cavalcade)
• "Uncle Harry" (Pacific 1860)
• "Don't Let's Be Beastly to the Germans" (1943)
• "There Are Bad Times Just Around the Corner" (Globe Review)
• "Dance, Little Lady" (This Year of Grace)
• "Has Anybody Seen Our Ship?" (Tonight at 8.30)
• "I Went to a Marvellous Party" (Set to Music)
• "Nina" (Sigh No More)
• "A Bar on the Piccola Marina" (1954)
• "Why Must the Show Go On?" (Together With Music)
• "Sail Away" (Ace of Clubs and Sail Away)
• "Zigeuner" (Bitter Sweet)

Cinema

Adaptations and original films

• The Queen Was in the Parlour, directed by Graham Cutts (UK, 1927, based on the play of the same name)
• Easy Virtue, directed by Alfred Hitchcock (UK, 1928, based on the play of the same name)
• The Vortex, directed by Adrian Brunel (UK, 1928, based on the play of the same name)
• Private Lives, directed by Sidney Franklin, Metro-Goldwyn-Mayer (1931, based on the play of the same name)
• Tonight Is Ours, directed by Stuart Walker, Paramount (1933, based on the play The Queen Was in the Parlour)
• Cavalcade, directed by Frank Lloyd, 20th Century Fox (1933, based on the play of the same name)
• Bitter Sweet, directed by Herbert Wilcox (UK, 1933, based on the operetta of the same name)
• Design for Living, directed by Ernst Lubitsch, Paramount (1933, based on the play of the same name)
• Les amants terribles (The Terrible Lovers), directed by Marc Allégret (France, 1936, based on the play Private Lives)
• Bitter Sweet, directed by W. S. Van Dyke, Metro-Goldwyn-Mayer (1940, based on the operetta of the same name)
• In Which We Serve, original film, directed by Coward and David Lean, British Lion (1942). Screenplay by Coward.
• We Were Dancing, directed by Robert Z. Leonard, Metro-Goldwyn-Mayer (1942, based on the plays We Were Dancing, Ways and Means and Private Lives)
• This Happy Breed, directed by David Lean, Universal (UK, 1944, based on the play of the same name) (Coward was also a producer)
• Blithe Spirit, directed by David Lean (UK, 1945, based on the play of the same name) (Coward was also a producer)
• Brief Encounter, directed by David Lean (UK, 1945, based on the play Still Life) (Coward was also a screenwriter and producer)
• The Astonished Heart, directed by Terence Fisher (UK, 1950, based on the play of the same name) (Coward was also a screenwriter)
• Meet Me Tonight, directed by Anthony Pelissier (UK, 1952, based on the plays Ways and Means, Red Peppers, and Fumed Oak)
• Pretty Polly, directed by Guy Green (UK, 1967, based on the short story Pretty Polly Barlow)
• Brief Encounter, directed by Alan Bridges (UK, 1974, based on the play Still Life)
• Relative Values, directed by Eric Styles (UK, 2000, based on the play of the same name)
• Easy Virtue, directed by Stephan Elliott (UK, 2008, based on the play of the same name)

Actor

• Hearts of the World (1918) (uncredited)
• The Scoundrel (1935) as Anthony Mallare
• Men Are Not Gods (1936) (uncredited)
• In Which We Serve (1942) as Captain E.V. Kinross (also a screenwriter, producer and co-director)
• Blithe Spirit (1945) (uncredited narrator) (also producer)
• Brief Encounter (1945) (uncredited narrator) (also a screenwriter and co-producer)
• The Astonished Heart (1950) as Dr. Christian Faber
• Blithe Spirit (1956 TV film) as Charles Condomine
• Around the World in 80 Days (1956) as Roland Hesketh-Baggott
• Our Man in Havana (1959) as Hawthorne
• Surprise Package (1960) as King Pavel II
• Paris When It Sizzles (1964) as Alexander Meyerheim
• Ninety Years On (1964 TV film) as Narrator / Host
• Bunny Lake Is Missing (1965) as Horatio Wilson
• Androcles and the Lion (1967 TV film) as Caesar
• Boom! (1968) as The Witch of Capri
• The Italian Job (1969) as Mr. Bridger

Notes, references and sources

Notes

1. Co-written with Esmé Wynne under their joint pen name, Esnomel.
2. The title was changed to Ida Collaborates during the run.
3. Co-written with Wynne.
4. ^ One of five plays written early in Coward's career but not produced until, after his successes beginning with The Vortex and Hay Fever, producers were willing to stage them.
5. Revised in 1927.
6. Originally called Nadya, then Souvenir.
7. Mander and Mitchenson describe the play as unperformed, but newspaper archives record occasional performances from 1934 onwards. It is unclear if any of these were given by a professional company.
8. Co-written with Ronald Jeans.
9. Mainly by Coward, with some music by Philip Braham.
10. Originally titled Ritz Bar.
11. Titled Charles B. Cochran's 1928 Revue at its try-out in Manchester.
12. Originally titled Sari Linden.
13. It was first presented in a prisoner of war camp in Germany in 1944 and was given other amateur productions, but its first professional production was in 1992.
14. A revised edition of Words and Music for Broadway.
15. Originally titled Sweet Sorrow.
16. Because of the outbreak of the Second World War, the 1939 production was cancelled; when Coward returned to acting in 1942, the play was finally produced.
17. Based on Coward's 1939 short story What Mad Pursuit?
18. Originally titled Island Fling for its world premiere in the US and later titled Home and Colonial.
19. Originally titled Moxie.
20. Based on Lady Windermere's Fan.
21. Originally described as an operetta.
22. A single "rehearsed reading" was given in June 1989 at The Mill, Sonning. Mark Shenton called a 2012 production in the West End the first "major" production of the play, and Michael Billington wrote that, until the 2012 production, it had been "unproduced".
23. Based on The Sleeping Prince.
24. Adapted by Coward from his 1951 short story of the same name.
25. This was an anthology of Coward's words and music from the 1920s to the 1960s.
26. A second Coward anthology.
27. In Coward's day the play was thought to be a collaboration between Beaumont and John Fletcher: Coward, who found the play boring, was uncomplimentary about both playwrights.
28. For two weeks, to give the regular player of the part, Cecil Parker, a holiday during the long run.
29. The regular player, Cyril Ritchard, was ill.
30. Covering while the regular player, Graham Payn, was ill. This was the last time Coward appeared onstage with Gertrude Lawrence.

References

1. ^ Mander and Mitchenson, p. 25
2. ^ Mander and Mitchenson, p. 26
3. Morley (1974), pp. 111 (The Rat Trap); 77 (Sirocco); 106 (The Queen Was in the Parlour); and 92 (Fallen Angels); and Mander and Mitchenson, p. 81 (Weatherwise)
4. Mander and Mitchenson, p. 28
5. "I'll Leave It to You", The Times, 22 July 1920, p. 10; and Mander and Mitchenson, p. 36
6. Mander and Mitchenson, p. 43
7. "Daly's Theatre", The Times, 25 November 1927, p. 14
8. ^ Mander and Mitchenson, p. 52
9. Mander and Mitchenson, p. 62
10. Mander and Mitchenson, p. 65
11. Ervine, St John. "At the Play", The Observer, 29 August 1926, p. 9; and Mander and Mitchenson, p. 65
12. Mander and Mitchenson, p. 584
13. "Mild Oats to Be Given Before Theatre Guild", The Palm Beach Post, 2 October 1934, p. 6; "Today at the Theaters", The Ithaca Journal, 11 April 1936, p. 2
14. ^ Mander and Mitchenson, p. 74
15. Mander and Mitchenson, p. 81
16. "Globe Theatre", The Times, 22 April 1925, p. 12; and Mander and Mitchenson, p. 83
17. Mander and Mitchenson, p. 92
18. Mander and Mitchenson, p. 103
19. "Duke of York's Theatre", The Times, 10 June 1926, p. 14; and Mander and Mitchenson, p. 114
20. Mander and Mitchenson, p. 128
21. "On with the Dance", The Times, 1 May 1925, p. 12
22. ^ Mander and Mitchenson, p. 140
23. Mander and Mitchenson, p. 144
24. "Criterion Theatre", The Times, 17 February 1927, p. 12; and Mander and Mitchenson, p. 156
25. "Duke of York's Theatre", The Times, 26 October 1927, p. 12; and Mander and Mitchenson, p. 166
26. ^ Mander and Mitchenson, p. 171
27. Mander and Mitchenson, p. 183
28. "Bitter Sweet", The Times, 19 July 1929, p. 12
29. Mander and Mitchenson, p. 208
30. Mander and Mitchenson, p. 219
31. Mander and Mitchenson, p. 228
32. "Mr Coward's Revue", The Times, 17 September 1932, p. 8; and Mander and Mitchenson, p. 240
33. Mander and Mitchenson, p. 249
34. Mander and Mitchenson, p. 260
35. Mander and Mitchenson, p. 271
36. ^ "Theatres", The Manchester Guardian, 16 October 1935, p. 11; and "To-night at 8.30", The Times, 20 August 1935, p. 10
37. "Theatres", The Manchester Guardian, 19 October 1935, p. 15; and Mander and Mitchenson, p. 297
38. "Theatres", The Manchester Guardian, 19 October 1935, p. 15; and Mander and Mitchenson, p. 300
39. "Theatres", The Manchester Guardian, 19 October 1935, p. 15; and Mander and Mitchenson, p. 303
40. Mander and Mitchenson, p. 306
41. Mander and Mitchenson, p. 308
42. Mander and Mitchenson, p. 311
43. Mander and Mitchenson, p. 313
44. Mander and Mitchenson, p. 326
45. Mander and Mitchenson, p. 245
46. Mander and Mitchenson, p. 339
47. ^ Mander and Mitchenson, p. 345
48. ^ Mander and Mitchenson, p. 357
49. Mander and Mitchenson, p. 366
50. Mander and Mitchenson, p. 378
51. Mander and Mitchenson, p. 384
52. Mander and Mitchenson, p. 395
53. ^ Mander and Mitchenson, p. 577
54. ^ "Plays", Noël Coward Archive Trust. Retrieved 20 March 2020
55. Mander and Mitchenson, p. 419
56. ^ Mander and Mitchenson, p. 407
57. ^ Mander and Mitchenson, p. 430
58. Mander and Mitchenson, p. 440
59. ^ Mander and Mitchenson, p. 450
60. Mander and Mitchenson, p. 452
61. Mander and Mitchenson, p. 460
62. Shenton, Mark. , Playbill, 17 July 2012
63. Billington, Michael. "Volcano – Review", The Guardian, 17 August 2012
64. Mander and Mitchenson, p. 469
65. Mander and Mitchenson, p. 481
66. Mander and Mitchenson, p. 489
67. ^ Mander and Mitchenson, p. 500
68. ^ Mander and Mitchenson, p. 513
69. ^ Mander and Mitchenson, p. 530
70. ^ Mander and Mitchenson, p 534
71. "Knight of the Burning Pestle, The", The Oxford Companion to English Literature, Oxford University Press, 2009 Retrieved 31 March 2020 (subscription required)
72. Castle, p. 38
73. Lesley, p. 230
74. Mander and Mitchenson, p. 381
75. Morley, p. 260
76. Mander and Mitchenson, Appendix 4, pp. 590–593
77. "Appendix 3 (The Relative Popularity of Coward's Works)", Noël Coward Music Index, accessed 29 November 2015
78. Contemporary Authors Online, Thomson Gale, 2004, accessed 30 December 2008: requires subscription; and Noel Coward at the IMDB database, accessed 12 March 2009

Sources

• Castle, Charles (1972). Noël. London: W H Allen. ISBN 978-0-491-00534-0.
• Hoare, Philip (1995). Noël Coward, A Biography. London: Sinclair-Stevenson. ISBN 978-1-4081-0675-4.
• Lesley, Cole (1976). The Life of Noël Coward. London: Cape. ISBN 978-0-224-01288-1.
• Mander, Raymond; Mitchenson, Joe; Day, Barry Day; Morley, Sheridan (2000) . Theatrical Companion to Coward (second ed.). London: Oberon. ISBN 978-1-84002-054-0.
• Morley, Sheridan (1974) . A Talent to Amuse. London: Penguin. ISBN 978-0-14-003863-7.

• Noël Coward
• Male actor filmographies
• British filmographies