Offbeats | |
---|---|
Background information | |
Origin | San Antonio, Texas, U.S. |
Genres | Garage rock |
Years active | 2001–present |
Members | Sean, Colin & Bryan Foster Eric Romasanta |
Past members | Mike Griffin |
The Offbeats is an American musical band based in the Texas city of San Antonio with a garage rock sound. Their music has been compared to The Strokes and The Clash and the group has been getting positive critical attention by music critics writing in San Antonio media. Music critic Jeremy Martin described their overall sound as "early ’60s garage rock through a post-post-punk filter." They recorded several albums, and their recent CD Lights Out in the City was notable for its musical quality as well as its newspaper-themed cover art.
Beginnings
The band started as a collaboration in 2001 between Bryan Foster and Eric Romasanta who were finishing high school in San Antonio. They played various clubs in San Antonio, with musicians entering and leaving during these early years, and finally settling on a five-piece band. From 2002 to 2008, they played regularly at local clubs and honed their music. They released several EPs but the recorded sessions felt short of the group's expectations, according to lead singer Bryan Foster, who said after making recordings that "it was never what we felt like it was when we had that live vibe."
In 2008, their full-length debut CD entitled Standards was released, which reworked many of their previous tunes. It was described by music critic Jeremy Martin as "impressively professional and mature" despite being self-recorded and self-produced. What helped, according to then-lead guitarist Eric Romasanta, was rehearsing in their own space, which gave the group an "unlimited amount of time to spend on the album" including scrapping and reworking arrangements as necessary. He said:
We were able to get the parts arranged the way we wanted and tweak some of the songs. -- Eric Romasanta, 2008
The group improved technically. They continued to play regularly at clubs, including doing benefit concerts with other bands. Songwriter Bryan Foster improved during these years, according to critic Jeremy Martin. He wrote:
Romasanta and Foster’s guitars often sound like they’re picked with rusty razor blades. -- Jeremy Martin, 2008
Personnel problems
Band member | Instruments Before 2008 |
Instruments After 2008 |
Eric Romasanta | Guitar | Bass guitar |
Bryan Foster | Vocals | Vocals, guitar, keyboards, bass |
Colin Foster | Bass guitar | Drums |
Sean Foster | Guitar, keyboards, bass, drums |
Guitar |
Mike Griffin | drums |
After releasing The Standards, the group suffered a major personnel problem when their drummer, Mike Griffin, departed without warning. Singer Bryan Foster said "our first instinct was to regroup." They decided not to replace Griffin with another drummer but instead slimmed to only four members, and the musicians switched instruments (see table.) The changes were described as "drastic" by critic Enrique Lopetegui.
In 2009, during this transition, there were some dubious performances when the group did not have its act together. Critic Jeremy Martin, hearing one of their performances live, gave them a mixed review, and described the somewhat middle-aged audience as nonplussed with the group's loudness, and criticized the band's sound mixing as well.
Renewal
By 2011, the Offbeats recorded Lights Out In The City. Their songs described fictional but plausible "blackout stories" with thought-provoking lyrics, according to music critic Jim Beal Jr. San Antonio Current music critic Enrique Lopetegui described Bryan Foster as being similar to Mick Jagger and Julian Casablancas. He described the Lights Out in the City album as "catchy" and wrote that it was "one of the best local albums of the year." Music critic Jim Beal Jr. wrote that the album was "smart, clever and catchy." Lopetegui agreed, and elaborated:
The lyrics are smart and show the Offbeats as vulnerable boys in a world falling apart, guys who, despite it all, have the balls to take life seriously and give it all they’ve got. They denounce those who wear collared shirts and kneel in church to window-dress the lies... -- Enrique Lopetegui, San Antonio Current, 2011
In 2011, the band plays venues around San Antonio, and has four musicians, including three brothers: Bryan, Colin and Sean Foster, along with guitarist Eric Romasanta.
References
- ^ Jim Beal Jr. "Pop Pistol leads charge with CD". San Antonio Current. Retrieved 2011-03-31.
The songs match fictional, but plausible, blackout stories and they'll both give listeners something to think about.
- ^ Jeremy Martin (2009-08-12). "LIVE & LOCAL". San Antonio Current. Retrieved 2011-03-31.
- ^ Enrique Lopetegui (2011-03-11). "The renewed Offbeats are back with a vengeance". San Antonio Current. Retrieved 2011-03-31.
The Offbeats are my kind of band.
- ^ Enrique Lopetegui (March 30, 2011). "Local review of The Offbeats' Lights Out in the City". San Antonio Current. Retrieved 2011-03-31.
The first full-fledged album by the Offbeats since Standards (2008) required some drastic changes, but the now foursome pulled it off beautifully.
- ^ Jeremy Martin (August 6, 2008). "High 'Standards': After seven years the Offbeats finally found a producer they're happy with - themselves". San Antonio Current. Retrieved 2011-03-31.
For a full-length debut, self-recorded and produced, the Offbeats' Standards sounds impressively professional and mature.
- Gilbert Garcia (2008-08-20). "The Sound & the Fury (a week on the music scene)". San Antonio Current. Retrieved 2011-03-31.
Earlier this month, local pop-punk quartet the Offbeats celebrated the release of their new album, Standards, with a show at Limelight.
- "Tell Everyone Artist Fund Benefit w/ Erica Anthony, Brandon Cunningham, Clubs, & the Offbeats". San Antonio Current. 2011-03-31. Retrieved 2011-03-31.
(notice for benefit concert)
- Jeremy Martin (2010-08-04). "The Sound & the Fury (a week on the music scene)". San Antonio Current. Retrieved 2011-03-31.
and the Offbeats/Puppy Jet doubleheader at the Mix (2423 N St Mary's, (210) 735-1313) promises a two-car garage's worth of raw-power rock 'n' roll