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Hal Horowitz, reviewing the album for AllMusic, stated that "to his credit, Lofgren doesn't modernize his style to endear himself for a younger audience, but has written 11 out of these dozen selections in the same melodic rock format that he's adhered to since his days in Grin". Classic Rock's Terry Staunton found "Lofgren is sprightly enough to play most of the instruments himself" and noted he "show the whippersnapers how it's done". Allison Stewart of The Washington Post summarized the album as "alternately rueful and upbeat" with "midlife crisis anthems ('60 Is the New 18'), get-off-my-lawn rockers (the title track) and graceful, just short of gloomy ballads ('Miss You Ray')".
Brice Ezell of PopMatters wrote that the album is "likely to appeal to die-hard fans of Lofgren and maybe some fans of bluesy guitar solos, but to those unfamiliar with Lofgren's career the album will sound aged in both sonic and lyric". Rob Tannenbaum of Rolling Stone described it as a "weird, funny, crabby LP about seemingly everything that annoys : Congress, yoga, lattes, sexting, any teen 'dressed like a whore.' Lofgren switches from acoustic ballads to Stones–ish rock, where his voice turns craggy and stubbly". Shawn Donohue of Glide Magazine stated, "Grumpy-Old-Pissed-Off-Man might have been a more apt title" for the album and concluded, "sure Nils may be decidedly Old School, but if you are looking for a new school way of hearing him in 2012, wait for the next E-Street tour as his sideman guitar work is still his best asset".
